Produsent

2.990,-

Aria Compressor Drive The Ultimate Compressor and Overdrive Experience Compression and Overdrive are the foundation of my engineering. These two Keeley tones have inspired countless musicians, now they sit in one extremely versatile, sonic tool. The Aria Compressor Drive not only offers out most flexible overdrive to date, it has all the tone and blend features of the Compressor Plus. Players also have the ability to swap the order of the compressor and drive for two very useful drive experiences. Two-Mode Overdrive: Soft clipping and a transparent boost to midrange frequencies, perfect for defining your own voice. Compressors and Overdrive are a fundamental part of the guitar recording process. They are also essentials for live guitar performance. You have two ways you can combine the beautiful midrange of overdrive and the benefits of compression and sustain. Most people run compression before overdrive in order to reduce the potential for idle, static noise. There are times when you want added sustain and therefore might need the compressor after overdrives, because using compressors after overdrives offers players a very warm and rounded, smooth and even tone with tons of sustain. And then you may need to return to the conventional routing, because compression before drives gives you a consistent gain level. Problem solved! Each half of the flexibly routed Keeley Aria Compressor Drive provides tons of volume for boosting and pushing your amp, with each half offering essential tone shaping controls to perfectly sculpt the core of your guitar’s sound. Main Features: • Compressor and Drive effect pedal • Combining Keeley’s Compressor Plus a two-mode Overdrive • 2 Overdrive gain modes: o High - Soft Clipping Overdrive o Low - Transparent Midrange Boost • Compressor Tone control based on analog delays and other vintage effects - gently adds back in highs lost in compression • Compressor Blend Control - for keeping all the peaks and transients while adding sustain • Order switch – for selecting order of Boost and Drive effects in the signal chain • Pro Rig designed remote control thru 1/4″ jacks - for live use with pedal switcher systems • Top-Mounted Jacks - for a compact pedalboard layout • Made in Edmond, USA • Powered by a regular 9V DC PSU (centre -, 2,1 mm, low ~55 mA current draw) The Aria Compressor Drive comes with TRS insert jacks to allow you to divide the pedal into two units. Insert effects between the two sides! Compressor into delay into overdrive, anyone? Maybe swap that for overdrive into delay into compression. For nearly two decades, from nearly every Nashville session-ace to the praise and worship player at church, from Steely Dan, Steve Vai, Johnny Hiland, Daniel Donato, Arianna Powell, to Nicholas Veinglou, the Keeley Compressor and Red Dirt have been a part of these performing, recording, and touring sounds. Now, these two epic tones are together in one stomp box that is easy to use and full of features.

Keeley Aurora Digital Reverb ...

2.590,-

AURORA REVERB Turn down the lights, turn up the spectrum… Join Keeley Electronics’ grand entrance into the hallowed halls of psycho-acoustic processing – the Aurora Reverb. Few effects complement a guitar better than reverb; from spring reverb coils in a tank to the distant echo of cathedrals to 600 pound sheet-metal plate vibrations. Reverb captures our imaginations and plunges us deeply into our musical psyches. Reverb IS the key to the highway. At Keeley Electronics, the Aurora Reverb had to meet certain specific criteria. It had to be affordable with no compromise to audio quality. It had to be easy for guitarists to use and be inspiring. And it had to offer the essentials for tailoring your tone without a dozen knobs to learn. Now achieved, we are proud to offer a true bypass, 100% dry analog path, low noise, 24 bit, high-fidelity reverb processor. AND IT SOUNDS GREAT! Main Features: • Reverb effect pedal • Vintage reverb sounds in a compact pedal • 3 modes o Hall– long bright ambience o Plate – short, vintage studio sound o Room – medium, warm ambience • Pedalboard-friendly size – for compact rigs • Made in Edmond, USA • Powered by a regular 9V DC PSU (centre -, 2,1 mm, low ~65 mA current draw) In fact, when asked if it offered ‘trails’ I couldn’t help but think, “Why would you need trails for a pedal you won’t want to turn off?” The following controls offer everything from pristine, fast reflections to ethereal spaces to deep, dark and endless caverns. The three most popular reverb styles that don’t come built into your amplifier are Room, Plate and Hall. In the smallest footprint possible, we offer what used to take up a recording studio room or an entire city block. You can achieve cathedral resonance, enormous surface areas of sheet-metal plate sounds or convincing room decays. Room sizes range from something like a broom closet to that of a barn. (And I also want to add that careful adjustments to the Room settings yield a signal bordering on the verge of spring reverb, so if your amp doesn’t already have a tank, we’ve got you covered.) Decay controls the amount of time it takes for the reverberated sound to disappear. Ours provides a range from a realistic, close-quarters reverberated dimension to a “walk-away-and-come- back in a while” signal of complex, still-ringing musical reflections. Slapback is what we call pre-delay. Pre-delay creates distance. How soon or late you hear the first reflection is crucial to crafting the reverberated space. Sometimes you do not want any delay between your note and the reverb. And sometimes, for clarity’s sake, you want the reverb to wait a moment before joining the dry signal. Such a setting enables short, staccato, single-syllable type expressions to finish articulating before being suffused AND joined by the tail-end of previously reverberated sounds. The Slapback setting adjusts from zero to 100 milliseconds. When the illusion of infinite space is required, set your Slapback to zero and you’ll streak vividly away like Dr. David Bowman breaking free of Jupiter’s gravitational pull. Dial up the warmth. Unlike most tone controls, ours is a dampening control and increases the warmth, as it is rolled up. Its brightest setting is when completely dialed down. Blend will take your 100% analog dry signal and blend in the reverb, from just the slightest mix of wet to much more. We suggest you place it at the end of your pedal chain and use the Blend Knob to tailor your sound. The Keeley Aurora Reverb provides the essentials guitarists are looking for when they need reverb on their pedal boards. Like that ethereal glow to the mighty Earth herself, Aurora creates a natural halo of sound in the atmosphere of your magnificent core tone.

