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Orange Dark Terror Forsterker Topp

Art.nr: OR-D-DA15H
7.890,-
Antall:
Ikkje på lager, ca. 4-7 dagers leveringstid, så lenge varen er på lager hos leverandør.
Dark Terror DA15H

Förstärkartopp, rördriven high gain-modell i kompakt utförande. Shape-kontroll hämtad från Thunderverb-serien. Omkopplingsbar mellan 15 och 7 watt, effektretur.
 
The first high gain amp in the Terror series, the Dark Terror is a true master of saturated distortion, making it an ideal match for Hard Rock players looking for signature Orange ‘chug’ in a portable package. Featuring the same 15/7 Watt output section as the Tiny Terror, plus the addition of our low impedance, valve buffered effects loop, the key to the amp its high gain preamp section and our exclusive Shape control.

The Shape, which first appeared on our Thunderverb Series, takes your sound from scooped, chunky modern rhythm tones in the fully clockwise position, to a more classic voicing (anticlockwise) with boosted mids and smooth highs, and everywhere in-between. This makes the amp much more versatile than its single channel, three knob layout (and black chassis!) might suggest. The preamp features four stages of gain, becoming increasingly aggressive as you turn the Gain control, reaching truly insane levels of drive. Ignore the clean and crunch tones at your peril, though. There are some tasty Blues tones to be had here!

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Cliff was also friendly with what was then a premier blues band called Fleetwood Mac. Mac became the first chart group to go Orange in late-1968 when they took with them to America the very first half dozen Orange 100-watters ever made. Sportingly, Cliff included the name Matamp below the psychedelic Orange logo engraved on amplifier front-plates.

 

But the Orange Matamp era would be relatively brief as stars as big and wide-ranging as Stevie Wonder, BB King, Jimmy Page, John Mayall, Ike and Tina Turner, and James Brown joined the client list and helped to establish the brand. Orders worldwide soon far outstripped the production capacity of the Huddersfield factory that Cliff had bankrolled for Matamp in early 1970.

 

When Orange introduced a 200-watt head in time for Fleetwood Mac’s spring 1969 tour with BB King, Peter Green remarked that the sound was too clean and so Cliff’s engineers voiced the amps deliberately to produce more distortion.

 

Then the 1972 introduction of the 120-watt and 80-watt Orange Graphic Amplifier OR series marked the start of an era in which Orange truly became The Voice of The World , with manufacturing now mostly in Bexleyheath. The Graphic’s front-plate used eye-catching graphic icons taken from a computer industry which was then in its infancy. The mid-1970s saw the launch of the first Orange amp with master volume overdrive the OD 120 model.

 

And Cliff by now was known in the business as Mr Orange or Monsieur Orange in France where Orange drum kits were made.

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