Produsent

2.226,-

WURM 2 Refined HM2-Style High-Gain Distortion Refine the Terror from Below Slithering across the ravaged landscape, the behemoth advances. With each thrust, the beast drags thousands of years of grinding grief and mauling malice that’s ready to be unleashed upon the world yet again. There is no escape. You either stand in its path and get torn asunder or join the legendary beast, receiving the blessing of its dark distorted powers and sawing sonic screams. The choice is easy. All hail the mighty WURM! With our WURM Distortion pedal, KMA Machines brought you a highly regarded, yet unabashed sonic love letter to the legendary filthy ‘doom and gloom’ distortion sound of the original Boss HM2 MIJ pedal, taking it much further and pushing the envelope of how destructive it could be. Adorned in an iconic black and orange colour-scheme reminiscent of its inspiration, WURM 2 takes the essential ingredients of KMA’s now classic pedal, adding the ability to switch between EQ settings right on the front of the pedal. In addition, we squeezed it into a smaller and more pedal board friendly enclosure with top mounted jacks, improved the electronics and enhanced it with relay-based silent switching, all helping to make WURM 2 a more flexible metal-distortion pedal than ever before. • High-Gain Metal Distortion pedal • Modern take of the classic and now sought-after original Boss HM2 MIJ • Wide range of metal-distortion tones - from chainsaw, to plain evil and gritty • Highly configurable 4-band active EQ • 3 distinct types of EQ frequency controls to tailor your tone - now accessible on the front • Compact enclosure with top-mounted jacks - will fit into any setup • True Bypass, with silent relay-based soft switching • Handmade in Berlin, Germany • Powered by opt. 9 V PSU (9 V DC, centre -, 2.1 mm, 50 mA current draw) Calling a pedal legendary or a cult classic is often stretching the truth, but when it comes to the Boss HM-2 MIJ it’s absolutely on the money. From its beyond brutal and grinding distortion tones, bands like Dismember and Entombed birthed Swedish chainsaw metal. While WURM 2 absolutely nails that death-metal sound, its thick walls of gain and sustain is not all about that genre - the pedal is also adept for so many other styles, from Shoegaze to Prog Rock. To give you an idea, famous players like David Gilmour, Prince, Johnny Marr, Belinda Butcher, Lee Ranaldo, Daron Malakian and more have all made their mark with this style of distortion. We, of course, kept the iconic active HM-2 dual-band EQ section, but added two more bands, giving a much wider range of tones to tailor your evil and gritty distortion sound. On top of that, each band has an internal trim-pot to change the centre frequency and fine-tune your tone further if the need arises. For the WURM pedal, we developed our own EQ stack and added an internal EQ STYLE switch to help you carve out additional tonal variations. In WURM 2, this is now on the front of the pedal to make it easier to access and for even more tonal options on-the-fly. Selecting HM-II mode will get you that classic ‘chainsaw’ High-Mids character. However, in KMA mode the EQ is a little more tonally balanced, less peaky and a bit wider in response. If balanced and less peaky sounds too boring for you, select BOTH to fatten and double up the tone stacking, letting you ramp up the LOWS and the H-MIDS and rip that Swedish forest completely to shreds! However, with all of this extra tone shaping, the pedal can sometimes begin to feedback at extreme settings. So, if this proves too much and to help tame that high-frequency content, we added a new internal control to smoothen things out. By flipping the dip-switch to activate the input filter, this will help to tame the high frequencies when absolutely everything is maxed out. The TERROR control dials in all the malice and the evil distortion sounds you are searching for. Crank it up and feel the tremors of the WURM 2 under your feet, tremors that would even frighten the wits out of a young Chuck Norris!

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Maxon DB-10 Dual Booster ...