Keeley Bassist Limiting ...

2.779,-

Keeley Bassist Limiting Amplifier Studio Quality Compressor and Limiter The Keeley Bassist Compressor provides true high-fidelity compression and limiting. Be heard and felt using performance compression by Keeley Engineering. The Bassist Compressor is built around the exotic and extremely high fidelity THAT Corp. 4320. Think of it as very affordable studio-grade compressor in stomp box format! It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra high performance op-amps to bring you the very best quality. VCA compressors give you precise control. Therefore they are directly suited to bass guitars. The Keeley Bassist Compressor is both musical and very transparent. Where our older compressors were based on the CA3080 or the LM13700 and are perfect for single coil guitars, the new Keeley Bassist Compressor has no problems with active pre-amps and line level input signals! Not only can the Keeley Bassist handle astonishingly large signals, it has an incredible bandwidth of over 20 KHz and incredibly low noise. No detail in your bass guitar’s tone will be lost. The Keeley Bassist will be a sound investment in your tone, you now have rack-mount quality at your feet. Main Features: • Compressor Limiter effect pedal • Studio Quality Limiting Amplifier and Compressor for Bass players • Built around the exotic and extremely high fidelity THAT Corp. 4320 • uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra high performance op-amps - for precise control over compression and limiting • Threshold and Compression controls save speakers from clipping and distortion • Pedalboard-friendly size – for compact rigs • Made in Edmond, USA • Powered by a regular 9V DC PSU (centre -, 2,1 mm, low ~50 mA current draw) When bass players use the Keeley Bassist Compressor they will be greeted with a sound that is more easily amplified and heard. Using the effect as a limiting amplifier saves your speakers from clipping and distortion. Set the Threshold to look for peaks in your signal and limit distortion from your amplifier or damage to your speakers. Simply watch the Threshold Indicator light to see what type of playing you want to limit, it’s that easy! Next set the Compression Ratio Control to determine how much squash you want when the signal is above Threshold. Set Compression all of the way down for no (1:1) compression and use the Gain control as a boost! Set Compression all of the way up for an above-Threshold hard-knee limiter. There is a certain figure that just sounds good as far as compression goes; and that’s 125 dB/second. With feed forward compressors that use this type of true-RMS detector you use a single time constant parameter. The timing capacitor gives you attack and release times that are adaptive to your playing level or the signal input to the compressor. Bottom line: Attack and Release times vary on program content.

Keeley Blues Disorder 4-in-1 ...

2.785,-

Keeley Electronics Blues Disorder 4-in-1 Blues Breaker and OCD Style Overdrive and Distortion Keeley combines two completely different overdrive and distortion circuits to create four different drives in one box. The Blues Disorder has two switches that allow you to separate the tone control from the clipping section. By mixing and matching the Tone and Drive switches you get two hybrid sounds. With both switches up it’s a smooth, soft-clipping Bluesy Breaker. The BB side is a low gain, soft-clipping overdrive. With both switches down it’s a fuller sounding, hard-clipping OC Distortion. The clever design keeps the pedal a three knob overdrive with 4 unique sounds. Switch easily between buffered or true-bypass; whichever sounds best in your rig. The Keeley Blues Disorder Overdrive and Distortion is designed and manufactured entirely by Keeley Electronics in our brand new aluminum enclosure. Main Features: • Compact Overdrive and Distortion Effects Pedal • 2 classic distortion/overdrive circuits combined with swapable Tone Circuits in 1 pedal • Offers 4 overdrive flavors - 2 familiar circuits and 2 brand-new amp-like overdrive and distortion tones • Swap tone controls and/or distortion sections to create new sounds • Create unique Hybrid Drive and Distortion by mixing the BB Overdrive’s and OC Distortion’s Clipping Sections and Tone Stacks • Professionally Engineered Tone - sounds developed in the field and in our tone lab • 100% analog circuit with all-analog signal path • Switchable Tone control o BB: a simple high-frequency filter with a more transparent sounding drive and response o OC: active midrange boost and then the tone control rolls off high-frequency • Switchable diode clipping o BB: Soft diode clipping - for softly overdriven tube-amp-like tones o OC: Hard diode clipping - for an edgier more aggressive tone • Silent soft-touch switch with switchable Buffered or True Bypass Switching • Made in Edmond, OK, USA • Powered by a regular 9V DC PSU (centre -, 2.1 mm, 27 mA current draw) Switchable Tone Stacks - Swap Voicings The Blues Disorder gives you two tone control circuits to choose from. When the Tone Switch is down and in the OC position you will hear an active midrange boost and then the tone control rolls off high-frequency. If the Tone Switch is up and in the BB position you don’t have the active mid-boost, there’s just a simple high-frequency filter and therefore a more transparent sounding overdrive and response. Switchable Diodes - Hybrid Gain Clipping The Blues Disorder gives you both styles of diode clipping. Where diodes are placed in the circuit, can have a dramatic effect on gain and compression. This pedal gives you both hard clipping distortion or soft clipping overdrive, depending on the position of the Drive Toggle. If the Clipping Switch is in the OC position it features Hard-Clipping which is an edgier, more aggressive tone. Alternatively, when the Clipping Switch is in the BB Position, that uses Soft-Clipping and sounds like a softly overdriven tube amplifier. Buffered and True Bypass The Keeley Blues Disorder allows you to quickly switch between either mode. Having a great buffer will make your rig sound strong and clear even when the pedal is off. Buffered switching prevents the pops and clicks of true-bypass switching. If you want to turn on true-bypass, simply press and hold the foot switch for two seconds. Holding the switch for two seconds toggle between modes. True Bypass is great if a buffer might affect the tone of a vintage pedal. Enjoy truly silent switching and a better sounding rig with Keeley’s buffered switching mode. Made In The USA We design, engineer, and manufacture the Keeley Blues Disorder in Oklahoma City. The Blues Disorder is geared towards the professional musician’s demand for an inspiring tone when performance demands it. From the meticulously built electronic circuit boards to our in-house fabricated aluminum enclosure, Keeley pedals are professional grade. We make guitar effect pedals to be finely crafted musical instruments.

