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Hovedbilde Fulltone Clyde Deluxe Wah ...

3.950,-

Fulltone Clyde Deluxe Wah Three mode versatile Wah with Booster/Buffer Control The Deluxe version of the CLYDE wah has all the features that players have come to know and love about the original "CLYDE Standard" but with the following additions: Comes with the a custom-wound Fulltone pot...the most accurate (in resistance AND taper) reproduction of the vintage ICAR used in certain VOX wahs of the 60's and early 70's. Variable Input Level Control True-Bypass w/ bright side-viewable low current Pilot light status indicator 3 selectable modes: Wacked Jimi" (Clyde Standard) Shaft The three-way mode switch and variable input control pot will let you dial in almost any type of wah sound you can imagine. All the way from classic Voodoo Chile... to biting funk... to down and dirty low-end grunt. The CLYDE Deluxe can do it all! All CLYDE Deluxes sport the most authentic '60's Vox type inductor available, which happens also the quietest... our hand-wound Fulltone inductor and the long-life Fulltone-1 wah pot.

Fulltone Full-Drive1 ...

2.090,-

Fulltone Full-Drive 1 Yes it's true, finally the sound of a late 90s to early 2000s Fulldrive with-OUT the boost channel! Simple as it comes... with Volume, Tone, Drive, and toggle bringing back the Flat-Mids (FM), Vintage, and the infamous (for assaulting the front end of tube amps) Comp-Cut (CC) modes. Simple True-Bypass switching, 9-18 volt operation. No need to find and pay $400-$600 for a 90's FD2 anymore. Soundwise? I'm talking about the exact (full midrange) Comp-Cut that was in the earliest FD2s, not the Flatter mids CC in later models. So even though the FD-1 will have the Flat-Mids mode, the Comp-Cut is the fuller-mids version identical to the "pre FM / pre-MOSFET" versions of the FD2. This tiny pedal is the size of our Mas-Malo, with top-mounted (also called rear mounted) jacks & power port, and a JRC4558 chip for your go-to overdrive sound. Come home.

Fulltone Full-Drive2 v2 ...

2.590,-

Fulltone Full-Drive 2 V2 FEATURES: Dimensions: 4.45"W x 4.2"D x 2.5"H 16 gauge cold rolled steel enclosure. Based around the desirable JRC4558 chip and 1990’s Full-Drive circuit, with 2 toggle switches for many more sonic options. 30% smaller than the FD2-MOS, 15% smaller than the FD3 at only 4.45" wide x 4" deep. 2 Footswitches: Left ON/OFF footswitch: True-Bypass switching with exclusive Fulltone “Anti-Pop” circuit. Right “Channel select” footswitch: switches between Overdrive 1 or Overdrive 2, each with individually adjustable Volume and Drive knobs. 100% Built in the USA. 16 gauge cold rolled steel chassis with easy battery access via 2 thumbscrews. 9-18VDC operation, extremely green circuit only pulling 10mA of current. 2 toggle switches to access the many clipping options LEFT 3-position switch: Comp-Cut- removes clipping diodes, not a clean boost because it can distort the opamp. Flat Mids- a late 1990’s Fulltone invention that feeds signal back on to the clipping diodes removing the Mid-hump. Vintage- traditional 90's Full-Drive slightly asymmetrical clipping. RIGHT 3-position switch Wide- combines Mosfets & Schottky Diodes for more clarity, less compression, a more D*mble-like sound. Standard- traditional 90's FD2 slightly asymmetrical. Half-Clipped- another Fulltone exclusive, only clips the top waveform for extreme clarity, feel, and touch like you've never experienced! Explanation of DRIVE 2 “channel.” Think of it as the "More" Channel.... Engaging the DRIVE 2 footswitch brings in the DRIVE 2 knob, allowing you to add distortion (in addition) to what's selected on the DRIVE 1 knob. At the same time, the pedal jumps from the (pedal’s main, large) VOLUME knob level setting to a higher level selected on the DRIVE 2 VOLUME (mini-knob.) Practical uses: 1) Use as a volume Booster (same Distortion setting, only louder): Set DRIVE 2 knob to "0" and set DRIVE 2 VOLUME mini-knob to taste 2) Use as a higher Gain lead tone with Volume Boost: set DRIVE 2 knob anywhere above "0" and DRIVE 2 VOLUME mini-knob to taste. Ideally you set DRIVE 1 for your lower-distortion sounds and DRIVE 2 for the higher distortion sound…effectively giving you 2 pedals.