2.190,-

2.390,-

Tilbud gjelder kun 1 stk. på lager. DB10 DUAL BOOSTER Two independent Boost circuits in one compact chassis Clean channel offers +20 dB of boost with flat frequency response Vintage channel offers +20 dB of boost with high-end roll off Separate input/output jacks for each channel Cascade channels or place a pedal in between them Works in FX loop or front-end of amp True Bypass Switching x 2 A unique concept in booster design, the DB10 features two completely independent boost circuits in a single compact housing. The Clean (Left) channel offers up to +20 dB of clean boost with a completely flat frequency response. The Vintage (Right) channel is Maxon’s take on the classic Treble Booster circuit. It offers up to +20 dB of boost, but with a subtle high-frequency roll-off that increases as the Level is turned towards maximum. Each circuit has its own input and output jacks, allowing them to be cascaded into one another in any order. Place an overdrive or distortion in-between the channels for additional tonal options – super-saturated overdrive that can then be level-boosted for solos, etc. One of the many great features of the DB10 is the proximity of the bypass switches to one another, allowing the user to hit both switches simultaneously. Independent status LED’s indicate which channel is engaged and both channels feature True Bypass Switching using a 3PDT switch. Battery or DC (9-18 V) power options. "I can't tell you how much I am loving the Dual Booster. I keep thinking how I ever went on stage without one before. I am probably turning the Dual Booster on and off more than any other effect on my pedalboard. It works perfectly! Thanks so much again for all that you do for me. I really appreciate your support." Jerry Cortez - Tower of Power Compare to "booster" pedals out there such as Suhr Koko Boost, Exotic Rc Booster, Ac Booster, Ep Booster, Pigtronics Class A boost, Fulltone Fat Boost, Tc Boost etc... TECH TALK: The DB10 features mechanical true bypass switching on both channels via two x Fujisoku 3PDT switches. Input Impedance: 500K Ohms Output Impedance: 10K Ohms Controls: Vintage LEVEL, Clean LEVEL Switch: Vintage Bypass/Effect (3PDT True Bypass) Clean Bypass/Effect (3PDT True Bypass) Indicator: Vintage Bypass/Effect LED, Clean Bypass/Effect LED Gain: Vintage 6 to 19dB at 400Hz Clean 0 to 21dB at 400Hz Equivalent Input Noise: Vintage -95dBu or less (Input shorted, IHF-A weighted) Clean -105dBu or less (Input shorted, IHF-A weighted) Power Supply: 6F22/6LF22 9V battery x 1 or Maxon AC adaptor Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor) Power Consumption: 11mA / 9VDC Battery Life: 9VDC manganese battery 41 hours 25 deg C (FUJITSU 6F22) 9VDC alkaline battery 67 hours 25 deg C (TOSHIBA 6LF22) Dimensions (whole): 70(W) x 113(D) x 54(H)mm (with protrusion) Weight: Approx. 290g (incl. battery) Accessory: 6F22 9V battery x 1, operating manual* 0dB = 0.775Vrms * All specifications are subject to change for improvement without notice or obligation.All brand names and product names are trademarks or registered trademarks of their respective companies.

Meris 440 - 500 Series Mic ...

7.596,-

Meris 440 500-Series Mic Preamp Get Big Studio Console Sound on your Tracks The Meris 440 Mic Preamp is a unique boutique 500-Series studio preamp with a difference. With an integrated, pedal friendly built-in effects loop attenuated to guitar-pedal level, means that whatever your mic is recording, you can now use your guitar pedals to add effects to the signal. Designed to be the ultimate mic pre for guitar, the 440 is just as capable as a mic pre for vocals, percussion and other instruments as it is with handling acoustic and electric guitar transients. Cinemag I/O Transformers for an extremely fat mic pre-tone Built in Effects loop – connect your favourite pedals in-line or use as a superior Bass D/I High Pass Filter that selects between 80Hz and 200Hz Custom 7kHz or 4kHz High Shelf Filter to achieve the optimum tone for your instrument recording 20dB Pad, Phase Reverse and 48V Phantom Power switches Designed and Built in Los Angeles, California U.S.A. The Meris 440 is designed and built in L.A., California and contains only the highest quality components available today, like legendary Cinemag input and output transformers and hybrid-discrete OpAmps that receive and drive each respective transformer section. These all unite to create highly sought after classic American tone reminiscent of famously popular mic preamps made in the 1970s. The all-analogue signal path benefits from a customised 4kHz or 7kHz high shelf switch, 20dB pad and full control over the 60dB of gain and output levels. The levels of creativity you can go to with the Meris 440 are only hindered by your imagination! With immaculate attention to detail, the Meris 440 is solidly built and the front panel controls are clearly laid out and labelled, making it extremely easy to use. Plugging your guitar pedal into the effects loop means you can now add your favourite reverb or delay effects into the signal chain, distortion-free and without the need for any intermediary equipment. The effects loop input also doubles as a super-clean and smooth sounding D.I. for direct recording, adding to its versatility. Specifications: Gain: Up to 60dB of gain at the input stage High Pass: 12dB / octave High-Pass: 80Hz or 200Hz corner frequency Shelf: High-Shelf boost: + 3dB at 4kHz or 7kHz corner frequency Frequency handling: 20Hz to 20kHz flat frequency response (+/- .3 dB) with all filters disengaged Self-Noise: -130dBu EIN (A-weighted) Input Impedance: 1Meg Ohm input impedance at Return/D.I. input Additional switches: 20dB Pad, Phase Reverse/polarity switch and 48V Phantom Power controls Signal path: Premium components throughout the all-analogue signal path

-10%

Meris Enzo Multi-Voice ...