Keeley Bubble Tron Dynamic ...

2.785,-

Keeley Electronics Bubble Tron Dynamic Flanger Phaser Robert Keeley and his crew are fans of Zappa. Rabid Fans. This pedal explores some of the famous, but very hard to find sounds of the past. Keeley Engineering has created another batch of Neo-Vintage effects that never were. This time Keeley has made the Flanger and Phaser in dynamic with your pick attack and strength. Then add the Random Stepped Filter with the new “M-Style Synth” bandpass shaping feature, and you have a lead guitarist’s dream tool. Shut up and play your effect pedal! Yeah, you play this thing like an extension of your mind and fingers. Main Features: • Dynamic Flanger/Phaser and Filter effect pedal • Perfect for Zappa-esque soundscapes • 3 Modes: o Dynama-Flange – Flanger with delay time controlled by playing dynamics o Dynamo Phase – 2 Phasers in parallel with depth controlled by playing dynamics o Filter – Random-Stepped Sample and Hold Filter with M-Style Synth bandpass • Internally switchable second bank of modes o Flange – 8 Stage Vintage Phaser with up to 80% feedback o Phase – Classic Flanger with positive or negative feedback o Filter – vintage Envelope Filter effect • Internal Vintage/Modern switches for warm vintage tone / modern full range clarity • Pedalboard-friendly size – for compact rigs • Made in Edmond, USA • Powered by a regular 9V DC PSU (centre -, 2,1 mm, low ~65 mA current draw) The Keeley Bubble Tron Dynamic Flanger Phaser and Random Synth Filter has three modes of operation. The Flanger section of the pedal draws on inspiration from the MicMix DynaFlanger. This incredible piece of gear was used by FZ to create many of the sounds in the late 70s to mid 80s where a dynamic flanger was used to get envelope based flanging in his solos. A dynamic flanger is one that starts and stops based on your pick attack or envelope. The word envelope is used because if you were to measure the “weight” of your guitar signal and put it in a storage container (the “envelope” is an imaginary capacitor) it can then be used to control another part of the circuit. The Bubble Tron uses your playing to start and stop the flanger. Most flangers just cycle around and around and you can hear that swooshing in the background. Not in this case, it only cycles as you play. Many flangers offer only positive or negative feedback. This one allows you to try either with the FDBK control. The negative feedback sounds more vocal like and hollow to my ears while the positive feedback is more conventional and has a thicker, smoother sound. The Sensitivity Control allows you to set how delicately you want to play and have the flanger go fully crazy on you. You can set for crazy silverback gorilla flange or easy flangin’ on Sunday morning. The Depth Control is just that, how deep you want the flanging to be. The DynaMoPhase section of the Bubble Tron is actually two phasers. One has an LFO that you set the speed of with the Rate Control (while it’s depth is dynamically controlled) and the other is a true Dynamic Phaser. It starts and stops based on your pick attack. Again, you can set the Depth and and Sensitivity of this phaser to give you a very watery sound that is all based on your guitar’s signal. You can turn off the standard phaser and just run it DynaPhase by turning the Rate Control off. The only effect that isn’t dynamic is the Filter Section of the Bubble Tron Dynamic Flanger Phaser. With the Filter you can control the different ramps or random nature of the pedal with the Shape Control. The very exciting part of this pedal is the Sensitivity Control which is actual like a vintage synth style bandpass filter control. It shapes the bandpass filter on the filter and gives you some incredible keyboard like sounds. One very nice side effect of dynamic based effects is that they don’t produce the constant, swooshing sound of LFO based effects. If you’re a lead guitar player that likes to explore and has never had the kind of expression or dynamics from your sound effects that you have in your mind, this is for you. If you are a sound-experimentalist, this is for you! The sounds are nearly endless in that your input shapes what the effect will do. On top of that, the Bubble Tron offers an internally switchable second bank of effects, which turns Filter Mode into a vintage style envelope filter. This mode gives you dynamic control over either a high-pass or low-pass filter. Bank 2 turns Phaser Mode into an 8-stage vintage style Phaser with up to 80% feedback while Flange Mode becomes a classic Flanger with either positive or negative feedback. But that’s not even all, A second set of internal switches lets you adjust the tone of the Bubble Tron’s filtery, phase-flanging goodness to for either warm vintage mellowness or modern full range clarity. The Bubble Tron Dynamic Flanger Phaser is made in Edmond, Oklahoma by rabid Zappa fans. It was Designed and Engineered by Aaron Tackett, Craighton Hale and Robert Keeley.

