Aim Audio ESSENCE Stormembran ...

4.464,-

Aim Audio ESSENCE Cardioid Condenser Microphone Made in Berlin, Germany, the ESSENCE is a new high-performance studio mic that is a world first. It comes with a host of unique, useful and innovative features, including our patented switchable Transformer/Electronic Output stage. From a direct, beautifully open and fast response to smooth and intimate sounds with sparkling harmonics and deep lows, ESSENCE is surely going to become a top choice wherever and for whatever source you wish to use it on. Add to this a fresh look, backlit and tactile controls, reversible orientation, built-in Peak Level Metering, a hand-built 1” Gold Sputtered Mylar true condenser capsule (externally polarized) and you have one of the finest audio products to ever hit the market - all at a price/performance ratio that defies regular convention. Main Features • Cardioid Studio Condenser Mic • Developed by an experienced team of experts in audio, with multiple patented features • All-metal housing with unique oval design • Class-Leading Audio Performance (>140 dBA internal headroom) • Switchable between Electronic or Transformer Balanced Output stages • Custom-wound Toroidal Audio Transformer with VITROPERM core • 1” Large Diaphragm True Condenser (Gold Sputtered Mylar) • Sound chosen by blind listening tests, using our industry leading panel • -10 dB Pad, plus 80 Hz Low Cut • Integrated Peak-Level Metering • Backlit Controls (dimmable and lockable) • Built-in direct-to-stand mounting • Powered by regular 48 V Phantom Power • Made in Berlin, Germany The sound of success The sound of any microphone starts with the capsule. We developed the Aim sound by carrying out a number of double blind tests with a team of leading studio engineers, musicians, artists and audio professionals across the world. Along the process and to find out what capsule style and tonality worked best with our custom electronics, we also compared each of these tests by ear and included checking these results randomly, against some of the most popular and best competitor mics on the market. Our chosen handmade, externally polarized, dual 1” capsule features a 6 micron gold-sputtered genuine Mylar diaphragm, isolated brass backplates with the finest quality tensioners and a customized ring connector. We also use Teflon coated wires, as this improves the S/N ratio to our own and separate Hi-Z electronics. It really is a work of art. ESSENCE’s cutting edge electronics are also extremely important to the sound. For all of our PCBs (also made in Berlin), we selected the highest quality components throughout - despite the cost, to maintain and exceed audio performance from many other designs that our team have been involved in. We also wanted to achieve a very low noise floor and a flat internal response without compromising on the audio quality, so we have a total number of four separate PCBs in each microphone, to minimise crosstalk and provide a leading-edge internal headroom of 140 dBA+. Plus, the entire mic is powered just by regular 48 V Phantom Power! Change the Output Mode Transformer or Electronic Output stage? Why not have both in the same mic! Despite being a huge challenge, we made it happen and now for the very first time, you can instantly swap between these two distinct types of output and choose exactly which style best suits your source, at source and at the same level. For our Transformer-based circuit, the Aim Audio team developed a Custom Wound Toroidal Transformer with a nanocrystalline VITROPERM core. This special design doesn’t sound harsh or just add distortion, but it provides a slightly thicker and richer LF, plus a slightly airy top end and a slower transient response. Useful for all sorts of audio; from aggressive or velvety smooth vocals to heavy guitars or a brass section, this mode gives a beautifully open sound with shimmering harmonics. While our super clean Electronically Balanced Output will react much faster with transients and can handle higher SPL, even at ultra-low frequencies. Perfect for catching fast moving audio like shiny drum overheads or tracking acoustic guitars, without any ‘smearing’ of the audio, this mode gives stunningly transparent and natural recordings. It captures all the detail in the HF but without adding a zingy quality that some condensers can be prone to. See it your way To make the controls easy to see in dark and moody stages and studios, Aim’s LED backlit controls on ESSENCE show exactly what settings the mic is set to, at a moment’s glance. All of the controls can be easily dimmed to three levels or even turned off, as required. You can also easily lock the buttons too, to prevent accidental changes. Catch the Peaks and Rumbles Many interfaces, mic-preamps and even DAW meters don't always show fast clipping peaks before they can irreversibly damage a take. So, we fitted a simple Peak LED Level meter to ESSENCE which will flash Orange when the level is approaching the ‘danger level’ and will go Red to show when you should use a Pad. The mic itself won’t be distorting, so you can turn this feature off if you are using a high-end device. The Low Cut Filter at 80 Hz and a gentle Roll Off Filter at 110 Hz are useful for helping to reduce wind noise, close proximity effect or even vibration, assisting you to get the best sound possible for your recordings. Take the Shock ESSENCE is equipped with an integral direct-to-stand mount thread in the base of the microphone, which makes setting up in tight spaces a breeze. Aim’s custom capsule holder is also made from a superior rubberised Anti-Vibration material, meaning it will protect your takes from most knocks and bumps that could ruin a recording. However, for the absolutely best shock-mounting experience, the optional ORBIT, our revolutionary patented multi-position shockmount, and the SENTRY magnetic Pop Filter are also available.   Topping things off, ESSENCE includes a branded Velcro cable tie and a Vegan-Leather mic carry pouch to keep the microphone free from dust when not being used.   ESSENCE Technical Specs Transducer Type: True Condenser Frequency Response: 20 Hz - 20 kHz Sensitivity at 1 kHz into 1 kΩ: 24.1 mV/Pa (rel. 94 dB SPL) Signal-to-Noise Ratio: 86 dBA (rel. 94 dB SPL) Polar Pattern: Cardioid Equivalent Noise Level: 8 dBA Maximum SPL: 140 dB (at 0.05% THD - no pad) Pad Switch: -10 dB LF Cut-Off Filter: 80 Hz

