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Hovedbilde Electro Harmonix Pitch Fork ...

3.280,-

Electro Harmonix Pitch Fork Plus, Polyphonic Pitch Shifter Pitch Fork Plus - your polyphonic pitch shifter with two pitch shifting engines Electro-Harmonix has announced that the new and much anticipated Pitch Fork®+ is rolling off the assembly line and shipping to music retailers worldwide. The polyphonic pitch shifter/harmony pedal is equipped with two independent pitch shifting engines with full control over each and both capable of transposing over a +/- 3 octave range as well as detuning +/-99 cents. Dedicated volume controls for both Shift voices and Dry signal. Two outputs, Main and Aux, with multiple routing options. 10 unique factory presets plus the ability to easily save/recall 100 programs. Footswitch: Toggles between effect on and buffered bypass. Latch mode: switches between effect and bypass mode. Momentary mode: effect is on when the FS is held down and the pedal enters bypass when it’s released. User footswitch that’s programmable and can be assigned to a variety of functions such as muting either Shift voice or jumping to a preset program EXP input for EXP or CV control over a broad selection of parameters in three sub-menus: Frequency, Glissando and Volume. EXT input for connecting an external foot controller like EHX’s Triple Foot Controller which enables players to change modes, enter/exit sub-menus and load presets. 8 modes, including X-MOD, which features cross-modulation that creates FM and ring mod type effects, LATCH, based on the original Pitch Fork, but with enhancements to the Momentary mode functionality. Power supply included

Electro Harmonix Slammi Plus ...

2.560,-

EH SLAMMI PLUS Polyphonic Pitch Shifter Pedal This polyphonic powerhouse flawlessly transposes your pitch in two different directions over a +/- 3 octave range: transpose up, down or both, simultaneously! Staggering whammy effects and dive bombs, bends, harmonies, cross-fades between your dry and transposed sounds, cocked pitch shifting... this pedal does it all. The 11-position Shift switch selects the maximum transposition starting with D (Detune), a shift of 17 cents that creates a chorus or doubling effect. This table details the pitch effect relative to the original note. Specifications: The Dual setting outputs two pitch-shifted signals. The first follows the Shift knob as if in UP mode. The second transposed signal depends on whether the Slammi Plus is set to Pitch or X-Fade. In Pitch mode the secondary shifted signal bends at the same rate as the primary signal. The primary and secondary intervals are as follows: When in X-Fade mode, the secondary signal is set by the Pitch Mix knob and does not bend. The interval choices are in half-step increments up to +/-1 octave. The volume of the secondary signal decreases by sweeping the pedal from heel to toe. Specifications: Flawless, glitch-free transposing over a +/- three octave range Three shift modes: up, down and dual Dual pitch shifting mode generates two separate pitch shift intervals simultaneously X-Fade function where the pitch shift interval is fixed (does not bend) and the foot pedal cross-fades between your dry note and pitch shifted note or cross-fades from one pitch shifted interval to another Fully polyphonic all the time Blend control that lets you fine tune the wet/dry mix

Electro Harmonix Small Clone ...

1.435,-

Electro Harmonix Small Clone Luksuriøse analoge chorus-effekter med karakteristisk tone. Klassisk chorus! Analog chorus-pedal populært blant annet av Kurt Cobain. De fineste analoge choruslydene: fra klare, rike og dimensjonale til varme pulserende warbles, kan forsterkes med Depth Control. Enkle justeringer gir spennende doubling-effekter. Klokkespillaktig 12-string-lyd, eller Leslie-lignende warbles.

Electro Harmonix Tone Corset ...

1.390,-

EH TONE-CORSET The Tone Corset, analog compressor, squeezes your guitar tone in all the right ways! The Tone Corsets four-knob design provides excellent control and gives the user the ability to precisely shape their instrument’s dynamics. Specifications: The Sustain knob controls the amount of compression applied to the guitar signal. The Attack know adjusts how quickly the compressor recovers. As Attack is turned clockwise the pedal’s response is slower and more initial pick attack comes thru. The Blend knob adjusts the mix of the dry and compressed signals. Volume controls the overall output level. The Pad switch pads down the input signal to prevent undesirable distortion if the Tone Coret is used with high output humbuckers, bass guitar, etc. True Bypass for maximum signal path integrity. Comes with a 9Volt battery.