Fulltone Full-Drive3 ...

2.560,-

Fulltone Full-Drive 3 Unlike its cousin the FD2, the FD3 uses both a JFET input and a JFET op-amp, giving it the most tube-like sound you can get out of a tubeless pedal. Along with great sound, these JFET’s give the FD3 an ultra-high Input impedance which allows the pedal to mate with any type/gain of pickup and react well to changes in your guitar’s volume control. 3-way CLIPPING toggle switch: set to 90’s and you’ll get symmetrical clipping with ample midrange. Set the switch to WIDE ASYM (wide asymmetrical) and more sweet highs and lows come through, along with chimey, Class-A style even harmonic overtones. set to COMP-CUT mode, pure opamp-overdrive, with no diode clipping assistance. Aggressive, cutting, and capable of a huge volume boost to slam the input of your amp. Discrete Channels: Unlike the FD2, the FD3 has completely independent OVERDRIVE and BOOST channels, and the ORDER toggle switch allows placing the BOOST channel* before* or after the OVERDRIVE channel. The BOOST channel is also an extremely transparent, high-headroom 100% JFET-powered circuit. Buffered Bypass: Serial# 2548 and higher FD3 pedals are now Buffered-Bypass instead of True-Bypass, so the FD3 will always drive long cables, be isolated from other effects, and always retain the highs and “feel” of your amplifier whether the pedal is turned ON or OFF. Do not confuse the hi-quality JFET op-amp buffer in the FD3 with the simple single transistor buffers on other pedals. The FD3's buffer sounds rich and fat, not thin. DYNAMICS knob: A Fulltone-exclusive Germanium diode Limiter circuit circuit that alters the feel of the notes being played as well as subdues transient spikes which can overload your amp’s input. This feature can make even a stiff amp feel responsive and juicy, and sweeten the treble frequencies. The Icing on the cake? The housing is about 20% smaller than the traditional FD2 SPECIFICATIONS: Input impedance: 1.1 mega-ohms. Output Impedance: 180 ohms. Dimensions: 5.17"W x 4.26"D x 2.36" H. Weight: 1lb 7oz. Power Consumption: maximum 13 ma with both channels on.

Fulltone Mas Malo ...

2.650,-

Fulltone Mas Malo Distortion/Fuzz - NOS BC184C discrete transistors …one of Michael Fuller’s favorite Mexican restaurants in downtown Los Angeles. He likes the bold, spicy food, and he likes the name, which translates from Spanish to mean: ”More Bad.” It inspired this tiny, yet potent, and surprisingly versatile Distortion/Fuzz you now have before you. Each pedal is fitted with three matched New Old Stock BC184C transistors allowing this pedal to do everything from Jimmy Page type crunch tones, Gilmour style singing leads, all the way to howling, compressed, infinite sustain feedback, even at low volume levels. And with just the right amount of midrange to sit perfectly in the track, or in the live mix. On top of that, Mas Malo has a fairly high input impedance and extremely low output impedance along with true-bypass switching (with Millennium LED switching) to assure that it gets along with everything that comes before, and everything that goes after it. The Knobs are V for Volume, D for Distortion, C for Color, and H for Heat. Volume & Distortion are self-explanatory, and the Color knob is a unique tone control panning from rich warm sounds all the way to Trebly Fuzztones. The Heat knob regulates the Bias of the first transistor in the circuit, which can really set up a domino effect, and the reason that this pedal can cover as much range as it does. This pedal truly is MORE BAD. Main Features: • Distortion/Fuzz effects pedal • Huge tonal range from Jimmy Page type crunch tones to Gilmour style singing leads, all the way to howling, compressed, infinite sustain feedback, even at low volume levels • Containing 3 x hand-picked New old Stock BC184C discrete transistors • True Bypass Switching • 100% hand-built in the USA • Powered by 9-18 V DC PSU (centre -, 2.1 mm, 8 mA current draw)

Fulltone Mini-Deja'Vibe mkII ...

