Harrison 500-series MR3 EQ

3.792,-

Harrison 500-series MR3 EQ Originally developed for the Harrison MR3 studio console, the MR3eq stands out as one of Harrison's most popular EQ designs, renowned for its punchy, smooth sound, and powerful sculpting capabilities. Introduced in 1981, the Music Recording 3 (MR3) console rapidly became the preferred tool for numerous leading engineers and studios worldwide, helping to create some of the most iconic albums from the 70s and 80s. Like all Harrison production tools, the MR3 EQ delivers the vibe to inspire artists and the precision for engineers to excel. Thanks to the MR3eq module, the distinctive Harrison sound is now accessible in the 500 series format. Legacy in analog Harrison consoles have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison production tools to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time. MR3eq design The MR3eq is a high-performance analog EQ, crafted from decades of experience in equalizer and filter design. The circuit design of this EQ allows for precision in surgical tasks or the creation of broad musical strokes with lots of band interaction for a rich and colorful sonic character. 3-band parametric with HPF This powerful three-band parametric equalizer features Low and High-frequency 6 dB/octave Shelf bands, which can be switched to a 2nd order Bell response with Harrison’s renowned proportional Q. The Mid-band offers a continuously variable Q, while a separate High Pass Filter section includes a distinctive 3 dB resonant peak. The MR3eq’s flexible design and powerful sculpting capabilities make it a versatile tool that enhances a wide array of source materials, proving equally effective in both tracking and mixdown scenarios.　 Key features: The Harrison sound. Perfect for both precision EQ’ing and broad musical strokes. Three-band parametric EQ with +/- 10 dB boost/cut range. High-frequency (800 Hz –15 kHz) 6 dB/octave Shelf band, switchable to 2nd order bell. Low-frequency (40 Hz – 800 Hz) 6 dB/octave Shelf band, switchable to 2nd order bell. Mid-band (400 Hz – 8 kHz) with continuously variable, proportional Q. Separate High Pass Filter with characterful 2 dB resonant peak. Separate ‘In’ switches for EQ and HPF sections. Input overload LED Compatible with 500 Series format chassis.

SSL Fusion Stereo Master ...

19.990,-

Fusion is an all-analogue 2U stereo outboard processor created for the modern hybrid studio. Fusion introduces five completely new analogue colouration tools designed to bring the perfect combination of added tonal character, weight and space to your mix bus or stereo stems, with the detail, warmth and finesse that only real analogue circuits can provide. The SSL sonic legacy is built upon a much-emulated collection of analogue audio processing tools that have featured in generations of studio consoles; pristine mic pre’s, classic Channel EQ & Dynamics, the legendary Stereo Bus Compressor, the Listen Mic Compressor, and the unique SSL summing bus. Fusion takes SSL into a new era with the introduction of a suite of new analogue processing tools that offer exceptional tonal character and versatility. Fusion expands the processing palette for hybrid studio owners and is a superb partner for the SSL Stereo Bus Compressor.

TUBE-TECH HLT 2A Equalizer ...

