MXR M288 Bass Octave Deluxe ...

2.895,-

M288 er en totoners oktavpedal som gir deg en mengde muligheter til å forme tonen. Studiokvalitèts headroom og overlegen tracking.

MXR M80 Bass DI+ Pedal

3.230,-

Distortion for bassister med justerbar gain, volum og blend. Inbygget noisegate, colorswitch, samt DI-utgang for tilkobling til f.eks. mikser.

MXR M80Y Bass DI+ Special ...

2.730,-

MXR M80Y Bass DI+ Special Edition Alle vesentlige funksjoner for livespilling og opptak i en pedal D.I. for et høykvalitativt direkte signal Preamp og EQ med kraft og karakter Dist-kanal for et bredt sound med masse trøkk XLR- og parallelle 1/4-utganger og 48v-switch for stor fleksibilitet "Limited edition" i unik gul finish Med komponenter av høyeste kvalitet rommer Bass D.I.+ alle vesentlige funksjoner du trenger i en robust liten pedal. Alt fra en superb D.I. for livespilling og opptak i studio til en preamp med EQ og distortion som gir kraft til ditt sound. Denne spesialutgave av Bass D.I.+ har en unik gul finish som ble spesiallaget til den japanska distributøren Ikebe for å feire 45 år i bransjen. Den så så bra ut att man besluttet å slippe en "limited edition" i resten av verden. Built with the highest quality components, the Bass D.I.+ has all the essentials in one tough little box, from a serious D.I. for playing live and laying down killer tracks to a preamp and finely tuned EQ that adds punch to your tones and distortion channel for rich, gnarly grit. This special edition Bass D.I.+ features a custom finish that we did for our friends at Japanese distributor Ikebe to celebrate 45 years in business. It looked so good that we decided to make a limited number available worldwide.

MXR M81 Bass Preamp Pedal

3.075,-

Bass Preamp kombinerer en ren bass- preamp med en Direct Out i studiokvalitet. Seperate kontrollere for å justere inn-/utnivå og 3-bånds EQ med trinnløst mellomregister.

MXR M82 Bass Envelope Filter ...

2.895,-

Separate Dry og effektkontroller gir deg muligheten å mikse den funkige lyden uten å miste bassen. Dens brede omfang av filtersounds kan formes med Decay og Q-kontroller, samtidig som du justerer attacken med Sensitivity-knotten. True bypass.

MXR M83 Bass Chorus Deluxe ...

3.235,-

M-83 er en analog chorus pedal som gir mengder av chorus og flanger uten å ta vekk de lave frekvensene! Kan også brukes som stereoeffekt med en stereokabel.

MXR M84 Bass Fuzz Deluxe ...

2.550,-

MXR M84 Bass Fuzz Deluxe Pedal Vintage fuzz modifisert for moderne bassister! Separate Dry & Wet kontrollere. Kraftfull fuzz tone uten å fjerne trøkket og klarheten i orginalsignalet!

MXR M85 Bass Distortion Pedal

2.550,-

MXR Bass Distortion gir en stor, flerrende tone med massevis av trykk i bunn. Full kontroll over ”clean/dirty” miksen med separate Dry og Wet volumkontroller.

MXR M87 Bass Compressor Pedal

3.395,-

Ta favoritkompressorn din fra studioet til scenen med nye MXR M87 bass Compressor. En komplett oppsettning av kontroller gjør det enkelt å finjustere soundet fra ubemerket limiting til steinharde komprimerende effekter. Denne førsteklasses nøytrale kompressoren gir deg full dynamikk helt til signalet når toppen!

MXR M89 Bass Overdrive Pedal

2.550,-

MXR Bass Overdrive har et helt nytt design som gir deg en varm, rør-lignende overdrive. I tillegg til volum, tone og drive kontroller har den også en clean kontroller slik at du kan blande den rene tonen med overdrive lyden. Dette gir deg en skikkelig ­buldrende bass overdrive.