Aim Audio INSPIRE + PACK ...

9.274,-

Aim Audio INSPIRE + PACK Aim… Ready… Record! The Aim Audio INSPIRE + Pack includes the trailblazing and exquisite INSPIRE microphone and the ORBIT Shockmount kit. Both have been entirely conceived from the ground up, to help you make better recordings. Made in Berlin, Germany, the INSPIRE is a new high-performance studio mic that is a world first. It comes with a host of unique, useful and innovative features, including our patented switchable Transformer/Electronic Output stage. From a direct, beautifully open and fast response to smooth and intimate sounds with sparkling harmonics and deep lows, INSPIRE is surely going to become a top choice wherever and for whatever source you wish to use it on. Add to this a fresh look, backlit and tactile controls, reversible orientation, built-in Peak Level Metering, a hand-built 1” Gold Sputtered Mylar true condenser capsule (externally polarized), along with the revolutionary ORBIT Shockmount, complete with the SENTRY Magnetic Pop Filter, the INSPIRE + PACK is one of the finest audio products to ever hit the market - all at a price/performance ratio that defies regular convention. Main Features • Multipattern Studio Mic and Shockmount Package, in custom fitted case • Developed by an experienced team of experts in audio, with multiple patented features • All-metal housing with unique oval design • Class-Leading Audio Performance (>140 dBA internal headroom) • Switchable between Electronic or Transformer Balanced Output stages • Custom-wound Toroidal Audio Transformer with VITROPERM core • Dual 1” Large Diaphragm True Condenser (Gold Sputtered Mylar) • Sound chosen by blind listening tests, using our industry leading panel • 5 Switchable Polar Patterns, with voltage reached indication • -10 and -20 dB Pad options, plus 80 Hz Low Cut or 110 Hz Roll Off switches • Integrated Peak-Level Metering • Backlit Controls (dimmable and lockable) • Built-in direct-to-stand mounting • Powered by regular 48 V Phantom Power • Included Custom ORBIT Shockmount, with adjustable clamp angle and Resorber Ring • Included SENTRY Magnetic Reversible Pop Filter • Made in Berlin, Germany The sound of success The sound of any microphone starts with the capsule. We developed the Aim sound by carrying out a number of double blind tests with a team of leading studio engineers, musicians, artists and audio professionals across the world. Along the process and to find out what capsule style and tonality worked best with our custom electronics, we also compared each of these tests by ear and included checking these results randomly, against some of the most popular and best competitor mics on the market. Our chosen handmade, externally polarized, dual 1” capsule features a 6 micron gold-sputtered genuine Mylar diaphragm, isolated brass backplates with the finest quality tensioners and a customized ring connector. We also use Teflon coated wires, as this improves the S/N ratio to our own and separate Hi-Z electronics. It really is a work of art. INSPIRE’s cutting edge electronics are also extremely important to the sound. For all of our PCBs (also made in Berlin), we selected the highest quality components throughout - despite the cost, to maintain and exceed audio performance from many other designs that our team have been involved in. We also wanted to achieve a very low noise floor and a flat internal response without compromising on the audio quality, so we have a total number of four separate PCBs in each microphone, to minimise crosstalk and provide a leading-edge internal headroom of 140 dBA+. Plus, the entire mic is powered just by regular 48 V Phantom Power! Change the Output Mode Transformer or Electronic Output stage? Why not have both in the same mic! Despite being a huge challenge, we made it happen and now for the very first time, you can instantly swap between these two distinct types of output and choose exactly which style best suits your source, at source and at the same level. For our Transformer-based circuit, the Aim Audio team developed a Custom Wound Toroidal Transformer with a nanocrystalline VITROPERM core. This special design doesn’t sound harsh or just add distortion, but it provides a slightly thicker and richer LF, plus a slightly airy top end and a slower transient response. Useful for all sorts of audio; from aggressive or velvety smooth vocals to heavy guitars or a brass section, this mode gives a beautifully open sound with shimmering harmonics. While our super clean Electronically Balanced Output will react much faster with transients and can handle higher SPL, even at ultra-low frequencies. Perfect for catching fast moving audio like shiny drum overheads or tracking acoustic guitars, without any ‘smearing’ of the audio, this mode gives stunningly transparent and natural recordings. It captures all the detail in the HF but without adding a zingy quality that some condensers can be prone to. See it your way To make the controls easy to see in dark and moody stages and studios, Aim’s LED backlit controls on INSPIRE show exactly what settings the mic is set to, at a moment’s glance. All of the controls can be easily dimmed to three levels or even turned off, as required. You can also easily lock the buttons too, to prevent accidental changes. Multi-Pattern Wheel with Stabilisation Indication INSPIRE is equipped with 5 distinct Polar Patterns (Cardioid, Wide Cardioid, Super Cardioid, Omni and Figure-8) via the Pattern Select Wheel. In addition, the backlit LED in the wheel will flash until the correct polarization voltage or switching settings have been reached, making it super handy when audibly testing what pattern works best for your source, at speed. Catch the Peaks and Rumbles Many