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Hovedbilde Fortin 33 Meshuggah Signature ...

3.765,-

Fortin 33 Meshuggah’s legendary guitarist Fredrik Thordendal’s signature 33 pedal is a sonic detonation tool that will transform any gainy amplifier into an unrelenting wrecking ball of metal! At Fortin, we are renowned for chasing only the greatest metal tones imaginable. We have nothing short of lazer focus to develop the most crushing modern guitar tones, tones that are worthy of an artist like Fredrik, a make a pedal he can proudly put his name to. To ensure you get the absolute best out of your new pedal, we strongly recommend you take some time just playing with it to get to know the controls and how they react. Yes, that is right, we want you to play with it as much as possible. Boost level control provides up to +22dB of level with added side remote 1/4” jack for channel switching with a mini slide switch. There is no need to tap dance, if you want one channel on your amp boosted and the other not, the 33 changes the channel on your amp and automatically applies the boost. Through countless hours of research, design, development, prototyping, sampling, planning, reviewing, manufacturing with endless tweaking, we are proud to present the Fredrik Thordendal signature 33 pedal!

Fortin ARTERY 3-way signal ...

1.999,-

Fortin Artery The ARTERY is a 3-way signal splitter with discrete Class-A buffers. Putting the ARTERY before and after your pedal board will reinstate your tone and remove all the top-end loss (capacitance) that running a board full of true bypass pedals inflicts on your tone. The ARTERY (formally called Roach), is a 3-way signal splitter with discrete Class-A buffers. Putting the ARTERY before and after your pedal board reinstates your tone and removes all the top end loss (capacitance) that running a board full of true bypass pedals will inflict on your tone. With 3 outputs, the ARTERY is the perfect companion for the Mini ZUUL® or ZUUL®+, just plug in one of the outputs to the ‘Key In’ on the ZUUL® and your original, clean, guitar signal will be the one controlling the ZUUL®. A mind blowing amount of options are available to you with the ARTERY, not only can you trigger your gate, but you can send one signal to your amp and another to the interface so you are recording the signal before it hits amp saturation - with this additional control, you can re-amp the guitar afterwards to ensure it is sitting perfectly in your mix. You can also run multiple amps simultaneously, making your tone bigger than it has ever sounded. The ARTERY is an exceptionally low-current circuit and runs on an external power supply via the DC inlet, between 9-24VDC. Mosfet protection if the wrong orientation adapter is connected to the DC inlet, no more damage internally (the pedal will not power up).

Fortin Fourteen Pedal

3.765,-

Fortin Fourteen The FOURTEEN pedal boasts 2 identical foot switchable channels complete with Drive, Tone and Level controls where both channels feature a 3-way mini toggle to select HD, F9 or F808 modes. The Fortin FOURTEEN is the result of years of work designing professional overdrive circuits and modifying one of the most iconic drive pedals in electric guitar history. The FOURTEEN pedal boasts 2 identical foot switchable channels complete with Drive, Tone and Level controls where both channels feature a 3-way mini toggle to select HD, F9 or F808 modes. That's right; the iconic Fortin TS Mod's AND the discontinued Hexdrive are now back and combined together in one distinct stompbox! Additionally, Fortin implemented an amp channel switch function that can be assigned to either of both switches of the pedal. To ensure a correct functionallity of this latching switch with your amp, the polarity of this switch can be changed.

Fortin Fuzz O)) Pedal

1.999,-

Fortin Fuzz O)) The Fuzz))) is our nod towards some of the greatest doom, grit, drone and sludge tones ever heard but at the same time, retaining its own, unique, unmistakable Fortin character. It couldn’t be easier to use as the Fuzz))) only has three controls - Standard fuzz control, output volume and a girth control that adds a massive low end thickness to take your tone into, and beyond, previously unchartered sonic realms of destruction. Sure to delight even the most fastidious tonal fuzz connoisseur, Fuzz))) brings legendary fuzz and distortion all wrapped up in one tiny package.

Fortin HYDRA midi foot ...