3.999,-

4.464,-

Enzo – Synth Pedal Supreme Synth Soundscapes Tilbud gjelder kun 1 stk. på lager! Have you ever wanted to discover new tonal inspirations but either struggled with the way regular synth-style pedals either tracked on notes or that they could just sound weak and lifeless? Well look no further, as finally the ultimate synth pedal has landed and it will send your tone beyond the horizons! The Meris Enzo is a multi-voice synthesizer that will perfectly track your guitar for tight monosynth leads, complex chord polyphony, or multi-note sequenced arpeggiation with tap tempo and all without the need for a special pickup! Also, Enzo is not limited to just guitars. In fact, you can use the pedal pretty much on any instrument or line-level signal. Whether you choose to transform your beats on a drum machine, synthesize vocals or completely transform additional synths, loops or any other type of audio, Enzo’s complete synthesizer tool palette takes your sound to a whole new realm. In addition, Enzo holds one of the most musical custom 6-mode filter section ever developed, a built-in compressor, dual delay line, ring modulator, portamento options, multiple envelope types, vast MIDI capabilities and the ability to seamlessly morph between sounds via an external expression pedal. Enzo is not just another synth pedal, it’s an instrument that will inspire your creativity and musicality for years to come. Features: Colossal Multi-Voice Dual Oscillator Synth architecture with selectable waveforms Two Tap Delay with Time, Feedback, Modulation, and special two stage level control Three Synth modes: Poly Synth, Mono Synth, and Arpeggiated Synth Two Distinct Tunable Envelope Types: Triggered and Envelope Follower Tunable Portamento Time for smooth transitions between synth notes and pitch shifts Sustain control for extending your volume envelope all the way to endless synth hold Adjustable Compressor with Threshold and Mix for your input signal (Dry mode) Custom 6 mode filter with frequency, bandwidth (resonance), and envelope Wide ranging Ring Modulation with ability to assign envelope control Digitally controlled Analog mix control Stereo input and output Switchable input / output headroom level for Guitar or Synth / Line level Expression pedal control over all parameters simultaneously Presets available via external 4-Preset switch or MIDI MIDI in/out over TRS via the EXP jack (presets, automation, beat clock) Premium analog signal path and 24-bit AD/DA w/32-Bit floating point DSP Designed and built in Los Angeles, California U.S.A. Standard 9 V power (9 V DC, centre -, 2.1 mm, ~150 mA current draw)

Meris Enzo X Modular ...

8.156,-

Meris Enzo X Modular Instrument Synthesizer A supernova expansion from the original Enzo pedal, Enzo X is the highest quality and most flexible polyphonic synthesizer ever created in a pedal format (with no pickup installation required). Combining 5 synth modes, Enzo X incorporates each of these into a modular system UI/architecture from both the award-winning LVX and MercuryX pedals. In addition to being a 6-voice poly synth, Enzo X includes 3 reverbs which are adapted from Mercury X (Prism algorithm), 5 Drives (including Bitcrush), a full stereo 2.5 second Delay and 5 modulation types. To make this complex system immediately intuitive to navigate, Meris again leveraged the simple and easy to use UI first developed for LVX. Unveil the Universe Within. Main Features: • Modular Instrument Synthesizer architecture pedal • 5 Synthesizer modes including Mono, Polyphonic and Dry Processing modes • Polyphonic Pitch Detection with no special pickup necessary • Synthesizer playable via instrument input OR MIDI keyboard • 6 Fully Polyphonic Voices available simultaneously • ADSR Envelope Generators for both Amplitude and Filter • Configurable Oscillator and Filter types • SAW, TRIANGLE, and SQUARE Waveforms selectable per Oscillator w/ Cross Modulation • Intuitive, Award Winning Color Screen based User Interface adapted from LVX and MercuryX • Expressive Hold Modifier Switch for on the fly control • 99 Preset Locations in 33 Banks • Favorite Preset Bank for instant access to your 3 favorite presets • Instant Access Tuner with configurable Reference and Output mode • Deep Modifier Section lets you route control signals to processing parameters • All New Processing Elements including Meris custom Flanger and Phaser • Digitally controlled Analog mix bus • Stereo input and output with separate jacks for each • Switchable input/output headroom level for Instrument or Synthesizer / Line levels • MIDI In and Out over standard MIDI Din Jacks • Assignable Expression Pedal control for multiple parameters simultaneously • Dedicated Expression Pedal Jack • MIDI implementation for Continuous Control Parameters • MIDI Preset Send and Receive • MIDI beat clock synchronization • Advanced ARM Processor • Premium analog signal path and 24-bit AD/DA w/32-bit floating-point DSP • Premium Analog Devices JFET input section • Dimmable screen and logo light • Designed and built in California, U.S.A. • Powered by standard 9 V power (9 V DC, centre -, 2.1mm, ~ 280 mA current draw - not supplied)

Meris Hedra - 500 Series ...