interfaces, mic-preamps and even DAW meters don't always show fast clipping peaks before they can irreversibly damage a take. So, we fitted a simple Peak LED Level Meter to INSPIRE which will flash Orange when the level is approaching the ‘danger level’ and will go Red to show when you should use a Pad. The mic itself won’t be distorting, so you can turn this feature off if you are using a high-end device. The Low Cut Filter at 80 Hz and a gentle Roll Off Filter at 110 Hz are useful for helping to reduce wind noise, close proximity effect or even vibration, assisting you to get the best sound possible for your recordings. Front or Back? During development, we asked ourselves “do the switches belong on the front or rear?” For a vocalist who wants to record themselves, having the switches right on the front would make the most sense, but if an engineer wants to control and see the settings or you want to record a guitar amp etc. the rear does make it much easier to maintain access. As INSPIRE has a highly matched dual capsule and a symmetrical acoustic design, it meant that we could simply switch between both sides and maintain the sonic signature, no matter which side is in use. Simple and effective, in any of the three Cardioid modes, the FRONT and BACK controls will switch and invert the entire orientation of the microphone. This means that all the controls practically will move from the front to the back of the microphone and/or vice versa, to best suit exactly how you want to use it! Take the Shock INSPIRE is equipped with an integral direct-to-stand mount thread in the base of the microphone, which makes setting up in tight spaces a breeze. Aim’s custom capsule holder is also made from a superior rubberised Anti-Vibration material, meaning it will protect your takes from most knocks and bumps that could ruin a recording. However, for the absolutely best shock-mounting experience, the INSPIRE + Pack includes ORBIT, our revolutionary patented multi-position shockmount and the SENTRY magnetic Pop Filter, as part of the package. Made from extremely strong Long Glass Reinforced Nylon, ORBIT is lightweight and very simple to use.   Many shockmount designs can be fiddly, hard to adjust and a pain getting the exact angle you need for the mic to be pointed at your source. Just like with our microphones, ORBIT has had years of development in working out how to make a better shockmount system. In addition, to get closer to sound source and to make the controls on the microphone easily accessible (especially when the mic is in the cradle), we settled on a half-open/open front design. After very many man hours of physical testing, we chose to not use regular rubber-band style of elastics that can sag over time and also introduce all sorts of resonances. Instead, we developed our own solid nylon based Lyres to afford the best shock-mounting possible. But what if you want to use INSPIRE’s Back mode and not have the mount in the way of the controls or peak LEDs? No problem! With our patented mechanism, you can easily change the angle of the mounting position by 190 degrees, to suit whatever direction you want to ‘Aim’ the capsule at. Side mounting, front, back or any position in between, the twist clamp mechanism can be operated single-handedly, while the mic stays secure in the custom clamp. This also makes ORBIT great for overheads or for miking up amps etc. In addition, the integrated removable cable relief clip helps to reduce rumble and handling noise. Top out the POPs Aim mics have a great integrated dual Steel Mesh pop filter, but to help catch the very worst plosives we developed the SENTRY Pop Filter. The pop filter itself is made with a coated stainless steel, with acid-etched hexagonal holes that have been aligned precisely. These holes and the distance between the filter and capsule have been specifically worked out to give the best airflow, all helping to catch great vocals, with an acoustic performance that’s perfect for plosive control. SENTRY’s surface area also curves around the microphone, so movement should not be an issue, all helping you to achieve the best vocal tracking experience you can. Easy to place, SENTRY uses custom integrated magnets in four positions. These feature a very high quality localised magnetism to ensure it doesn’t interfere with the microphone’s electronics and means that it will always stay exactly where you put it. It’s also reversible to either direction, so if you want to use the REAR mode on INSPIRE with a vocalist and still see the controls and peak indicators, you can! A number of shockmounts on the market have their own resonance that can get into recordings. ORBIT is open at the front, for control access, plus as ORBIT is designed to be lightweight yet extremely strong, we used new materials which meant there can be some small unavoidable resonances. However, with the SENTRY installed, these are completely cancelled out. But for those times when you don’t need a pop filter, we developed the Magnetic Resorber Ring. This just drops onto the top when not using the SENTRY - the magnets will do the rest for you and help to give the best audio performance. But that’s not all Topping things off, INSPIRE + PACK includes a custom moulded hard carry case, a branded Velcro cable tie and a Vegan-Leather mic carry pouch.   INSPIRE Technical Specs Transducer Type: True Condenser Frequency Response: 20 Hz - 20 kHz Sensitivity at 1 kHz into 1 kΩ: 13.5 mV/Pa (rel. 94 dB SPL) Signal-to-Noise Ratio: 86 dBA (rel. 94 dB SPL) Switchable Polar Patterns: Cardioid, Wide Cardioid, Super Cardioid, Omni, Figure-8 Equivalent Noise Level: 8 dBA Maximum SPL: 140 dB (at 0.05% THD - no pad) Pad Switches: -10 and -20 dB LF Cut-Off Filter: 80 Hz LF Roll-Off Filter: 115 Hz