Keeley Caverns Delay/Reverb ...

2.785,-

Keeley Electronics Caverns Delay Reverb v2 Delay and Reverb The Caverns Delay Reverb V2 dual-effect pedal combines delay and reverb for the perfect end to any pedal board. It features Keeley’s analog-style tape delay with modulation options. The 650ms of warm delay combine with Spring, Shimmer or Modulated Reverb. Caverns now comes with a True-Bypass or Trails option. Because of its small and compact design, the New Caverns is a perfect fit for any fly-rig or small board where you have tight space requirements. The New V2 features Keeley’s most popular time-based effects, blended perfectly via a design fine-tuned for over 2 years. Simply put, it will be an amazing addition to any board. Main Features: • Delay and Reverb effect pedal • 650ms warm delay - based on Keeley’s Magnetic Echo ciruit to emulate analog tape delay • 3- way switchable delay modulation – for adding wow and flutter to the repeats • 3 cavernous reverb modes – Spring, Modulation and Shimmer • Pro Rig designed, remote control thru 1/4″ jacks for live use with pedal switcher systems • 100% analog dry signal, audiophile designed input to output • Mono True-Bypass/Trails, via internal DIP switches • Top-Mounted Jacks - for a compact pedalboard layout • Made in Edmond, USA • Powered by a regular 9V DC PSU (centre -, 2,1 mm, low ~75 mA current draw) The New Caverns Delay Reverb V2 builds on the old Caverns pedal by giving players a more open and logical control layout with more space between the foot switches. The Reverb side of the pedal features 3 cavernous sounds. Spring Mode, a Blackface Amp style spring reverb with F Style Tremolo. Modulation Mode, which adds Choral modulation to the reverb for a huge, cavernous space. And finally Shimmer Mode, a Reverb with emphasis on octave-up voices in the reverb trails. The Delay side of the pedal incorporates Keeley’s popular Magnetic Echo circuit, which is designed to emulate analog tape delay lines. Three way switchable modulation gives you options for adding Wow and Flutter to the repeats. Perfectly voiced echoes sit well in the mix, either clean or with distortion. Top-Mounted Jacks allow for a compact pedalboard layout. True-Bypass or Trails option gives you the freedom to create huge caverns of sounds and lets them ring out even after you turn the pedal off. Keeley’s buffers are engineered to retain your tone and to feed your amplifier a full-strength signal. The Caverns Delay Reverb V2 is entirely built in the US. Keeley’s veteran crew builds the most reliable and road-worthy gear.

Keeley Compressor Mini pedal

1.778,-

Mini Compressor, Sustainer and Boost Pedal Keeley Electronics Compressor Mini The next generation of compression is here! The Keeley Compressor Mini is designed to make the magic of compression simple and easy to use. Featuring Manhattan-style compression, the Compressor Mini intuitively and automatically delivers the perfect blend of dynamic and compressed guitar signal. This is how the Compressor Mini retains all the subtlety and dynamics in your playing, making it effortless to play and sound your best. An all-new transient release time is set to make both single coils or humbuckers sound lively and expressive. The new automatic tone recovery circuit ensures crystal clear highs, even with high compression settings. The Compressor Mini’s pre-amp tone is legendary; pushing both pedals and amplifiers to their greatest potential. Main Features: • Mini-sized Compressor pedal • Offers Keeley compression in a small, simple and easy to use package • Increased sustain range for even more subtle Manhattan-style compression • Auto-blend to enhance clarity and note definition • New transient release time that makes hum-buckers sing and single coils pop • Automatic tone recovery, a treble clarifier for high compression settings • A built-in pre-amp for incredible guitar tone • Designed and built in the USA • Powered by a regular 9V DC PSU (centre -, 2,1 mm, 10 mA current draw) With any style of guitar, playing live or at the recording desk, the Compressor Mini is your secret weapon. Keeley Electronics have done the math for you, this is the new calculus for great tone. Keeley Sustain and Transparency - 20 Years Worth of Toneful Compression. Plug into the Keeley Electronics Compressor Mini, feel inspired to play and sound your best.