Old Blood Noise Haunt 19 Fuzz ...

2.562,-

Fuzz Pedal - updated switches and sonic improvements. Haunt Fuzz The Old Blood Noise Endeavors Haunt is a gated fuzz that is capable of a wide array of fuzz sounds. From restrained and nuanced light fuzziness, to granular and biting saw sounds, many textures and character traits can be summoned up with this beastly fuzz pedal. Gated fuzz pedal – made for walls of ripping fuzz and unique spluttery textures 2 different fuzz modes – open or Compressed Clean blend via Mix control – retains string clarity and low-end response Made in the USA Powered by 9V DC PSU (centre -, 2.1mm, ~20mA current draw) The Haunt’s primary objective is to fight off your enemies with its gnarly grinding bite – or put your audience into sludgy, doomy ecstasy. Totally your choice, my riff-wielding friend. The Volume, Gate, Fuzz, Mix and Tone knobs give you access to a wealth of different dirt tones. From open, present and punishing sound to hyper-compressed and spluttery synth-like fuzz tones of doom and gloom. It’s all there and then some! The Haunt also has two toggle switches – Mode and Low. Mode switches between two combinations of silicon transistors. One is a lower volume, more compressed and harmonic fuzz (toggle to the left) and the other a louder, more open mid-range fuzz (toggle to the right). The Tone, Fuzz and Gate controls all respond in a unique way within each mode. So, mess around with it until you find exactly the fuzz you’re after. Low switches between a normal signal (toggle to the left) and a bass boosted signal (toggle to the right) and fattens the sound up a bit. Pair that bass boost with the clean-blend option of the Mix knob and you have a fuzz pedal that also plays extremely well with bass.

Orange Bass Butler Preamp ...

4.190,-

Orange Bass Butler Tokanals preamp for bass. En kanal gir ren basslyd for fin bunn og kraft. Den andre kanalen gir Overdrive/Distortion. Dette er en gammel metode for å ikke miste bunn når du "dister". En gang i tiden krevde dette to forsterkere, nå klarer du deg med en pedal.　 _____ AN ENTIRE BI-AMP BASS RIG IN A PEDAL Back in the good ol’ days, it was a popular practice to send a bass guitar signal to a bass amp and a guitar amp at the same time – known as Bi-Amping. This allows the player to keep their low end deep, clean and defined whilst amplifying the mids and top end separately, adding distortion or crisp highs with total control. This type of setup can produce some enormous tones but typically requires a huge and complicated rig, only possible if you’re Rock ‘n’ Roll royalty. But, if you have to get all this together by yourself? Forget it! Enter the Bass Butler…   YOUR BASS RIG IS READY, SIR Forget amp-in-a-box pedals, the Bass Butler is a whole van-load of gear in a box! Splitting your signal at the input, the Bass Butler features two completely separate, parallel, analogue signal chains, just like a real bi-amp rig. The difference is there’s not an amp in sight.   BASS CHANNEL: The always-on Bass Channel has a simple but effective control layout of Compression, Bass, Treble and Volume. An optical compressor circuit, cut/boost tone controls and dedicated, bass cabinet-simulated balanced D.I. output are always on hand with all manner of classic clean tones. From the depths of Dub to the heights of hi-fi, the Bass Butler has it all polished up and ready, like your best pair of shoes.   GUITAR CHANNEL: Whether you need mayhem, musicality or a mere modicum of mischief, this classic high-gain guitar channel won’t disappoint. Five familiar controls and four gain stages that can clean right up are summoned with one kick of the footswitch, serving up everything from bright vintage tones to floor-splitting, wall-crumbling modern destruction. Coupled with a guitar cab-simulated balanced D.I. output and an expression pedal jack for extra control over the input gain, this really is a plentiful platter, pleasing to the even pickiest of players.   DIRECT AND TO-THE-POINT The Bass Butler’s two individual XLR outputs from the two separate channels mean that your finished Bi-Amp bass tone makes it to the mixing desk with nothing left to do except blend to taste, with a Ground Lift switch for solving any ground loop issues. It’s the same story in the studio, but that’s not all… The Bass Butler also features an Amp output, which takes a blend of the two channels before the cabinet simulation circuits from a 1/4" jack – perfect for connecting to the front end of any bass amp. The blend is set by the channel volume controls, meaning you can control your on-stage sound completely independently of what the audience hear. In fact, you can even use this output on its own, just like a plain old preamp pedal.   FIVE-STAR QUALITY As the Bass Butler is the ultimate fly rig, the perfect studio tool and quite possibly the only pedal you’ll ever need, it has to be built to last. A sturdy steel enclosure, 18V DC power for high headroom, and all-round road-ready ruggedness mean that the Bass Butler is willing and waiting for a lifetime in your service.

