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Meris 440 - 500 Series Mic Preamp Module

Art.nr: MER-440PRE500
7.750,-
Antall:
Ikkje på lager, ca. 4-7 dagers leveringstid, så lenge varen er på lager hos leverandør.

Meris 440 500-Series Mic Preamp

Get Big Studio Console Sound on your Tracks

The Meris 440 Mic Preamp is a unique boutique 500-Series studio preamp with a difference. With an integrated, pedal friendly built-in effects loop attenuated to guitar-pedal level, means that whatever your mic is recording, you can now use your guitar pedals to add effects to the signal.

Designed to be the ultimate mic pre for guitar, the 440 is just as capable as a mic pre for vocals, percussion and other instruments as it is with handling acoustic and electric guitar transients.

  • Cinemag I/O Transformers for an extremely fat mic pre-tone
  • Built in Effects loop – connect your favourite pedals in-line or use as a superior Bass D/I
  • High Pass Filter that selects between 80Hz and 200Hz
  • Custom 7kHz or 4kHz High Shelf Filter to achieve the optimum tone for your instrument recording
  • 20dB Pad, Phase Reverse and 48V Phantom Power switches
  • Designed and Built in Los Angeles, California U.S.A.

The Meris 440 is designed and built in L.A., California and contains only the highest quality components available today, like legendary Cinemag input and output transformers and hybrid-discrete OpAmps that receive and drive each respective transformer section. These all unite to create highly sought after classic American tone reminiscent of famously popular mic preamps made in the 1970s.

The all-analogue signal path benefits from a customised 4kHz or 7kHz high shelf switch, 20dB pad and full control over the 60dB of gain and output levels. The levels of creativity you can go to with the Meris 440 are only hindered by your imagination!

With immaculate attention to detail, the Meris 440 is solidly built and the front panel controls are clearly laid out and labelled, making it extremely easy to use. Plugging your guitar pedal into the effects loop means you can now add your favourite reverb or delay effects into the signal chain, distortion-free and without the need for any intermediary equipment. The effects loop input also doubles as a super-clean and smooth sounding D.I. for direct recording, adding to its versatility.

Specifications:

  • Gain: Up to 60dB of gain at the input stage
  • High Pass: 12dB / octave High-Pass: 80Hz or 200Hz corner frequency
  • Shelf: High-Shelf boost: + 3dB at 4kHz or 7kHz corner frequency
  • Frequency handling: 20Hz to 20kHz flat frequency response (+/- .3 dB) with all filters disengaged
  • Self-Noise: -130dBu EIN (A-weighted)
  • Input Impedance: 1Meg Ohm input impedance at Return/D.I. input
  • Additional switches: 20dB Pad, Phase Reverse/polarity switch and 48V Phantom Power controls
  • Signal path: Premium components throughout the all-analogue signal path


https://www.meris.us/

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Meris

Meris


It’s an undeniable fact, Meris truly is paving the way for the future of musical effects right now.

While Meris may be still seen to many as a fledgling company, the industry experience contained within the team spans several decades. Founder Terry Burton and lead DSP engineer Angelo Mazzocco have achieved seminal work at industry leaders Strymon and Line6 respectively. Now add creative director Jinna Kim’s massive branding experience and it’s no wonder that Meris currently make the best looking and best sounding effects in the business.

Whether you’re looking for lush cinematic ambience, otherworldly modulated echoes, bit-crushed arpeggios or pro studio mic-preamps, you’ll find it all in Meris’ spectacular range of compact pedals and 500-series modules.

But that’s not all, with the latest releases of Meris’ Enzo and Hedra pedals, both guitar players and other sonic experimentalists can get all the polyphonic synth and pitchshifting tones they ever dreamt of, from pedals that require no special pickups/connections etc. and all with flawless tracking.

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