Death By Audio Absolute ...

2.490,-

OUR MOST INSANE PEDAL YET This might be our most insane pedal. Showing little-to-no respect for what instruments normally sound like, or even what people want them to sound like, we pushed this thing until it sounded fully unhinged. Want a thick, gnarly fuzz sound? Sure, you can do that, and it'll sound really, really good. You can also push the OVERLOAD slider into blooming, octave nastiness. Push it further and starve the circuit until your signal eats itself. Push it to the maximum and your sound will duck completely into the void before it returns, coming back to life with a relentless vengeance.  CONTROLS Master Volume: Controls the output volume of the effect. Overload: Sets the ceiling at which the pedal overloads. When turned all the way up, the pedal will not overload. As the control slides to the left it pulverizes the sound more rapidly. Gain: Sliding this control to the right increases gain and distortion. Horizontal sliders have been recessed to protect them from bending or any accidental movement while playing.  Harnesses a power amplifier IC to generate its insane sound. Its Gain and Overload sliders interact to create a wide range of unique sounds in various positions. You choose, to your liking, how much to absolutely destroy your sound. The further the Overload control is set to the left, the faster the effect slips into absolute destruction. Blow it out even harder and faster by slamming Gain and Overload opposite one another. Lower one or the other for smoother attack and release. Screaming octaves, thick fuzz, and the sound of your guitar reaching back from the depths of destruction are at your fingertips. Think of it as a psychotic compressor, or maybe more accurately the sound your amp would make if you set fire to it. . SPECIFICATIONS Dimensions: 4.95" x 2.61" x 2.34" (including hardware) Weight: 10 oz. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5 mA.

Death By Audio Thee Treble ...

3.390,-

Death By Audio Thee Treble Overload Legendary piercing tone, reimagined  Thee Treble Overload revives the coveted treble boost circuit from the infamous limited-edition pedal, Thee Fuzz War Overload - this time packed with extra features and unleashed as its own weapon. It slices through any mix with razor-sharp precision, adding just the right edge to make your signal sound mean, bright, and alive. To achieve that bite, Thee Treble Overload carves away bass, tightening your tone and bringing definition to whatever sound you feed it. Armed with over 60dB of gain and a LIMIT control, you can push it from a cutting boost to crispy obliteration while keeping your output balanced with the rest of the band. Thee Treble Overload is dual mono, meaning it can process stereo chains, perfect for blasting your stereo reverbs, choruses, delays, keyboards, or drum machines straight into overdrive. Pair it with a Death By Audio Fuzz War to resurrect that revered Thee Fuzz War Overload sound without needing to hunt one down or drop collector dollars. Part of Death By Audio’s Destroyer Series, Thee Treble Overload sports the line’s signature look: a compact footprint, glowing vintage-style LED display, and minimal controls that conceal a world of sonic madness. Each Destroyer pedal delivers a distinct, over-the-top effect in a smaller, stage-friendly box - together forming a family of beautifully chaotic tone machines in stereo. Main Features: • Reimagined remake of Thee Fuzz War Overload • 60dB gain Booster Pedal • Dual Mono for processing stereo chains • Boost range from +17dB to +52 dB • Limit control for setting the maximum output volume • Top-mounted Jacks • TRS Inputs and Outputs for easy stereo/dual mono chain implementation • Hand-made in New York, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 23 mA current draw, not included)

Death By Audio Total Sonic ...

