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Bass effekter

 
Ashdown Double Shot Compact ...

1.190,-

Double Shot A variation on our Triple Shot the double shot is a two-band variable drive pedal designed for bass players. A range of compact 9v effects pedals for bass and guitar. Introducing the all-new PRO FX 9 volt range of effects pedals designed for guitarists and bass players by guitarists and bass players. Designed and Engineered in the UK with Electronics Engineer Dave Green, Dave has been part of the team at Ashdown since around 2006 and has been behind many of our new products in terms of electronic design. This range of pedals has been months in development and are some of our best sounding pedals we have ever designed. Taking from what we have learned from the market we wanted an affordable range of pedals distinctive in looks but most importantly character-full in tone and features. Separating the ranges by way of Bass and Guitar we have the ABM (Ashdown Bass Magnifier) Pro-Fx range and the AGM (Ashdown Guitar Magnifier) Pro-Fx range. The Bass range has two sort after pedals a two band drive capable of face ripping tones to the classic Sub Harmonic Generator bringing our trusty SUB circuit to pedal form featured in our ABM it tracks beautifully with anything from subtle low end reinforcement to full on synthy goodness. The Guitar range consists of three pedals a classic twist on a Boost pedal with a Treble Boost and a Full Boost enabling fine-tuning to your tone pre amp, The Retro Drive is a filthy but glorious distortion with a simple three pot control for rich overdriven British distortion the Retro Drive is a great pedal. The Vintage fuzz is just that a nice boxy square wave that echoes of times of old simple but effective. SPECIFICATIONS 9 volt (C-Pin Neg) – Power Supply Required Power - 30ma draw Size (mm) H x W x D - 59 x 73 x 115 Weight (kg) - 0.6
Ashdown Macchiato Comp Guy ...

2.899,-

Macchiato Comp Guy Pratt Signature Compressor Bass legend and long-standing Ashdown artist, Guy Pratt has performed with some of the biggest acts in the world to say the very least… from David Gilmour, to Madonna, to Michael Jackson, so when it comes to product development, Guy is usually our ‘go-to’. Just as Guy was getting ready to go out on the road with his new band ‘A Saucerful of Secrets’, we had a chat about the prospect of producing a compression pedal. After lengthy, coffee fuelled discussion… we come to the rather obvious yet overlooked conclusion that with compression, there’s no ‘one size fits all’… that’s why we decided to create three-new and unique bass compression pedals in our new range – one that Guy put his name to and two others that were inspired by Guy. Fine-tuned to Guy’s every demand, the Macchiato Compressor uses a personalised compression ratio (Guy’s ‘special blend’) with 3-bands of available EQ: Dark, Medium and Light – or Bass, Middle and Treble, if you want. The Macchiato retains the expression you put into the playing but simply compacts the dynamic range by a set ratio, irrespective of the overall level. The Macchiato Compressor also contains a Subsonic Filter switch that reduces specific frequencies which can sometimes interfere with elements of the stage and can damage speakers in ported cabinets through over excursion. The compression that’s available from Guy’s Signature pedal actually works as a boosted EQ, which really makes the bass sing. It’s one of the tightest compressors available. Dave Green, Chief Electronics Engineer at Ashdown explains: “Because extreme lows contain more energy than higher frequencies, The Macchiato compressor enhances the harmonics and the overall sound becomes refocused. The bass guitar’s overall frequency spectrum overlaps other instruments considerably and it is often preferable to reduce the amount of low end from the instrument, this helps keep definition and clarity and enables you to stand out from the general low-end “mush” so often present. The perceived tonal deficiency in extreme bottom end is magically corrected as soon as the other band members start to play.” SPECIFICATIONS Rotary 3-band EQ: Dark, Medium and Light (Bass, Middle and Treble) Subsonic Filter switch - Reduces specific (unwanted) frequencies 18 volt – Power Supply Required
Ashdown Retro Drive Compact ...