7.596,-

Powerful in Execution Put Hedra 500 into your studio rack and re-voice your melody palette in real time. 3 voices, in rhythm, combine with your original voice to create angelic harmonies. Each voice can be delayed and fed back for classic studio fattening, detuning, or extreme warping. Explore pitch locked harmony, either smooth or hard stepped and use your voice as an instrument. Add sonic unease and texture by micro tuning each voice or with our original glide mode to slide between pitches. 3-Voice Rhythmic Pitch Shifter Selectable Pitch Correction Types to Re-Voice your Melodies in RealTime Hard Stepped Pitch Correction available Individual Controls for Pitch and Time Offset for each Voice (3 Voices Total) Micro Tune control creates gentle chorus-like detuning, classic studio fattening, and extreme warping Chromatic or Key Driven Harmony with Selectable Scale Types 520 mS tap tempo synced delay with selectable pitch feedback Our Original Glide Mode slides between pitches at the speed you choose Choice to sweep through Intervals smoothly or hard step for dramatic pitch effects Switchable Half Speed and Auto Swell for advanced textures Digitally controlled Analog mix control Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP Balanced I/O, extremely low noise floor and high headroom for a pristine studio signal path Color – raw brushed aluminum with clear coat Designed and built in Los Angeles, California U.S.A.

Meris Hedra 3-Voice Rhythmic ...

4.464,-

Hedra – 3-Voice Rhythmic Pitch Shifter Rhythm Prism Every action has a reaction. A single stone thrown can create riveting ripple effects, while a humble key-turn can unlock a flurry of otherwise before unseen and unheard events. This is the magic Hedra bestows upon you and your instrument, seeing you unearth new harmonic sonic chain reactions with every single note played. The Meris Hedra is a 3-voice rhythmic pitch shifter capable of adding 3 harmony voices to your instrument and with Tap tempo synchronised delay available for each voice, this beauty far transcends the realms of standard pitch-shifting. In addition, pitch glide, micro tuning, 4 individual delay configurations, adjustable pitch correction and midi keyboard control all combine in making Hedra an instrument and sonic experience like no other. You can keep it simple and just use Hedra as a standard chromatic pitch-shifter. Or you can begin to pile on the intervals and slip into its dancing diatonic dreamscapes, via its 6 different scales and wealth of rhythmical subdivisions. Now turn up the Glide control and hold down TAP for auto-swelling synthy portamento shifts – or bump up the pitch regeneration – and you’ll be floating away on clouds of shimmering sci-fi effects. Hook a MIDI Keyboard or a MIDI Sequencer up to Hedra and turn your source instrument into a mind-bending tapestry of harmonies and hard-tuned pitch glides. Although it adds an entirely new dimension to the humble 6 (or more) string instrument, Hedra is not limited to just guitars. In fact, you can use the pedal on pretty much any instrument or line-level audio signal you want. Whether you choose to totally transform your beats on a drum machine, harmonise vocals or completely alter additional synths, loops or any other type of audio, Hedra’s advanced pitch-shifting palette is sure to transport you and your sound to entirely new sonic worlds. Features: Advanced 3-Voice Rhythmic Pitch Shifter – from standard pitch-shifting to intricate dancing harmonies Individual controls for Pitch and Time Offset for each voice Chromatic or Key-Driven Harmony – with 6 selectable scale types via ALT control 4 Delay Line Configurations with unique Feedback Routing – for infinite sound design options Unique Keyboard Control via MIDI – puts a live quartet under your fingertips Micro Tune – creates gentle chorus-like detuning, classic studio fattening and extreme warping Glide Mode – slides between pitches at the speed you choose Choose to sweep through Intervals smoothly or hard step for dramatic pitch effects Switchable Half Speed and Auto Swell for advanced textures Digitally controlled Analog mix control Stereo input and output Switchable input / output headroom level for Guitar or Synth/Line level Expression pedal control over all parameters simultaneously Presets available via external 4-Preset switch or MIDI MIDI in/out over TRS via the EXP jack (presets, automation, beat clock) Premium analog signal path and 24-bit AD/DA w/32-Bit floating point DSP Designed and built in Los Angeles, California U.S.A. Standard 9 V power (9 V DC, centre -, 2.1 mm, ~150 mA current draw)

Meris LVX Modular Delay ...