Emma Electronic ...

2.480,-

Emma Electronic DiscumBOBulator V3 The holy grail of funky wah is BACK! Emma Electronic’s DiscumBOBulator is often heralded as being the world’s best auto-wah/envelope filter pedal. Once you plug it in, we just know you’ll agree. Now upgraded with a side chain input and more easily readible UP/DOWN toggle switch, the new and improved DiscumBOBulator V3 retains all the features that made the previous version so great. Main Features: • Envelope Filter/Auto-Wah Effects pedal • All-analog circuit - for old-school tones and feel • Wide range of funky auto-wah tones, throaty cocked wah sounds to synth-like sweeping tones • Dead-on tracking even on super-fast single notes - with even more improved tracking on high notes • Separately footswitchable ultra clean 0-10dB boost • Side chain input - allows control / triggering of the envelope from external sources • UP/DOWN Toggle switch - for easier readibility and haptic feedback • Wide frequency spectrum, making it suitable for any instrument • Highly intuitive control set - dial in amazing tones quick and easy • Top-mounted input and output jacks - for ease of pedalboard use • Super silent switching ‘‘Untrue bypass’’ • Hand-made in Denmark • Powered by (opt.) 9V DC power supply (2.1 mm, centre -, 7 mA current draw) The DiscumBOBulator V3 features the same tripled headroom as its previous iteration, so that it now easily will take any high output active bass or line level signals. Also present is the independent up to 10dB ultra-clean boost that’ll make funky solos take flight instantly, now with a distinctly coloured crème knob, for better on-stage visibility. The newly added side chain gives you even more control over the envelope triggering. For example, you can have the filter sweep synced to a snare or kick drum hit or the bassplayer slapping a note, or trigger it with an external momentary footswitch, the options are endless! It’s better and more precise tracking on high notes, and the wide frequency spectrum make the DiscumBOBulator V3 suitable for any instrument that you would like to give that “funky tone” chords or single notes. The goal in creating the DiscumBOBulator V3 was to make a fast and extremely dynamically responsive envelope filter that would be able to handle everything from super-fast single-notes, fingerstyle picking to denser signals such as complex chords, without getting mushy. Additionally the improved up/down switch largely widens your opportunity for creating a versatile palette of your own personal sounds. The pedal’s proprietary all-analog circuit does just that while letting the full spectrum of your preferred instrument through and you won’t experience any of the nasty volume peaks or dips that are common to other filter pedals out there. Boasting everything from full-on funk tones, old-school cocked wah sounds and all the way to unique synth-like sweeps, via its super-intuitive control and feature set, DiscumBOBulator V3 truly is the definition of cool!

Emma Electronic Navigator ...