3.590,-

Fortin Hydra The HYDRA is a discrete midi foot controller designed to ensure that your fly-rig or small gig-rig is as compact and reliable as possible. With its tank like constructions and ease of use, the HYDRA is the new standard for MIDI controllers, all the retaining the smallest possible footprint for fly dates and tight pedalboard applications. SWITCHES Channel 1-8 Select INPUTS 9V DC/AC OUTPUTS MIDI Out (7 pin) INPUT IMPEDANCE 0 Ω OUTPUT IMPEDANCE 0 Ω CURRENT CONSUMPTION 100 mA VOLTAGE 9V DC (Center Negative) WIDTH 25.4 cm / 10.0" DEPTH 7.1 cm / 2.8" HEIGHT 3.6 cm / 1.4" WEIGHT 425g / 0.9 lb

Fortin Kali Pre-Amp Pedal

4.390,-

Fortin Kali Inspired by the iconic Fortin Cali amp head, you can now achieve high gain mayhem in a convenient footprint with the Kali Pre-Amp pedal. Kali is the third installment in Fotin's preamp series. Inspired by the iconic Fortin Cali Amp - born from Mike Fortin’s deep roots in amp modding (and a nod to Jose Arredondo’s revolutionary work). Kali captures everything from vintage Plexi sparkle all the way to full-throttle modern metal mayhem, all packed into a single-pedal sized footprint.

Fortin Mini Zuul noise gate ...

2.950,-

Fortin Mini Zuul Within the modern guitar community, the Zuul® is the industry standard for noise gate technology. All the same features as the original Zuul® but in mini-form factor! The mini Zuul®'s threshold knob also controls the dynamics of the gate circuit. Perfect for guitar, bass or any signal source because of the high quality studio specifications. Use in front of an amplifier or in a series effects loop. Dual colour LED for visual feedback gating action: Green = Open, Orange = Closed, Off = Bypass. The KEY input signal can be directly from your guitar (r.e. split from Roach or Spliff) or other signal source which lets you go from clean to high gain without changing the Threshold knob. This powerful feature lets you control the gate with a different signal than what flows through the input/output jacks of the ZUUL®. Side switch (internal jumper on early versions) to change the threshold range to compensate for different input signal levels. Industry standard true bypass switching.

Fortin Natas Blackout LTD ...

4.290,-

Fortin NATAS Blackout LTD Unleash Pure Sonic Chaos with the Fortin NATAS Pedal: where raw power meets relentless clarity. Are you ready to harness the darkness? Now limited available as a Blackout version! Many Fortin amps have achieved legendary status over the years - but only one has had players constantly talking, constantly chasing and constantly looking to recreate the legendary tone. We want players to be able to find that tone from their own rig, be able to drop the NATAS pedal in and feel the brutal power, absolute articulation and depth of gain that made the NATAS amp the legend it is. The NATAS is a staggering feat of engineering, a sound and response never experienced from a gain pedal - cascading gain stages, a perfectly placed 3 band active EQ, additional Kill gain boost and a Mid Shape (mid scoop or hump) switch, ensures that the NATAS Distortion brings the authentic Fortin tone to a dirt pedal, for the very first time. Unleash Pure Sonic Chaos with the Fortin NATAS Pedal: where raw power meets relentless clarity. Are you ready to harness the darkness?

Fortin Natas Distortion Pedal

4.290,-

Fortin NATAS Unleash Pure Sonic Chaos with the Fortin NATAS Pedal: where raw power meets relentless clarity. Are you ready to harness the darkness? Many Fortin amps have achieved legendary status over the years - but only one has had players constantly talking, constantly chasing and constantly looking to recreate the legendary tone. We want players to be able to find that tone from their own rig, be able to drop the NATAS pedal in and feel the brutal power, absolute articulation and depth of gain that made the NATAS amp the legend it is. The NATAS is a staggering feat of engineering, a sound and response never experienced from a gain pedal - cascading gain stages, a perfectly placed 3 band active EQ, additional Kill gain boost and a Mid Shape (mid scoop or hump) switch, ensures that the NATAS Distortion brings the authentic Fortin tone to a dirt pedal, for the very first time. Unleash Pure Sonic Chaos with the Fortin NATAS Pedal: where raw power meets relentless clarity. Are you ready to harness the darkness?

Fortin Zuul Blackout noise ...

3.190,-

Fortin Zuul Blackout THE ORIGINAL ZUUL! Blacked-out. The Zuul®'s threshold knob also controls the dynamics of the gate circuit. Perfect for guitar, bass or any signal source because of the high quality studio specifications. Use in front of an amplifier or in a series effects loop. Dual color LED for visual feedback gating action: Green = Open, Orange = Closed, Off = Bypass. The KEY input signal can be directly from your guitar (r.e. split from Roach or Spliff) or other signal source which lets you go from clean to high gain without changing the Threshold knob. This powerful feature lets you control the gate with a different signal than what flows through the input/output jacks of the Zuul®. Side switch (internal jumper on early versions) to change the threshold range to compensate for different input signal levels.