8.156,-

Meris LVX Modular Delay System LVX is a Modular Delay System which breaks the paradigm of pre-set delay types in favor of freedom and flexibility. A completely new UI and user experience has been designed from the ground up to make LVX immediately intuitive to navigate. The architecture of LVX allows ultimate creative freedom to design a custom delay. The pedal features discrete processing elements and control signal modifiers that can be connected as desired for nearly infinite flexibility in crafting custom sounds. Make room for new memories. Main Features: • Modular Delay System architecture pedal • 2540 mS of Highly Configurable Dual Delay • Advanced ARM Processor • Configurable Delay Structures, Types, and Processing Elements - for the ultimate customization in delay processing • Intuitive Colour Screen based User Interface • Always Available True Stereo 60 Second Looper • 99 Preset Locations in 33 Banks • Favourite Preset Bank for instant access to your 3 favourite presets • Instant Access Tuner with configurable Reference and Output mode • Deep Modifier Section lets you Route Control Signals to Processing Parameters • True Stereo Processing Elements (Poly Pitch Shifter operates in mono) • All New Processing Elements including Preamps, Granulize, Cassette, Poly Pitch, and more • Includes Processing Elements from the Meris family: Polymoon, Hedra, Enzo, and Ottobit Jr. • Selectable Note Divisions for each side of the stereo Dual Delay • Digitally controlled Analog mix bus • Stereo input and output with separate jacks for each • Switchable input/output headroom level for Instrument or Synthesizer / Line levels • MIDI In and Out over standard MIDI Din Jacks • Assignable Expression Pedal control for multiple parameters simultaneously • Dedicated Expression Pedal Jack • MIDI implementation for CC Parameters, Preset Send and Receive, beat clock sync • Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP • Premium Analog Devices JFET input section • Dimmable screen and logo light • Designed and built in California, U.S.A. • Powered by standard 9V power (9V DC, centre -, 2.1mm, ~ 280 mA current draw)

Meris Mercury7 - 500 Series ...

7.596,-

Meris Mercury7 500-Series Reverb Off-World Ambience The Meris Mercury7 Reverb is the world’s first 500 Series Algorithmic DSP reverb unit and uses a premium analogue signal path, alongside 24-bit AD/DA with 32-bit floating-point DSP to deliver its out-of-this-world reverb. Inspired by Vangelis’ majestic soundtrack for the sci-fi masterpiece Blade Runner, Mercury 7 Reverb is designed to send both humans and androids into an eternal dream state with its wealth of stunning reverb algorithms. From subtle plates and huge cathedrals to massive building soundscapes, swirling modulation, epic auto-swells and cascading shimmering pads. Whether you’re looking to capture the sound and feel of well-known earthly spaces, or that of huge starlit galaxies far away, the Mercury7 is sure to deliver! Handcrafted Algorithmic Reverbs Analog Mix & Dry Signal Path Intra-Tank Pitch Regeneration High & Low Frequency Damping Extensive Modulation Capability Variable Auto Swell Envelope Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP Stereo and Surround Linkable Designed and Built in Los Angeles, California U.S.A. With this dedicated hardware DSP reverb, you get all the reliability and pro level headroom necessary in modern studios (up to 21dBu / 30volts peak to peak, 116dB signal-to-noise ratio) without any load on your CPU/DAW. Plus, it has real knobs allowing you to sculpt the perfect reverb in real-time. As with all Meris products, the Mercury7 Reverb is designed and manufactured in Los Angeles, California U.S.A, to the highest specifications. The algorithmic reverb has been developed in house by their engineering team, who for many years have been responsible for some of the best sounding DSP in the known galaxy. The Mercury7 is truly something special. From the first note you play through this magic blue box, the tone and saturation you get from it is just spectacular. It’s very versatile, offering everything from sparkly-clean shimmer ‘verbs to dark and moody hall reverbs. It also features modulation should you want to delve deeper. Stereo, you ask? Not a problem. With two Mercury7 modules you can live in stereo sweetness using the stereo link cable. Then the left unit’s controls will control the right, or you can set them individually, as you please. Specifications: AD/DA: 24 Bit DSP: 32 Bit floating DSP hardware S/N Ratio: -116 dB Signal to Noise ratio Signal path: Premium analogue signal path throughout I/O: Burr-Brown precision balanced input and output drivers Mono / Stereo: Stereo and Surround linkable (requires link cable) True Bypass: 100% Analogue bypass Power consumption: <100 mA total power consumption

Meris Mercury7 Algorithmic ...