Seymour Duncan Studio Bass ...

2.890,-

Seymour Duncan - Studio Bass Compressor Pedal A studio-quality bass compressor pedal with the ability to blend in your uncompressed tone for ultimate dynamic control. This versatile studio-grade compressor is a must have for any bass player looking to maximize their sound, with a range of tones from subtle to super-squashed. One of the secrets to the Studio Bass’s power is its 3-position mini-toggle and blend knob, which give you near limitless control over your tone by letting you mix uncompressed tones alongside the affected sound. Blend in your unadulterated clean signal, a mid boost that will help you cut through the busiest mixes, or a fat low-end growl. Find that sweet spot where harder picking lifts the dry signal right up above the effected signal or mix in just a hint of the original sound. Punk rock pick players, slap-happy funkateers and ferocious fingerstyle players alike will find endless sonic options, and there’s enough power that you can even use it as a clean boost for solos. It also makes a great ‘always-on’ pedal to form the heart of your sound.

SolidGoldFX BETA-V Bass ...

2.450,-

SolidGoldFX BETA-V Bass Preamp with Drive The BETA-V from SolidGoldFX is a Bass Preamp pedal that kicks! This latest incarnation of SGFX’s top selling Beta Series is designed to capture the warmth and grit of favorite vintage tube amps. You know, that distinctive drive and tone that seems to be lacking from much of today’s modern bass amplification. Yes, we all know the convenience of a lightweight “sub 10 lbs” bass head that pumps out 500 watts and a neo cab that doesn’t require a roadie crew or chiropractor is great, but there is something extremely satisfying in the way that big, old Ampeg-style tube setups compress, clip and round out your signal. However, With the BETA-V you can finally have the best of both worlds - bone-shaking mojo-packed dirt, all wrapped up in modern and easy to use convenience. Main Features: • Bass Preamp and Overdrive effects pedal • Designed to capture the warmth and grit of vintage tube amps • Low-Pass filter with 2 settings o 0 - no low pass filter o 1 - mid bump o 2 - mid scoop • Drive control, from mild grit to warm overdrive • Active 2-band post-Gain EQ • True-Bypass switching • Hand-made in Montreal, Canada • Powered by a regular 9-18 V DC PSU (center -, 2,1 mm, 13 mA current draw at 9 V) Our classic Beta bass architecture has been reworked and expanded, delivering a wider range of tones. The low-pass filter now has 2 settings for bumped or scooped-mids as well as a center bypass setting for a more transparent experience. Plus, the Drive control has been reworked for lower gain applications or hotter basses. Most importantly, the BETA-V sports an active 2-band post gain EQ allowing you to boost or cut your highs and lows with a flat response in the center. Dialing in anything from punchy overdriven Lemmy tones to the fattest, deepest soul shaking dub is only a few knob twists away. Complete with top-mounted jacks, soft touch true bypass switching and 9-18 V DC operations, the BETA-V is a true thump machine, ready to rock your world.

Source Audio AFTERSHOCK Bass ...

