Lyd

2.340,-

LP-6 V2 Black Studiomonitor 6". Svart Versjon 2 av suksessmonitoren Kali LP6. Studiomonitor med 6,5’’ basselement og 1’’ Soft Dome-diskant. 80W (40+40) Klasse-D forsterker. LP6 V2 er og forbedret med 12db lavere egenstøy (self noice) og input er øket med 3db. EQ'en i nye LP6 V2 er og forbedret. Svart finish. Project Lone Pine Studio Monitors Version 2 The new LP-6 V2 is part of Kali’s 2nd Wave of loudspeakers. 2nd Wave products draw on 3 years of R&D for across-the-board improvements. A new amplifier platform allows for 12 dB less self noise, while input sensitivity has been increased by 3 dB. The tuning has been refined for smoother HF response, and the boundary EQs have been updated to reflect common real-world use cases. Physical improvements include lighter transducer cones for better transient response and upgraded cabinet construction for greater reliability. Transparent Sound The Lone Pine Series is designed to allow you to hear every detail that's happening in your mix. This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you'll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing. With the LP-6 and LP-8, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using. 3-D Imaging Waveguide The waveguide on Project Lone Pine monitors allows you to hear spatial details and a soundstage that is wider, taller, and deeper than the space between the speakers themselves. High dynamic range, low distortion The dual layer, large diameter voice coil on the LP-Series helps keep the sound clear and free of distortion. Low noise port tube The LP-6 and LP-8 both have the clean, punchy bass of a front-ported speaker with very low noise from the port tube. High Output At continuous reference-level output, the LP-Series monitors have at least 20 dB headroom at the listening position. The LP-6 has enough output for most 1-2 person setups, and LP-8 can handle larger setups easily. Ample headroom ensures that even loud mixes with high dynamic range will come through clearly. Bass Power Bass on the LP-Series monitors is delivered by larger magnets and larger voice coils than any comparable speakers on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Boundary EQ Control A speaker's given position in a space can drastically change it's frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound. Happily, most of the common positions are fairly predictable and easily corrected. Kali's team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you're mixing in, or where the speakers are placed. Easy Connections The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you're using consumer devices like a laptop or smartphone's headphone jack. Class D Power The integrated Class D Power amp delivers clean, reliable power that's optimized to this speaker. Both models use 40W for the 1" soft dome tweeter. The LP-6 uses 40W for the 6.5-Inch woofer, and the LP-8 uses 60W for the 8-Inch woofer. - Aktiv 2-väg - 80W (40+40) Class-D förstärkare - 6,5" baselement - 1" Soft Dome-diskant - Frekvensåtergivning (-10 dB): 39 Hz - 25 kHz - Frekvensomfång (± 3 dB): 47 Hz - 21 kHz - Delningsfrekvens: 1,5 kHz - Max SPL: 112 dB - Obalanserad ingångar: 1x RCA - Balanserade ingångar: 1x TRS och 1x XLR - TRS/XLR ingångskänslighet: +4 dB - RCA ingångskänslighet: -10 dB - HF Trim: -2 dB, ±0 dB, +2 dB - LF Trim: -2 dB, ±0 dB, +2 dB

Kali Audio LP-6 V2 W Aktiv ...

2.340,-

LP-6 V2 White Studiomonitor 6". Hvit Versjon 2 av suksessmonitoren Kali LP6. Studiomonitor med 6,5’’ basselement og 1’’ Soft Dome-diskant. 80W (40+40) Klasse-D forsterker. LP6 V2 er og forbedret med 12db lavere egenstøy (self noice) og input er øket med 3db. EQ'en i nye LP6 V2 er og forbedret. Hvit finish. Project Lone Pine Studio Monitors Version 2 The new LP-6 V2 is part of Kali’s 2nd Wave of loudspeakers. 2nd Wave products draw on 3 years of R&D for across-the-board improvements. A new amplifier platform allows for 12 dB less self noise, while input sensitivity has been increased by 3 dB. The tuning has been refined for smoother HF response, and the boundary EQs have been updated to reflect common real-world use cases. Physical improvements include lighter transducer cones for better transient response and upgraded cabinet construction for greater reliability. Transparent Sound The Lone Pine Series is designed to allow you to hear every detail that's happening in your mix. This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you'll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing. With the LP-6 and LP-8, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using. 3-D Imaging Waveguide The waveguide on Project Lone Pine monitors allows you to hear spatial details and a soundstage that is wider, taller, and deeper than the space between the speakers themselves. High dynamic range, low distortion The dual layer, large diameter voice coil on the LP-Series helps keep the sound clear and free of distortion. Low noise port tube The LP-6 and LP-8 both have the clean, punchy bass of a front-ported speaker with very low noise from the port tube. High Output At continuous reference-level output, the LP-Series monitors have at least 20 dB headroom at the listening position. The LP-6 has enough output for most 1-2 person setups, and LP-8 can handle larger setups easily. Ample headroom ensures that even loud mixes with high dynamic range will come through clearly. Bass Power Bass on the LP-Series monitors is delivered by larger magnets and larger voice coils than any comparable speakers on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Boundary EQ Control A speaker's given position in a space can drastically change it's frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound. Happily, most of the common positions are fairly predictable and easily corrected. Kali's team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you're mixing in, or where the speakers are placed. Easy Connections The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you're using consumer devices like a laptop or smartphone's headphone jack. Class D Power The integrated Class D Power amp delivers clean, reliable power that's optimized to this speaker. Both models use 40W for the 1" soft dome tweeter. The LP-6 uses 40W for the 6.5-Inch woofer, and the LP-8 uses 60W for the 8-Inch woofer. - Aktiv 2-väg - 80W (40+40) Class-D förstärkare - 6,5" baselement - 1" Soft Dome-diskant - Frekvensåtergivning (-10 dB): 39 Hz - 25 kHz - Frekvensomfång (± 3 dB): 47 Hz - 21 kHz - Delningsfrekvens: 1,5 kHz - Max SPL: 112 dB - Obalanserad ingångar: 1x RCA - Balanserade ingångar: 1x TRS och 1x XLR - TRS/XLR ingångskänslighet: +4 dB - RCA ingångskänslighet: -10 dB - HF Trim: -2 dB, ±0 dB, +2 dB - LF Trim: -2 dB, ±0 dB, +2 dB

Kali Audio LP-8 V2 Aktiv ...

2.910,-

LP-8 V2 Black Versjon 2 av suksessmonitoren Kali LP8. Studiomonitor med 8’’ basselement og 1’’ Soft Dome-diskant. 80W (40+40) Klasse-D forsterker. LP6 V2 er og forbedret med 12db lavere egenstøy (self noice) og input er øket med 3db. EQ'en i nye LP6 V2 er og forbedret. Svart finish. Project Lone Pine Studio Monitors Version 2 The new LP-8 V2 is part of Kali’s 2nd Wave of loudspeakers. 2nd Wave products draw on 3 years of R&D for across-the-board improvements. A new amplifier platform allows for 12 dB less self noise, while input sensitivity has been increased by 3 dB. The tuning has been refined for smoother HF response, and the boundary EQs have been updated to reflect common real-world use cases. Physical improvements include lighter transducer cones for better transient response and upgraded cabinet construction for greater reliability. Transparent Sound The Lone Pine Series is designed to allow you to hear every detail that's happening in your mix. This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you'll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing. With the LP-6 V2 and LP-8 V2, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using. 3-D Imaging Waveguide The waveguide on Project Lone Pine monitors allows you to hear spatial details and a soundstage that is wider, taller, and deeper than the space between the speakers themselves. High dynamic range, low distortion The dual layer, large diameter voice coil on the LP-Series helps keep the sound clear and free of distortion. Low noise port tube The LP-6 V2 and LP-8 V2 both have the clean, punchy bass of a front-ported speaker with very low noise from the port tube. High Output At continuous reference-level output, the LP-Series monitors have at least 20 dB headroom at the listening position. The LP-6 has enough output for most 1-2 person setups, and LP-8 can handle larger setups easily. Ample headroom ensures that even loud mixes with high dynamic range will come through clearly. Bass Power Bass on the LP-Series monitors is delivered by larger magnets and larger voice coils than any comparable speakers on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Boundary EQ Control A speaker's given position in a space can drastically change it's frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound. Happily, most of the common positions are fairly predictable and easily corrected. Kali's team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you're mixing in, or where the speakers are placed. Easy Connections The LP-6 V2 and LP-8 V2 both feature balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you're using consumer devices like a laptop or smartphone's headphone jack. Class D Power The integrated Class D Power amp delivers clean, reliable power that's optimized to this speaker. Both models use 40W for the 1" soft dome tweeter. The LP-6 uses 40W for the 6.5-Inch woofer, and the LP-8 V2 uses 60W for the 8-Inch woofer. - Aktiv 2-väg - 100W (60+40) Class-D förstärkare - 8" baselement - 1" Soft Dome-diskant - Frekvensåtergivning (-10 dB): 37 Hz - 25 kHz - Frekvensomfång (± 3 dB): 45 Hz - 21 kHz - Delningsfrekvens: 1,8 kHz - Max SPL: 114 dB - Obalanserad ingångar: 1x RCA - Balanserade ingångar: 1x TRS och 1x XLR - TRS/XLR ingångskänslighet: +4 dB - RCA ingångskänslighet: -10 dB - HF Trim: -2 dB, ±0 dB, +2 dB - LF Trim: -2 dB, ±0 dB, +2 dB

Kali Audio WS-12 V2 Aktiv Sub ...