3.590,-

TOTALLY SONICALLY ANNIHILATED   >>   the feedback looper of your dreams   vv ^^ sǝɹɐɯʇɥƃᴉu ɹnoʎ ɟo ɹǝdool ʞɔɐqpǝǝɟ ǝɥʇ << The TSA2 works on a simple premise: what if effect pedals were patched back into themselves? What does it sound like for a filter to be multiplied by infinity? Or if your modulator was modulating its own modulations? The TSA2 creates a controllable feedback loop, causing your pedals to cycle back on themselves, feeding the output back into the input as much or as little as you want. Experience true sonic exploration: every unique pedal array will produce a vast world of textures and possibilities. CONTROLS FEEDBACK: The big knob. This controls the amount the SEND (external effect input) is forced back into the RECEIVE (external effect output). This creates feedback within the circuit to create new unbridled, experimental effects and results. The more this knob is turned up the more intense and explosive the effects will be. The ACTIVE BOOST is also in this loop and (if engaged) will be forced back into itself to create its own wild and interesting sounds if nothing is plugged into the loop. ON: In the ON position, this toggle switch activates the ACTIVE BOOST circuit. PHASE: Flips the phase of the effects loop, only when the ACTIVE BOOST is on.  GAIN: Controls the amount of gain of the ACTIVE BOOST circuit. LIMIT: Limits the output volume of the entire pedal only when the ACTIVE BOOST is engaged. STOMP SWITCH: Bypasses the effect. NOTE: When the TSA2 is turned off the TSA2 is bypassed but every pedal in the loop is still part of your signal chain. Any effect(s) in the loop works as usual. THE NEW FEATURES OF VERSION 2 If you've used a feedback loop pedal before, (like the 1st edition of the Total Sonic Annihilation) then you know the vast world of insane and wild sounds you can get. With this new updated version of the original, the ACTIVE BOOST maximizes usability for many applications where the original fell short. For example, if the effect in the feedback loop is out of phase with itself, the loop would turn the pedal  into a volume or blend pedal and be somewhat disappointing. With the TSA2, just flip the PHASE switch and all of a sudden those once dormant possibilities are awakened! The BOOST also has a boatload of gain to awaken even the faintest effect into an unearthly behemoth, and a LIMITER to tame the most unruly beast into a purring kitten. Experiment with as many different pedals in the FEEDBACK loop for unique and incredible results! . CONNECTIONS INPUT: Plug an instrument into this jack. OUTPUT: The output of the Total Sonic Annihilation 2 is here. It connects to your amplifier. SEND: Connect this to the input of the effect (or chain of effects) you would like to control and warp. If left unconnected it is connected internally to the receive jack. RECEIVE: This is connected to the output of the effects in the feedback loop. 9V: Plug a 9V Negative Tip Positive Ring DC adaptor in here. When plugged in it will bypass the internal battery. NOTE: When the ACTIVE BOOST is not engaged, the pedal is completely passive and can work without power.    SPECIFICATIONS Dimensions: 4.83" x 2.69" x 2.48" (including hardware) Weight: 11 oz. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5 mA. 

DigiTech Bass Whammy Pedal

2.895,-

DIGITECH Bass Whammy Legendary pitch shifting effect pedal for bass guitar Classic/Chords switch Classic and Chords (polyphonic) tracking modes for added musical flexibility Legendary pitch shifting effect pedal for bass guitar Classic/Chords switch Toggle between single note and chordal Whammy modes, providing rock solid pitch shifting effects. Classic and Chords (polyphonic) tracking modes for added musical flexibility The next generation Bass Whammy uses the most advanced pitch detection and polyphonic note tracking technology to create the world’s best pitch shifting effect pedal optimized for bass. The Bass Whammy maintains the classic settings from the original with many modern upgrades. With two different tracking modes, Classic and Chord, the Bass Whammy gives players the ability to recreate the shift glitch effects from the original or get the smooth pitch shift effect. Chord mode uses advanced polyphonic tracking algorithms for a more exact and smooth pitch shift effect while Classic maintains the tracking artifacts of the original Whammy. The Bass Whammy is true bypass, MIDI controllable, and uses a 9V DC power supply to easily integrate into your existing pedalboard.

DigiTech FreqOut Natural ...