4.464,-

Mercury7 – Off-world Reverb Pedal Replicants Standby Inspired by Vangelis’ majestic soundtrack for the sci-fi masterpiece Blade Runner, Mercury7 is designed to send both humans and androids into an eternal dream state with its wealth of stunning reverb algorithms. From subtle plates and huge cathedrals to massive building soundscapes, swirling modulation, epic auto-swells and cascading shimmering pads. Whether you’re looking to capture the sound and feel of well-known earthly spaces, or that of huge starlit galaxies far away, the Mercury7 is sure to deliver! Meris has left no stone unturned in their journey to bring ultra-advanced studio reverb capabilities to your pedalboard. The Mercury7 takes everything that made the original and highly regarded Mercury7 500-series studio rack-unit amazing and distils it all into a compact, sturdy and super intuitive pedal fit for any rig and instrument out there. Mercury7 sports two different reverb algorithms (Ultraplate and Cathedra), which alone deliver a superb range of ambient tones. Now throw in the ability to modulate, pitch-shift, swell, sustain and EQ the reverb in a million different ways via its rich control set and ALT functions and you have a reverb pedal that has your back whether you’re going for smooth on-stage ambience or otherworldly sound designs that could easily form the backdrop to your favourite movie. In addition, Mercury7 holds one of the most impressive stereo reverb images ever made, vast MIDI capabilities and the ability to seamlessly morph between sounds via an external expression pedal. Mercury7 is in essence way more than just another reverb pedal. It’s a deep and highly musical creative instrument in its own right. Features: Handcrafted Algorithmic Reverbs Analog Mix & Dry Signal Path Intra-Tank Pitch Regeneration High & Low Frequency Damping Extensive Modulation Capability Auto Swell Envelope (variable and foot-switchable) Stereo input and output Switchable input output headroom level for Guitar, Synthesizer or Line levels Expression pedal control over all parameters simultaneously Presets available via external 4-Preset switch or MIDI MIDI in/out over TRS via the EXP jack Premium and High-end analog signal path Designed and Built in Los Angeles, California U.S.A. Standard 9 V power (9 V DC, centre -, 2.1 mm, ~150 mA current draw)

Meris MercuryX Modular Reverb ...

8.156,-

Meris MercuryX Modular Reverb System The Meris MercuryX takes the heart and soul of Mercury7 and expands it far beyond sci-fi into the highest quality and most flexible studio reverb ever created in a pedal format. Its modular reverb system format breaks the paradigm of pre-set reverb types and inspires new discoveries. MercuryX features the same easy to use UI as LVX, making it immediately intuitive to navigate. All of our passion for pro audio has made it into both the algorithms and hardware performance of this pedal. MercuryX combines 8 custom Meris reverb algorithms and incorporates those into a modular system architecture that first introduced with the award winning LVX pedal. It features discrete processing elements and control signal modifiers that can be connected as desired for infinite flexibility in crafting custom reverbs. Main Features: • Modular Reverb System architecture pedal • 8 Custom Meris Reverbs o Ultraplate: adapted from Mercury7 - an inspiring and lush plate with a fast build o Cathedra: adapted from Mercury7 - a massive and ethereal algorithm with a slow build, perfect for scifi textures o 78 Room: a flexible algorithm that can be voiced to replicate both the amp based reverb sounds and the classic studio spring tanks o 78 Plate: a lively and direct sound - great for transforming static sounding virtual amps into a great amp live in the room with you o 78 Hall: a large hall with a medium build up of reflections -great for building up ambient walls of sound o Spring: a flexible algorithm that can be voiced to replicate both amp based reverb sounds and classic spring tanks o Prism: a dual tank that allows you to build your own geometric rooms by specificying the size and distance and reflectivity o Gravity: works by accelerating indivual windows of your signal and stretching them across - great for adding padlike textures beneath to your sound • Expanded 2.54 secs of Stereo Predelay with modular Feedback Routing Location • Advanced ARM Processor • Configurable Reverb Structures, Types, and Processing Elements for the ultimate customization • Intuitive Color Screen based User Interface • Expressive Hold Modifier Switch for on the fly control • 99 Preset Locations in 33 Banks • Favorite Preset Bank for instant access to your 3 favorite presets • Instant Access Tuner with configurable Reference and Output mode • Deep Modifier Section lets you route control signals to processing parameters • New Independent Stereo Freeze alongside reverb • Gate Envelope Controls for every reverb type • All New Processing Elements including 79 Chorus, Vibrato, Vowel Mod, Tremolo, Hazy Lo-Fi and more • Selectable Note Divisions for each side of the stereo Predelay • Digitally controlled Analog mix bus • Stereo input and output with separate jacks for each • Switchable input/output headroom level for Instrument or Synthesizer / Line levels • MIDI In and Out over standard MIDI Din Jacks • Assignable Expression Pedal control for multiple parameters simultaneously • Dedicated Expression Pedal Jack • MIDI implementation for Continuous Control Parameters • MIDI Preset Send and Receive • MIDI beat clock synchronization • Premium analog signal path and 24-bit AD/DA with 32 bit floating point DSP • Premium Analog Devices JFET input section • Dimmable screen and logo light • Designed and built in California, U.S.A. • Powered by standard 9V power (9V DC, centre -, 2.1mm –~ 280 mA current draw)

Meris MIDI I/O Control ...