Aim Audio ORBIT Shockmount

996,-

Aim Audio ORBIT Custom Shockmount Kit Many years in development, the Aim team precisely worked out how to make the ultimate mounting solution for our mics. But we went even further than that and came up with something really special. All Aim Audio mics are equipped with an integral direct-to-stand mount thread in the base of the microphone, which makes setting up in tight spaces a breeze. Plus, Aim’s custom capsule holder is also made from an anti-vibration synthetic rubber material, rather than a rigid plastic that’s used in many other mics. However, for the absolutely best shock-mounting experience and if you want additional mounting options, we’ve developed the ORBIT, our revolutionary and patented multi-position Shock Mount system, along with the SENTRY Magnetic Pop Filter as part of the kit. Main Features • The Ultimate Shock-Mount System for Aim Audio Mics • Easy to set up, mics just securely slide in and you're done • Open front design, for ease of control and getting closer to sources • Patented 190 degree adjustment angle of the mounting position, makes positioning a breeze • Custom non-sagging Lyres, achieves superb rumble attenuation • Removable cable relief clip, keeps things tidy but also helps reduce cable-borne rumble • Magnetic Resorber Ring, reduces resonances • Reversible SENTRY Magnetic Pop Filter, perfectly aligns with capsule • Acid etched holes in coated stainless steel filter, directs airflow to catch plosives and avoid loss of HF • Made from long Glass-Reinforced Nylon, making it lightweight and virtually indestructible Innovate, not imitate We’ve all been there - with many shock-mount designs they are fiddly to setup, hard to adjust and a pain getting the exact angle you need for the mic to be pointed at your source. Not to forget, with some of these classic designs, you also don’t always have the confidence that your precious mic is secured firmly. Well ORBIT is no ordinary shock mount and as it is so easy to use and setup, you’ll wonder what you ever did without it. Take the Shock Made from extremely strong Long Glass Reinforced Nylon, ORBIT is lightweight and very simple to use. Just like with our microphones, ORBIT has had years of development in working out how to make a better shockmount system. In addition, to get closer to sound source and to make the controls on the microphone easily accessible (especially when the mic is in the cradle), we settled on a half-open/open front design. After very many man hours of physical testing, we also chose to not use regular rubber-band style of elastics that can sag over time and also introduce all sorts of resonances. Instead, we developed our own solid nylon based Lyres to afford the best shock-mounting possible. With our patented mechanism, you can easily change the angle of the mounting position by 190 degrees, to suit whatever direction you want to ‘Aim’ the capsule at. Side mounting, front, back or any position in between, the twist clamp mechanism can be operated single-handedly, while the mic stays secure in the custom clamp. This also makes ORBIT great for overheads or for miking up amps etc. In addition, the integrated removable cable relief clip helps to reduce rumble and handling noise. Top out the POPs Aim mics have a great integrated dual Steel Mesh pop filter, but to help catch the very worst plosives we developed the SENTRY Pop Filter. The pop filter itself is made with a coated stainless steel, with acid-etched hexagonal holes that have been aligned precisely. These holes and the distance between the filter and capsule have been specifically worked out to give the best airflow, all helping to catch great vocals, with an acoustic performance that’s perfect for plosive control. SENTRY’s surface area also curves around the microphone, so movement should not be an issue, all helping you to achieve the best vocal tracking experience you can. Easy to place, SENTRY uses custom integrated magnets in four positions. These feature a very high quality localised magnetism to ensure it doesn’t interfere with the microphone’s electronics and means that it will always stay exactly where you put it. A number of shockmounts on the market have their own resonance that can get into recordings. ORBIT is open at the front, for control access, plus as ORBIT is designed to be lightweight yet extremely strong, we used new materials which meant there can be some small unavoidable resonances. However, with the SENTRY installed, these are completely cancelled out. But for those times when you don’t need a pop filter, we developed the Magnetic Resorber Ring. This just drops onto the top when not using the SENTRY - the magnets will do the rest for you and help to give the best audio performance. ORBIT Specs Compatibility: Aim INSPIRE, Aim ESSENCE SENTRY Pop Filter Attachment: 4x localised Neodymium Magnets Mounting Options: Brass insert directly screws to a regular 5/8″-27 microphone stand. Accessories Supplied*: Brass 3/8″(9.5mm)-16 thread adaptor (*excl. Americas), branded Velcro cable tie