9.990,-

Kali Audio WS-12 V2 Kali Audio's WS-12 V2 is a 1000 W, 12-inch subwoofer for studio and live use. With a frequency response down to 23 Hz, it is an authoritative studio subwoofer. The 1000 W power amp allows the WS-12 to be used for bass management in 5.1 systems, and one WS-12 will be sufficient when using up to 5 of Kali’s IN-8s. An 18mm wooden enclosure means that the WS-12 is rugged and portable, making it a perfect solution for use in small PA systems. _____ WS-12 V2 är Kali Audios nya 12-tums subwoofer för studio- och livebruk. Med ett utökat frekvensomfång från 23 Hz -200 Hz och slutsteg på 1000 W är WS-12 är perfekt för Bas Management i Dolby Atmos eller 5.1-system, och en WS-12 räcker när man använder upp till 5 av Kalis IN-8. WS-12 V2 är redo för liveanvändning. Med ett 18 mm plywoodhölje, ett stålgaller och en robust, strukturerad beläggning, kan den stå emot stlitage från scenarbete och transport med mera. _____ 2nd Wave Kali Audio's WS-12 V2 is a 1000 W, 12-inch subwoofer for studio and live use. With a frequency response down to 23 Hz, it is an authoritative studio subwoofer. The 1000 W power amp allows the WS-12 to be used for bass management in 5.1 systems, and one WS-12 will be sufficient when using up to 5 of Kali’s IN-8s. The WS-12 is the only subwoofer that can pull double duty as a studio and live subwoofer. An 18mm wooden enclosure means that the WS-12 V2is rugged and portable, making it a perfect solution for use in small PA systems. The WS-12 V2 is specifically designed to fit into small passenger cars, making it easy to carry to and from gigs. V2 features several improvements over the original version. Signal-to-noise on the crossover is improved by more than 6 dB. The V2 also features an M10 pole cup, allowing users to attach a pole for mounting full-range PA speakers. Unlimited Power The WS-12 V2 uses a Class D power amp capable of 1000 W peak power and 500 W continuous power. This allows the WS-12 V2 to play up to 123 dB Max SPL; enough SPL to provide LFE for at least a 5.1 system of IN-8s. In many listening environments, 1-2 WS-12s can easily handle both LFE and bass management for a full Atmos system. Dolby Compliant The WS-12 is fully compliant with Dolby’s specifications for subwoofers to be used for Atmos monitoring for both music and picture. Low Noise Port Tube On most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as "chuffing," or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end. The port tube on the WS-12 V2 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise. Selectable crossover The WS-12 V2 has a user-selectable crossover with 5 Hz steps from 50 to 110 Hz. This allows users to integrate the WS-12 with any pair of stereo speakers, including studio monitors, hifi speakers, and PA speakers. Most studio monitors, including all models offered by Kali Audio, will work best with the 80 Hz setting. Polarity Inversion. The polarity reverse function on the WS-12 allows you to flip polarity by 180 degrees to better integrate with the full range speakers and the room. Road-Ready The WS-12 V2 is ready for live use. With an 18-mm plywood enclosure, a steel grille, and a rugged, textured coating, it can stand up to stage duty and the abuses of being transported night in and night out. Steel handles make the WS-12 easy to carry, and its dimensions are specifically tailored to fit into the trunk of a Toyota Corolla, meaning that it can be easily transported in most passenger cars.

Kali Audio WS-6.2 Aktiv Sub ...

6.590,-

WS-6.2 The WS-6.2 is a studio subwoofer with 2 x 6.5-Inch horizontally opposed woofers. Taking up less than half the space of comparably performing subwoofers, it is ideal for stereo mix setups where space is at a premium. It is capable of 120 dB max SPL and 27 Hz lower frequency response. WS-6.2 er en liten smidig 1000 watt studiosubwoofer med 2 x 6,5-tommers basshøyttalere som passar perfekt til Kali Audios LP- og IN-serie. WS-6.2 har ett 80 Hz crossover-filter, LFE-mode eller kan anvendes med ett eksternt delefilter. Polariteten kan også snues om det behøves. Med Kali Audios WS-6.2 får du en klar, tydelig og kraftfull bass med minimal forvrenging. WS-6.2 kommer med stereo RCA, XLR/TRS innganger og stereo XLR ut. Mulighet for bypass av sub med footswitch finnes også. The WS-6.2 is a studio subwoofer with 2 x 6.5-Inch high excursion woofers. Designed to be both powerful and small, the WS-6.2 takes up less than half as much space as comparably performing subwoofers. Despite its diminutive form factor, it is capable of 120 dB max SPL and 27 Hz lower frequency response. The woofers are horizontally opposed, meaning that there is no net vibration from the subwoofer. A built-in 80 Hz high-passed output makes it ideal for pairing with most popular studio monitors, including Kali’s LP- and IN-Series monitors. A footswitch jack allows users to bypass both the sub and the crossover so they can hear their mix on their full range speakers. Footswitches are sold separately, but a number of inexpensive options are available at every music retailer. In addition to the 80 Hz crossover, the subwoofer can be set for LFE mode or be used with an external crossover. Polarity may also be reversed if necessary. Like all of Kali’s speakers, the WS-6.2 uses a unique port tube that virtually eliminates chuffing and port compression, allowing for clear, powerful bass with minimal distortion.

Korg ELECTRIBE2-BL Sampler ...