2.890,-

Emma Electronic Navigator Delay Your new echo expedition awaits The Navigator Delay is the pinnacle of elegant simplicity. It offers everything you need in a compact delay pedal and nothing you don’t. Dual delay heads, tap-tempo, modulation, beat-splits, trails, wet/dry outputs, all this and more in a neat yet pedalboard friendly package and in a pedal that’s really simple to use. • Super versatile and musical dual delay pedal • Color dial - go from pristine digital delays to warm analog-voiced repeats at the turn of a knob • Modulation - Depth and Speed controls lets you go from subtle wow-and-flutter to wide and lush chorus tones • Tap tempo and beat-split toggle - for cool rhythmical multi-tap delays • Tail toggle - turns delay trails on or off • Top-mounted I/O • Wet/Dry Outputs - Splits the wet and dry signal to separate outputs when runing in stereo • Handmade in Denmark Combining the best of analog and digital technology, the Navigator Delay offers practical and usable delay functions in a unique configuration that can generate classic delay tones, as well as many unique new sounds. While the Navigator’s hybrid circuit keeps the dry signal path 100% analog, to avoid signal latency and digital sterility. The delayed signal is created using a custom-coded DSP that allows for delay times of up to 1 second which can be adjusted via tap-tempo and also beat-split to create rhythmic, “multi-tap” effects. This is then fed back into the analog realm where Color, Level and Feedback controls add additional warmth and realism to the effect. In addition, a digital modulation section can create a variety of optional secondary effects to the delay repeats. From tape echo “warbles” to lush chorus and flanging, they’re all here in spades to provide you with all the gooey warmth you could want. Adding to the pedal’s feature set, is a separate Level control for the second, beat-split delay repeats, which perhaps is the most unique feature of the Navigator Delay. This option allows the user to emphasize the second delay voice or to turn the main delay off entirely, allowing you to create interesting and all new rhythmic effects. The second delay has the option to be set at one-half, two-thirds or three-quarter intervals against the main delay, allowing for “dotted eighth” and other classic multi-tap delay sounds. The Navigator may very well be the most feature-laden, yet simple to use compact delay pedal on the market. More importantly though, it simply sounds gorgeous. If you’ve been lost in the sea of digital despair, let the Navigator lead you home to a land of tonal bliss!

Emma Electronic Okto Nøjs ...

2.640,-

Emma Electronic Okto-Nøjs Subsonic Power Punch Just when you think you’ve seen and heard it all in an over flooded pedal market, from the deep rises a bass behemoth so crushingly brutal that it makes Godzilla look like the easter bunny. The Okto Nøjs takes your signal and turns it into pure subsonic fire. It spits and sputters sizzling, synthy octa-fuzz tones left and right, all while running it through an earthshakingly deep analog octaver for unprecedented levels of bass brutality. Some pedals just want to watch the world burn, the Okto-Nøjs is a true firestarter! - Analog Octaver and Fuzz in one pedal - Use independently or together - Dead-on octave tracking - Tracks perfectly down to the low-E of a bass - Ultra-versatile octa-fuzz - Goes from smooth drive to fuzzed-out synth tones - Intuitive controls set - For a world of never-heard-before tones - Handmade in Denmark - using only high-quality components - True-Bypass switching The Okto-Nøjs is actually two pedals in one – a super-accurate, fast-tracking Octave down (the Okto) combined with a dynamically responsive, synth-like Octave-Fuzz (the Nøjs). Both sides of the circuit are 100% analog and feature high-quality buffers and true bypass switching for the best sound quality possible. The Okto channel uses proprietary tracking circuitry to create a sub-octave that locks in fast and remains stable. The Okto can track accurately down to the open-E string of a Bass Guitar, and even lower with minor note wobble. The Okto’s Tone control can go from round, fat subs to the hollow, nasally honk tone. Blend in a bit of Okto with your Dry signal to subtly thicken your bottom end, or crank it up for spot-on note doubling. The Nøjs section is where the real fun starts. A harmonic distortion generator that creates a unique Octave-Fuzz effect, the Nojs circuit reacts to playing dynamics to create spitting, swelling, synth-like drive sounds that are truly out of this world. Gain, Tone & Level controls adjust the Nøjs circuit’s Fuzz section, yielding everything from smooth overdrive to squelchy feedback distortion with a blossoming note filtering. The Nøjs control blends in a square wave sub-harmonic that can be thick & meaty or edgy & aggressive depending on the setting of the Color control. Both Okto & Nøjs sections can be blended to taste against the Dry signal to cover a wide range of colors from subtle to extreme. Come get your freak on with the Emma Electronic Okto-Nøjs!

Emma Electronic OnoMATOpoeia ...