3.990,-

Fulltone MDV mkII What is an “original Univibe?” It is a four-stage Phaser effect made between late-1968 and 1973 designed to replicate a Leslie rotating speaker by using a tiny incandescent light bulb shining on four photo-resistors housed under an aluminum shroud. This odd circuit offered a watery, thick, and unique blend of pitch-bend vibrato and chorus-like phase-shifting. Although it didn’t sound too much like a Leslie, its sound took on a life of its own, a sound heard on many recordings by Jimi Hendrix, Frank Marino, David Gilmour, and Robin Trower. Original Univibes were extremely large, heavy effects boxes mated to an external wah-type foot-pedal controlling the modulation speed via a 5 pin, quick-disconnect cable. Old ‘vibes were very inconsistent from one unit to the next and were prone to malfunctioning, with no one knowing how to fix them let alone how to make them sound good again....well, almost no one. Michael Fuller started out in the ‘80’s collecting, dealing, and repairing ’vibes, which lead him to the idea of re-designing and building a bullet-proof new ‘vibe clone in a smaller footprint. Enter the Fulltone Deja’Vibe in 1993 with the goal of making a True-Bypass ‘vibe that was more reliable and that was 1/4 the original Univibe’s astronomical used-market selling price! Fulltone have been making “the exact original Univibe clone” ever since, with Robin Trower and many others using them exclusively the entire time. Fulltone is the only ‘vibe using custom-made original-specification photocells, other companies buy incorrect ones from a DIY website because they didn’t spend thousands of dollars blueprinting every aspect of these original photocells like we did. They also devised a way to use our custom-made Optocoupler for controlling the speed of the oscillator and the external speed controller, providing much slower and faster available speeds than other ‘vibe clones. You don’t have to be a huge Trower or Hendrix fan to appreciate the mkII, you just have to appreciate that massive pulsating wall of sound it creates when you switch it on. Play on! Main Features: • Univibe effects pedal • Totally discrete design • Fulltone manufactured Optocouplers • Chorus/Vibrato Switch • Vintage Modern Switch • Uses glass covered/hermetically-sealed photocells and an incandescent bulb • 100% hand-built in the USA • Powered by 18 V DC PSU (centre -, 2.1 mm, 35 mA current draw)

Fulltone Mini-Deja'Vibe3 v2 ...

5.350,-

Fulltone MDV-3 v2 The CS-MDV3 V2 can be powered with the supplied 18 volt DC power supply or by an 18 volt DC outlet on your power supply offering at least 200mA of current. You can also split between 2 x 9Volt DC outlets using Voodoo Lab's series splitter cable. Real Estate is precious, especially on your pedalboard, but the lush organic sounds of a perfect "authentic vintage Univibe clone" are a necessity, and they are now attainable in a space now smaller than a standard wah wah pedal... the Mini-Deja'Vibe3, MDV-3 for short. With a Hammertone Blue powder coated finish, White lettering, and a Blue LED that throbs to the beat of the pedal's hypnotic, asymmetrical rhythm. The MDV-3 has a new heel or toe activated True-Bypass footswitch that is perfect for the person who rarely changes speeds and just wants to turn it on or off with his toe, but also perfect for the person who rides it like a Gas-pedal and wants to turn the pedal on/off with a simple flick of the heel (see the MDV-3 video at youtube.com/fulltoneeffects) There are a LOT of pedals claiming to be "authentic vintage Univibe clones" on the market...the small ones are merely a glorified MXR phaser filled with opamps with a few capacitor changes. That's not a Univibe! So how is one to know which pedals are real and which ones are just a cheap shortcut? Fulltone have been building "authentic vintage Univibe clones" since 1992. Theirs are being used by Robin Trower, Peter Frampton, Doyle Bramhall II, and countless others... by the people who know great sound and won't settle for less. In typical Fulltone fashion, they also manufacture their own geared potentiometer & Optocouplers used to control the speed, which is why Fulltone 'vibes get a much wider range of speeds than other 'vibe clones. Main Features: • Univibe effects pedal in a wah housing • Totally discrete design • Up to 15dB of available and adjustable volume boost when pedal is on. • even more lush and watery 'vibe sound than previous versions • Fulltone manufactured geared potentiometer & Optocouplers • Chorus/Vibrato Switch • Vintage Modern Switch • Uses 4 x glass covered/hermetically-sealed photocells and an incandescent bulb • 100% hand-built in the USA • Powered by 18 V DC PSU (centre -, 2.1 mm, 300 mA current draw)