5.895,-

KORG Electribe 2-BL Music production station A production machine with analog modeling sound engines and an intuitive way to make beats. The electribe is a synthesizer-based production machine that turns inspiration into sound at maximum speed. It contains numerous analog oscillators and a wide variety of filters. Whether you're selecting sounds or editing them, all operations are performed simply by using the top panel knobs. In addition, a variety of input interfaces optimized for inputting rhythm, bass, or melody allow you to smoothly create sequences as fast as you can think. The sequences that you create can then undergo additional evolution on stage or in your laptop. You can enjoy intuitive live performances that link various devices with the electribe, or utilize this capability for full-fledged music production by exporting sequence data to Ableton Live for detailed editing and final mixing. The latest system version 2 adds a much-requested pattern chain function that will be a great asset for live performances or music production. The lineup has also become more colorful with the new metallic blue model. And we've also provided bonus patterns that reveal even greater sonic potential. Making your beat-making ideas rapidly take shape. It's the electribe; a synthesizer + sequencer that's thoroughly optimized for speed. The electribe continues to evolve Following the chic gray unit, the lineup has been joined by a metallic blue model that's reminiscent of the previous model, the ELECTRIBE MX. Complemented by the numerous colorfully illuminated LEDs, this unit will energize your playing. Updates make the electribe evolve daily. System version 2 adds support for the much-requested pattern chain function and undo function, as well as support for original value display. Users who already own an electribe can update their unit and then enjoy playing. Electribe artists, sound designers, and beat makers from around the world have created bonus pattern data packed with new sounds, phrases, and sequences. These 203 different patterns include synthesizer sounds, drum kits, and ideas that work with a variety of musical styles. They are provided as reference materials for your beat-making or as foundations to give you new inspiration. A powerful and expansive analog modeling + PCM sound engines. The sound engine of the electribe provides 55 types of analog modeling oscillator, giving you a high degree of flexibility to quickly create sounds. You can choose from simple waveforms such as Saw, Pulse, Triangle, and Sine, or more complex varieties such as Sync, Ring Mod, Cross Mod, and VPM. Parameters have been carefully selected to allow maximum effect with minimum editing. This means that you simply need to select an oscillator and turn the knobs to create sinuous bass lines, gigantic poly synth sounds, warm pads, or an infinite variety of any other synth sounds you want. Also provided are PCM oscillators ideal for creating sequences, including 257 Drum/Perc sounds indispensable for beat-making, 44 instrument-type sounds such as Piano, Organ, Brass, and Guitar, and 52 types of voice and sound-effect sounds. The much-requested polyphonic performance support now makes it easier to create styles such as house music, where chord-work is important. Filters are at the center of synthesizer sound design, dramatically transforming the sound generated by the oscillator. In addition to the electribe filter newly developed for the electribe, there are a total of 16 filter algorithms such as MS-20, MG, P5, OB, and Acid, simulating the filters of classic synthesizers. By selecting one of these filter types and adjusting the cutoff and resonance, you can make powerful sounds with great creative freedom. The modulation that's so important for sonic creativity is designed to be easy for anyone to control. Modulation sources such as EG and LFO are available paired with a modulation target such as Filter Cutoff and Oscillator Pitch; simply choose from 72 modulation types and then adjust the speed and depth to apply the type of modulation that you want. A total of 32 insert effects are provided, including compressor, overdrive, and EQ. Effects can be specified individually for all parts, letting you have uncompromising control over the nuances of your sound. Velocity-sensitive trigger pads and X/Y touch pad work together; input notes or X/Y-generated phrases to bring your ideas to life. The electribe allows you to input up to 64 steps (16 steps x 4) for each part (sound). You can create beats by combining up to 16 of these parts per sequence pattern. The step sequencer of the electribe allows extremely intuitive pattern production. The 16 trigger pads and the touch pad with XY control provide a variety of modes that instantly reproduce the phrases created by your ideas, allowing rhythms and phrases to be input without requiring musical knowledge. electribe Specifications: Sound System Type: Analog modeling sound engine + PCM sound engine Maximum Polyphony: 24 voices. The polyphony of the entire pattern varies depending on the Oscillator, Filter, and Insert Fx type. Independent parameters for each voice have been simplified; four voices share the parameters of one conventional voice. Oscillator: Type (409), Pitch/Glide, Edit Oscillator Types: Kick (56), Snare (58), Clap (16), HiHat (42), Cymbal (14), Tom (16), Percussion (55), Voice (16), Synth FX (18), Synth Hit (18), Inst Hit (16), Synth (55), Instrument (28), Audio In (1) Filter: Filter (Cutoff), Resonance, EG Int, LPF/HPF/BPF (16) Modulation: Type (72), Depth, Speed Amp/Envelope Generator: Level, Pan, Attack, Decay/Release, Amp EG On/Off Scale Types:35 Gate Arpeggiator Types: 50 Sampling Frequency: 48 kHz AD/DA Conversion: 24 bit Effect: Insert Effect: One unit (can be used on each of the 16 parts). Type (38), Edit, Insert FX On/OffMaster Effect:One unit, Type (32), Touch Pad, Master FX On/Off, Master FX Hold On/Off Sequencer: Number of Steps: 16 steps x 4. Number of Parts: 16 parts(one part consists of a sound, steps, insert effect, modulation sequence, etc). Number of Patterns:250 patterns (200 Presets / 50 Initial), (one pattern consists of parts, master effect, key, scale setting, etc) Motion Sequences: Up to 24 motion sequences can be stored (for each pattern). Groove Types: 25. Pattern Set: Up to 64 patterns can be stored. Pattern Chain: Up to 250 patterns can be chained. Export: Ableton Live project file format, WAV file format (48 kHz, 16 bit). Event Recording :Up to 100 files can be saved Trigger Pads: Number of Pads:16 pads (Velocity sensitive). Modes: Trigger, Sequencer, Keyboard, Chord, Step Jump, Pattern Set Touch Pad: Modes: Gate Arp, Touch Scale, Master FX Connectors: Audio:L/Mono, R Output (Standard phone jack), Headphones (Stereo mini jack), Audio Input (Stereo mini jack) MIDI: In, Out (Use an included MIDI adapter cable). USB: Type micro B. Sync: In, Out (Stereo mini jack) External Storage Device: SD Card (512 MB -- 2 GB), SDHC Card (Up to 32 GB) Power. Power Supply: AC adapter (DC 9V) or AA battery x 6 (Alkaline battery or Nickel metal hydride battery). Battery Life: Approximately 5 hours (Power Saving: ON, with Nickel metal hydride battery) Chassis: Zinc die cast Dimensions: (W x D x H) 338 x 189 x 45 mm / 13.35” x 7.44” x 1.77” Weight:1.6 kg / 3.53 lbs Color Variations: Metallic Blue (electribe2-BL), Gray (electribe2) Included Items: AC adapter (DC9V), MIDI adapter cable x 2, Ableton Live 9 lite (License card included) Accessories Sync Cables:SQ-CABLE-6 Gig Bag: DJ-GB-1

Korg ELECTRIBE2-RD Sampler ...