2.590,-

Advanced Stereo Bass Distortion Pedal - with PSU Source Audio AFTERSHOCK Bass Distortion Advanced Stereo Bass Distortion Get down and dirty with the AFTERSHOCK Bass Distortion. This powerful stereo effects pedal features a collection of meticulously crafted Distortion sounds ranging from subtly driven sustain to highly saturated distortion to thick fuzz and beyond. The AFTERSHOCK’s simple, yet powerful control panel provides the tools to finely sculpt the perfect bass tone. The Clean knob lets you to mix in just enough clean signal to maintain a rock-solid low-end without compromising the pedal’s SONIC GROWL. Adjust the onboard Tone control and find that thunderous sweet spot for any bass/amp combination. With the powerful MIDI and Neuro control options under the hood it provides access to a vast array of additional tonal possibilities. Main Features: • Bass Distortion effects pedal • 3 distinct Fuzz engines o TUBE: a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch o HEAVY: creates an aggressive scooped sound with ample highs and thundering lows o FUZZ: offers intense germanium fuzz tones with loads of bottom and mucho grit • 128 presets accessible via MIDI • Deep customization features accessible via Source Audio Neuro App and Desktop Editor • Stereo Inputs and outputs - for multiple advanced routing options • Mini USB Port for PC connectivity (Windows and Mac compatible) and remote control • 3.5 mm control port - for connecting compatible Source Audio control devices • Selectable Relay True or Buffered Bypass Switching • Included 3.5 mm to 6.3 mm TRS cable to connect to mobile device • Powered by (included) 9V DC power supply (2.1 mm plug, center -, 165 mA current draw) Out of the box, this stereo pedal delivers three bass overdrive engines that span the gamut of low-end crunch, from smooth and natural overdrive to full-on fuzz attack. • TUBE: The Tube engine belts out a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch. • HEAVY: Heavy creates an aggressive scooped sound with ample highs and thundering lows. • FUZZ: The Fuzz engine offers intense germanium fuzz tones with loads of bottom and mucho grit. By itself the AFTERSHOCK offers tremendous tonal range, but dig a little deeper and discover its hidden power and flexibility. Every pedal in the One Series line is compatible with the Neuro Desktop Editor and Mobile App (free downloads iOS, Android, Mac and Windows). Connect the AFTERSHOCK to the Neuro Editor and access its extended equalization capabilities, stereo routing options, as well as Source Audio’s free library of over 40 overdrive, fuzz, and distortion algorithms for bass AND guitar - each algorithm can be downloaded directly to the pedal. The AFTERSHOCK is also built on dual drive platforms providing the opportunity to simultaneously run two fuzz tones in parallel, stacked, or split in stereo. Plus, every One Series pedal is fully MIDI compatible when coupled with the Neuro Hub (formerly Soundblox Hub), providing the power to save up to 128 different presets. Job one in the development of the Source Audio One Series overdrive pedals - The L.A. Lady Overdrive, KINGMAKER Fuzz, and AFTERSHOCK Bass Distortion - was to create three great sounding, flexible, and easy-to-use pedals. Out of the box, that’s exactly what they are - plug ‘em in, select from the three onboard overdrive engines and make beautiful music… simple. But there is much more here than meets the eye (and ear) - the truly “Big Idea” behind our One Series overdrive pedals was to give musicians a second, far deeper, set of options and editing tools with which to craft the perfect tone. The Neuro Desktop Editor and Mobile App are free downloads for iOS, Android, Mac and Windows machines. The Neuro Editors vastly expand the tonal possibilities of the pedals, offering a huge collection of additional drive, fuzz, and distortion engines as well as an expanded set of editing parameters. Connect the AFTERSHOCK to the Neuro Desktop Editor or Mobile App (free download for iOS,Android, Mac, and Windows) and access a massive collection of additional overdrive, fuzz and distortion tones with extended parametric EQ capabilities, stereo routing options, and internal stacking functionality.

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