Fulltone OCD-Ge Germanium ...

2.790,-

Fulltone OCD-Ge Must-have overdrive - now with Germanium diodes The OCD pedal is the only pedal that uses 2 x Mosfets configured as "hard clipping to Vref." The earliest OCDs used 2 x Mosfets plus 1 x Germanium diode, but very quickly these diodes became harder and harder to find, and they became expensive. Fulltone recently got their hands on a reasonably large stash of the right kind of Germanium diodes and decided to do a small run of the ultimate OCD: a Custom Shop offering with a few circuit tweaks, 2 x Mosfets plus 2 x Germanium diodes, and one hell of a beautiful paint job... Metallic Teal with a chrome undercoat! In terms of sound, the OCD-Ge has great definition, more tube-like feel, a bit wider dynamic range, more sustain, and a more focused single-note tone. And as with all Fulltone pedals, it is 100% Built in the USA. • Germanium diode version of the Obsessive Compulsive Drie • Audio (Log) taper volume pot • Internal selectable True Bypass or Enhanced Bypass • Fulltone 3PDT footswitch • Current draw: ±8 mA • Runs on any voltage between 9 and 18 Volts DC

Fulltone OCD2 Obsessive ...

2.190,-

Fulltone OCDv2 Latest version of the Obsessive Compulsive Drive The OCD has received many slight tweaks since its birth in 2004, often incorrectly identified as “version 2, Version 3, Version 4.” In reality there has always been only one version…Version 1, with very slight variations in a couple of values after that making them V1.0 through V1.8. All OCDs serial 205811 and higher are the new, less compressed versions some refer to as "v2.01" The OCD was the first pedal to use Mosfets as clipping devices. Another first was their configuration as "hard clippers connected to v-ref" instead of to ground, as was the norm. These things contribute greatly as to why the OCD has such touch-sensitivity...why they react so well when the strings are hit hard or soft, and why they sound & feel different than all other pedals out there, 90% of which are just slight tweaks of the Tube Screamer. The new output buffer eliminates the pedal from being influenced by effects that came after it when it is turned on in True-Bypass mode, or always when in Enhanced Bypass mode. Translation, your sound remains consistent regardless of placement in today’s more complex signal-chains, loopers, and pedalboards. This buffer also had a positive effect on the sound, it reduced loading on the pedal’s hard-clipping stage, allowing more sustain of both the sound and the overtones. Also new for V2 is the Class A configured discrete 2N5457 JFET input section, raising the input impedance to 1 mega ohms and increasing the dynamics…resulting in significantly better interaction with both single coil and humbuckers. On top of that V2 gives you an internal switch to choose between ”Enhanced Bypass” & True-Bypass, and with no popping sound in either mode. While True-Bypass (TB) switching was the ultimate way to achieve a clean signal path for many years, everything’s different now. Most guitarists have elaborate pedalboards with 10 or more pedals being the norm, and tremendous potential for signal and tone loss with the many cables, connectors, and other pedals involved in the chain. There can be so much signal loss that it sounds nothing like the sound of a guitar with a cable straight into the front of a great tube amp. Uninspiring. The pedal industries’ solution to this problem for the last 40 years was unity-gain buffered bypass…i.e. a couple of Field effect Transistors (FETs) configured as unity-gain buffers This reduces the loading effect that occurs using long lengths of cable, and you remove the loud “popping” sound when switching the device on and off. This not only can sound ‘tinny’ , but also kills dynamic pick response, i.e. it kills the difference between picking soft and picking hard…Yes, when the pedal is in bypass! The solution is Enhanced Bypass! By configuring both of the switching FET’s Class-A all the dynamics return. People rave about old EP-3 Echoplexes and EP-3 type boosters, and although they know that they love what it does to the guitar’s sound, they can’t explain why. It’s because of the Class-A FET preamp! With a Class A FET the dynamics get amplified, allowing an even greater range of expression than if you were playing through a guitar and just one cable straight into your amp. The downside with EP-3 preamps is that they throw the signal OUT-of-phase, boost treble, and cut bass. Fulltone’s EB the signal exits the pedal IN-phase and doesn’t change the EQ at all. With OCD V2’s Enhanced Bypass you get this benefit whether the pedal is turned ON or OFF. This means that just having the OCD turned off in your signal chain makes the whole rig sound alive, fresh, and more powerful again. • Version 2 of Fulltone’s famous Obsessive Compulsive Drive pedal • tube-like distortion through combination of overdriving a JFET opamp and hard-clipping the signal with a pair of MOSFETs • more Dynamic-Range…meaning the difference between picking soft or picking hard will actually yield a more natural and wider range of distortion (with less compression) • Passive Hi-Cut Treble control • High Peak/Low Peak switch for tailoring the drive’s distortion tone • Class-A wired JFET input – isolates the pedal from the influence of anything that comes before it in the signal chain • Internally switchable True or Enhanced Bypass • 100% hand-built in the USA • Powered by 9 V DC PSU (centre -, 2.1 mm, ~8 mA current draw)