5.895,-

Korg ELECTRIBE2-RD Electribe The fastest and most intuitive way to make beats. A production machine that lets you create using a gigantic array of samples. The electribe sampler is a sample-based production machine that lets you construct beats at maximum speed. You can freely edit and resample using waveforms that you've loaded and preset samples. Modulation and effects can be controlled easily just by turning knobs on the top panel. In addition, a variety of input interfaces optimized for inputting rhythm, bass, or melody allow you to smoothly create sequences as fast as you can think. The sequences that you create can then undergo additional evolution on stage or in your laptop. You can enjoy intuitive live performances that link various devices with the electribe sampler, or utilize this capability for full-fledged music production by exporting sequence data to Ableton Live for detailed editing and final mixing. The latest system version 2 adds a much-requested pattern chain function that will be a great asset for live performances or music production. The lineup has also become more colorful with the new metallic red model. And we've also provided bonus patterns that reveal even greater sonic potential. Making your beat-making ideas rapidly take shape. It's the electribe sampler; a sampler + sequencer that's thoroughly optimized for speed. A new metallic red model – a nod to the legacy of electribe. Following the dark black unit, the lineup has been joined by a metallic red model that's reminiscent of the previous model, the ELECTRIBE SX. Complemented by the numerous colorfully illuminated LEDs, this unit will energize your playing. Updates make the electribe sampler evolve daily. System version 2 adds support for the much-requested pattern chain function and undo function, as well as support for original value display. Users who already own an electribe sampler can update their unit and then enjoy playing. Electribe artists, sound designers, and beat makers from around the world have created bonus pattern data packed with new sounds, phrases, and sequences. These 237 different patterns are packed with sample sounds, drum kits, and ideas for a wide range of musical styles. They are provided as reference materials for your beat-making or as foundations to give you new inspiration. Import any waveform, and even resample. The electribe sampler lets you load any sample from an SD card and use it for producing beats. There are 499 user sample memories in which you can store original waveforms that you've created using waveform editing software or sampled sources provided by developers. Of course you can also connect a record player or instrument to the audio in jack and sample from it. You can edit the loaded waveforms in basic ways such as changing the start/end point or pitch, and even time-slice them. The attack portions of a phrase can be detected and sliced automatically, allowing you to play them back at a desired tempo without significantly changing the sound. Sliced parts can also be assigned to specific steps or parts and triggered individually. There's also a resampling function that lets you sample a sound that you processed, a phrase that you constructed, or your realtime performance on the electribe sampler. Additional possibilities open up when you use this in conjunction with time slices; you can change the order or rhythmic groove of a phrase, or turn a multiple-part phrase into a single sample, allowing you to add phrases using the newly-free parts to create an even more complex pattern. The electribe sampler contains numerous production-ready sampled sources that you can use as soon as you power-on the unit. It provides a range of sampled audio sources suitable for any style of music, including 179 Drum/Perc samples such as Kick and Snare sounds that are indispensable for creating beats, 33 loop-type samples as you would expect from a sampler, 31 voice-type samples, 37 sound effect samples, and 123 more instrumental samples containing hits, shots, or phrases of Piano, Organ, Brass, or Guitar. Based on these samples from collaborators famed for their high quality, such as Sample Magic, Loopmasters, Prime Loops, and Raw Cutz, you can create the exact sample sounds that you want. In addition, the electribe sampler provides 16 analog modeling oscillators and three filters, which you can use as accents for your sample-based music productions. The modulation that's so important for sonic creativity is designed to be easy for anyone to control. Modulation sources such as EG and LFO are available paired with a modulation target such as Filter Cutoff and Oscillator Pitch; simply choose from 72 modulation types and then adjust the speed and depth to apply the type of modulation that you want. A total of 32 insert effects are provided, including compressor, overdrive, and EQ. Effects can be specified individually for all parts, letting you have uncompromising control over the nuances of your sound. Velocity-sensitive trigger pads and X/Y touch pad work together; input notes or X/Y-generated phrases to bring your ideas to life. The electribe sampler allows you to input up to 64 steps (16 steps x 4) for each part (sound). You can create beats by combining up to 16 of these parts per sequence pattern. The step sequencer of the electribe sampler allows extremely intuitive pattern production. The 16 trigger pads and the touch pad with XY control provide a variety of modes that instantly reproduce the phrases created by your ideas, allowing rhythms and phrases to be input without requiring musical knowledge. =================================================== Trigger mode: This mode is ideal for auditioning the sounds before you enter a sequence. The trigger pads are velocity sensitive, and by striking them rhythmically you can input drum and percussion patterns that have a sense of life and movement. Sequencer mode: This mode is ideal for inputting rhythm. You can step-record by using the 16 trigger pads which correspond to 16 steps. This method makes it easy to see the timing of the notes, and can also be used for editing after realtime recording. Keyboard mode: This mode is ideal for playing melodies. The 16 trigger pads act as a keyboard, allowing you to play melodies according to the scale/key settings. You can also change the octave. Chord mode: This mode is ideal for playing chords. Simply by pressing a trigger pad, you can easily play chords according to the scale/key settings. Gate Arp mode: This mode is ideal for inputting bass riffs or hi-hat parts with a sense of groove. While playing the trigger pads or the touch pad, you can use the gate arpeggiator to generate rhythmically detailed notes. Touch Scale mode: This mode is ideal for those who are not comfortable with playing melodies on the keyboard, or as a way to generate some inspiration. Simply by moving your fingertip over the touch pad as on the Kaossilator, you can freely produce phrases according to the specified scale/key settings. =================================================== The electribe sampler seamlessly lets you edit sounds and input sequences in parallel. Input a sequence and edit the sound while listening to it. Efficient beat-making that would be difficult using just a DAW becomes stress-free on the electribe sampler, which allows you to think at the same speed as the music you're hearing. Motion Sequence records parameter movements. The motion sequence function records and reproduces knob movements. You can add time-varying movement to looped sounds, creating a completely original flow of sound. Last Step selector generates unconventional time signatures. The last step function lets you change the number of steps in the selected part. You can create unexpected and unconventional rhythms by specifying a different number of steps for each part. This function is also useful when you want to instantly change the character of the song, or when you want to adjust the length of the song. Groove adds a natural rhythmic feel. You can choose from a total of 25 groove types that reproduce the playing technique and rhythmic feel of percussion instruments such as congas and bongos. By selecting a groove type for each part and adjusting its dynamics, you can create a natural-sounding rhythmic feel that's liberated from the 16-step grid. From studio to stage, total control over your patterns Control your sequences in real time with absolute freedom. Sequences that you've created on the electribe sampler will shine even more on stage when you use the various functions provided for this purpose. For example by using, the step jump function that lets you jump instantly to the step you press, you can create dynamic performances as though you were performing the sequence itself. The electribe sampler also lets you freely use the trigger pads and touch pad to add sounds during your live performance. Thanks to the scale/key settings, you'll never play a wrong note. The sequences that you create can be played not only on stage, but are also fun to tweak in real time. The dynamic character of such changes makes this one of the electribe sampler's great pleasures. Use Pattern Set and Pattern Chain to build and organize full arrangements. The pattern set function lets you register your favorite sequence patterns to the trigger pads and instantly switch between them. While you play, you can switch successively between patterns to vary the beat. In system version 2, a pattern change function has been newly added. Using this, multiple sequence patterns can be connected for successive playback, allowing you to construct large-scale development in your song. You can use the touch pad to freely control the master effect just as on the Kaoss Pad. You can use spatial-type effects to add overall resonance, or use "Looper" to easily create the texture of your sequence, or even use effects such as "Seq Reverse" or "Odd Stepper" to aggressively transform the music. This is also enormously effective in a live performance. Since there's a sync jack for easy connection to KORG's groove machines, you can connect the electribe sampler to your electribe, volca series unit, or SQ-1 for playback sessions that are synchronized with your sequencer. MIDI connectors are also provided for inter-operation with your DAW. By adding the electribe sampler's performance to your laptop-based stage setup, you can take advantage of even greater performance possibilities. In addition to sampling via the audio in jack, you can use it during your performances, for example by applying filter and effects to an external audio input source in real time, or using the step sequencer to turn the output on/off. In the past, machine-centric live setups required numerous synthesizers, samplers, and sequencers. Today, the electribe sampler can function in a variety of roles, either as the master device at the center of such a setup, or as a slave device that adds sparkle to the performance. Experiment with connecting different instruments to create your very own live setup. Inter-operation with Ableton Live for a new production workflow Using your software, you can take the numerous beats that you've come up with and assemble them into a finished product. KORG has partnered with the German company Ableton to provide a new music production workflow that uses both hardware and software. In addition to the conventional audio export, the electribe sampler has a function for exporting to "Ableton Live" DAW software. When the dedicated project file that's exported is loaded into Ableton Live, an independent audio file for each part is placed in each track of Live, allowing you to edit each phrase using loop, mute, or chop, and then mix the result. After the music you envision has taken shape as a sequence with the rapidity that's possible only with hardware, you can then use your software to edit the material in detail. This is the new workflow with the electribe sampler. Since the electribe sampler comes with a license card that lets you download "Ableton Live Lite" at no charge, you can experience this new workflow right away. All playing gestures on the electribe sampler, including trigger pads and touch pad operations, can be recorded by the event recorder function. The recorded performance is saved in the electribe sampler's own format, and can be played back immediately on the electribe sampler, reproducing the realtime operations of your live performance. ---------------------------- Battery operation is supported. The electribe sampler supports battery operation using six AA batteries. You can take it anywhere for performance, and turn your sudden inspirations into beats. In addition to the owner's manual included with the electribe sampler, we've prepared a parameter guide that explains each function in detail (you'll need to download this). There's also a FAQ page that lists frequently-asked questions and provides answers, so check it out if you run into problems. electribe sampler Specifications Sound SystemType: PCM sound engine + Analog modeling sound engine Maximum Polyphony: 24 voices, The polyphony of the entire pattern varies depending on the Oscillator, Filter, and Insert Fx type, Independent parameters for each voice have been simplified; four voices share the parameters of one conventional voice. Sample: Type (920), Pitch/Glide, Edit Sample Types: Analog (16), Audio In (2), Kick (37), Snare (44), Clap (12), HiHat (37), Cymbal (8), Hits (33), Shots (44), Voice (31), SE (7), FX (30), Tom (10), Percussion (31), Phrase (15), Loop (22), PCM (31), User Sample (499) Filter: Filter (Cutoff), Resonance, EG Int, LPF/HPF/BPF (3) Modulation: Type (72), Depth, Speed Amp/Envelope Generator: Level, Pan, Attack, Decay/Release, Amp EG On/Off Scale Types: 35 Gate Arpeggiator Types: 50 Sampling Frequency: 48 kHz AD/DA Conversion: 24 bit Sampler: User Samples: Up to 499 samples. Memory: Total maximum approximately 270 seconds (calculated as monaural), Regardless of the capacity of the SD card, Including presets. Edits: Start/End Point, Loop Start Point, Tune, Time Slice, Level, Direction, Resampling Effect: Insert Effect: One unit: (can be used on each of the 16 parts). Type (38), Edit, Insert FX On/Off, Master Effect: One unit:Type (32), Touch Pad, Master FX On/Off, Master FX Hold On/Off Sequencer: Number of Steps: 16 steps x 4. Number of Parts: 16 parts(one part consists of a sound, steps, insert effect, modulation sequence, etc). Number of Patterns: 250 patterns (200 Presets / 50 Initial) (one pattern consists of parts, master effect, key, scale setting, etc). Motion Sequences: Up to 24 motion sequences can be stored (for each pattern). Groove Types: 25. Pattern Set:Up to 64 patterns can be stored. Pattern Chain: Up to 250 patterns can be chained. Export: Ableton Live project file format, WAV file format (48 kHz, 16 bit). Event Recording Up to 100 files can be saved. Trigger Pads: Number of Pads:16 pads (Velocity sensitive). Modes: Trigger, Sequencer, Keyboard, Chord, Step Jump, Pattern Set Touch Pad. Modes: Gate Arp, Touch Scale, Master FX Connectors: Audio:L/Mono, R Output (Standard phone jack), Headphones (Stereo mini jack), Audio Input (Stereo mini jack) MIDI: In, Out (Use an included MIDI adapter cable). USB:Type micro B. Sync: In, Out (Stereo mini jack) External Storage Device: SD Card (512 MB -- 2 GB), SDHC Card (Up to 32 GB) Power. Power Supply: AC adapter (DC 9V) or AA battery x 6 (Alkaline battery or Nickel metal hydride battery) Battery Life: Approximately 5 hours (Power Saving: ON, with Nickel metal hydride battery) Chassis: Zinc die cast Dimensions: (W x D x H) 338 x 189 x 45 mm / 13.35” x 7.44” x 1.77” Weight: 1.6 kg / 3.53 lbs Color Variations: Metallic Red (electribe2s-RD), Black (electribe2s) Included Items: AC adapter (DC9V), MIDI adapter cable x 2, Ableton Live 9 lite (License card included) Accessories: Sync Cables: SQ-CABLE-6. Gig Bag: DJ-GB-1 Save

Korg microKEY2 37 Air ...