Keeley Compressor Plus pedal

2.069,-

Keeley Electronics Compressor Plus Gorgeous Sustain - Perfect Boost The Keeley Compressor is the most popular boutique compressor in the world. With well over 80,000 compressors built in our shop we have an expert understanding of compression, limiting, and sustain. Keeley know what it takes to make an instrument sound like it’s been professionally recorded. We know how to make your guitar jump from the mix. We know how to make it fun and easy to play. Keeley Compression is how. The Keeley Compressor Plus is the first true advancement in our 2 and 4 knob compressor line. The new features are simple and straight forward. Now there is a simple Release Switch that is tuned for single coils or humbuckers. No more wondering if you have the attack or release set right. Your humbuckers will have all the attack and punch that they should. Keeley's team designed a gorgeous sounding Tone Control which emphasizes the most sensitive harmonics that can be lost in compression. The Compressor Plus now sports a Blend Control that retains the peaks in your playing and, more importantly, the proper phasing of your guitar signal. The Keeley Compressor Plus offers the same gorgeous push of frequencies and sweetening of tone that the old comps gave you, now with the flexibility to easily handle any instrument. Main Features: • Compressor Sustainer effect pedal • Legendary Keeley Compression with modern features • Attack/Release Switch - designed to make it very easy to transition between single coil and humbucker guitars • Tone control based on analog delays and other vintage effects - gently adds back in highs lost in compression • Blend Control - for keeping all the peaks and transients while adding sustain • Pedalboard-friendly size – for compact rigs • Made in Edmond, USA • Powered by a regular 9V DC PSU (centre -, 2,1 mm, low ~10 mA current draw) The Keeley Compressor Plus is a compressor with an expander/sustainer. Not only does it act as a regular compressor, limiting the peaks in your playing, it adds more and more gain as notes fade out. Now you have sustain. Nothing worse than a note or a bend that has died before its time. The Keeley Compressor Plus adds just the right amount of sustain and expressive bloom to your notes. The Release Switch on the Keeley Compressor Plus is designed to make it very easy to transition between single coil and humbucker guitars. Humbuckers have more average energy than single coils which can cause compressors to stay in “compression mode” for a lot longer. When this happens, any series of notes you play will sound dull. With the quick release of the new Compressor Plus, your humbuckers remain true sounding, and each note retains dynamic attack and definition. The Tone Control is Keeley’s own design taken from analog delays and other vintage effects. Those effects used an emphasis circuit to recover treble and highs after they went through the BBD or other analog delay lines. We took that circuit and made it into a full fledged tone control! We have found that it is the perfect way to gently add back in those highs lost in the compression process. The Blend Control is a way of getting the peaks to come through while having sustain at the same time. So if you want sustain more than peak-limiting, this style of Manhattan Compression is for you! Keep all the peaks and transients with the Blend and Tone Controls while adding sustain on the back end. Heaven! This compressor isn’t just for heavy funk or chicken pickin’ anymore. The new Compressor Plus is for players wanting a smooth, subtle wash from their guitar. Remove just the right amount of peaks for an ambient layer and then blend in the right amount of treble for a nice shimmer to your guitar. Use with your favorite fuzz to create a wall of tone like you’ve only heard on records. Looping has never been easier than with this compressor. Consider it an essential tool when creating loops that sound well-balanced. Forget it all and use the Compressor Plus for the best amp boost you’ve heard. Nothing pushes an amp better than the Keeley Compressor Plus. The Keeley Compressor Plus is the result of us specializing in compressors for over 15 years. Chief Engineer and founder Robert Keeley said, “Compression was the first effect I found that was hard to make sound good off the shelf, so I set out to create the best sounding compression effect possible.” Keeley have it down to a science but still treat it like art. Since it is at the core of what we do, we can offer it for an incredible price now. The Keeley Compressor Plus is completely made in the United States. We’ve worked with and listened to the pros who have had the original compressor on their boards for 10 to 15 years and found out what it would take to keep it on their boards for another 10, 20, or 30 years…. Add the Compressor Plus to your rig, you and your guitar will be singing for days.

Keeley Compressor Pro pedal

4.128,-

Full featured studio quality compression in a stompbox Keeley Compressor Pro Powerful, with Attack, Release, Auto Mode, Hard/Soft Knee World Renown Compression by Keeley Audio Performance and Blissfully Accurate Keeley Compressor Pro. The stomp-box sized compressor/limiter is made in Oklahoma, USA and engineered to be an indispensable tool for your musical endeavors. It is in no way limited to be used with only guitar. It has been designed to work as a studio compressor accepting any range of inputs and a frequency response and noise level matching the finest compressors made. Introduction of Features Compression LED Display – 7 Segment LED display for fast and accurate metering of compression and gain reduction. Gain Reduction Levels of -1dB to -20dB are indicated. Threshold LED Indicator – Bi-Color LED to indicate when compression is initiated and released. Exact RMS Analysis (ERA) – Senses the true RMS value of the input program material such as your guitar, bass or drum machine. Hard/Soft Knee Compression – Hard Compression for limiting or adding sustain, soft knee or Komfort Kompression for gentle compression, keeping performances lively and natural sounding without potential phase issues in parallel, or blending style compression. Auto Mode – Program dependent Attack and Release times. Set to Auto ON for worry-free performance and automatic Attack and Release times. True-Bypass – No tone or signal loss when OFF General Compressor Usage The Keeley Compressor Pro is designed to be used at home or in the studio for creating full sounding recordings of any instrument. In live situations, the Compressor Pro can be used to achieve full sounding, polished performances as well as protect amplifiers and speakers from overload. The Comp Pro is designed to work with any instrument from voice and guitar to keyboard, bass, or drums. Use it when creating a podcast or YouTube videos to maintain professional performance levels. Use it around the home to create tons of sustain while at low volumes or low gain settings! Device Controls THRESHOLD, RATIO, ATTACK, RELEASE, GAIN, KNEE, & AUTO THRESHOLD Control and LED – This is probably the most important control on the Comp Pro. It is adjusted to determine when the compressor is working or when sound is being passed through unaffected. The Threshold control is turned down or CCW until the THRESHOLD LED turns Red as you play your instrument. When the THRESHOLD LED turns Red the Comp Pro is actively compressing your signal. If the LED is Green, the Comp Pro is not compressing and sound is passed through unchanged. Range of Adjustment is from -50dBu to +10dBu. 2.45mVRMS to 2.45VRMS – Pro Audio (studio) Levels are +4dBu Consumer Audio Levels are -10dBu. Passive guitar or bass pickups are typically about -25dBu to 2.5dBu. RATIO Control – “the Compression Knob”, Ratio is the amount of compression you set the Comp Pro for. You can set it from No Compression (1:1) when all of the way off or CCW. You can set it as high as Infinite Compression (∞:1) which means that the output level will never increase in output level no matter how loud the input. This type of setting can be used for hard-limiting to protect recording or speakers or in some cases for guitar effects like chicken-pickin’. ATTACK Control – Attack Times between 0.15ms and 150ms. Controls the time it takes for the Comp Pro to start compressing. RELEASE Control – Release Times between 0.1s to 3s. Controls the time before the Comp Pro releases or stops compression . GAIN Control – This is the output level of the compressor. It does not affect the compression controls like THRESHOLD, RATIO, ATTACK or RELEASE. It is for make-up gain if you set for heavy compression gain reduction. +20dB of boost is possible. KNEE Switch – Hard Knee/Soft Knee. Hard Knee Compression follows a hard fast rule: If THRESHOLD is met, then Compress at this RATIO. Soft Knee is Komfort Kompression. It’s a way to keep compressed guitar or instrument parts sounding lively and dynamic, without the “blanket” of compression found in many types of compressors. AUTO Switch – OFF/ON – Set to ON in most cases for automatic setting of Attack and Release Times. This will sound natural and work in a very large number of cases. The Comp Pro looks at the input signals like guitar, bass, vocals or drums and determines the correct attack and release times depending on what you’re playing and what signal levels are being detected.