Fortin Zuul+ Blackout noise ...

3.190,-

Fortin Zuul+ Noise Gate Blackout Within the modern guitar community, the Zuul® is the industry standard for noise gating technology. Here at Fortin, we are never, ever, going to rest on our laurels and are extremely proud to bring you the pinnacle of gating functionality for electric guitar – Zuul®+; the ultimate tool for signal control and gating. Within the modern guitar community, the Zuul® is the industry standard for noise gating technology. Here at Fortin, we are never, ever, going to rest on our laurels and are extremely proud to bring you the pinnacle of gating functionality for electric guitar – Zuul®+; the ultimate tool for signal control and gating. The Zuul®+ takes everything that made the original Zuul® legendary and adds multiple new, essential, features. The first thing we wanted to do was expand the ‘Key In’ functionality (that makes the gate active after OD/Boost pedals, reacting to the pure guitar signal), Zuul®+ now boasts a ‘Key Thru’ (complete with ground lift switch), that eliminates the need to split the signal externally. We have also added all new Hold and Release controls that give you everything you need to ensure you have pristine gating response in your rig.

Fulltone 2B Clean Boost Pedal

1.690,-

Fulltone 2B The Fulltone 2B is a tiny, transparent, and amazing boost pedal, born from the “Boost” channel in our FD3 pedal. Soon after the FD3 came out I started getting a steady flow of emails asking if I could “please make that into a single channel Boost pedal!” So I crammed the circuit into the smallest possible enclosure with battery tucked tightly inside and even engineered space-saving rear-mounted IN, OUT, and DC power jacks. A boost pedal is not only used to kick up your volume when it’s time for your solo! A good booster can also solve a lot of problems in the modern guitarist’s rig, because today’s pedalboards average 8 or more pedals, with each of those pedals requiring: a guitar cable--->jack--->more wire--->footswitch--->circuit--->footswitch again--->jack--->more wire--> and on to next pedal. It’s a wonder there’s any signal left after all the stuff we put our signal through. Ever played through a 10’ guitar cable straight into a great tube amplifier? The feel, the dynamics, the fat tone...makes you want to play! Then you connect to your overpopulated pedalboard and suddenly the sound is tiny, thin, with diminished lows, cardboard mids, and scratchy thin highs. This is where a good booster comes in handy, because all that wire and all those connections reduce your signal by a measurable amount with each passing effect in your signal chain. Add a good booster and you can recoup a lot of that lost gain, tone, and reactive interplay between you and your lovely tube amp. Suddenly the “touch” is back. That’s the problem with other boosters…once they’re OFF, they cease to offer a high quality unity-gain buffer to drive the long cables, so you end up having to buy TWO boosters, one set to “unity gain” and the other set to do your Volume changes! A better solution is the 2B, its unity-gain JFET amp buffers your signal when the pedal is turned OFF…and when the 2B is turned ON; the only difference is now the GAIN knob comes into play allowing you to set the desired boost up to 20dB! Because Fulltone go the extra mile and buy the best JFET opamp, certainly the one that sounds the best to Michael Fuller’s ear. The problem with other boosters is that the more you turn them up, the more highs they add. Not the case with the 2B, there is a subtle roll-off of the harsh ultra-high frequencies as you roll the LEVEL knob clockwise past 12 o’clock. It’s subtle, you may not hear it, but you WON’T hear that shrill top end that other boosters can impart! The 2B offers something completely unique in the world of Boost pedals; a DYNAMICS knob. A subtle Germanium diode Limiter circuit that (as you turn the mini-knob clockwise) starts to slightly alter the feel of the notes being played as well as subdue the harsh transient spikes which can overload your amp’s input. Those spikes can be fatiguing to your ears, to the amp, and to its speakers! Similar to using a limiter on the mix down of a song in the studio, the 2B’s DYNAMICS feature helps you keep your place in the live mix.....like a very smart compressor. This feature can make even an “ok” amp feel responsive and juicy, and will keep you from distorting the amp’s input, a problem plaguing most booster pedals. Main Features: • Boost effects pedal • up to 20dB boost • subtle Germanium diode Limiter circuit • JFET opamp buffered bypass • small pedalboard footprint • 100% hand-built in the USA • Powered by 9-18 V DC PSU (centre -, 2.1 mm)