1.750,-

KORG microKEY2 37 Air USB Controller Keyboard microKEY2 AIR-serien kan kobles trådløst til iPad, iPhone og Mac eller PC via Bluetooth Koble trådløst til iPad, iPhone, Mac eller Windows Du kan enkelt koble trådløst til iPad/iPhone-musikkapper som KORG Gadget, KORG Module og GarageBand, i tillegg til enhver MIDI-kompatibel musikkproduksjonsprogramvare på din Mac eller Windows. Omhyggelig justering av Bluetooth-funksjonene betyr høy stabilitet og lav ventetid, ingen ledninger. Holder en måned mellom batteribytte Med gjennomsnittlig én times bruk per dag tillater batteriene omtrent én måneds drift. Og best av alt, microKEY Air kjører på bare to AA-batterier (ikke inkludert). USB eller ikke USB? MicroKEY Air kan også kobles til via en tradisjonell USB-kabel. Siden microKEY er USB-bussdrevet, trenger du bare en enkelt USB-kabel for å koble den til Mac eller Windows. Det er ikke nødvendig å installere en driver; bare koble den til datamaskinen og begynn å spille. Den andre generasjonen støtter nylig tilkobling til iPad og iPhone. Legg til en Apple Lightning - USB-kameraadapter og én USB-kabel, og oppsettet er fullført, slik at du får tilgang til apper som KORG Gadget, KORG Module og GarageBand. Kompakt og spillbart Natural Touch Mini-tastatur KORGs Natural Touch minikeyboard er nøye designet for å sikre spillbarhet samtidig som det holder seg kompakt, og gjør det enkelt å spille akkorder eller raske fraser. Velg mellom 25, 37, 49 eller 61-tasters konfigurasjoner for å passe din spesifikke spillestil og plass-/reisekrav. Koble til en pedal og nyt full kontrollfunksjonalitet Modellene med 37, 49 og 61 taster har en tilordnbar bryterkontakt for tilkobling av en demperpedal. Modellen med 25 taster har en sustain-knapp som implementerer demperfunksjonen. På alle modeller kan du bruke oktavknappene sammen med nøkkeltransponeringsfunksjonen for å spille hele MIDI-spekteret av noter. Modellene med 37, 49 og 61 tangenter har pitch bend og modulasjonshjul. 25-tasters modellen gir en joystick som også kan kontrollere pitch bend og modulering, samt en arpeggiator funksjon, som gir deg full kontroll til tross for denne modellens plassbesparende dimensjoner, og gir et vell av ytelsesuttrykk. Overdådig utvalg av kraftig musikkprogramvare inkludert gratis MicroKEY kommer med en seriøs samling av kraftige musikkprogramvaretitler, inkludert populære spesialutgaver av KORG Gadget og KORG Module pluss KORG Legacy Collection M1 Le som inkluderer en plug-in-versjon av det klassiske KORG M1-instrumentet. Med microKEY Air trenger du ikke å kjøpe ekstra programvare; du kan begynne å lage musikk med en gang. Komplett programvarepakke for musikkproduksjon Programvare for Mac/Windows KORG Legacy Collection - M1 Le (synthesizer lydmodul) KORG Gadget 2 Le for Mac UVI Digital Synsations (synthesizer lydmodul) AAS Ultra Analog Session (synthesizer-lydmodul) AAS Strum Acoustic Session (lydmodul for akustisk gitar) AAS Lounge Lizard Session (elektrisk pianolydmodul) Propellerhead Reason Limited (DAW musikkproduksjonsprogramvare) Ableton Live rabattkupong (DAW musikkproduksjonsprogramvare) Melodics (Keyboard og fingertrommer leksjon) Skoove (interaktiv pianoleksjon, 3 måneders prøveversjon) iZotope Ozone Elements (Audio Mastering plug-ins programvare) Du kan lære mer om KORG-programvarepakken og laste den ned her: http://www.korg.com/bundle Apper for iPad/iPhone KORG Module Limited (app for piano/keyboard lydmodul) Dedikert redigeringsprogramvare "KORG KONTROL Editor" Ved å bruke den dedikerte KORG KONTROL Editor for Mac/Windows kan du tilpasse tastaturet til dine preferanser, inkludert finjusteringer av hastighetskurven. Spesifikasjoner Tastatur Natural Touch mini-tastatur microKEY Air-25: 25 tangenter microKEY Air-37: 37 tangenter microKEY Air-49: 49 tangenter microKEY Air-61: 61 tangenter Kontrollere microKEY Air-25: Joystick, arpeggiatorknapp, Sustain / TAP-knapp, Octave Shift-knapper microKEY Air-37/49/61: Pitch bend-hjul, modulasjonshjul, Octave Shift-knapper Oktavskifte microKEY Air-25/37: -4 – +4 microKEY Air-49/61: -3 – +3 Tilkoblinger microKEY Air-25: USB Type B (x1) microKEY Air-37/49/61: Tilordnbar bryterkontakt, USB Type B (x1) Trådløs type: Bluetooth Low Energy (kompatibel med Apple Bluetooth Low Energy MIDI-spesifikasjoner) Strømforsyning: To AA-batterier (ikke inkludert) - (når tilkoblet trådløst; bruk alkaliske eller nikkel-metallhydridbatterier) USB-bussstrøm (når tilkoblet via USB) Strømforbruk Mindre enn 100mA Batteritid Omtrent 30 timer (bruk alkaliske batterier) Dimensjoner (B x D x H) microKEY Air-25: 395 x 131 x 52 mm/15,55" x 5,16" x 2,05" microKEY Air-37: 565 x 139 x 54 mm/22,24" x 5,47" x 2,13" microKEY Air-49: 709 x 139 x 54 mm/27,91" x 5,47" x 2,13" microKEY Air-61: 850 x 139 x 54 mm/33,46" x 5,47" x 2,13" Vekt (uten batterier) microKEY Air-25: 670 g / 1,48 lbs. microKEY Air-37: 1,0 kg / 2,21 lbs. microKEY Air-49: 1,4 kg / 2,21 lbs. microKEY Air-61: 1,71 kg / 3,77 lbs. Inkludert: USB-kabel, KORG-programvarepakkekode Driftskrav (trådløs tilkobling): Windows: Windows som støtter Bluetooth 4.0 eller nyere, og har Windows 8.1 eller nyere (32-bit / 64-bit) [KORG BLE-MIDI-driver kreves] Mac: Mac som støtter Bluetooth 4.0 eller nyere, og har OS X10.10 Yosemite eller nyere installert iOS: iPad/iPhone som støtter Bluetooth 4.0 og har iOS8 eller nyere installert Driftskrav (USB-tilkobling): Windows: Microsoft Windows 7 SP1 eller nyere (32-bit / 64-bit) Mac: MacOS 10.8 Mountain Lion eller nyere iOS: iOS8 eller nyere * Korg garanterer ikke at enheten vil fungere med alle datamaskiner som oppfyller disse kravene. * Alle produkt-, firma- og standardnavn er varemerker eller registrerte varemerker for sine respektive eiere. * Utseende og spesifikasjoner til produktene kan endres uten varsel.

Korg microKEY2 49 Air USB ...