Fulltone Octafuzz OF-2 ...

2.690,-

Fulltone Octafuzz OF-2 Octafuzz... the only exact circuit copy of the legendary Tycobrahe Octavia. Cool Octave-Up sounds a la Hendrix "Band of Gypsies" and SRV's many live shows! Housed in a 16ga. steel enclosure with a beautiful ranar-blue gloss powdercoat finish and antique-white logo, this pedal is the reincarnation of the Tycobrahe. Scott Henderson 8/2022: "I’ve never done an album yet without your Octafuzz. I’d be lost without it!"* Gary Clarke Jr uses the Octafuzz (on "Fuzz" setting) for his epic Live and recorded Fuzz tones...no other pedal can do that imploding sound. "Edgy, tweaked, and haunted by strange overtones, it's distortion occupies a galaxy far, far away from modern crunchola fuzz." -- Guitar Player Mag Almost synth-like with its ring-modulation and "steel-drum" vibe... you will turn heads. Around 2000 I developed a mod to the Octafuzz that made it into a massive non-Octavia Fuzztone with a flip of a switch. My mod was soon adopted by all other companies who make Tycobrahe reissues and clones. • Octave Fuzz pedal • Exact clone of the Tycobrahe Octavia • Octa / Fuzz switch for cutting out theOctave circuit–for the nastiest most distorted Fuzz • 100% hand-built in the USA • Powered by 9 V DC PSU(centre +, 2.1 mm)

Fulltone PlimSoul mkII ...

