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The Laney LFR-110 is the latest member of our best in class, market leading, full range flat response active guitar cabinet range.
Digital uptake is here to stay. Modern digital guitar rigs now allow players access to an astounding array of truly amazing sounding amplifiers, cabinets and effects combinations which only a few years ago, guitar players could only dream about.
BEST IN CLASS
Laney are the first amplifier brand to develop a REAL solution for players using a digital rig, providing players with a stylish and imposing sound presence on stage.
As that market has grown, so too has the LFR’s reputation as the market leader in powered full range, flat response (FRFR) guitar cabinets.
Following the huge success of our LFR-112, LFR-212 and LFR-412 powered cabinets, we’ve decided to offer the most compact and portable LFR in the range - the LFR-110
GUITARISTS CHOICE
You can now take your digital guitar rig anywhere you want, from writing at home, to the recording studio, all the way to playing live on stage.
To do this you need something more than a pair of headphones – you need a cabinet that moves air around you, a cabinet that gives you the feel of an amp in the room! You need an LFR-110
BLUETOOTH STREAMING
With the ability to stream audio into the LFR-110 via BLUETOOTH, the LFR-110 is the total solution when it comes to partnering your digital solution - from home to stage and everywhere in between.
You can even pair two LFR-110’s together for stereo audio streaming.
SONIC SHAPING
The HF-TRIM allows you to tailor the cabs overall high-end response on stage to the characteristics of the venue. As you move from venue to venue and the sonic characteristics change, some venues are bright, some venues are darker, you can tweak the HF-TRIM to get the best onstage sound rather than having to tweak your modeller settings.
VERSATILE CONNECTIVITY
The XLR/JACK combi input ensures compatibility with a wide range of gear, from professional audio equipment to standard instrument cables.
CABINET EMULATION
Choose between FRFR, 1x12" Celestion G12H loaded Laney LT112, or a 4x12" HH loaded Laney GS412IS cabinet emulation to match your desired sound, all at the flick of a switch.
LOUD OR QUIET
The best thing about an LFR cabinet is that it sounds as good quiet as it does loud! The LFR-110 is great for rehearsing or playing at home when you cannot always be as loud as you really want to be!
BIG SOUND
Despite its small compact size, the LFR-110 has a secret power, it sounds BIG. The LFR-110 is a powerful full range flat response powered cabinet. Loaded with a custom voiced 10” drivers and a 1” LaVoce Compression driver the LFR-110 delivers detailed, precise, full range response with no unwanted colouring.
HANDLES
The compact, top mounted, ergonomically designed grab handles make carrying your LFR-110 from gig to gig easy!
ARTISTS
Modern digital guitar rigs are an ever-present reality for professional musicians. There are more and more artists who are turning to LFR cabinets to solve their digital rig requirements. The LFR-110 is truly capable of delivering the huge variety of amazing sounding amp, cab and effects combinations available to the modern guitar and bass player.
Join the ranks of Laney LFR artists like:
Guthrie Govan, Jack Gardiner, Devin Townsend, Lisa X, Per Nilson, Tommy Henricksen -Alice Cooper, Dom Brown – Duran Duran, Thom Pankhurst and many more.
XLR/Jack combi sockets
Aux in
HF trim
XLR DI out – cabinet emulated
Switchable front Illumination
Emulation switch - FRFR, 1x12 & 4x12.
Connect two units together for streaming stereo playback.
POWER TO AMPLIFY YOUR DIGITAL RIG
The Laney LFR-110 is the latest member of our best in class, market l... "Pin It"){kind=spacer}
To say why I got into the amplifier business I have to go back a long way ...over 40 years! At that time in the 1960's I was playing bass in a series of bands based around the West Midlands area in the UK. This was a very fertile time in music and I had a great time playing at all types of venues. During this period I was still at school (Rock and Roll and schooling are not a good mix!) and several times was found to be asleep in class having returned after some gig, somewhere, usually at 5 or 6am in the morning.
When I was awake though, I had a deep interest in electronics and a fascination for tubes in particular which was stimulated by the amplification requirements to gig at night. It became a logical step to make my own amplifier; partly out of interest but mainly out of economic necessity: Bands did not make a lot of money in those days! However I did find this to be great fun (I still do today). At that time I was playing in a local band, "The Band of Joy" with John Bonham on drums (you never did get over John) and Robert Plant on vocals... Robert always held his own up front despite the racket behind him: Great times. The Band of Joy was a fairly loose band at that time and Robert and John went onto bigger and greater things.
My interest turned more and more to amplifier construction and working at that time in my father's garage, I started to get demand from fellow musicians for amplifiers and started to supplement my meagre wages from playing in bands with amplifier sales... this was a good idea!! Then came the big decision; I had finished my school education and had a place at University reading Electronic Engineering. Two days before I was due to go I decided to carry on for a couple of years making amplifiers, see how it went, and then go back to University later. I suppose now they would call this a "year out"- in those days it was just stupid! Anyhow, 40 years have gone by and I still haven’t made it to University.
Tone: If there is one constant element from the last four decades that is important, it is ‘Tone’: Making amplifiers is a quest to deliver tone to the musician, something that we have started to call ‘The Dark Art’. It is fluid and changes with developments and innovations of technique, instruments and musical style, but look at any musician who hits the sweet spot on tone- usually it is with a narrowing of the eye, a tilt of the head and more than likely a grimace- but they have got their TONE. That’s what we are after. Throughout the following pages you will see the wide range of products now on offer from Laney for all kinds of players at all kinds of levels, but every one of them has been designed and engineered by a Laney team with 40 years experience in the ‘business of tone’.
(Lyndon Laney)
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