2.125,-

KORG microKEY2 49 Air USB Controller Keyboard microKEY2 AIR-serien kan kobles trådløst til iPad, iPhone og Mac eller PC via Bluetooth Koble trådløst til iPad, iPhone, Mac eller Windows Du kan enkelt koble trådløst til iPad/iPhone-musikkapper som KORG Gadget, KORG Module og GarageBand, i tillegg til enhver MIDI-kompatibel musikkproduksjonsprogramvare på din Mac eller Windows. Omhyggelig justering av Bluetooth-funksjonene betyr høy stabilitet og lav ventetid, ingen ledninger. Holder en måned mellom batteribytte Med gjennomsnittlig én times bruk per dag tillater batteriene omtrent én måneds drift. Og best av alt, microKEY Air kjører på bare to AA-batterier (ikke inkludert). USB eller ikke USB? MicroKEY Air kan også kobles til via en tradisjonell USB-kabel. Siden microKEY er USB-bussdrevet, trenger du bare en enkelt USB-kabel for å koble den til Mac eller Windows. Det er ikke nødvendig å installere en driver; bare koble den til datamaskinen og begynn å spille. Den andre generasjonen støtter nylig tilkobling til iPad og iPhone. Legg til en Apple Lightning - USB-kameraadapter og én USB-kabel, og oppsettet er fullført, slik at du får tilgang til apper som KORG Gadget, KORG Module og GarageBand. Kompakt og spillbart Natural Touch Mini-tastatur KORGs Natural Touch minikeyboard er nøye designet for å sikre spillbarhet samtidig som det holder seg kompakt, og gjør det enkelt å spille akkorder eller raske fraser. Velg mellom 25, 37, 49 eller 61-tasters konfigurasjoner for å passe din spesifikke spillestil og plass-/reisekrav. Koble til en pedal og nyt full kontrollfunksjonalitet Modellene med 37, 49 og 61 taster har en tilordnbar bryterkontakt for tilkobling av en demperpedal. Modellen med 25 taster har en sustain-knapp som implementerer demperfunksjonen. På alle modeller kan du bruke oktavknappene sammen med nøkkeltransponeringsfunksjonen for å spille hele MIDI-spekteret av noter. Modellene med 37, 49 og 61 tangenter har pitch bend og modulasjonshjul. 25-tasters modellen gir en joystick som også kan kontrollere pitch bend og modulering, samt en arpeggiator funksjon, som gir deg full kontroll til tross for denne modellens plassbesparende dimensjoner, og gir et vell av ytelsesuttrykk. Overdådig utvalg av kraftig musikkprogramvare inkludert gratis MicroKEY kommer med en seriøs samling av kraftige musikkprogramvaretitler, inkludert populære spesialutgaver av KORG Gadget og KORG Module pluss KORG Legacy Collection M1 Le som inkluderer en plug-in-versjon av det klassiske KORG M1-instrumentet. Med microKEY Air trenger du ikke å kjøpe ekstra programvare; du kan begynne å lage musikk med en gang. Komplett programvarepakke for musikkproduksjon Programvare for Mac/Windows KORG Legacy Collection - M1 Le (synthesizer lydmodul) KORG Gadget 2 Le for Mac UVI Digital Synsations (synthesizer lydmodul) AAS Ultra Analog Session (synthesizer-lydmodul) AAS Strum Acoustic Session (lydmodul for akustisk gitar) AAS Lounge Lizard Session (elektrisk pianolydmodul) Propellerhead Reason Limited (DAW musikkproduksjonsprogramvare) Ableton Live rabattkupong (DAW musikkproduksjonsprogramvare) Melodics (Keyboard og fingertrommer leksjon) Skoove (interaktiv pianoleksjon, 3 måneders prøveversjon) iZotope Ozone Elements (Audio Mastering plug-ins programvare) Du kan lære mer om KORG-programvarepakken og laste den ned her: http://www.korg.com/bundle Apper for iPad/iPhone KORG Module Limited (app for piano/keyboard lydmodul) Dedikert redigeringsprogramvare "KORG KONTROL Editor" Ved å bruke den dedikerte KORG KONTROL Editor for Mac/Windows kan du tilpasse tastaturet til dine preferanser, inkludert finjusteringer av hastighetskurven. Spesifikasjoner Tastatur Natural Touch mini-tastatur microKEY Air-25: 25 tangenter microKEY Air-37: 37 tangenter microKEY Air-49: 49 tangenter microKEY Air-61: 61 tangenter Kontrollere microKEY Air-25: Joystick, arpeggiatorknapp, Sustain / TAP-knapp, Octave Shift-knapper microKEY Air-37/49/61: Pitch bend-hjul, modulasjonshjul, Octave Shift-knapper Oktavskifte microKEY Air-25/37: -4 – +4 microKEY Air-49/61: -3 – +3 Tilkoblinger microKEY Air-25: USB Type B (x1) microKEY Air-37/49/61: Tilordnbar bryterkontakt, USB Type B (x1) Trådløs type: Bluetooth Low Energy (kompatibel med Apple Bluetooth Low Energy MIDI-spesifikasjoner) Strømforsyning: To AA-batterier (ikke inkludert) - (når tilkoblet trådløst; bruk alkaliske eller nikkel-metallhydridbatterier) USB-bussstrøm (når tilkoblet via USB) Strømforbruk Mindre enn 100mA Batteritid Omtrent 30 timer (bruk alkaliske batterier) Dimensjoner (B x D x H) microKEY Air-25: 395 x 131 x 52 mm/15,55" x 5,16" x 2,05" microKEY Air-37: 565 x 139 x 54 mm/22,24" x 5,47" x 2,13" microKEY Air-49: 709 x 139 x 54 mm/27,91" x 5,47" x 2,13" microKEY Air-61: 850 x 139 x 54 mm/33,46" x 5,47" x 2,13" Vekt (uten batterier) microKEY Air-25: 670 g / 1,48 lbs. microKEY Air-37: 1,0 kg / 2,21 lbs. microKEY Air-49: 1,4 kg / 2,21 lbs. microKEY Air-61: 1,71 kg / 3,77 lbs. Inkludert: USB-kabel, KORG-programvarepakkekode Driftskrav (trådløs tilkobling): Windows: Windows som støtter Bluetooth 4.0 eller nyere, og har Windows 8.1 eller nyere (32-bit / 64-bit) [KORG BLE-MIDI-driver kreves] Mac: Mac som støtter Bluetooth 4.0 eller nyere, og har OS X10.10 Yosemite eller nyere installert iOS: iPad/iPhone som støtter Bluetooth 4.0 og har iOS8 eller nyere installert Driftskrav (USB-tilkobling): Windows: Microsoft Windows 7 SP1 eller nyere (32-bit / 64-bit) Mac: MacOS 10.8 Mountain Lion eller nyere iOS: iOS8 eller nyere * Korg garanterer ikke at enheten vil fungere med alle datamaskiner som oppfyller disse kravene. * Alle produkt-, firma- og standardnavn er varemerker eller registrerte varemerker for sine respektive eiere. * Utseende og spesifikasjoner til produktene kan endres uten varsel.

Korg microKEY2 61 Air USB ...