1.199,-

Retro Drive With a truly British feel our retro drive pedal is bold and distinctive. Rich in harmonics the drive echo’s of times of old when people played real amps. A range of compact 9v effects pedals for bass and guitar. Introducing the all-new PRO FX 9 volt range of effects pedals designed for guitarists and bass players by guitarists and bass players. Designed and Engineered in the UK with Electronics Engineer Dave Green, Dave has been part of the team at Ashdown since around 2006 and has been behind many of our new products in terms of electronic design. This range of pedals has been months in development and are some of our best sounding pedals we have ever designed. Taking from what we have learned from the market we wanted an affordable range of pedals distinctive in looks but most importantly character-full in tone and features. Separating the ranges by way of Bass and Guitar we have the ABM (Ashdown Bass Magnifier) Pro-Fx range and the AGM (Ashdown Guitar Magnifier) Pro-Fx range. The Bass range has two sort after pedals a two band drive capable of face ripping tones to the classic Sub Harmonic Generator bringing our trusty SUB circuit to pedal form featured in our ABM it tracks beautifully with anything from subtle low end reinforcement to full on synthy goodness. The Guitar range consists of three pedals a classic twist on a Boost pedal with a Treble Boost and a Full Boost enabling fine-tuning to your tone pre amp, The Retro Drive is a filthy but glorious distortion with a simple three pot control for rich overdriven British distortion the Retro Drive is a great pedal. The Vintage fuzz is just that a nice boxy square wave that echoes of times of old simple but effective. SPECIFICATIONS 9 volt (C-Pin Neg) – Power Supply Required Power - 30ma draw Size (mm) H x W x D - 59 x 73 x 115 Weight (kg) - 0.6
Ashdown Stuart Zender Funk ...

2.290,-

Ashdown - Funk Face V Stuart Zender - Funk Face VU Get ready to groove with the Ashdown Stuart Zender Funk Face VU, launching in September 2023! Designed in collaboration with bass virtuoso Stuart Zender, known for his work with Jamiroquai, this pedal is a dedicated bass twin dynamic filter that captures the essence of those signature "Virtual Insanity" basslines. The Funk Face features an intuitive 3-knob and 2-switch layout, making it easy for bass players to dial in their funky tones. The 'Sensitivity' control lets you shape the pedal's response, while the 'Output' knob allows you to control the intensity. By tweaking these controls, you can go from subtle filtering to a full-blown "Funk Bass in your Face" Auto Wah, all based on your playing style and dynamics. Additionally, the emulated 'Valve' drive distortion switch enriches harmonics, and the Wah effect is foot-switchable. Plus, a strategically placed switch lets you decide whether the valve overdrive comes before or after the Wah, offering even more tonal possibilities. The SZ Funk Face boasts genuine true bypass switching, ensuring your input signal remains pristine when the pedal is off. The Output level control doubles as a clean level boost when the Wah feature isn't active, helping you cut through the mix when you need it. Please note that the pedal requires a minimum of 9v with a 45mA draw (centre pin negative), power supply not included. Power Requirements - 9 Volt. Power Supply Required H x W x D (mm) - 145.50 x 116.20 x 65 Weight (kg) - 0.9
Ashdown Two Band Boost ...

1.199,-

Two-Band Boost Giving more control to your signal boost whether you want to boost just the high frequencies or full band boost or a blend of both to get the desired level in your signal chain. A range of compact 9v effects pedals for bass and guitar. Introducing the all-new PRO FX 9 volt range of effects pedals designed for guitarists and bass players by guitarists and bass players. Designed and Engineered in the UK with Electronics Engineer Dave Green, Dave has been part of the team at Ashdown since around 2006 and has been behind many of our new products in terms of electronic design. This range of pedals has been months in development and are some of our best sounding pedals we have ever designed. Taking from what we have learned from the market we wanted an affordable range of pedals distinctive in looks but most importantly character-full in tone and features. Separating the ranges by way of Bass and Guitar we have the ABM (Ashdown Bass Magnifier) Pro-Fx range and the AGM (Ashdown Guitar Magnifier) Pro-Fx range. The Bass range has two sort after pedals a two band drive capable of face ripping tones to the classic Sub Harmonic Generator bringing our trusty SUB circuit to pedal form featured in our ABM it tracks beautifully with anything from subtle low end reinforcement to full on synthy goodness. The Guitar range consists of three pedals a classic twist on a Boost pedal with a Treble Boost and a Full Boost enabling fine-tuning to your tone pre amp, The Retro Drive is a filthy but glorious distortion with a simple three pot control for rich overdriven British distortion the Retro Drive is a great pedal. The Vintage fuzz is just that a nice boxy square wave that echoes of times of old simple but effective. SPECIFICATIONS 9 volt (C-Pin Neg) – Power Supply Required Power - 30ma draw Size (mm) H x W x D - 59 x 73 x 115 Weight (kg) - 0.6
Ashdown Type 23 Tri-Band Bass ...