Keeley D&M Drive pedal

3.420,-

The perfect storm of Drive and Boost in a pedal D&M Drive High Voltage Boost Saturated Multistage Gain Advanced Switching for Pros Award Winning Tone. It’s simply hard to beat the quality of tone and range of sounds. It’s an honor to be part of such a hugely successful pedal. The D&M Drive is the perfect storm of Drive and Boost. The D&M offers a gorgeous sounding high-voltage Boost side which is designed to impart the perfect tone on any amp that needs to be pushed. No longer will you wonder what the perfect clean boost should be. As you roll things up, the drive morphs your tone into singing gold. A sexy and smoothly saturated midrange voice appears which breathes confidence. The Drive side offers everything you would want in a powerful gain stage. From flat honest overdrive that is perfect for any set of chords to searing hot lead work with tons of sustain. The Drive is the perfect counterpoint to the Boost. Not only does each side of the pedal provide rewarding guitar tones, they can be used to stack together for an out-of-this-world experience. The pro switching system developed for the D&M Drive allows you to select which side of the pedal comes first. What’s more, you can configure the pedal to work in a pro switching system like the G2 for independent Boost/Drive use! Keeley D&M Drive Editor’s Pick Award 2017 Winner GPM Editor’s Pick Award That Boost Are you looking for something in between a clean boost, such as the high voltage Keeley Katana, and a germanium modded professional overdrive? If so, the D&M is the answer. To get things started, the D&M Drive delivers insane amounts of headroom. Then, a distinct midrange voice can be dialed in to give you the lead voicing you dream of. When dialed in, it can give you the punch and clarity of a horn yet be subtle and smooth in saturation in order to give you a warm overdrive filled with tons of sustain. Expect it to work well with any amp or rig. That Drive Multiple Gain Stages is where it’s at. This drive delivers. From its lowest settings, where you feel like you’ve discovered the perfect pro sounding overdrive, to the roar of a high-end amp, the multiple gain stage Drive delivers a heavily saturated punch. And the headroom here is no slouch. Use it to find that delicate balance between drive and amp saturation for the core of your tone. Turn up the Drive to give yourself a dynamic and searing tube-like gain that excels in sustain. The D&M is designed for quick attack with plenty of high and low end. Rich harmonic gain and sustain with dynamics is what this side offers. That Switching Daniel Steinhardt from TheGigRig insisted that this was a versatile dual-gain box that wasn’t limited in any way with its two simple stomp switches. You select the order! A simple toggle allows you to configure the pedal so that when both the Drive and Boost are on, you decide which is first. If you want to have a smooth and round tone to go into a richly driven amp-like gain stage … or if you want a highly driven tone with edge and harmonics to be then boosted with clarity and refinement, it’s your choice. Not only that, but Daniel had the engineers incorporate his idea for TRS insert cables so that this pedal would easily integrate into a professional switching system like the G2. Now pedalboard designers can configure the D&M Drive to act as two independent pedals, switching between either side of the pedal as it were its own stand alone effect. TRS Explained: Instructions

Keeley Dark Side Modern Fuzz ...