2.150,-

Digitech FreqOut Natural Feedback Creator Freakish feedback for the experimental guitarist The DigiTech FreqOut Natural Feedback Creator allows you to get sweet, natural feedback at any volume, with or without distortion. The FreqOut is perfect for situations where volume must be controlled like in the studio, with in ear monitors, or low-volume performance and practice. However, the FreqOut can also be used at gig volume to focus out-of-control feedback on a preferred harmonic at any stage position. The FreqOut has adjustable feedback Onset (delay before feedback begins), Gain (feedback level to balance with your dry signal), Dry On/Off, latching or momentary operation, true bypass, and a rugged road-tough steel chassis. Natural Feedback at any level with or without distortion Onset Delay and Level balance controls 7 Harmonic Feedback types Dry Defeat Momentary/Latching modes True Bypass  

DigiTech The Drop Pedal

1.995,-

Digitech THE DROP Trenger du å senke tonearten kjapt men vil slippe å stemme om gitaren eller bassen? Digitech Drop lar deg stemme ned instrumentet i opp til 7 halvtonetrinn (en kvint) og gir deg dessuten mulighet til å dykke ned en hel oktav. Teknikken som jobber polyfonisk for å trigge på aller beste måte er tatt direkte fra Whammy-DT. Drop har to ulike leier for footswitchen. Det ene gjør toneartsendringen konstant mens det andre leiet bare endrer tonen mens switchen er trykket ned. Det gir muligheter til å gjøre pull-off & hammer-on-lignende effekter også over ganske store intervaller, helt enkelt et lite eget instrument i effektenheten. Polyfonisk Droptune i 8 trinn (7 halvtoner samt oktav) 2 footswitch-leier (momentary/latch) True bypass 9 Volts strømforsyning følger med  

DigiTech Trio+ Band Creator ...

3.999,-

Digitech Trio+. Band Creator/Looper. Trio + tar den populære Trio pedalen et skritt videre, nå også med en innebygd looper! Pushing the Band Creator™ paradigm further, the TRIO+ also allows you to loop and custom sequence your looped guitar parts to create full songs on the fly. Press the TRIO+'s Looper footswitch to record a loop along with an unlimited number of overdubs. The Loop level can be individually controlled using the TRIO+'s Loop knob. Loops can be recorded by themselves, operating just like a traditional looper, or along with the band. You can also apply built-in effects to your guitar signal by enabling the TRIO+'s Guitar FX button, or connect your favorite effects to the TRIO+'s FX Send and FX Return jacks. The TRIO+ provides 12 music genres to choose from including: Blues, R&B, Rock, Alternative Rock, Metal, Pop, Electronic Pop, Hip-Hop, Country, Folk, Latin, and Jazz. 12 song styles are available for each genre and can be selected using the TRIO+'s Style encoder, including selection between 3/4 and 4/4 time signatures. Multi-colored LEDs around the TRIO+'s Style encoder indicate which styles best match your song. The TRIO+ can learn up to 5 different song parts, perfect for creating an intro, verse, chorus, bridge and outro. Song parts can be recalled on-the-fly as the song plays back or pre-programmed as a sequence for automated playback. An optional DigiTech FS3X Footswitch can be connected to the TRIO+'s Control In jack for additional handsfree control with 3 modes of operation to select from. Up to 12 songs along with loops can be stored to the TRIO+'s Micro SD Card (included). Need to create more songs? No problem. Just insert a new SD Card and you're ready to start teaching the band your new songs. To manage all your songs and loops on a computer, download the free Librarian Manager software from digitech.com, available for Windows® and Mac®. The TRIO+ offers independent Tempo, Genre, Style, Loop Level, Bass Level, Drums Level, Headphone Output Level controls; Guitar, FX Return and Control Inputs;Amplifier, Mixer, FX Send and Headphone Outputs; Built-in Guitar Effects (relative to music genre); a Soft Click Footswitch and includes a 9V DC adapter.  

DigiTech Whammy DT Pedal

3.995,-

Digitech Whammy DT Den klassiske Whammy pedalen fra Digitech. Den ultimate Whammy. I mer enn 20 år har Digitechs banebrytende Whammy vært på markedet i forskjellige utførelser; nå kommer Whammy DT. Naturligtvis fins de klassiske "pitch shift"-mulighetene som kontrolleres av Expression-pedalen som f. eks. Whammy: Dive Bombs, Oktav opp og ned etc. Harmony: styring av forskjellige intervaller. Legg til den polyfoniske Drop-, Capo-funksjonen og True Bypass. Bytte av toneart er dermed ikke lenger noe problem; ved et enkelt håndgrep ratter man inn ønsket toneart. Opp eller ned i 7 haltonetrinn eller hel oktav, du trenger ikke engang å røre stemmeskruene på gitaren. Whammy DT har også en Momentary-funksjon der effekten kan aktiveres momentant midt i et riff eller lick. Whammy-funksjon Drop- & Capo-funksjon med senking/heving i 7 halvtonetrinn alt. hel oktav True Bypass MiDi Wet & Dry utganger Inngang for ekstern fotbryter (Tilvalg: FS3X) Adapter inkludert  