2.890,-

Type 23 Triple Envelope Filter Not one, not two, but three bands of dynamic filters that sweep your bass tones under the control of the ‘high’, ‘low’ or ‘blended’ filter frequency; generating speech like and funky bass sounds. The Type 23 is a triple voltage controlled envelope filter with two of the filters being switchable between high band and mid band. Not one, not two, but three bands of dynamic filters that sweep your bass tones under the control of the ‘high’, ‘low’ or ‘blended’ filter frequency; generating speech like and funky bass sounds. The Type 23 is a triple voltage controlled envelope filter with two of the filters being switchable between high band and mid band. The single sensitivity control effects the amount of which the oscillating filter reacts with the instrument and allows for a large range of Auto-Wah and Envelope effects, letting your inner-funk shine through. Adding more tonal capabilities, there’s a handy switch on the bottom of the pedal which further varies the frequency of the selected ‘high’, ‘low’ or blended filter oscillation frequency – to tailor the nature of the desired effect amount. New Pedals. New Design. Uniquely Ashdown. The Ashdown PRO FX range of pedals are manufactured in the UK using selected components from the best manufacturers in their respective fields. All of the effects are designed to be powered from a linear isolated 18V supply to ensure the best signal to noise ratio and lowest possible background noise, this is essential with high gain distortion pedals and floor up compressors. All pedals in the range are constructed with robust Steel housings with Anodised front fascias. Genuine Neutrik Jack sockets are used throughout. The pedals are finished in a sleek colour palette with the main centrepiece on each pedal being the sapphire-coloured illuminated LED that lights-up Ashdown’s famous double-winged logo when the pedal is engaged. SPECIFICATIONS High, low or blended filter oscillation frequency Sensitivity sets the amount of effect 18 volt – Power Supply Required
Ashdown Velvet Comp Simple ...

2.899,-

Velvet Comp A principal use of any good compressor is an effect to smooth out and level the dynamic range from the instrument. Whilst most modern bass amplifiers are equipped with a much-simplified version of this type, some lack this key feature. Designed to make your bass sound silky smooth, The Ashdown Velvet Compressor is a stunning, well-rounded compressor pedal. The Velvet Compressor is a simple pedal with advanced circuitry. Just one knob adjusts several parameters simultaneously – Gain, Ratio and Threshold are all synchronised and adjusted with the “Compact” knob whilst Attack and Decay are optimised and pre-set to suit the signal passing through. In use, the Velvet Compressor should be set so that the volume does not change when the pedal is switched on/off. This is achieved by adjusting the “Input” and ‘Output” level controls. The “Input” rotary control has an accompanying 3-band (white blue and red) LED light control to assist you in setting the perfect input level before hitting the compressor. The light tickling the blue being the recommended amount. With your input signal at its optimum, set the overall output of the pedal into the amplifier with the “Output” control. Once set, the “Compact” control is really where it counts… adding more or less compression, whilst retaining dynamics and keeping your sound consistent. While some bass compressors mean you have to compromise on the compression between your high and low strings, which can be particularly difficult for bass players, the Ashdown Velvet Compressor allows precision with every note. New Pedals. New Design. Uniquely Ashdown. The Ashdown PRO FX range of pedals are manufactured in the UK using selected components from the best manufacturers in their respective fields. All of the effects are designed to be powered from a linear isolated 18V supply to ensure the best signal to noise ratio and lowest possible background noise, this is essential with high gain distortion pedals and floor up compressors. All pedals in the range are constructed with robust Steel housings with Anodised front fascias. Genuine Neutrik Jack sockets are used throughout. The pedals are finished in a sleek colour palette with the main centrepiece on each pedal being the sapphire-coloured illuminated LED that lights-up Ashdown’s famous double-winged logo when the pedal is engaged. SPECIFICATIONS Simple single control compression 18 volt – Power Supply Required
Darkglass ADAM Aggressively ...