AKG C214 Kondensatormikrofon ...

5.990,-

Stormembran-mikrofonen C 214 er designet som et rimelig alternativ til klassikeren C 414. C214 har den samme 1" kapsel som sitter i C414 B-XLS. Mikrofonen har fast nyrekarakteristikk, basskutt og 20 dB dempeledd. The C214 professional large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. Like the C414, the C214 offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL. A switchable bass-cut filter allows close-up recording with almost no proximity effect. The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII.

AKG C314-S ...

19.990,-

AKG C314 | kondensatormikrofon med fire karakterisitkker, stereopar Profesjonell kondensatormikrofon med fire valgbare karakteristikker og meget lav egenstøy. Mikrofonen har to matchede C414XLS mikrofonkapsler, montert i et integrert oppheng som minimerer resonans og mekanisk støy. Elektronikken er hentet fra C214, og summen av dette er en egenstøy på kun 8 dBA. C314 har mekaniske brytere for -20 dB pad, basskutt (-12 dB per oktav @ 100 Hz) og variabel karakteristikk (kardioide, omni, superkardioide og 8-tall). Det finnes også en overload LED, som lyser rødt dersom du overstyrer mikrofonen. Storebror C414 ble lansert i 1971, og er blant de mest allsidige stormembranene på markedet. I tillegg til å være en klassiker som stereo overhead, er den også velegnet til akustiske instrumenter og vokal. Lillebror C214 er en en-membrans kardioide, og egner seg spesielt godt til gitarkabinetter og kor.

AKG C414 XLS Mikrofon ...

15.590,-

AKG C414 XLS mikrofon med stormembran, kondensator, 9 karakteristikker. Klassisk stormembran kondensatormikrofon for universalbruk. Referansemikrofon når det gjelder opptak av alle typer akustiske instrumenter. C414 XLS har samme akustiske karakter som C414 B-ULS, den mest populære versjonen av C414 siden 1971. 9 valgbare karakteristikker fra 8 talls- til supernyre. 3 dempeledd (-6/-12/-18dB) 3 alternative basskutt for (160/80/40Hz) å redusere støy fra for eksempel vind, scenevibrasjon etc. Ledsignal som lyser rødt når signalet klipper. Leveres i metalletui med strikkoppheng og popfilter.

Lewitt LCT 240 PRO BK ...

1.269,-

Lewitt LCT 240 PRO BK Condenser microphone with high-perfomance capsule and cardioid pattern. Easy-to-use XLR microphone For vocals, instruments, and streaming Professional sound quality Cardioid polar pattern Included: Microphone mount, Windscreen, Transport bag A LEWITT microphone makes you sound sensational. With the LCT 240 PRO, your home recordings will shine right from the start. Sound like a pro without much tweaking and get crystal clear recordings for your next project in no time. Type - Condenser, permanently polarized Acoustical operating principle - Pressure gradient transducer Transducer Ø - 17 mm, 0.67 in Polar pattern - Cardioid Sensitivity - 16.7 mV/Pa, -35.5 dBV/Pa Equivalent noise level - 19 dB (A), cardioid Max. SPL for 0.5 % THD - 142 dBSPL Dynamic range - 123 dB (A) Internal impedance - 100 Ω Rated load impedance - 1,000 Ω Supply voltage - 48 V ± 4 V Current consumption - 3.1 mA Connector - Gold plated 3-pin XLR Microphone dimensions - 138 x 52 x 36 mm, 5.43 x 2.04 x 1.42 inch Microphone net weight - 310 g

Lewitt LCT 240 PRO BK ...