DigiTech Whammy Pedal

2.995,-

DIGITECH Whammy Whammy Pitch Bending Effects Classic Whammy Interface MIDI In for Remote Control of Whammy Effects Bend entire chords with the new chordal pitch shifting setting Whammy Pitch Bending Effects The DigiTech Whammy brings you the same hair-raising “dive bomb” effects, gripping pitch bends and lightning harmony shifts you are looking for plus a few new twists. Bend entire chords with the new chordal pitch shifting setting, and execute classic single note bends. Classic Whammy Interface The Whammy interface features the same legacy Whammy pitch bending options you’re accustomed to along with some additional pitch bend settings from the Whammy DT. MIDI In for Remote Control of Whammy Effects The Whammy features a MIDI input for receiving incoming MIDI data. MIDI messages can select a Whammy or Drop Tune effect and set whether these effects are in an active or bypassed state. MIDI CC messages can then be used to control the Whammy Expression Pedal position. The legendary Whammy pedal is the premier pitch-shifting pedal for any guitarist’s board, and it only gets better with time. In addition to the classic Whammy sound, we’ve added chordal Whammy pitch-shifting and true bypass. Whammy artists have won over 60 Grammys® using its unique pitch-shifting sound to enhance their music. Its songs echo the hallways of the Rock & Roll Hall of Fame® and generate acclaim on over 700 million albums around the world. There is no doubt why Whammy is one of the most common sights on guitarists’ pedalboards. The Whammy can bring new depth to your artistry. Turn your solo into raging, rebellious screams of tone or tame your crowd with highly expressive, ambient chordal bends. Energize your audience with a scratchy note frenzy, bring them in and out of the sound tunnel with musical bursts, or carry them through an existential exploration of full-fretboard pitch translation. The Whammy puts expression into the expression pedal. Don’t be the last guitarist without a Whammy!

DigiTech Whammy Ricochet ...

2.095,-

Digitech Whammy Ricochet Whammy Ricochet gir klassisk Whammy Pitching men i et nytt format og med nye funksjoner. Whammy Ricochet gir deg samme pitchfunksjon som hos den klassiske Whammy-pedalen, men i et nytt format. I stedet for den store fotkontrollen så har du en Momentary Switch (tilfeldig av/på) som også funker som en Latch Switch (tradisjonell av/på). Den har også helt nye Ballistic-kontroller som lar deg bestemme hvor fort du vil att pitchen skal gå opp og hvor fort du vil at den skal gå ned. Dette gir mulighet til å gå fra helt gal og ukontrollert pitching til mer sensible en-toneforhøyelser som forvandler gitaren til en lap-steel. Et LED-display (LED Trajectory Ladder) viser trinnvis hvor høyt og lavt tonen går slik at du har full kontroll hele tiden. Klassisk Whammy-sound i et nytt format Bend toner både opp og ned over 2 oktaver 7 valgbare pitch-intervaller Kontroller for Shift og Return Time LED Trajectory Ladder display Classic og Chord-mode Momentary eller Latch switching True Bypass i Latch Mode  

Dreadbox PSYCLOP Wet/Dry ...