5.890,-

ADAM / Aggressively Distorting Advanced Machine En muliteffekt skapt sammen med Adam "Nolly" Getgood. Helt enkelt Nollys komplette signalkjede i en pedal. Innstillingsmulighetene er nesten oendelige, så du finner lett din egen lyd. We are thrilled to introduce the Aggressively Distorting Advanced Machine! It is the result of a collaboration with a good friend who happens to be one of the most celebrated artists in today’s metal scene - Adam "Nolly" Getgood. This pedal captures Nolly’s trademark signal chain and studio setup in one stunning enclosure. ADAM has three fully programmable rotating footswitch presets. Each of these store your unique blend of compression, distortion, impulse responses, EQ parameters, and signal chain settings. It features a unique and innovative touch slider interface for its 6-band EQ with top-notch precision. ADAM also includes a USB-C audio interface and balanced stereo outputs for studio monitors and is equipped with an accurate chromatic tuner that also works well with downtuned guitars and basses. By combining all these features into one slick package, we made sure that ADAM opens a truly boundless landscape for your tone shaping, sound exploration, and creative experimentation. _____ · Audio inputs · Instrument (1/4" mono) · Aux in (1/8" stereo) · Audio outputs · Two Balanced 1/4" (Left & Right) · XLR · Headphone out (1/8" stereo) · Other I/O · USB-C (Audio interface and added control via Darkglass Suite) · MIDI IN (1/8") · 9VDC input (center negative 2.1/5.5 mm) · Bluetooth (Bluetooth audio in and added control via Darkglass Suite mobile app) Controls · 5 potentiometers · Compression · Drive · Character · Blend · Level · 6-band graphic equalizer (touch sensitive sliders) · 3 multi-function switches (push/rotate) A / Compressor mode (5 modes + bypass) B / Distortion mode (5 modes + bypass) C / Cabinet simulation (5 Impulse Responses + bypass)) · Headphone volume (mini potentiometer)
Darkglass Alpha Omega Bass ...

3.820,-

Darkglass - Alpha Omega Darkglass har sammen med John Stockman fra Australske Karnevool utviklet et helt nytt pedalmonster. To helt ulike overdrive effekter i samme chassi med blend-pott. En av de mest mangfoldige drive pedalene på markedet. Dette er en videre utvikling av deres allerede populære Alpha Omicron _____ Besides being an amazing composer, producer and bassist, Jon Stockman is amazing at crafting some of the most devastating bass tones in the world. We got together in our then Helsinki headquarters 18 months ago and after endless tweaking and tens of prototypes we are finally ready to announce our first co-designed creation: Alpha · Omega. This creation differs greatly from our previous preamplifiers and overdrives: it is fully operational amplifier based and has two distinct distortion circuits (Alpha and Omega) which can be selected or blended using our Mod knob. This unusual control, in conjunction with the toggle switches and 3 active band equilizer makes Alpha · Omega the most flexible among our designs.
Darkglass Alpha Omega Photon ...

5.790,-

Alpha Omega Photon A new era for musical credos has set more elevated standards. Versatility, empowerment, limitless options, and ever-demanding tools at the disposal of every musician and composer are today on demand. A call for inventive devices continues to make musicians more inspired, clever and connected. We took our Alpha·Omega, and with relentless efforts added all the learned engineering to it. Placing the iconic distortion circuit into a new paradigm enables a range of possibilities that were never before available. A comprehensive design allows programming each part of the pedal, from compression, distortion, and cabinet simulation in the signal chain to presets via MIDI and the Darkglass Suite. The Alpha·Omega now has its ultimate interface. Fully programmable, empowered, and never before this versatile.
Darkglass Alpha Omega Ultra ...

5.190,-

The Alpha·Omega Ultra is the most versatile bass preamplifier we’ve designed: With its two distinct distortion circuits (Alpha and Omega), extremely high dynamic range, six-band active graphic EQ, dedicated headphone output and balanced direct output with switchable digital impulse-response cabinet emulation make for an incredibly complete tool for the modern bass player.
Darkglass Alpha Omicron Bass ...

2.490,-

Darkglass Alpha Omicron En bassdistortionpedal med 2 ulike drive kretser (Alpha og Omega). _____ With the double distortion engine (Alpha and Omega), the Alpha·Omicron delivers unparalleled versatility, harmonic rich and bone-crushing sound. Designed for bassists in need of a preamplifier to be distinctively heard in any musical context. 
Darkglass Element Cabsim og ...