2.375,-

KORG microKEY2 61 Air USB Controller Keyboard microKEY2 AIR-serien kan kobles trådløst til iPad, iPhone og Mac eller PC via Bluetooth Koble trådløst til iPad, iPhone, Mac eller Windows Du kan enkelt koble trådløst til iPad/iPhone-musikkapper som KORG Gadget, KORG Module og GarageBand, i tillegg til enhver MIDI-kompatibel musikkproduksjonsprogramvare på din Mac eller Windows. Omhyggelig justering av Bluetooth-funksjonene betyr høy stabilitet og lav ventetid, ingen ledninger. Holder en måned mellom batteribytte Med gjennomsnittlig én times bruk per dag tillater batteriene omtrent én måneds drift. Og best av alt, microKEY Air kjører på bare to AA-batterier (ikke inkludert). USB eller ikke USB? MicroKEY Air kan også kobles til via en tradisjonell USB-kabel. Siden microKEY er USB-bussdrevet, trenger du bare en enkelt USB-kabel for å koble den til Mac eller Windows. Det er ikke nødvendig å installere en driver; bare koble den til datamaskinen og begynn å spille. Den andre generasjonen støtter nylig tilkobling til iPad og iPhone. Legg til en Apple Lightning - USB-kameraadapter og én USB-kabel, og oppsettet er fullført, slik at du får tilgang til apper som KORG Gadget, KORG Module og GarageBand. Kompakt og spillbart Natural Touch Mini-tastatur KORGs Natural Touch minikeyboard er nøye designet for å sikre spillbarhet samtidig som det holder seg kompakt, og gjør det enkelt å spille akkorder eller raske fraser. Velg mellom 25, 37, 49 eller 61-tasters konfigurasjoner for å passe din spesifikke spillestil og plass-/reisekrav. Koble til en pedal og nyt full kontrollfunksjonalitet Modellene med 37, 49 og 61 taster har en tilordnbar bryterkontakt for tilkobling av en demperpedal. Modellen med 25 taster har en sustain-knapp som implementerer demperfunksjonen. På alle modeller kan du bruke oktavknappene sammen med nøkkeltransponeringsfunksjonen for å spille hele MIDI-spekteret av noter. Modellene med 37, 49 og 61 tangenter har pitch bend og modulasjonshjul. 25-tasters modellen gir en joystick som også kan kontrollere pitch bend og modulering, samt en arpeggiator funksjon, som gir deg full kontroll til tross for denne modellens plassbesparende dimensjoner, og gir et vell av ytelsesuttrykk. Overdådig utvalg av kraftig musikkprogramvare inkludert gratis MicroKEY kommer med en seriøs samling av kraftige musikkprogramvaretitler, inkludert populære spesialutgaver av KORG Gadget og KORG Module pluss KORG Legacy Collection M1 Le som inkluderer en plug-in-versjon av det klassiske KORG M1-instrumentet. Med microKEY Air trenger du ikke å kjøpe ekstra programvare; du kan begynne å lage musikk med en gang. Komplett programvarepakke for musikkproduksjon Programvare for Mac/Windows KORG Legacy Collection - M1 Le (synthesizer lydmodul) KORG Gadget 2 Le for Mac UVI Digital Synsations (synthesizer lydmodul) AAS Ultra Analog Session (synthesizer-lydmodul) AAS Strum Acoustic Session (lydmodul for akustisk gitar) AAS Lounge Lizard Session (elektrisk pianolydmodul) Propellerhead Reason Limited (DAW musikkproduksjonsprogramvare) Ableton Live rabattkupong (DAW musikkproduksjonsprogramvare) Melodics (Keyboard og fingertrommer leksjon) Skoove (interaktiv pianoleksjon, 3 måneders prøveversjon) iZotope Ozone Elements (Audio Mastering plug-ins programvare) Du kan lære mer om KORG-programvarepakken og laste den ned her: http://www.korg.com/bundle Apper for iPad/iPhone KORG Module Limited (app for piano/keyboard lydmodul) Dedikert redigeringsprogramvare "KORG KONTROL Editor" Ved å bruke den dedikerte KORG KONTROL Editor for Mac/Windows kan du tilpasse tastaturet til dine preferanser, inkludert finjusteringer av hastighetskurven. Spesifikasjoner Tastatur Natural Touch mini-tastatur microKEY Air-25: 25 tangenter microKEY Air-37: 37 tangenter microKEY Air-49: 49 tangenter microKEY Air-61: 61 tangenter Kontrollere microKEY Air-25: Joystick, arpeggiatorknapp, Sustain / TAP-knapp, Octave Shift-knapper microKEY Air-37/49/61: Pitch bend-hjul, modulasjonshjul, Octave Shift-knapper Oktavskifte microKEY Air-25/37: -4 – +4 microKEY Air-49/61: -3 – +3 Tilkoblinger microKEY Air-25: USB Type B (x1) microKEY Air-37/49/61: Tilordnbar bryterkontakt, USB Type B (x1) Trådløs type: Bluetooth Low Energy (kompatibel med Apple Bluetooth Low Energy MIDI-spesifikasjoner) Strømforsyning: To AA-batterier (ikke inkludert) - (når tilkoblet trådløst; bruk alkaliske eller nikkel-metallhydridbatterier) USB-bussstrøm (når tilkoblet via USB) Strømforbruk Mindre enn 100mA Batteritid Omtrent 30 timer (bruk alkaliske batterier) Dimensjoner (B x D x H) microKEY Air-25: 395 x 131 x 52 mm/15,55" x 5,16" x 2,05" microKEY Air-37: 565 x 139 x 54 mm/22,24" x 5,47" x 2,13" microKEY Air-49: 709 x 139 x 54 mm/27,91" x 5,47" x 2,13" microKEY Air-61: 850 x 139 x 54 mm/33,46" x 5,47" x 2,13" Vekt (uten batterier) microKEY Air-25: 670 g / 1,48 lbs. microKEY Air-37: 1,0 kg / 2,21 lbs. microKEY Air-49: 1,4 kg / 2,21 lbs. microKEY Air-61: 1,71 kg / 3,77 lbs. Inkludert: USB-kabel, KORG-programvarepakkekode Driftskrav (trådløs tilkobling): Windows: Windows som støtter Bluetooth 4.0 eller nyere, og har Windows 8.1 eller nyere (32-bit / 64-bit) [KORG BLE-MIDI-driver kreves] Mac: Mac som støtter Bluetooth 4.0 eller nyere, og har OS X10.10 Yosemite eller nyere installert iOS: iPad/iPhone som støtter Bluetooth 4.0 og har iOS8 eller nyere installert Driftskrav (USB-tilkobling): Windows: Microsoft Windows 7 SP1 eller nyere (32-bit / 64-bit) Mac: MacOS 10.8 Mountain Lion eller nyere iOS: iOS8 eller nyere * Korg garanterer ikke at enheten vil fungere med alle datamaskiner som oppfyller disse kravene. * Alle produkt-, firma- og standardnavn er varemerker eller registrerte varemerker for sine respektive eiere. * Utseende og spesifikasjoner til produktene kan endres uten varsel.

KORG MW-1608 Hybrid ...

15.595,-

KORG MW-1608 Hybrid Analog/Digital Mixer A very easy to use Hybrid Analog and Digital professional mixer Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mini-consoles that make creative mixing easy. Both the 24- and 16-channel models give you analog’s instant control over those inevitable live mixing emergencies, stunning sound quality, and more musician friendly features than the competition — paired with the power of high-quality digital where it counts. Additional info at: https://www.korgsoundlink.com/ Designed in conjunction with mixer design legends Greg Mackie and Peter Watts. SoundLink mixers just look like conventional 16 and 24-channel mixers. Use a SoundLink and you discover all the typical Greg Mackie features and ideas that make you think "why don't other mixes have that?”; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years. Let’s just say, he’s picked up a few ideas over that time. Many of which are incorporated into SoundLink. New HiVolt microphone preamps actually deliver on the usual “low noise, high headroom” mixer claim. When you listen to the “White Album,” Rhianna’s “Rated R” and “Loud”, “Goodbye Yellow Brick Road” and literally hundreds of other familiar albums, you’re listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical. You can tell SoundLink was designed by practical musicians. It’s is the only small mixer that has Mute Groups. They let you instantly call up different combinations of channels for various groups on stage, different songs, sound checks, a solo acoustic number, a drum solo or different parts of a church service (choir, praise band, pastor. You get four Group options, each easily programmable and recallable. Have it their way. Some musicians want to hear more of their own instrument or voice in their in-ear or floor monitor, a process that is complicated to change on other mixers. SoundLink’s Musician’s Phone feature provides one-knob boost of the complete left/right mix into the musician’s individual track. Instead of having to change main mix settings or take up a bus, you have dedicated knobs for two Musician’s “more me” monitor mixes. A SoundLink exclusive! Not just effects. KORG effects . Instead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg’s multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate “WARM” version – a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that’s another SoundLink exclusive in a mixer in this price range. Rack-mount studio-grade DSP you can reach easily. Digital processing and effects are frustrating if they’re buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink’s Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, our super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can’t handle. Feature-List True hybrid design developed with mixer design legends Greg Mackie and Peter Watts24 x 8 x 2 or 16 x 8 x 2 models feature practical design structure and ingenious features that make mixing unpredictable live performances easy even for novices Peter Watts-designed HiVolt mic preamps, with the most headroom of any comparably-priced analog or digital mixer Unique Musician’s Phones Monitor Section for fast, one-knob boost of a musician’s mix without having to change Aux or Main mix Only mixer in its class with Mute Groups to create various input combinations of musicians or parts of a church service True 8-bus configuration makes SoundLink perfect for recording as well as live mixing musicians, different parts of a church service, or cues during a theater production Peter Watts’ refined, studio-grade, one-knob Compressor on all mic channels Super-useful touches such as best-in-class Feedback control system, all-XLR speaker outputs, 31-band Spectrum Analyzer, and enhanced Break system 20 of Korg’s renowned 32-bit digital effects — 10 at once with recallable parameters Premium components including Velvet Sound™ A/D & D/A converters and silky-smooth, long-life ALPS® faders and rotary controls

KORG MW-2408 Hybrid ...

17.995,-

KORG MW-2408 Hybrid Analog/Digital Mixer A very easy to use Hybrid Analog and Digital professional mixer Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mini-consoles that make creative mixing easy. Both the 24- and 16-channel models give you analog’s instant control over those inevitable live mixing emergencies, stunning sound quality, and more musician friendly features than the competition — paired with the power of high-quality digital where it counts. See downloads for Specifications Designed in conjunction with mixer design legends Greg Mackie and Peter Watts. SoundLink mixers just look like conventional 16 and 24-channel mixers. Use a SoundLink and you discover all the typical Greg Mackie features and ideas that make you think "why don't other mixes have that?”; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years. Let’s just say, he’s picked up a few ideas over that time. Many of which are incorporated into SoundLink. New HiVolt microphone preamps actually deliver on the usual “low noise, high headroom” mixer claim. When you listen to the “White Album,” Rhianna’s “Rated R” and “Loud”, “Goodbye Yellow Brick Road” and literally hundreds of other familiar albums, you’re listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical. You can tell SoundLink was designed by practical musicians. It’s is the only small mixer that has Mute Groups. They let you instantly call up different combinations of channels for various groups on stage, different songs, sound checks, a solo acoustic number, a drum solo or different parts of a church service (choir, praise band, pastor. You get four Group options, each easily programmable and recallable. Have it their way. Some musicians want to hear more of their own instrument or voice in their in-ear or floor monitor, a process that is complicated to change on other mixers. SoundLink’s Musician’s Phone feature provides one-knob boost of the complete left/right mix into the musician’s individual track. Instead of having to change main mix settings or take up a bus, you have dedicated knobs for two Musician’s “more me” monitor mixes. A SoundLink exclusive! Not just effects. KORG effects . Instead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg’s multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate “WARM” version – a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that’s another SoundLink exclusive in a mixer in this price range. Rack-mount studio-grade DSP you can reach easily. Digital processing and effects are frustrating if they’re buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink’s Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, our super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can’t handle. 10-Feature-List True hybrid design developed with mixer design legends Greg Mackie and Peter Watts24 x 8 x 2 or 16 x 8 x 2 models feature practical design structure and ingenious features that make mixing unpredictable live performances easy even for novices Peter Watts-designed HiVolt mic preamps, with the most headroom of any comparably-priced analog or digital mixer Unique Musician’s Phones Monitor Section for fast, one-knob boost of a musician’s mix without having to change Aux or Main mix Only mixer in its class with Mute Groups to create various input combinations of musicians or parts of a church service True 8-bus configuration makes SoundLink perfect for recording as well as live mixing musicians, different parts of a church service, or cues during a theater production Peter Watts’ refined, studio-grade, one-knob Compressor on all mic channels Super-useful touches such as best-in-class Feedback control system, all-XLR speaker outputs, 31-band Spectrum Analyzer, and enhanced Break system 20 of Korg’s renowned 32-bit digital effects — 10 at once with recallable parameters Premium components including Velvet Sound™ A/D & D/A converters and silky-smooth, long-life ALPS® faders and rotary controls

Korg nanoKEY2-BK USB Keyboard ...