1.849,-

Lewitt LCT 240 PRO BK ValuePack Condenser microphone with high-perfomance capsule and cardioid pattern, black color, shock mount included. LCT 240 Pro Value Pack features the black LCT-240 Pro condenser microphone, a specially designed shockmount, a stand mount, a foam windscreen, and a transport bag. A LEWITT microphone makes you sound sensational. With the LCT 240 PRO, your home recordings will shine right from the start. Sound like a pro without much tweaking and get crystal clear recordings for your next project in no time. Type - Condenser, permanently polarized Acoustical operating principle - Pressure gradient transducer Transducer Ø - 17 mm, 0.67 in Polar pattern - Cardioid Sensitivity - 16.7 mV/Pa, -35.5 dBV/Pa Equivalent noise level - 19 dB (A), cardioid Max. SPL for 0.5 % THD - 142 dBSPL Dynamic range - 123 dB (A) Internal impedance - 100 Ω Rated load impedance - 1,000 Ω Supply voltage - 48 V ± 4 V Current consumption - 3.1 mA Connector - Gold plated 3-pin XLR Microphone dimensions - 138 x 52 x 36 mm, 5.43 x 2.04 x 1.42 inch Microphone net weight - 310 g

Lewitt LCT 240 PRO WH ...

1.519,-

Lewitt LCT 240 PRO WH Condenser microphone with high-perfomance capsule and cardioid pattern, white color. Easy-to-use XLR microphone For vocals, instruments, and streaming Professional sound quality Cardioid polar pattern Included: Microphone mount, Windscreen, Transport bag A LEWITT microphone makes you sound sensational. With the LCT 240 PRO, your home recordings will shine right from the start. Sound like a pro without much tweaking and get crystal clear recordings for your next project in no time. Type - Condenser, permanently polarized Acoustical operating principle - Pressure gradient transducer Transducer Ø - 17 mm, 0.67 in Polar pattern - Cardioid Sensitivity - 16.7 mV/Pa, -35.5 dBV/Pa Equivalent noise level - 19 dB (A), cardioid Max. SPL for 0.5 % THD - 142 dBSPL Dynamic range - 123 dB (A) Internal impedance - 100 Ω Rated load impedance - 1,000 Ω Supply voltage - 48 V ± 4 V Current consumption - 3.1 mA Connector - Gold plated 3-pin XLR Microphone dimensions - 138 x 52 x 36 mm, 5.43 x 2.04 x 1.42 inch Microphone net weight - 310 g

Lewitt LCT 240 PRO WH ...

1.749,-

Lewitt LCT 240 PRO WH ValuePack Condenser microphone with high-perfomance capsule and cardioid pattern, white color, shock mount included. LCT 240 Pro Value Pack features the White LCT-240 Pro condenser microphone, a specially designed shockmount, a stand mount, a foam windscreen, and a transport bag. A LEWITT microphone makes you sound sensational. With the LCT 240 PRO, your home recordings will shine right from the start. Sound like a pro without much tweaking and get crystal clear recordings for your next project in no time. Type - Condenser, permanently polarized Acoustical operating principle - Pressure gradient transducer Transducer Ø - 17 mm, 0.67 in Polar pattern - Cardioid Sensitivity - 16.7 mV/Pa, -35.5 dBV/Pa Equivalent noise level - 19 dB (A), cardioid Max. SPL for 0.5 % THD - 142 dBSPL Dynamic range - 123 dB (A) Internal impedance - 100 Ω Rated load impedance - 1,000 Ω Supply voltage - 48 V ± 4 V Current consumption - 3.1 mA Connector - Gold plated 3-pin XLR Microphone dimensions - 138 x 52 x 36 mm, 5.43 x 2.04 x 1.42 inch Microphone net weight - 310 g

Lewitt LCT 440 PURE ...

