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Death By Audio Robot 8-bit Pitch Transposer Octave Pedal

Art.nr: DBA-ROB

4.850,-

Antall:

Death by Audio

Ikkje på lager, ca. 4-7 dagers leveringstid, så lenge varen er på lager hos leverandør.

8-BIT PITCH / RING / LOFI / GRANUALIZER

The Robot is a low fidelity 8 bit pitch transposer with absolutely no feelings whatsoever. It is completely synthetic and transforms any input into a puree of resynthesized robot jargon. Features bendable super lo-fi octave up, octave down, arp, and unity pitches.

CONTROLS

Volume: Controls master volume.

Control Knob: Located on the right-hand side of the pedal. Controls the pitch of the effect. When turned up completely clockwise, it is at its highest pitch. Turning down, counterclockwise, lowers the pitch or speed of the arpeggiator.

Rotary Selector:

Normal: Same pitch with 8-bit digital conversion when the Control Knob is fully clockwise. Turning the Control Knob down bends the pitch lower.
Octave Down: The Control Knob turned fully clockwise yields a nasty octave down sound. Turning the Control Knob down bends the pitch further downwards.
Octave Up: The Control Knob turned fully clockwise yields a nasty octave up sound. turning the Control Knob down bends the pitch lower.
Arpeggiator: The pitch arpeggiates in a sequence. The Control Knob adjusts the speed of the arpeggiator.

SPECIFICATIONS

Dimensions: 5.87" x 4.72" x 2.62" (including hardware).

Weight: 19 oz.

Power: 9V (runs ons a positive ring, negative tip 9V DC adapter or included 9V battery). Note: Requires a dedicated power supply and will not work with any daisy chain power system.

Current Draw: 23 mA.

https://deathbyaudio.com/

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Death by Audio

Death By Audio handmakes effect pedals in an underground warehouse in Queens, NYC.

Founded in 2002 by A Place To Bury Strangers singer-guitarist Oliver Ackermann, Death By Audio’s inaugural years were spent warehouse-jumping from Virginia to Brooklyn, eventually spending nine years in the infamous Williamsburg Death By Audio effects pedal factory, venue, recording studio, and live-work space. After the venue closed its doors in 2014, Death By Audio moved the effects pedal workshop to Queens, where Oliver and crew continue to make pedals by hand.

Every effect pedal we build features sturdy construction to survive even your loudest and most energetic live performances and we precisely engineer each pedal with the best components available to expand your musical horizons with new and original sounds. Bizarre technologies like medical-grade IC chips, obsolete transistors, and military surplus electronics are pushed beyond their limits to create dozens upon dozens of loud, abrasive, and mind-bending effect pedals that inspire musicians from DIY noise freaks to touring pros at the practice spot, in the recording studio, and onstage.

Originally a web-based effects customization service, Oliver turned artists’ wildest pedal desires into chaotic realities using his decades of rock ‘n roll know-how and Rhode Island School of Design training to develop radical new circuit design and layout ideas to redefine how musicians interact with their equipment, sometimes using intuitive arrays of sliders, dip-, and toggle-switches instead of traditional controls to help players break out of the same old set-it-and-forget-it sounds and discover new sources of inspiration.

Our goal at Death By Audio is to inspire you. Go and play some music right now. Hear your sound transform through one of our effect pedals. Turn your instrument upside down and play it with your other hand. Tape a microphone to your head. Search for cool and interesting sounds to make something new in the world.

And because we like to destroy things, all Death By Audio effect pedals are guaranteed for life. If you can possibly break it, we will fix it. We guarantee it.