765,-

nanoKEY2 Slim-Line USB Keyboard Product Highlights: Low-profile, 25-key USB-MIDI keyboard, ideal for use with laptop and netbook computers Advanced-design keybed offers improved accuracy and velocity-sensitive keys. Sustain button – ideal for entering piano parts! Accurate, responsive, and great-feeling keybed The nanoKEY2 features an advanced and up-to-date design. By combining the great-feeling “touch” that Korg has developed for its professional MIDI keyboards and the low-profile “thinness” of recent computer keyboard innovations, the nanoKEY2 provides a superior keyboard response for its class and size. It's designed with ample key width and plenty of space between the keys, reducing the chances of a wrong note. The touch and velocity response have been carefully tuned, as only a manufacturer with Korg's track record and know-how can, ensuring that your expressive performance will be conveyed accurately to your software. Control buttons provide simple yet versatile control The Octave Shift buttons – borrowed from Korg's MIDI controllers – allow the overall pitch to be shifted four levels, either UP or DOWN, in octave increments. When used in conjunction with the Key Transpose feature, the nanoKEY2 can access the entire range of the notes in the MIDI spectrum. For enhanced performances, the nanoKEY2 also provides Pitch Bend buttons, a Modulation button, and a Sustain button; one that's indispensible for piano or electric piano performance. For each of these buttons, the on/off switching speed can be specified over four levels (using Korg Kontrol Editor), ensuring smooth changes that are appropriate for your performance. Korg Kontrol Editor software The nanoKEY2 works with the "Korg Kontrol Editor" software – available free on the Korg website. Load it into your computer, and use it to make detailed customized settings. Choose from a total of four velocity settings: three velocity curves or fixed velocity; specify the control change messages transmitted by the modulation button and the sustain button. USB power for an uncluttered setup Just connect a single USB cable from your computer to the nanoKEY2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace. nanoKEY2 specifications Controllers: Keyboard: 25-key with velocity and 4 velocity curves Pitch up/down buttons Octave Shift up/down buttons with -4 to +4 octave range Modulation button Sustain button Corresponding Software: Host applications corresponding to MIDI input Connections: mini-USB Power: USB bus power Power Consumption: USB bus power: less than 100 mA Dimensions: Size (W x D x H): 325 x 83 x 16 mm/ 12.80 x 3.27 x 0.65 inches Weight: 244 g/ 0.54 lbs. Accessories: USB cable

Korg nanoKONTROL2-BK USB ...

840,-

Korg nanoKONTROL2-BK USB Surface Controller Midi Controllers Slim-Line USB Control Surface Datamaskiner og software har lenge hatt en framtredende rolle innen musikkproduksjon. For å skape den musikken du ønsker vil du ha behov for tangentbord og funksjoner for å kontrollere software. Korg har løsninger for de fleste behov, uansett om du er stasjonær eller lager musikk "on the go". nanoKONTROL2 Slim-Line USB Control Surface Low-profile, multi-function control surface New track select and marker advance parameters Supports numerous software titles including major DAW programs Convenient, compact control surface, with easy setup for immediate use In a body proportioned to fit perfectly in front of your laptop computer, the nanoKONTROL2 provides eight channels of the controllers you need to control your music software. The nanoKONTROL2 also features a dedicated transport control section. The buttons have been carefully selected to be useful with your software, ensuring simple and intuitive control. Many software titles – including major DAW programs – are supported, dramatically reducing the need to make complicated connection settings. Complete control for your DAW or software synthesizer A knob, fader, and three switches are provided for each of the eight channels, respectively assigned to pan, volume, and solo/mute/record. This arrangement is a real convenience when recording automation for multiple channels. There's also a marker button, making it easy to assign marks at important points in your song for more efficient recording and song production. When using a software synthesizer, you can assign parameters to the desired controllers for easy control. For example you could use the faders to control the ADSR of an envelope generator, and use the knobs to control the filter's cutoff frequency and resonance, etc. Korg Kontrol Editor software The nanoKONTROL2 works with the "Korg Kontrol Editor" software – available free on the Korg website. Load it into your computer, and use it to make detailed customized settings. For example, the minimum and maximum values for each control change message can be specified. USB power for an uncluttered setup Just connect a single USB cable from your computer to the nanoKONTROL2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace. nanoKONTROL2 specifications Controllers: 8 knobs 8 sliders 24 buttons Transport buttons: REW/FF/STOP/PLAY/REC CYCLE button MARKER button TRACK button Corresponding Software: Avid Pro Tools/Apple Logic, GarageBand/MOTU Digital Performer/Steinberg Cubase/Ableton Live/Cakewalk SONAR Software that can be controlled by control change message Connections: mini-USB Power: USB bus power Power Consumption: USB bus power: less than 100 mA Dimensions: Size (W x D x H): 325 x 83 x 30 mm/ 12.80 x 3.27 x 1.18 inches Weight: 293 g/ 0.65 lbs. Accessories: USB cable

-16%

Korg nanoPAD2-BK USB Pad ...

645,-

765,-

Tilbud gjelder kun 1 stk. på lager. Korg nanoPAD2 Slim-Line USB Pad Controller Low-profile pad controller – excellent for playing or entering drum data Sixteen solid, responsive, and velocity-sensitive trigger pads Control multiple MIDI parameters via the X-Y Touchpad Sixteen pads in a compact body Like all nanoSERIES2 controllers, the nanoPAD2 had to be compact, lightweight and sized to work well with any laptop or desktop computer. In addition, the nanoPAD2 also had to pack in 16 great-feeling and dynamic-sensing pads – as well as leaving room for the X-Y touchpad! The Korg nanoPAD2 does all this and more. In fact, there are four banks of pad assignments, providing a total of 64 pads setups. Dynamic trigger pads capture all your performance nuances The sixteen velocity-sensitive pads provide excellent response to your fingertips, and also realistically convey the playing feel to your sequencer or DAW software, ensuring that your drum parts will be full of life. By switching between the four scenes, you can experience 64 different pad assignments. Create musical phrases using the X-Y touchpad, Touch Scale, and Gate Arp features The X-Y pad can be used to control multiple synthesizer parameters. In addition, the new "Touch Scale” function lets you intuitively play phrases on the X-Y touchpad, just as on the Kaossilator. You can choose from sixteen different scales, and specify the root key and note range to ensure that your performance stays within your song. The "Gate Arp” function, borrowed from the Kaossilator Pro, transmits note data based on tempo; Tap tempo and tempo sync are supported. Combined with the Touch Scale, the Gate Arp allows you to play tempo-synchronized phrases and rhythms simply by stroking the X-Y pad or playing the pads. Korg Kontrol Editor software The nanoPAD2 works with the "Korg Kontrol Editor" software – available free on the Korg website. Load it into your computer, and use it to make detailed customized settings. Choose from a total of four velocity settings: three velocity curves or fixed velocity. You can also specify note numbers, create user scales for the Touch Scale function, assign chords, assign control change messages, and save your settings. USB power for an uncluttered setup Just connect a single USB cable from your computer to the nanoPAD2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace. nanoPAD2 specifications Controllers: 16 trigger pads with velocity and 4 velocity curves X-Y pad HOLD button GATE ARP button TOUCH SCALE button KEY/RANGE button SCALE/ARP button SCENE button Memory: 4 user scene memories Corresponding Software: Host applications corresponding to MIDI input Connections: mini-USB Power: USB bus power Power Consumption: USB bus power: less than 100 mA Dimensions: Size (W x D x H): 325 x 83 x 16 mm/ 12.80 x 3.27 x 0.63 inches Weight: 285 g/ 0.63 lbs. Accessories: USB cable

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