3.689,-

Lewitt LCT 440 PURE Puristic 1" studio microphone with high-end components. 1" true condenser studio microphone Best in its class for vocals and instruments High-end capsule and circuit design Cardioid polar pattern Included: Shock mount, Magnetic pop filter, Windscreen, Transport bag You’ll fall in love with its larger-than-life sound and outstanding build quality right away. Its sound is specifically designed to let you perform comfortably while sounding sensational. That is possible because the LCT 440 PURE uses the same high-end components, capsule and circuit design as our prestige models. Nothing will limit your performance. It's all about pure sound, baby. Type - Condenser, externally polarized Acoustical operating principle - Pressure gradient transducer Diaphragm - 3 micron gold sputtered Mylar Transducer Ø - 25.4 mm, 1 in Polar pattern - Cardioid Sensitivity - 27.4 mV/Pa, -31.2 dBV/Pa Equivalent noise level - 7 dB (A) Max. SPL for 0.5 % THD - 140 dBSPL Signal / noise ratio - 87 dB (A) Dynamic range - 133 dB (A) Supply voltage - 48 V ± 4 V Current consumption - 2.63 mA Internal impedance - 110 Ω Rated load impedance - 1,000 Ω Connector - Gold plated 3-pin XLR Mic enclosure - Zinc die cast Microphone dimensions - 138 x 52 x 36 mm, 5.43 x 2.04 x 1.42 in Microphone net weight - 310 g

Lewitt LCT 441 FLEX ...

3.852,-

Lewitt LCT 441 FLEX Compact 1" multi-pattern microphone with high-end components. 1" multi-pattern studio microphone Pure studio sound quality Studio allrounder High-end specifications Eight polar patterns incl. three reversed ones Included: Shock mount, Magnetic pop filter, Windscreen, Transport bag The LCT 441 FLEX is a compact multi-pattern studio microphone. It features high-spec technology and eight different polar patterns. You'll be more flexible when it comes to recording different instruments or vocals. It also allows switching between high directivity or more room impression and provides freedom to experiment. Type - Condenser, externally polarized Acoustical operating principle - Pressure gradient transducer Diaphragm - 3 micron gold sputtered Mylar Transducer Ø - 25.4 mm, 1 in Polar pattern - Omni, wide cardioid, cardioid, supercardioid, figure-8, reverse cardioid, reverse wide cardioid, reverse supercardioid Sensitivity - 17.2 mV/Pa, -35.3 dBV/Pa Equivalent noise level - 7 dB (A), cardioid Max. SPL for 0.5 % THD - 144 dBSPL Signal / noise ratio - 87 dB (A) Dynamic range - 137 dB (A) Supply voltage - 48 V ± 4 V Current consumption - 4 mA Internal impedance - 54 Ω Rated load impedance - 1,000 Ω Connector - Gold plated 3-pin XLR Mic enclosure - Zinc die cast Microphone dimensions - 138 x 52 x 36 mm, 5.43 x 2.04 x 1.42 in Microphone net weight - 325 g

Lewitt LCT 640 TS ...

8.999,-

Lewitt LCT 640 TS Unique 1" true condenser multi-pattern microphone to change the pattern even after the recording. 1" multi-pattern studio microphone Full, crisp, and well-balanced sound Revolutionary Dual Output Mode POLARIZER plugin to create any pattern after the fact Stereo capabilities Included: Shock mount, Magnetic pop filter, Windscreen, TS adapter cable, Transport bag The LCT 640 TS works as a traditional multi-pattern microphone, a stereo microphone, and a mic that can change the polar pattern after the fact with its Dual Output Mode. The 1" true condenser capsule and high-end specifications guarantee precise recordings. Whatever you record with the LCT 640 TS will sound incredibly detailed. Your vocals sound larger-than-life, your instruments full and vibrant. Type - Condenser, externally polarized Acoustical operating principle - Pressure gradient transducer Diaphragm - 3 micron gold sputtered Mylar Transducer Ø - 25.4 mm, 1 in Polar pattern (Dual Output Mode) Polar pattern (Multi-Pattern Mode) - Create any polar pattern in post-production omni, wide cardioid, cardioid, supercardioid, figure-8 Sensitivity - 31.4 mV/Pa, -30.1 dBV/Pa (cardioid) 30.3 mV/Pa, -30.3 dBV/Pa (omni) 34.1 mV/Pa, -29.4 dBV/Pa (figure-8) Equivalent noise level - 10 dB (A), cardioid Max. SPL for 0.5 % THD - 134 dBSPL, 0 dB pre-attenuation Signal / noise ratio - 84 dB (A) Dynamic range - 124 dB (A) Pre-attenuation pad - 0 dB -6 dB -12 dB -18 dB Low-cut filter - linear  40 Hz (12 dB/oct) 80 Hz (12 dB/oct) 160 Hz (6 dB/oct) Internal impedance - 110 Ω Rated load impedance - 1,000 Ω Supply voltage - 48 V ± 4 V Current consumption - 5.1 mA Mic enclosure - Zinc die cast Connector - Gold plated 3-pin XLR + Mini 3-pin XLR Microphone dimensions - 158 x 52 x 36 mm, 6.22 x 2.04 x 1.42 in Microphone net weight - 425 g

Lewitt LCT 940 Authentica Rør ...