1.340,-

Meris MIDI I/O Control Interface Unlimited Remote Capability The Meris MIDI I/O is a MIDI-TRS control interface which opens up unlimited control capabilities for up to four Meris pedals. The interface offers remote control, the saving of multiple presets offline and much more, all via your favourite MIDI controller device – even wirelessly via Bluetooth. Finished in stylish black paintwork, it allows control of all your Meris pedal’s parameters via MIDI and can control up to 4 separate pedals, using different MIDI channels. MIDI I/O supports MIDI input and output from all Meris pedals and therefore allows unlimited offline preset saving and loading, so you can recall all your preset creations and with the amount of control each Meris pedal gives you, this is a hugely valuable feature. Using a wireless Bluetooth/MIDI dongle and the MIDI I/O also can allows full control of all parameters of your Meris pedal via your iPhone with a suitable MIDI controller app, when using a suitable Bluetooth MIDI adapter (like Yamaha’s MD-BT01 or similar). The interface has MIDI in and out activity status LEDs so you can keep tabs on what’s sending and receiving MIDI. As a bonus, the Meris MIDI I/O is also compatible with pedals from other companies like Empress and Chase Bliss*. Features: Compact, pedalboard friendly MIDI I/O for up to 4 Meris pedals Allows control of all parameters via MIDI Supports MIDI input and output from all Meris pedals Allows unlimited offline preset saving and loading Wireless compatibility* with bluetooth MIDI adapter (*sold separately) MIDI in and out activity status LEDs Also compatible with Empress and Chase Bliss* pedals (* may require additional special cable). Standard 9 V power (9 V DC, centre -, 2.1 mm, ~10 mA current draw)

Meris Ottobit - 500 Series ...

7.596,-

Meris Ottobit 500-Series Bitcrusher Audio In >> Video Game Out Say ‘Hello’ to the Meris Ottobit 500-Series Bitcrusher – No quarters needed. Crush bits, de-res and sonic destroy. Beep Boop Bop Boop Beep! Conceived as an “Audio In >> Video Game Out” unit, the Ottobit enables you to transform your audio through a dynamic maze of textures, synth elements and bit crushing and is designed to give musicians and sound designers tools to sculpt any source into audio reminiscent of early 8 and 16-Bit video game soundtracks. Ottobit allows you to create totally unique sounds using its sample rate decimation and bit reduction circuitry, while giving you power over the video game soundscape with a host of Ring Mod effects, Envelopes & LFO Filters. Variable Sample Rate and Bit Crushing Triggered Stutter Effects Tap Tempo for triggered envelopes & LFO modifiers Premium and hi-end analog signal path Designed and Built in Los Angeles, California U.S.A. Along with bit reduction (right down to 1-Bit) and sample rate decimation, Ottobit offers ring modulation, envelopes and LFO Modifiers and tap tempo control to trigger the envelopes and is a powerful creative tool for electronic musicians and producers. It offers a unique collection of processing elements, giving you absolute control over interesting textures, sweeping sample rate changes, tremolos, vibratos, vintage octavers and primal pitch shifting, all inspired by Kubrick’s use of the Information Rate Changer. Made in California with a premium analogue signal path and 24-Bit AD/DA with 32-Bit floating-point DSP, Ottobit will smash, crush and decimate your signal opening up a whole universe of aural possibilities. Its design is unique, granting you the power to make any sound source sound like those video games soundtracks so evocative of the 80s. Specifications: Sample Rate: Decimate sample rate Bit Reduction: Variable bit reduction down to 1-Bit Levels: User controlled gain and mix Ring Mod: Pitch track enabled ring modulator Tap Tempo: Tap tempo controlled triggered envelopes & LFO modifiers Waveforms: Selectable LFO and Ring Mod Waveshapes – from sine and triangle to square Frequency Modulation: Parallel blendable Ring Mod AM/FM Modulation Signal path: Premium analog signal path and 24-Bit AD/DA DSP: 32-Bit floating point DSP Bypass: 100% Analogue bypass Power consumption: <100mA total power consumption

Meris Ottobit Jr. Bitcrusher ...