1.640,-

Emma Electronic OnoMATOpoeia The Sonic Boom! The OnoMATOpoeia is basically a sonic super hero. Clean boost by day, dirty overdrive by night, and with some serious superpowers hidden up its sleeve. It’s the secret sauce your pour on your tone when you want that extra Oomph! That extra Kapow! It’s what you kick in when you need your solos to soar or your rhythms to roar. *From clean boost to gritty overdrive in one pedal *Saturation control - alters the gain structure for a world of old-school and modern drive tones *Unique seesaw tone control - for well-balanced vintage tones to crisp and sparkly modern tones *Highly intuitive control set - dial in amazing tones quick and easy *Top-mounted I/O *Handmade in Denmark *True-Bypass switching The goal with the OnoMATOpoeia was to create a pedal that every player out there would benefit from having on their board. Something that would sweeten up the sound no matter if it was used subtly or shamelessly. The result: a unique and versatile boost/overdrive pedal that can do anything from adding a little push to lift solos or rhythms off the ground, to adding some glorious tube-like grit. With the addition of a wide-ranging “seesaw” tone control and a saturation knob that changes the gain structure from loose, old-school and slightly fuzzy to tight and modern, this pedal has a tonal trick available for any musical trade out there.

Emma Electronic PisdiYAUwot ...

1.850,-

Emma Electronic PisdiYAUwot - Metal Distortion Beauty In Brutality You may have guessed it already, solely based on the looks of the PisdiYAUwot, this beast was made for METAL! The gain stage is raw and brutal yet extremely clear and defined. The EQ options are staggeringly versatile to say the least. The sound? Earthshakingly awesome! Chords, fast runs and triplets stand out with a clear and potent punch. No more mushy wobble, just power! *Powerful and versatile high-gain pedal *Extremely tight and transparent attack - no mud, all metal! *Ultra-wide gain range - from low-gain to beyond high-gain *Highly intuitive control set - dial in amazing tones quick and easy *Top-mounted I/O *Handmade in Denmark *Untrue-Bypass switching - a super-transparent buffered bypass The PisdiYAUwot is pure fire. It’s lightning in a bottle. It’s what every other metal pedal out there wishes to be. It’s the sound of a tight and punchy high-gain amp in a box, ready to bring down the house on your command. The EQ section pots are optimized to work in interaction with each other, and the gain range is extremely wide. Turn down the MID a bit, turn up the HIGH and get that old school Pantera like scoop. Turn the MID up, the HIGH down a bit and the LOW up, and you get a very modern in your face mega power distortion. Want it more brutal, turn the GAIN down a bit. Want it more gritty, turn it up. This pedal will bring speed, power and clarity to any metal guitar player out there.

Emma Electronic ReezaFRATZitz ...

1.850,-

Emma Electronic ReezaFRATzitz Ready To Rock! ReezaFRATzitz is your golden ticket to distortion dreamland. Chock-full of roaring amp-like dirt tones, this pedal and its highly versatile controls will put some serious sizzle into your sound. From bluesy growls to grinding and screaming distortion, ReezaFRATzitz is sure to supply you with the super-sonic firepower you need. * Plethora of roaring amp-like distortion tones on tap * Bias control - alters the harmonic gain structure * Highly sculpt able EQ section - go from vintage to modern tones in seconds * Highly intuitive control set - dial in amazing tones quick and easy * Top-mounted I/O * Handmade in Denmark * Untrue-Bypass switching - a super-transparent buffered bypass If you like it loud and wild, then ReezaFRATzitz should instantly feel like home. Bursting at the seams with the DNA of rock, this pedal was created to give players the tone and touch-responsiveness of a cranked tube-amp right in front of their feet. The magic to this lies in the unique Bias control, which lets you alter the harmonic content and attack response of the pedal from that of a Class-A to a Class-B amp and anywhere in between. Combine that with the highly interactive Bass and Treble EQs, plus the pedal’s extremely wide gain-range and you’re ready to serve up anything from warm and vintage-sounding drive tones to tight modern distortion tones, all while maintaining the integrity of your core sound. So all that’s left to do now is plug in and rock out! So all that’s left to do now is plug in and rock out!

Emma Electronic StinkBug ...