Fulltone 69 MkII Fuzz Pedal

2.690,-

Fulltone ‘69 mkII This is the new smaller box versionof Fulltone’s 69 Fuzz-the 69 mkII ...it containstwoFat-Body germanium transistors. This Germanium Transistor equipped Fuzz is identical to earlyArbiter Fuzzfaces, but allows for a few key adjustments to things like the Input level, theMids, and even the Transistor Bias. One of the desirable traits of Germanium Transistors(when matched properly) is their Tube-like responsiveness and thick, even harmonics....theother being they clean up incredibly by turning down the guitar's volume knob! Leave theFuzz all the way up and use your guitar's knob to get everything you need. •GermaniumFuzz pedal •Replica of early Arbiter Fuzz Faces •Internal Bias trimmer–forchanging the shape of the Distortion • 100% hand-built in the USA • Powered by 9 V DC PSU(centre +, 2.1 mm)

Fulltone 70 Fuzz Pedal

2.290,-

Fulltone ‘70 Vintage Fuzzface pedals are a favorite of many artists from the ‘60’s, ‘70’s, and beyond, used most notably by one James Marshall “Jimi” Hendrix to get a staggering array of clean and bombastic sounds...all depending on where the guitar’s volume knob was set. There were basically two versions of the Fuzzface: the earlier “Arbiter” Fuzzface (with Germanium NKT275 transistors) and the later “Dallas Arbiter” Fuzzface. (with silicon BC183L and BC108-C transistors). The nastier, more distorted, BC108-C Fuzzface came out around 1970, and it inspired both the circuit and the name of your new Fulltone 70 pedal. In my 20’s, Fulltone spent much of their time scouring the country finding these old vintage effects that nobody seemed to want. Many of them were broken, some sounded like God, and some sounded like crap. They couldn't believe people would pay $1000 for an original Fuzzface when the sound consistency was so hit-or-miss, so they started learning exactly what made the occasional one “magical.” This eventually led to the birth of Fulltone: vintage style tones with more flexibility, more reliability, better quality, true bypass switching with LED status, a DC power outlet, and at a price that was as much as 1/10th that of the original. The 70 pedal was the 3rd or 4th release from Fulltone, debuting in 1994 and was the quintessential version of a 1970-1973 silicon transistor "vintage Fuzzface clone.” For some reason I designed the 70 into a ridiculously large enclosure considering how simple the circuit is, but it was a fairly popular pedal in my line, considering most people don’t know how to use fuzzes. The 70 sold around 4400 units during the next 15 years, using various transistors including BC183L, ECG199, 2SC828, and (my favorite) the BC108-C. At some point early along the way Fulltone added the "Mid" knob which, for the first time, allowed a silicon Fuzzface-style pedal to cut through the mix...along with the internal Bias trimmer to allow the user to get softer or harder-edged tones. Recently they found a huge stash of my favorite Silicon transistors for this circuit, the BC-108C, so they reintroduced the 70 in a smaller enclosure, with our proprietary "anti-pop" quiet switching circuit, better power supply filtering for less noise, and polarity protection to keep you from frying the Transistors. ...that’s the magic of fuzz! • Fuzz pedal • quintessential version of a 1970-1973 silicon transistor "vintage Fuzzface clone • BC108C Silicon transistors • Lots of sustain, distortion and midrange • Mid control for cutting through the mix • Internal Bias trimmer for softer and harder-edged tones • True Bypass via Fulltone's 3PDT footswitch • 100% hand-built in the USA • Powered by 9 V DC PSU (centre -, 2.1 mm, ~5 mA current draw)

Fulltone ABY Soft-Touch v2 ...

3.450,-

Fulltone True-Path ABY Soft-Touch v2 Upgraded, smaller and now even simpler to use! The CS-ABY-ST V2 has silent soft switches thanks to a Nickel core custom-wound 1:1 transformer that doesn't boost the treble frequencies, so fuzz pedals played through the True-Path sound round and distortions don't sound strident. Using the most advanced 4 opto switching system ever, yet also offering the purest signal. Each channel has switchable JFET Buffers to drive long lengths of cables without any tone loss and can be turned off for use with low impedance fuzzes. The True-Path also has a phase switch for in or out of phase signals and an isolation transformer to avoid noise and grounding issues.

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