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Meris Ottobit Jr. Bitcrusher Pedal

Art.nr: MER-OTTOBP

4.595,-

Antall:

Meris

Ikkje på lager, ca. 4-7 dagers leveringstid, så lenge varen er på lager hos leverandør.

Ottobit Jr.

Arcade Dreams Reborn

From an era when visiting the arcade meant silicon-defined-sonics were burned into so many kids’ memories (big and small alike), the Meris Ottobit Jr. is inspired by the world of vintage gaming consoles, bringing those sounds directly to your pedalboard.

So what exactly is Ottobit Jr.? Well, it’s a bitcrusher, but it would be an insult to just call it that. It’s also an ultra-musical sequencer, stutter and filter effect, but it’s not JUST that either. It’s the sum of all of these parts that make the Ottobit Jr. what it is: a maniacal side-scrolling, coin-collecting, power-glove-punching-machine with a host of earth-shattering sounds that’ll melt your face right off! Heck, the pedal is so unique and innovative that it deserves to have a verb all of its own. So plug in, press play and Ottobit away!

Ottobit Jr. takes everything that made the original Meris Ottobit 500-series unit such an innovative studio tool and crams it down into a rugged and roadworthy pedal suited for any rig, be it guitar, bass or synth. Basically, if you have a creative bone in your body and you love designing crazy and unique sounds unlike anything else, then the Ottobit Jr is for you!

Ottobit Jr. sports a fuzzy bitcrusher with variable sample rate, triggered stutter effects, a multi-mode sequencer module and a mind-blowing low-pass filter that sounds just as good as any analog synth filter out there. All of this is syncable and controllable via tap-tempo, expression and/or midi. But most important of all, Ottobit Jr. always stays super reactive to your playing, seeing you jump from fiery fuzz tones to classic arcade bleeps and bloops, only to end up in a barrage of 6-step sequencing and glitchy stutter effects without breaking a sweat and without ever sounding unmusical.

The Meris Ottobit Jr. is built to Meris’ boutique standards in Los Angeles, California, USA. It features an analogue signal path and 24-bit AD/DA with 32-bit floating point DSP to ensure crystal clear sounds with loads of headroom.

Features:

Variable Sample Rate and Bit Crushing
Vintage Synth inspired Low-Pass Filter
Triggered Stutter Effects
Sequencer module for Pitch, Filter or Decimation pattern sequencing
Tap Tempo for Sequencer and Stutter
Stereo input and output
Switchable input/output headroom level for Guitar, Synthesizer or Line levels
Expression pedal control over all parameters simultaneously
Presets available via external 4-Preset switch or MIDI
MIDI in/out over TRS via the EXP jack
Remote Tap Tempo Switch capable via the EXP jack
Premium and hi end analog signal path
Designed and Built in Los Angeles, California U.S.A.
Standard 9 V power
(9 V DC, centre -, 2.1 mm, ~150 mA current draw)

https://www.meris.us/

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Meris

It’s an undeniable fact, Meris truly is paving the way for the future of musical effects right now.

While Meris may be still seen to many as a fledgling company, the industry experience contained within the team spans several decades. Founder Terry Burton and lead DSP engineer Angelo Mazzocco have achieved seminal work at industry leaders Strymon and Line6 respectively. Now add creative director Jinna Kim’s massive branding experience and it’s no wonder that Meris currently make the best looking and best sounding effects in the business.

Whether you’re looking for lush cinematic ambience, otherworldly modulated echoes, bit-crushed arpeggios or pro studio mic-preamps, you’ll find it all in Meris’ spectacular range of compact pedals and 500-series modules.

But that’s not all, with the latest releases of Meris’ Enzo and Hedra pedals, both guitar players and other sonic experimentalists can get all the polyphonic synth and pitchshifting tones they ever dreamt of, from pedals that require no special pickups/connections etc. and all with flawless tracking.