1.850,-

Emma Electronic StinkBug The Pride And Joy Of Overdrive StinkBug is the embodiment of everything you’ve come to expect of a great overdrive and then some. It spits out warm amp-like drive tones and just adds that lovely touch of mid-presence that’ll make you cut through a mix like nobody’s business. But… and this is a good but, it does all of this without ever comprimising the natural timbre and sound of your instrument, leaving you with an overdriven sound that’s as dynamic and articulate as your own playing style. * Chock-full of classic amp-like overdrive tones * Perfect mid presence - cuts through the mix while retaining your core sound * Highly sculptable EQ and wide gain range - From low-gain to blistering blues-rock tones. It’s all there! * Highly intuitive control set - dial in amazing tones quick and easy * Top-mounted I/O * Handmade in Denmark * True-Bypass switching The idea behind the StinkBug was to create the ultimate “classic” overdrive pedal. Something that beautifully distils the best parts of a vintage drive pedal, while alleviating common issues like overbearing mids and nasal, fizzy tones on higher gain settings. Hence a lot of work was put into getting the mids and gain structure just right, all while keeping the body and character of your instrument completely intact. The Low and High EQ dials give you a ton of different tones on tap. Turn them both down and the midrange comes out, but without being nasal. Turn them up and the mids gets slightly scooped, while still keeping the sound full and punchy. Oh and then there’s the gain! Oooooh boy, it’s warm, smooth but with that sweet harmonic tube-like crunch that we all know and love. Just picture the bluesy bite and dynamic drive tones of Stevie Ray Vaughan, Eric Clapton and John Mayer and you know what you’re getting yourself into with the StinkBug. So if you’re into blues, pop, rock or just filthy-good tones in general, then this is definitely the drive you’re looking for!

Ernie Ball EB-6191 Volt Power ...

1.995,-

Ernie Ball EB-6191 Volt Power Supply Ultra-compact complete powering solution in the palm of your hand. The Ernie Ball Volt gives power to the pedal. With its multiple isolated, high current DC power outputs, the Volt supplies clean, regulated power to almost any digital or analog effects pedals. The compact and rugged housing can fit almost anywhere on even the densest pedalboard. If you need low noise and reliable power for any gig, the Ernie Ball Volt is perfect for your rig! Regulated 9 (300mA) and 18 Volt DC outputs (4 x 9V, 1x18V) LED indicators for each input/output. Short Circuit and thermally protected. AC-adapter included 5 DC Power cables included (500mm long) Expandable via DC Thru output (18V output) 90mm x 59mm x 23mm

Fishman PRO-AIP-JD1 Jerry ...

6.699,-

The Dobro Master’s “Secret Weapon” on your Pedalboard Called “Dobro’s matchless contemporary master,” by The New York Times and lauded as “my favorite musician” by rock legend John Fogerty, Jerry Douglas could have been a musical innovator on any number of instruments. However, as a teenager, Douglas adopted the then relatively obscure and unexplored Dobro guitar. That decision has helped him carve out a unique place in American music where he has wielded incalculable influence on bluegrass and its many related genres. The “JD” Signature pedal comes pre-loaded with 16 custom Aura Images created by Jerry Douglas, specifically for resophonic guitars. Easy to set up and use, the Jerry Douglas Signature Aura Imaging Pedal removes the need to mic your instrument on stage, eliminating spurious stage noise and intrusive microphone setups. With the Jerry Douglas Signature Aura Imaging Pedal, you get the true, unique voice of your resophonic instrument, on stage or in the studio. FEATURES & INFO JERRY DOUGLAS AURA IMAGING PEDAL: PRO-AIP-JD1 16 custom Fishman Aura Images created and used by Jerry Douglas specifically for resophonic guitars Volume, Blend, and Image Select controls Feedback-fighting Phase switch Bypass/Mute foot switch Input Trim with Clip/Low Battery indicator 24-bit A/D/A, 32-bit internal processing SPECS PROCESSOR: 32-bit processing MATERIAL: Durable all-metal construction DIMENSIONS: 5.6" L x 4" W x 2.1" H (142 mm) (101 mm) (53 mm) WEIGHT: 1.25 lbs (.56 kg) POWER: 9-Volt battery (not included) or optional 910R power adapter (ACC-BLE-POW) BATTERY LIFE: 27 hours OPTIONAL POWER SUPPLY FISHMAN REGULATED 9-VOLT POWER: ACC-BLE-POW

Fishman PRO-PLT-301 Platinum ...