50.675,-

The TUBE-TECH HLT 2A is an all-new kind of Equalizer, combining High and Low shelving Eq plus Hi and Low cut filters with an innovative T filter “tilt” midrange Eq. It’s the first time this combination of filters has been designed in the analog domain. The midrange T-Filter “tilts” the entire spectrum around a selectable midrange frequency point. Frequencies above that point increase (or decrease) while frequencies below that point decrease (or increase). This unique topology, provides a powerful and uniquely efficient way to get beautiful-sounding overall equalization. As such, the Tube-Tech HLT-2A is destined to become a “go-to” equalizer in high-end mastering houses,smaller project studios, and everything in between. Like all Tube-Tech processors, the stereo HLT-2A possesses a warmth and character that breathes life into a track and gives it an organic body that somehow manages to occupy real physical space inside a stereo mix. However, the functionality of the HLT-2A is unique in the Tube-Tech line – and indeed in the world of analog processing. Users will find that the HLT-2A generates quick, intuitive results that can range from mild to extreme, and it sounds great on individual tracks or strapped across the drum bus or the mix bus. HLT 2A is a stereo unit, featuring active low and high shelving EQ and a passive T-filter plus passive Hi/Lo cut filters. The shelving EQ’s are designed around a high gain tube amplifier, and the T- filter and Hi/Lo filters are passive filters placed after the active shelving EQ and before the output amplifier. All sections are supplied with a bypass switch. The HLT2A furthermore features an overall bypass switch. The low and high cut filters are also passive with a slope of 6dB/octave. A bypass switches the whole filter section out of the amplifier circuit, keeping the output stage in the circuit. The T-filter is like a seesaw. When the low end goes up, the high end goes down and visa versa. When the potentiometer is turned clockwise, the high frequencies are boosted and the low frequencies are attenuated. When the potentiometer is turned counter clockwise, the low frequencies are boosted and the high frequencies are attenuated. The unit is all tube based except for the power supply, input and output have fully floating transformers and all DC voltages are stabilized, except the anode voltage for the output stage. Tube based push-pull amplifier Freq. resp. @ -3 dB: 5 Hz – 55 kHz Low noise: < -80 dBU @ 0 dB gain CMRR: > 60 dB @ 10 kHz All-tube active/passive EQ FILTERS: Low cut: 18, 25, 40, 60, 85 Hz, 6db/octave Low shelving: 18, 37, 80, 180, 370, 800 Hz. Gain: +/‑12dB High shelving: 1, 2, 5, 10, 15, 22 kHz Gain: +/‑12dB T.-filter: 0,5, 1, 2kHz. Gain: +4/-7 dB High cut: 12, 15, 18, 20, 25 kHz, 6db/octave Tracking between channels: +/-0,3 dB Input impedance: >10 kΩ Output impedance: < 60Ω Conductive plastic potentiometers In- and output are transformer balanced and fully floating

TUBE-TECH ME 1B Midrange ...

43.093,-

The TUBE-TECH ME 1B is a passive, all-tube midrange EQ based on the legendary Pultech MEQ5, featuring two boost- and one dip section. The bandwidth of the ME1B sections is designed broader than in the MEQ5 for ultra-smooth and musical equalization, perfect for vocals, instruments, speech and all other midrange sources. Mid frequencies have always been very important, when EQ’ing instruments and vocals to make a mix come together. TUBE-TECH ME 1B can shape the midrange frequencies in that very pleasant way, only a passive equalizer is capable of. Even extreme midrange boosts still sound open and warm without the slightest trace of harshness. ME 1B is the perfect partner for the PE1C program eq and works very well as a bus EQ for many different uses. The famous Motown sound? The ME1B is an important tool tool for adding that nice midrange to your recordings. The TUBE-TECH ME 1B is a passive tube based midrange equalizer developed tomatch and surpass the demands of even the most discerning studio engineers. The TUBE-TECH ME 1B Midrange Equalizer contains a low frequency boost section for peaking, a mid frequency attenuation for dipping as well as a high frequency boost section for peaking. The filter section is of the the passive type followed by a tube based push-pull amplifier to restore the gain. Input and output are balanced as well as fully floating. Input and output transformers come with a static screen between the primary and secondary wirings. Tube based push-pull amplifier Frequency response @ -3 dB: 5 Hz to 40 kHz Low Noise: < -80 dBU @ 0 dB gain CMRR: > 60 dB @ 10 kHz 5 LF peaks: 0.2, 0.3, 0.5, 0.7, and 1 kHz (0 to +10 dB) 11 MF dips: 0.2, 0.3, 0.5, 0.7, 1, 1.5, 2, 3, 4, 5 and 7 kHz (0 to -10 dB) 5 HF peaks: 1.5, 2, 3, 4, 5 kHz (0 to +8 dB) Input impedance: 600Ω No insertion loss Conductive plastic potentiometers In- and output are transformer balanced and fully floating