3.190,-

Fulltone PlimSoul mkII Soft And Hard Clipping Overdrive Clipping = Distortion, and for many years players have only been offered two clipping choices: Soft-Clipped or Hard-Clipped. Soft-Clipped pedals such as Tube Screamers, Fulldrive2, OD-1, etc, get their distortion by using diodes placed in the feedback loop of their Op-amps. This type of clipping produces a cleaner, more compressed, low-to-medium gained Overdrive sound. The other choice are Hard-Clipped pedals like the RAT, Distortion+, Boss DS-1, etc. These pedals create distortion using diodes tied to ground or, unique to the Fulltone OCDv2, Mosfets that are tied to the half-way point between 9 volts and ground, offering a more natural sounding distortion, which resembles the sag or feel of an amp’s tube rectifier. The original PlimSoul is the only pedal to offer both Soft & Hard clipping with separate control over each. I designed the PlimSoul’s unique, independent dual-stage clipping circuit to replicate not only the sound, but the feel of a tube amp with its subtleties and complexities, resulting in my being granted U.S.Patent # 8471136. The Fulltone PlimSoul mkII is Hand-Built in the U.S.A. using top-notch, full size components, many of which are designed by and exclusively for Fulltone. Main Features: Dual Stage Overdrive pedal with independent Soft- and Hard-Clipping Stages Hard Clipping circuit using two Germanium diodes for symmetrical hard clipping with aggressive, punchy gain Soft Clipping circuit for extremely asymmetrical soft clipping with low-to-medium gain Infinite overdrive combinations Increased input impedance increased of 1.1 Megaohms - for even better interaction with guitar’s Volume knob Passive Hi-Cut Treble control 3-position Bass switch True Bypass via Fulltone’s 3PDT footswitch 100% hand-built in the USA Powered by 9-18 V DC PSU (centre -, 2.1 mm)

Fulltone Queen Bee Germanium ...

3.490,-

Fulltone Queen Bee Sparkle Gold 3 x Germanium Fuzz The Fulltone Custom Shop Queen Bee is powered by 3 NOS Military “Flying Saucer” germanium transistors in an original design that behaves in an amp-like manner, responding dynamically to the input from your hands and guitar. Great clean-up by lowering the guitar’s volume knob, sweet mids, clarity, sustain, harmonics... It’s all there! Its first 2 transistors are configured to achieve maximum gain in order to hit transistor #3 extremely hard, creating more sustain and distortion than is possible with 2-transistor Fuzzes while making the pedal rather low-noise for such a high-gained design. The Queen Bee also has a lot of midrange! Fender amp owners will appreciate the Passive Hi-Cut Treble control for taming the treble, and further sonic sculpting via the Bass switch (placed before transistor #3) tailoring the low frequencies and keeping the bottom-end tight. This pedal has a wildly asymmetrical waveform high in second-order Harmonics, culminating in a sweet, rich, commanding voice with tons of sustain. Inside the pedal is a trimmer for adjusting the bias of transistor #3 by a range between 2 and 6 volts DC. A slight turn results in a drastic change in sound, in volume, and in compression characteristics. Suddenly firm becomes soft, bright becomes warm, grainy becomes smooth. The Queen Bee has True-Bypass switching via the Fulltone 3PDT footswitch for maximum signal integrity while the pedal is bypassed. Because the Bee utilizes Germanium transistors it should only be powered with a battery or a “Center Positive,” well-regulated power supply. Fulltone Queen Bees are 100% Hand-Built in the USA. • Fuzz pedal • 3 Germanium transistors • Lots of sustain, distortion and midrange • Passive Hi-Cut Treble control • 3-position Bass switch • Internal Bias trimmer for transistor #3 • True Bypass via Fulltone's 3PDT footswitch • 100% hand-built in the USA • Powered by 9 V DC PSU (centre +, 2.1 mm, ~5 mA current draw)

Fulltone Ranger Treble ...

3.450,-

Fulltone Ranger Fulltone’s Rangemaster treble booster clone In pure Fulltone fashion, the new Ranger has been made with top-quality components and high-end craftsmanship, with extensive knowledge and great listening skills. Ranger has been thoroughly tested, played, and listened to before being modified, played and adjusted again, over and over until the result was satisfying enough to fit Fulltone’s very high standards. Just like all the other wonderful effects from Fulltone, all this attention to detail makes the Ranger a unique and truly great sounding pedal and so it may very well be the greatest Rangermaster treble booster clone ever made. Features: • PNP (Positive to ground) Germanium pedal • Proprietary Power supply design - allows the pedal be powered by any standard NPN (Negative to Ground) PSU • 6-position rotary switch - 6 different sounds, including Rangemaster 1 and Rangemaster 2 • Sexy amber light jewel • Top-mounted jacks & DC port • Adjustable Transistor Bias trimmer - want it soft or hard? Want more or less chime? Just turn and adjust by ear, there is no wrong setting • It’s a tiny pedal (12 x 7.4 cm) yet there’s a battery in it too! • 100% Hand-Made in Los Angeles, using full-size components

Fulltone Robin Trower ...