3.059,-

Platinum Stage EQ/DI Analog Preamp Completely redesigned from the ground up, the all-analog Platinum Stage universal instrument preamp delivers incredibly accurate sonic detail for any acoustic instrument. A discrete, high-headroom Class-A preamp uses precision, high-speed circuitry for the highest fidelity and low distortion. Classic Fishman tone centers with sweepable mid is combined with a switchable guitar/bass EQ mode, making it more musical for bass instruments, and more universal for recording and performing musicians. The new Platinum Stage integrates critical performance features like adjustable volume boost and a balanced XLR D.I. output housed in a beautiful, road-ready design. With an included belt-clip, the Platinum Stage is perfect for mobile instrumentalists, such as mandolin and fiddle players. It can also be powered via 48-volt phantom power, offering complete control over your sound without batteries. FEATURES & INFO MODEL NUMBER: PRO-PLT-301 17-volt, high-headroom, discrete Class-A preamp 4-band tone control with sweep-mid and low frequency filter EQ mode tailors EQ for bass or most other instruments Phase control Volume boost switch with level control Balanced D.I. with pre/post EQ setting and auto Ground Lift Belt-clip included SPECS TONE SHAPING: 4-band EQ with sweepable Mid, adjustable Low-Cut filter FEEDBACK CONTROL: Phase invert switch DIMENSIONS: 5.6” L x 3.3” W x 1.2” H (143 mm x 85 mm x 30 mm) WEIGHT: .65 lbs (0.30 kg) POWER: 9-volt battery (not included) 48-volt Phantom Power Fishman 910-R power adapter (optional) BATTERY LIFE: 70 hours AUDIO I/O SPECS 1/4” Instrument input 1/4” Amp output XLR Balanced D.I. output Auto Ground Lift OPTIONAL POWER SUPPLY FISHMAN REGULATED 9-VOLT POWER: ACC-BLE-POW

Fishman ToneDEQ Preamp EQ ...

4.729,-

The ToneDEQ Preamp EQ is a complete performance solution for the acoustic musician. With a high-quality preamp, dual effects section, tone controls, a compressor, level booster and a balanced D.I. — it’s got everything you need in one box. Pure Analog Circuitry Its analog signal path goes from end to end — from preamp to output — to give acoustic musicians a richer tonal quality. Even the digital effects are mixed in parallel so they don’t affect the purity of your acoustic instrument. Fully Balanced Stage D.I. Flexible outputs include a 1/4″ amplifier output and XLR D.I. output for the lowest noise possible. Plus the D.I. features automatic ground-lifting and selectable pre/post EQ settings. Discrete Class-A Preamp With Fishman, you get quality discrete class-A signal conditioning created by the leader in instrument preamp design. The high-impedance input is a must when using a passive instrument pickup. Advanced 4-Band EQ Legendary 4-band equalizer design provides superior tone control for any acoustic instrument. The variable low-cut filter controls sub-bass effects produced by some passive pickups. MODEL NUMBER: PRO-DEQ-AFX INPUT: 10M Ohm, discrete class-A JFET design AUDIO: All-analog signal path with parallel digital effects TONE CONTROL: 4-band EQ with Bass, Middle, Treble, and selectable Low Cut DUAL EFFECTS: Reverb (2) or Delay (2), Chorus (2), Flanger or Tremolo DYNAMICS: Soft-knee Compressor, Boost footswitch (up to 9dB) FEEDBACK CONTROL: Selectable Phase invert AUDIO I/O: 1/4” mono instrument input, 1/4” amplifier output, balanced XLR D.I. output with pre/post routing DIMENSIONS: 136 mm x 241 mm x 56 mm WEIGHT: 1.1 kg BATTERY: Powered by 9-volt battery (not included), or Fishman 910-R power adapter (optional) BATTERY LIFE: 12 hours Se Video her.

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