4.128,-

Modern Fuzz pedal with Rotary, Vibrato & Delay Dark Side Truly Inspiring Fuzz Multi Head Tape Delay Rotary/Flanger U-Vibe/Phaser You can behold the universe in a glass of wine. We should all be so lucky as to be identified by the sound of a single note. Some players are so well defined that their entire musical journey can be heard in a single note they play. Tone is in the fingers. Tone is in the mind. Effects can be a great way of expressing emotions or creating textures. The Dark Side is about creating sounds and adding new tones to your symphony. It’s the things you can’t create with your fingers or mind. It’s metasymphonic. The Dark Side provides all the textures that define an essence, in one pedal. Click here to try this pedal out. Atom The individual pieces that make up the Dark Side workstation are Fuzz, Delay and Modulation. The Fuzz side of the Dark Side is a big fuzz style distortion based on a 1977 op-amp style. We used something similar in our Psi Fuzz. This one is completely and radically different. We made what seemed like endless changes to extract the nuances of earlier transistor based fuzzes. We gained it way to down to fit the time period and the style. This is a more transparent Big Fuzz. This one lets your guitar sing with sustain, yet retains the essence of you guitar whether single coil or humbucker based. The next core element in the Dark Side pedal is the Delay and Modulation side. You can select between a multi-head tape delay effect or between a combination of 4 different modulation sounds. The Dark Side delay has 12 different syncopated delays. They are rhythmic and have the tonal quality of the old spinning drum tape delays. The Dark Side has many subtle filters to get the tape delay setting to have the feel and warmth of the original machines, yet gives you range of control to have modern features like expression pedal control for the number of repeats. You can use it for creating a feedback oscillation delay. Extremely subtle modulations in the delay make it very musical. The next atom in this workstation is the modulation effect. There are four parts to this effect. Flanger, Rotary Speaker Cabinet, U-Vibe, and Phaser. You can blend between the “Electric Lady” Flanger and a Les-Rotary cabinet, creating new sounds. You can find that perfect blend between a vintage sounding opto-coupler based U-Vibe and the little orange phaser. There is also an Expression Pedal port on the pedal. It is highly recommended to have an expression pedal handy. You can make many adjustments on the fly that just increase the fun and functionality of the pedal while you’re creating music. It has to be a TRS style expression pedal. We suggest something like the M-Audio or Moog expression pedals. You spoke and we listened! Make America TRS-Free Again. Okay, we heard you, you can’t switch order on the fly during a gig. You never used the TRS cable to insert effects. You just tossed the cable aside. You all said YES when we said effect-order switch. New units have a simple push button switch to change the order! Mike Hermans did a new video with the effect-order switcher. On older units there is a TRS Insert for adding effects in between the Fuzz and Modulation/Delay side of the pedal. This is handy if you have phaser or chorus pedal you might want to add if you want to use the Delay side of the Dark Side. That way you can have Fuzz>Phaser>Delay for example. Heart At the heart of the Dark Side is a hand built board that contains analog fuzz and a high quality 24-bit DSP engine. We studied and analyzed decades worth of gear and crafted our own sounds that give you not only the original tones, but an endless range of in-between sounds you can’t get elsewhere. Even if you have other Keeley effects or workstations, you don’t have these exact sounds. The Rotary is slightly different than the Monterey, it’s more chorus like. The Flanger is different than the hidden one on the Bubble Tron. The U-Vibe on this pedal is also deeper and throbs with more intensity. If you were lucky enough to get one of the Jimi Hazel Phase Delays or put the Bubble Tron into the hidden bank 2 mode; well then you have heard our 4 stage phaser. It’s dead on and a blast to play. Like the Monterey, this unit is completely hand built. Including the high-end DSP, everything is hand assembled and soldered by our technicians with decades of experience. Attention to detail and tone at every point. Mother What you get is a Mother Lode of effects and sounds. Necessity is the Mother of Invention. Someone needed to put all these epic sounds in one box. So we did. There’s no need to wish you were here, get out your Strat and we’ll see you on the Dark Side.

Keeley Dynatrem Multiple ...

2.785,-

Multiple waveform tremolo pedal DynaTrem Dynamic Tremolo Keeley DynaTrem Dynamic Tremolo & Reverb On Sale and Shipping! Hendrix and Vibe fans, a Must Have! Easily our most addictive Vibe tone! The DynaTrem Dynamic Tremolo by Keeley Engineering is an all new type of tremolo that is dynamic and responsive to your playing. Your playing controls the Rate and Depth. The harder you play, the more it responds. Play softly and it relaxes. Set the sensitivity with Rate or Depth controls and you have an unparalleled ability to be expressive with your guitar and tremolo. Tone Trio – Three Modes Dynamic Rate – Your playing strength controls the Rate. The harder you play, the faster it modulates! Relax and play softly and the tremolo almost stops. Dynamic Depth – Play gently and it just barely throbs. Play aggressively and it and pulse hard and deep. Harmonic Tremolo + Reverb Mode. Yes that phaser/vibey, soulful and sweet sound! We have crafted our own circuits to give you a sound that is sinfully good. Slippery and smooth, you won’t want to gig without it. Add Reverb by adjusting the SHAPE control. Wave Table With a spin of the SHAPE control you get 4 wave-forms: Ramp Up, Sine Wave, Ramp Down, and Square Wave. 4th Mode! All DynaTrems after serial number 300 have a hidden feature mode: Stadard Tremolo. Turn the Shape knob all of the way down and it become a standard triangle wave tremolo in the Delta Rate or Delta Depth modes. Call us for a free upgrade if yours does not have this feature. Or, when in Harmonic Tremolo Mode the Shape control is Reverb! Other Features Integrated noise reduction – developed with the code to reduce noise swells common with tremolo circuit, you get the quietest effect possible. Output Volume Control – Can be set for a boost for stand out effect. True-Bypass – No tone loss when off Battery Free – Any standard 9 volt, negative tip power supply will work, like a Voodoo Lab Pedal Power II. 60mA or greater. Keeley Engineered – Decades of audio experience and design. The DynaTrem Dynamic Tremolo features killer graphics! Looks like an old tube amp or old tube radio. Tone to match too!