1.130,-

Dreadbox PSYCLOP Wet/Dry Mixer / Booster and Attenuator / EXP to CV Converter Cyclop – (Greek: “Round Eye”) – in Greek legend and literature, any of several one-eyed giants to whom were ascribed a variety of histories and deeds. The Dreadbox PSYCLOP is the ultimate modern utility device. It’s an Effects Chain Loop with Dry/Wet mix control, Signal Attenuator and Boost as well as Expression to CV (Control Voltage) converter, all in one easy to use package suitable for string instruments or synthesizers and is also Eurorack compatible. Main Features: • Dry/Wet Mixer / Attenuator and Booster pedal • Manages any signal • Parallel Effects Loop with Mix control for seamlessly blending Dry and Wet signals • Adjustable Input Gain - from 0 to -20 dB • Output Gain Boost Level - from 0 to +20 dB • CV IN and OUT • EXP Input with adjustable CV OUT Attenuation from 0-5 V - converts TRS EXP pedal input to CV Output • Silent CMOS True Bypass Switching • Powered by opt. 9V DC power adapter (2.1 mm, center -, 25 mA current draw) PSYCLOP is not your average Effects Loop Mixer. Capable of managing any type of signal from instruments or effects pedals, PSYCLOP seamlessly blends them with its parallel effects loop. Its features include Input Attenuation of up to -20 dB and an Output Gain Boost of up to +20 dB in order to match any signals. For unity gain, simply set the Input Attenuation Amount to 100% with the IN control and using the OUT knob, adjust the Output Gain Level to 0%. To avoid phase cancellation issues between the dry and wet signal paths, the PSYCLOP also features a simple but effective Effects Loop Phase switch, which is easily accessible on the pedal’s side. Additionally, PSYCLOP is capable of converting TRS Expression signals to CV and makes them usable with most Eurorack gear, making it a perfect device for synth fans and sound design enthusiasts. The pedal’s EXP knob attenuates the CV output. When nothing is connected to its CV IN jack, the CV OUT jack will output 0-5V depending on this knobs’ setting and a connected EXP pedal’s position. So all you have to do is plug in and embark on your next thrilling sound design adventure.

EarthQuaker Devices Rainbow ...

3.250,-

Rainbow Machine V2 Soundwaves Over The Rainbow Welcome to the Rainbow Machine, in all its synthetic glory! This one is for experimenters, adventurists, and noisemakers. Totally not for purists and/or tone hounds. There are no natural sounds that come from this box. It takes modern DSP and uses it as a tool of future past to create real-time pitch shifting using digital oscillators.   • Polyphonic Pitch Shifting Modulator - From a Major 3rd up to a Perfect 4th below • Can create thick doubling, lush chorus, oil-can delays and wild polyphonic harmonies • New recalibrated Magic control - Wider range of available sounds • New V2 flexi-switch - allows for latching and momentary switching • True bypass - Silent soft-touch switching • Top-mounted jacks - for effortless pedalboard implementation The Rainbow Machine V2 has been completely re-imagineered from the pixie dust-covered ground up to be more versatile, twice as loud as the original, with an extended delay time, deeper chorus tones, silent flexiswitch footswitches on both the Activate and Magic functions, and best of all, has more Magic! The Rainbow Machine is built around a DSP pitch warping engine that’s designed to be slightly imperfect; colored with digital remnants of the cosmic dust we’ve picked up across the multiverse. That is to say it’s a cold digital beast made to pretend it has feelings. The Pitch control adjusts the frequency of the polyphonic pitch-warped harmony from a fourth below your input, to a third above, and every atonal pitch in-between. Noon is the unison position. Use the Primary function control to adjust the volume of the polyphonic harmony. You may add in an accompanying octave or thicken the modulation by bringing up the Secondary function control. The Tracking control adjusts the lag time between the wet and dry signals, and the Tone control rolls off some treble for a darker, vintage sound. Clockwise is bright, counterclockwise is dark. With the Rainbow Machine engaged, hold down the Magic footswitch, get weird, and then let go to return to your boring old Magic-less guitar tone. Or, press the switch like normal, and the Magic remains engaged until you press the switch again. Ditto for the Activate switch. Press and hold to use the Rainbow Machine as a momentary effect, then let go to bypass; or feel free to press the switch like normal and use the Rainbow Machine like you would any other effects pedal.   Each and every Rainbow Machine V2 is harvested by hand in the (pixie) dusty Rainbonium mines of sunshiny Akron, Ohio, USA.