19.999,-

Lewitt LCT 940 Premium large-diaphragm FET condenser microphone and top-notch tube mircophone in a single housing. Blend the two independent characteristics for unlimited possibilities. Tube and FET microphone in one housing Blend tube and FET circuit at any ratio Studio centrepiece 12AX7 tube Remote control and power supply in one Multi-pattern design Included: Shock mount, LCT 40 Wxx, 11-pin audio cable The LCT 940 unifies the specific characteristics of a premium large diaphragm FET condenser microphone and a top-notch tube microphone. With "Tube" you get warmth and musical harmonics, while "FET" gives you clear and nuanced sound. Blend tube and FET circuit at any ratio and find your ideal mix. The LCT 940 features a total of nine different polar patterns. Type - Condenser, externally polarized Acoustical operating principle - Pressure gradient transducer Transducer Ø - 25.4 mm, 1 in Polar pattern - Omni, wide cardioid, cardioid, supercardioid, figure-8, four intermediate patterns Frequency range - 20 ... 20,000 Hz Sensitivity - 23 mV/Pa, -33 dBV/Pa (cardioid) 20 mV/Pa, -34 dBV/Pa (omni) 23 mV/Pa, -33 dBV/Pa (figure-8) Equivalent noise level (FET) - 8 dB (A), cardioid 9 dB (A), omni 8 dB (A), figure-8 Equivalent noise level (Tube) - 12 dB (A), cardioid 13 dB (A), omni 12 dB (A), figure-8 Max. SPL for 0.5 % THD (FET) - 143 dBSPL, 0 dB pre-attenuation Max. SPL for 0.5% THD (Tube) - 140 dBSPL, 0 dB pre-attenuation Signal / noise ratio (FET) - 86 dB (A) Signal / noise ratio (Tube) - 82 dB (A) Dynamic range of FET mic. Amp. - 135 dB Dynamic range of Tube mic. Amp. - 128 dB Pre-attenuation pad - 0 dB -6 dB -12 dB -18 dB Low-cut filter - linear  40 Hz (12 dB/oct) 150 Hz (6 dB/oct) 300 Hz (6 dB/oct) Internal impedance - 200 Ω Rated load impedance - 1,000 Ω PSU - supply voltage - 230 V, 50 Hz 110 V, 60 Hz Current consumption - 170 mA Connector - Gold plated 11-pin XLR Microphone dimensions - 192 x 60 x 46 mm, 7.5 x 2.4 x 1.8 in PSU dimensions - 250 x 150 x 70 mm, 9.8 x 5.9 x 2.8 in Microphone net weight - 662 g, 23.3 oz PSU net weight - 1,930 g

Lewitt LCT540S ...

7.390,-

Lewitt LCT540S Cutting-edge 1" studio microphone for ultra-detailed recordings. 1" true condenser studio microphone Self-noise below the threshold of human hearing Ideal for extreme processing Low-cut filters and attenuation Cardioid polar pattern Included: Shock mount, Magnetic pop filter, Windscreen, Transport bag With its cutting-edge circuit and capsule design, the LCT 540 S features an impressive dynamic range of 132 dB to capture everything from loud to subtle. You won’t hear the self-noise of the mic even after heavily compressing the signal. Material recorded with the LCT 540 S is fit for extreme processing. Acoustical operating principle - Pressure gradient transducer, externally polarized Transducer Ø - 25 mm, 1 in Polar pattern - Cardioid Sensitivity - 41 mV/Pa, -28 dBV/Pa Equivalent noise level - 4 dB (A) Max. SPL for 0.5 % THD - 136 dBSPL, 0 dB pre-attenuation Signal / noise ratio - 90 dB (A) Dynamic range - 132 dB (A) Pre-attenuation pad - 0 dB -6 dB -12 dB Low-cut filter - linear 80 Hz (6 dB/oct) 160 Hz (6 dB/oct) Internal impedance - 68 Ω Supply voltage - 48 V ± 4 V Current consumption - 3.6 mA Mic enclosure - Zinc die cast Connector - Gold-plated 3-pin XLR Microphone dimensions - 158 x 52 x 36 mm, 6.22 x 2.04 x 1.42 in Microphone net weight - 371 g

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