Keeley Dyno My Roto ...

2.390,-

Tri-Chorus, Rotary, Flanger pedal Dyno My Roto Super Lush Tri Chorus Rotary Les’ Cab Roto Flanger You want tri-chorus in a pedal? The new Keeley Dyno My Roto! Finally you can get those 80’s vintage rack chorus sounds that define killer chorus sounds. This was not an easy development. The Dyno My Roto is a tough and difficult thing to accomplish in such a small package and we couldn’t leave good enough alone. We added a Flanger and a Leslie Cabinet simulator. The magic to the chorus sound in the Dyno My Roto is the three LFOs that give you lush modulations that truly sing out like a chorus of guitars. Most chorus pedals, in fact nearly all, are simply two voice, one straight and one modulated. This offers twice the amount of joy by modulating another voice. That significantly reducing the ability to just hear one voice being affected and smears a couple voices in an effect that is truly enjoyable to listen to. We came up with a new Rotary Cabinet package that give you a Proximity Control. The Proximity Control controls how far away you are from the spinning speaker cabinet. This adds a depth and distance to the cabinet and is a touch like a reverb control. It gives you that spatial expanse that can give you presence or depth in the chorus-like rotations. Lastly, while we were spinning things, we crafted a RotoFlange sound that has a simple negative feedback control. Easy to use and gets you the most classic flanger sounds possible. So whether you are going for an Alex Lifeson of Rush tone, an Andy Summers of the Police tone, or an SRV Crossfire rotary tone, we have you covered in one box with the Dyno My Roto.

Keeley Eccos Tape Delay & ...

3.457,-

Neo Vintage Tape Delay & Looper pedal ECCOS Delay Looper The ECCOS Delay Looper is based on a new stereo, flanged delay tone. Create beautiful sounding tape style delay lines and then spin them endless with the Looper! Designed to be at home in live pro rigs or bedroom studios while experimenting. The Keeley ECCOS is a delay-looper workstation with superb sound quality and abundant features. The true-stereo Keeley ECCOS artfully combines a delay pedal and a looper. At the heart of the ECCOS is a neo-vintage delay with unprecedented control over tape-style echoes. Create long and majestic sounding tape flanged delay lines and then switch to the feature-packed Looper to record endless layers of sound! Dual stomp switches in delay mode are for true-bypass, tap-tempo and even endless feedback – but in looper mode they allow you to record, play, reverse, half-speed and even trigger a “play-once”. Live or as a studio workstation the delay and looper work together giving you endless room for creating and experimenting in a small footprint. With over four years of development on the Quad 24/56-bit Dream DSP, Keeley has reached the pinnacle of delay sound quality with the amazing new tones in the ECCOS. The ECCOS now features Sound on Sound Mode! Sound on sound mode lets you record without erasing the original loop. The volume of the loops degrade over time, recreating a vintage reel to reel recording technique. To set the decay of the loops, hold down the FDBK knob and adjust the Depth control. This alt control comes in handy when using Sound on Sound Mode. The ECCOS features advanced independent switching. The Delay or the Looper can be turned on and off independently. You can start the Looper without without a Delay Setting. ECCOS Features: ECCOS is a True Stereo Delay and Looper Studio quality delay with tape flanged modulation Features include 3 memory presets, subdivisions, trails, runaway feedback Huge array of tone and time-based controls with the Alt Hold feature Full-featured Looper with reverse and half-speed loop effects 2 minutes of looping in mono, 60 seconds in stereo, Endless layers of recording! True-Bypass and Tap Tempo on-board or remotely with any style pedal-switcher Expression pedal assignment over any parameter and in any direction Pro Rig designed, remote control thru 1/4″ jacks for live use with pedal switcher systems 100% analog dry signal, audiophile designed input to output Stereo True-Bypass/Trails, switchable on the fly 9 Volt DC, 146mA low-current design Made in Edmond, USA

Keeley El Rey Dorado - Crunch ...

2.070,-

Old School Crunch to Super Lead Tones; Plexi in a box! El Rey Dorado THE GOLDEN KING! Classic British Tone Two Gain Stages THE GOLD KING! The El Rey Dorado is your go-to box for that Plexi tone. Yes, there is a wide range of 1960s Plexi Amp Tone in terms of power, which tubes are installed, which speakers and/or cabinet is used, but the El Rey Dorado hits the core tone bullseye! One of the many reference points for the tone was my own JTM 45/100® full stack. (It’s a dead-on reissue Marshall® did with crazy cool custom-made–vintage-recreation speakers and dual transformers to transfer the load of the 4 EL-84s!) Click here to try this pedal out “I want black and gold Plexi tone,” Joe yells!!! The El Rey covers a lot of classic British amp tones by featuring two gain modes with the Power Toggle. With the Power Toggle switch you have control over the compression and harmonics. Low Power mode is louder, has more girth, and has fewer harmonics for a more old-school tone. The High Power mode has more compression, more harmonics, and a tighter, more defined tone. Old-school crunch in Low Power mode, super lead tones in the High Power mode. Simple as grabbing an open E Chord! Volume, Gain, Tone, Power Toggle: Yes Keeley Engineered: Yes Ripe Tide Gain: Yes 9 volt battery: 9V compatible (battery not included)

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