2.750,-

Fulltone Robin Trower Overdrive The Fulltone/Robin Trower connection goes back much further than the 15 years that Fulltone has been Robin’s exclusive choice for OD, fuzz, wah-wah, and ‘vibe pedals. Robin Trower is known for TONE. While working with Robin during his 2008 tour, I developed an overdrive truly worthy of the Trower namesake. Touch responsive, huge sounding, sustain for days... and crystal clear when the guitar's volume knob is reduced for great live dynamics. Being that Robin uses Fenders as well as Marshalls, it had to work well with both types... and it does. And Robin hits so hard that the front end of the pedal had to be tuned for those .012-.048 tuned-down strings. The RTO holds tight and smooth for Strat and Les Paul players alike. Robin's quite happy with the way it turned out, and I think you will be too. Robin’s own words: “The RTO is the smoothest, most natural sounding Overdrive I have ever used… but the fact that it enhances my guitar’s character tone is what made me LOVE it!” Main Features: • Robin Trover Signature Overdrive effects pedal • JFET Op Amp feedback loop design without input buffer for natural sounding, slightly asymmetrical waveform • True Bypass Switching • 100% hand-built in the USA • Powered by 9-18 V DC PSU (centre -, 2.1 mm)

Fulltone Soul-Bender Fuzz ...

2.650,-

Fulltone Soul-Bender In the early 1970’s, Sola-Sound England produced a very fat, warm, and juicy sounding Distortion/Fuzz called the Tone-Bender MkIII. These were also sold under the Colorsound, and Park brand names with slight variations in circuit and sound....my favorite being the Sola-Sound. “3 knob Tone-Benders,” as they became to be known, were very different from the more popular Fuzzface pedals in that they had more sustain and a lot of sweet midrange on-tap, which could give a thin Tele or Strat a very sax-like solo tone, especially with the “Tone” control turned full clockwise. The ‘Bender tone control cuts treble and increases Bass & Mids as you turn it clockwise, panning between a large and small capacitor, which is the way different from most other pedal’s Tone controls which simply cut treble at the knob is turned counter-clockwise. The magic of these “3 knobbers” is that they contain 3 germanium transistors...all of differing gains, and the secret is you have to know the proper gain each transistor needs to be in order to produce the best sound. I know, not because of some schematic on the web (all wrong BTW) or “build your own” kit, but because I have owned and repaired 40 or more original “3 knobbers,” and have almost 20 years experience with this circuit, knowing what makes them sound great and sustain long. The original Fulltone Soul-Bender® came out in 1995, it was inspired by this classic 3-knob design, and was produced up until around 2006 when Fulltone could no longer parse suitable transistors. Recently Fulltone re-established a relationship with one of the last remaining germanium transistor making companies, which has allowed them to re-issue this fuzz-classic as the Soul-Bender® SB-2. The SB-2 is in some ways better than the old Soul-Bender® in that I am now having the transistors made-to-order just how I want them, and these wonderful skinny-tall TO-1 Germanium transistor (with a top hat brim) that have just the right characteristics, including the requisite low gain and low noise just like the vintage Sola-Sound pedals had. The Soul-Bender® improves on the original 60's design by offering more available volume, a more usable Tone control range, True-Bypass switching with my proprietary "silent switching circuit,” better power supply filtering for less noise, and polarity protection to keep the sensitive Germanium transistors from damage....you cannot fry this pedal if you accidentally use the wrong power supply! Your SB-2 is roughly half the size of the original Soul-Bender® (or Sola-Sound) and I left the IN & OUT jacks on the rear of the pedal like the original Soul-Bender® so it will fit on even the most cramped pedalboard. • Germanium Fuzz pedal • Replica of the 3-knob Sola-Sound Tone Bender • Vintage specs and vintage sound • 100% hand-built in the USA • Powered by 9 V DC PSU (centre +, 2.1 mm)

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