4.295,-

Ottobit Jr. Arcade Dreams Reborn From an era when visiting the arcade meant silicon-defined-sonics were burned into so many kids’ memories (big and small alike), the Meris Ottobit Jr. is inspired by the world of vintage gaming consoles, bringing those sounds directly to your pedalboard. So what exactly is Ottobit Jr.? Well, it’s a bitcrusher, but it would be an insult to just call it that. It’s also an ultra-musical sequencer, stutter and filter effect, but it’s not JUST that either. It’s the sum of all of these parts that make the Ottobit Jr. what it is: a maniacal side-scrolling, coin-collecting, power-glove-punching-machine with a host of earth-shattering sounds that’ll melt your face right off! Heck, the pedal is so unique and innovative that it deserves to have a verb all of its own. So plug in, press play and Ottobit away! Ottobit Jr. takes everything that made the original Meris Ottobit 500-series unit such an innovative studio tool and crams it down into a rugged and roadworthy pedal suited for any rig, be it guitar, bass or synth. Basically, if you have a creative bone in your body and you love designing crazy and unique sounds unlike anything else, then the Ottobit Jr is for you! Ottobit Jr. sports a fuzzy bitcrusher with variable sample rate, triggered stutter effects, a multi-mode sequencer module and a mind-blowing low-pass filter that sounds just as good as any analog synth filter out there. All of this is syncable and controllable via tap-tempo, expression and/or midi. But most important of all, Ottobit Jr. always stays super reactive to your playing, seeing you jump from fiery fuzz tones to classic arcade bleeps and bloops, only to end up in a barrage of 6-step sequencing and glitchy stutter effects without breaking a sweat and without ever sounding unmusical. The Meris Ottobit Jr. is built to Meris’ boutique standards in Los Angeles, California, USA. It features an analogue signal path and 24-bit AD/DA with 32-bit floating point DSP to ensure crystal clear sounds with loads of headroom. Features: Variable Sample Rate and Bit Crushing Vintage Synth inspired Low-Pass Filter Triggered Stutter Effects Sequencer module for Pitch, Filter or Decimation pattern sequencing Tap Tempo for Sequencer and Stutter Stereo input and output Switchable input/output headroom level for Guitar, Synthesizer or Line levels Expression pedal control over all parameters simultaneously Presets available via external 4-Preset switch or MIDI MIDI in/out over TRS via the EXP jack Remote Tap Tempo Switch capable via the EXP jack Premium and hi end analog signal path Designed and Built in Los Angeles, California U.S.A. Standard 9 V power (9 V DC, centre -, 2.1 mm, ~150 mA current draw)

Meris Ottobit X Bitcrusher ...

8.450,-

Meris Ottobit X Modular Degradation and Texture Engine Meris’ vintage gaming inspired devices, Ottobit Jr. and Ottobit, were always designed to give musicians and sound designers tools to sculpt their sonics, with tones inspired by vintage gaming consoles. The new Ottobit X pedal takes this concept even further, in an even more advanced tool that’s been expanded with more lo-fi sounds reminiscent of the 80s. Featuring a brand-new Glitch category, the Ottobit X pushes real-time manipulation even further than its predecessors. Parameters include Grain Freeze, with enhanced response time and independent pitch control; a fully updated stereo version of the classic Ottobit Jr. Stutter with independent playback speed and subdivision control; Push Looper and Wikki Wikki (one button loopers with expressive real-time speed control); Tape Stop for dramatic slowdown effects; and Stutter Step, a sequenced stutter engine with unique triggering and timing behaviour. Pitch processing is equally deep, with 5 pitch shifting modes including the new Otto Tune with integrated pitch correction. The Modulation category features a pitch-tracked AM/FM ring modulator from the 500 Series Ottobit. New sonic processors include a frequency shifter capable of everything from subtle enharmonic movement to aggressive metallic textures, a sequenced tremolo with deep per step subdivision control, and Vibe, a lush watery phase shifter with adjustable LFO bias for dialling in low end thump. A modular degradation and texture engine, packed with vintage nostalgia, Ottobit X is your 80s dream, reborn. Main Features: • Full stereo modular degradation and texture engine with vintage 80s nostalgia • 5 Pitch Types: Poly Chroma, Otto Tune, Micro Tune, Mono Chroma, Lo-Fi • 5 Modulation Types: Ring Mod, Div Trem, Tape Mod, Freq Shift, Otto Vibe • 4 Preamp Types: Volume Pedal, Tube, Vinyl and Wavefold • Highly musical advanced bit crush sample reducer engine that goes from 32bit down to 1bit • 6 Glitch Types: Grain Freeze, Stutter, 2 (1 button loopers): Push Loop and Wikki Wikki (vinyl scratching) • Tape Stop and Stutter Step • 2 new lo-fi focused AMBIENCE algorithms - VHS Delay and VHS Reverb • 3 Filter Types: Ladder, State Variable and Otto Tron • Expressive Hold Modifier Switch for on the fly control • 99 Preset Locations in 33 Banks with Artist Presets • Favourite Preset Bank for instant access to your 3 favourite presets • Instant Access Tuner with configurable Reference and Output mode • Deep Modifier Section lets you route control signals to processing parameters • Digitally controlled Analog mix bus • Stereo input and output with separate jacks for each • Switchable input/output headroom level for Instrument or Synthesizer / Line levels • MIDI In and Out over standard MIDI DIN Jacks • Assignable Expression Pedal control for multiple parameters simultaneously • Dedicated Expression Pedal Jack • MIDI implementation for CC, Presets and Beat clock synchronization • Advanced ARM Processor • Premium analog signal path and 24-bit AD/DA w/32-bit floating-point DSP • Premium Analog Devices JFET input section • Designed and built in California, U.S.A. • Powered by standard 9 V power (9 V DC, centre -, 2.1mm, ~ 280 mA current draw - not supplied)

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