Electro Harmonix Blurst ...

2.080,-

Electro Harmonix BLURST MODULATED-FILTER EHX has grafted technology found in keyboard and modular synthesizers into a pedal designed for guitarists and bass players. The Blurst modulates an instrument’s sound like an envelope filter, but instead of the filter’s response being controlled by playing dynamics, it’s controlled by an internal oscillator. The Blurst is a must have for the adventurous player who wants to explore new sonic territory! Features an analog low pass filter with adjustable resonance Three modulation waveform shapes: triangle, rising saw-tooth and falling saw-tooth Modulation rate is set by rate knob or with tap footswitch and the tap divide toggle switch offering quarter, dotted eighth and triplet rhythms Three EXP modes, range, rate and filter, can be controlled by an expression pedal or control voltage source like CV Sequencers or similar Range knob sets the frequency range of the filter’s modulation, Blend control adjusts the dry/filtered signal mix

Electro Harmonix Mainframe ...

2.699,-

Electro Harmonix Mainframe Bit Crusher Buzz. Beep and bloop. We’re high on the lo-fi sounds of “old-school” games, toys and terminals and the Mainframe Bit Crusher takes us back to when Pac Man & Donkey Kong ruled the arcades. The Mainframe Bit Crusher takes us back in when the Commodore 64 was high tech. It provides sample rate reduction ranging from 48kHz to 110Hz. A little background… the sample rate is the number of times per second that a sample or snapshot of an analog signal is taken. For example, CDs (remember them?) had a sample rate of 44.1kHz which means that the original analog signal is sampled 44,100 times per second. The sample rate defines the frequency range that can be reproduced while maintaining good fidelity. When the sample rate is reduced the quality of the audio is degraded and aliasing occurs. Aliasing means audible artifacts created when higher frequencies are sampled at an inadequate rate and the result is distortion. The Mainframe’s sample rate range is wide enough to take you from sounds that are quite pristine to sounds that are unrecognizable when compared to the input signal. It also provides bit crushing ranging from 24-bit to 1-bit. What does that mean? Bit crushing is bit depth reduction. Back to our CD example… CDs used a 16-bit bit depth meaning that each of its samples was represented by 16-bits of information. Higher bit depths can accurately represent a greater dynamic range while bit crushing increases the number of sampling errors and creatively degrades the sound to bring us back to those nasty “old school” sounds we love. The Mainframe’s selectable High/Low/Band-Pass filter lets the user shape the artifacts of the bit crushing and sample rate. Another very cool feature is its Sample Rate Tuning Mode where the pedal analyzes your input signal in real-time and sets the sample rate to match the pitch of your signal, or a set interval above your signal. This allows you to set the sample rate to match the key of a song, or it will continually adjust the sample rate based on what you play! Sample Rate Reduction ranging from 48kHz to 110Hz Bit Depth Reduction ranging from 24-bit to 1-bit Sample Rate Tuning Mode allows you to set the sample rate to match the key of a song, or continually adjust the sample rate based on what you play on your instrument Programmable preset or expression pedal setting allows you to save your sound or control any combination of the Mainframe’s knobs with an external expression pedal Secondary knob parameters allow you to fine-tune the Mainframe’s effect. High quality buffered bypass and silent switching Comes equipped with an Electro-Harmonix PSU                

Electro Harmonix Nano Freeze ...

2.040,-

Electro Harmonix Nano Freeze Electro Harmonix Nano Freeze er en utrolig liten pedal som med ett trykk fanger lyden du spiller inn og fryser den til du slipper knappen igjen. Fang et frosset øyeblikk og gjør det om til en tone- og sonisk base som er unik. The Freeze Sound Retainer gir uendelig sustain av hvilken som helst note eller akkord med et trykk på en midlertidig footswitch. Slipp footswitchen, og du er igjen klar for sampling. Tre utvalg av decay-hastigheter, inklusive latch-modus, sikrer flytende, jevne tonale overganger. Koble Freeze til dine favorittenheter for en sonisk collage som vil være ulik noe du tidligere har hørt. Det er som å legge til en ekstra musiker i bandet.

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