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Ashdown Type 23 Tri-Band Bass Filter Pedal

Art.nr: 588199

4.049,-

Antall:

Ashdown

Ikkje på lager, ca. 4-7 dagers leveringstid, så lenge varen er på lager hos leverandør.

Type 23
Triple Envelope Filter

Not one, not two, but three bands of dynamic filters that sweep your bass tones under the control of the ‘high’, ‘low’ or ‘blended’ filter frequency; generating speech like and funky bass sounds.

The Type 23 is a triple voltage controlled envelope filter with two of the filters being switchable between high band and mid band.

The single sensitivity control effects the amount of which the oscillating filter reacts with the instrument and allows for a large range of Auto-Wah and Envelope effects, letting your inner-funk shine through.
Adding more tonal capabilities, there’s a handy switch on the bottom of the pedal which further varies the frequency of the selected ‘high’, ‘low’ or blended filter oscillation frequency – to tailor the nature of the desired effect amount.

New Pedals. New Design. Uniquely Ashdown.
The Ashdown PRO FX range of pedals are manufactured in the UK using selected components from the best manufacturers in their respective fields. All of the effects are designed to be powered from a linear isolated 18V supply to ensure the best signal to noise ratio and lowest possible background noise, this is essential with high gain distortion pedals and floor up compressors.

All pedals in the range are constructed with robust Steel housings with Anodised front fascias. Genuine Neutrik Jack sockets are used throughout.

The pedals are finished in a sleek colour palette with the main centrepiece on each pedal being the sapphire-coloured illuminated LED that lights-up Ashdown’s famous double-winged logo when the pedal is engaged.

SPECIFICATIONS
High, low or blended filter oscillation frequency
Sensitivity sets the amount of effect
18 volt – Power Supply Required

https://ashdownmusic.com/

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Ashdown

Better Bass Since '97

The Ashdown story starts in 1997, but even in those early days, company founder Mark Gooday could've already easily been described as a bass amp veteran. Having already been one of the driving forces behind another leading UK manufacturer of bass amplification, Gooday had racked up awards and plaudits for his pioneering approach and now had his sights set on even loftier aspirations.

So, it's 1997, and armed with a wealth of experience and headful of new ideas, Gooday kickstarts Ashdown Engineering to life with a simple vision – to build and 'engineer' a better bass amp.

With a nous for innovation and a flair for design, many would've jumped straight in, but Gooday was smart enough to first court feedback from some of the world's most respected bass players, including John Entwistle (The Who), Mark King (Level 42) and JJ Burnel (The Stranglers).

Inspired by the comments from these trusted advisors, Gooday focused his efforts on designing a new kind of bass amp, where superior tone was matched by unrivalled power and tour-grade performance in a truly engineered, uniquely-styled package.