3.320,-

Darkglass Element Inovativ kabinettsimulator og Hodetelefonforsterker for å bl.a. kunne øve med hodetelefoner An Element to handle the very core task of every musician. With a uniquely innovative approach, the Element comes to tackle in one device an immensely practical tool to empower players. Inspired by the touch sensor technology used in our Hyper Luminal·Compressor, this non-conventional device it’s now completely minimalistic with a plain surface and zero knobs. Using three fully-tactile slider potentiometers with positioning LED’s that render it appealing and extremely intuitive to use. One comprehensive device, that out of the box offers a bank of 5 cabinet simulations, and the ability to add many more through the Darkglass Suite. With Bluetooth technology to listen to back in tracks while playing, rehearsing, or studying. Two headphone outputs to allow interaction within players and XLR output to connect to a microphone preamp, PA system, etc. Fully compatible with bass guitars, guitars, or any kind of instrument, this headphone amplifier comes as a reward to a team that pushed technology and knowledge further. Thought by musicians for musicians, during these special circumstances, where we all need to stay safe at home...making music!
Darkglass Harmonic Booster ...

2.680,-

Darkglass Harmonic Booster 2.0 En Clean preamp som skaper en perfekt grunn for att dine overdrive og distpedaler skal få rett attack og nærvær.   The Harmonic Booster was our first design ever. In our quest to design the perfect bass distortion, first, we had to master the control of harmonics and filtering, which are crucial to sculpting the character and texture of a distortion circuit at will. It was then when testing the first few gain and filter stages of what would later become the core of our overdrive technology that we realized that the harmonic excitation circuitry could yield amazing results on a clean signal at lower gain levels! The result was a clean preamplifier that enhances attack and presence while sculpting the mids for a very percussive and aggressive character.   We have picked up a few tricks over the past decade, which translates into several improvements over the original design: aside from comprehensive EQ for additional flexibility, noise performance and headroom are vastly improved in v2.0. The unique tone-shaping engine can be controlled with the Character knob, which at minimum leaves your signal completely flat, providing absolute control from subtle to extreme enhancement. Along with this, we have a 3-band active equalizer with our staple bass and treble knobs, but for the first time in Darkglass history, featuring a semi-parametric mid control! And although it is designed to be the perfect complement to our distortion circuits, its incredible flexibility and portability make it the perfect one-stop solution for gigging musicians in search of a precise, and harmonically rich clean preamplifier.
Darkglass Hyper Luminal ...

3.200,-

Hyper Luminal Compressor 3 fantastiska kompressorer i samma pedal: BUS som är en modulerad SSL Bus Compressor. FET är inspirerad av Universal Audios klassiska 1176 och SYM är en digital klon av deras egna Super Symmetry kompressor som inte är i produktion längre eftersom en del komponenter inte går att få tag på.   We have made it our mission to combine our analog expertise and signature sound with cutting-edge, digital technologies, not to replace, but to enhance the sonic possibilities and intuitiveness of the next generation of Darkglass products. The Hyper Luminal Compressor embodies this like no other pedal in the industry: by digitally modeling the side-chain circuits in some of the most legendary compressors in history, we were able to capture their essence and characteristic behavior while keeping a completely analog signal path. The pedal ships with 3 selectable models (more to be added): BUS: Modeled after the Solid State Logic® Bus Compressor. FET: Inspired by the legendary 1176®. SYM: Our, now discontinued Super Symmetry, transcends in the digital realm. But that is not all! Instead of using mechanical switches (because let's face it, switches are boring), to select the compression Ratio and Mode we implemented touch-through-metal sensors. The sensors in the Hyper Luminal Compressor detect when and where the chassis is touched and changes parameters accordingly: this technology not only provides a very new, intimate and pleasant user experience, setting it apart from any other pedal in the market, but it does so while operating with extreme consistency and, unlike mechanical switches, it is virtually unbreakable. The pedal also features a gorgeous 10-LED gain reduction meter and four knobs: Blend: Mixes the clean and effected signals. Time: Sets the time constants (Attack and Release). Fine tuning and mapping can be done through the Darkglass Suite, so users can assign different constants to each model. Compression: Sets the amount of compression. Level: Sets the overall output volume of the unit. As for I/O the hyper Luminal Compressor features: Input: 1/4" connector for the instrument. Output: 1/4" connector for the amplifier or next effect in the chain. 9VDC: Center negative, 250mA, 9VDC only. The Hyper Luminal doubles the operation voltage internally to 18V for extra headroom. USB: A Micro USB B connector allows you to connect the pedal to PC/Mac to load upcoming compressor models, set Time settings and other parameters
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