Lyd

Hovedbilde Focusrite Scarlett Octopre ...

10.490,-

Focusrite Scarlett OctoPre Dynamic er en aldri så liten multikunstner. Her får du 8 kanaler mikrofonforsterkere, med kompressorer på hver kanal. Disse kanalene sendes til både de analoge og optiske (ADAT) utgangene, så sant du ikke har trykket på ADAT --> Line-knappen. Da vil nemlig ADAT-inngangene sendes til de analoge utgangene. Focusrite Scarlett OctoPre Dynamic kan derfor også fungere som en 8-kanals DA-converter! Supported Sample Rates 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz Microphone Inputs Frequency Response 20Hz - 20kHz +0.5/-1.5dB Dynamic Range 107 dB (A-Weighted) THD+N Noise EIN -127 dBu Maximum input level +13 dBu Gain Range 50 dB Input Impedance 3 kΩ Line Inputs Frequency Response 20Hz - 20kHz +0.5/-1.5dB Dynamic Range 107 dB (A-Weighted) THD+N Maximum input level +21 dBu Gain Range 50 dB Input Impedance 64 kΩ Instrument Inputs Frequency Response 20Hz - 20kHz +0.5/-1.5dB Dynamic Range 107 dB (A-Weighted) THD+N Maximum input level +13 dBu Gain Range 50 dB Input Impedance 1 MΩ Line & Monitor Outputs Dynamic Range (Line Outputs) 109 dB (A-Weighted) Maximum Output Level (0 dBFS) +16 dBu THD+N Ouput Impedance 136 Ω (Balanced)

Focusrite Scarlett Solo Gen4 ...

1.980,-

Fjerde generasjons Scarlett er bedre enn noensinne! Den nye, fjernstyrbare preampen gir deg hele 69 dB gain – nok til å drive de alle fleste mikrofoner på markedet. Converterne er hentet fra Focusrites RedNet-serie, med et dynamikkområde på hele 120 dB. Den analoge AIR-kretsen, som gir opptaket ditt presence og luft, har nå også fått «Harmonic Drive», for subtile harmoniske overtoner. Og de nye funksjonene Auto Gain og Clip Safe hjelpe deg å sette et perfekt nivå, og sørger for at opptaket ditt aldri vil klippe. Scarlett Solo er det minste lydkortet i familien, med én mikrofoninngang og én instrumentinngang. De to utgangene er på balansert jack og tilkobling til PC eller mac skjer via USB-C. En enkel «Easy Start» veiviser guider deg gjennom installasjonen, og skulle du noensinne få problemer, vil Focusrites prisvinnende 24/7/365 support hjelpe deg. Alle Scarlett lydkort har også tre års garanti. Når du registrerer din Scarlett på www.focusrite.com, får du tilgang til en omfattende programvarepakke ved navn Focusrite Hitmaker Expansion. Denne inkluderer kjente plug-ins og soft-instrumenter som Antares Auto-Tune Access, Relab LX480 Essentials, Marshall Silver Jubilee 2555, XLN Addictive Drums 2: Studio Rock Kit og Ableton Live Lite. Komplett liste finner du her: https://focusrite.com/en/hitmaker-expansion

Genelec 8010AWM Aktiv Monitor ...

4.295,-

Ny minstemann i den velkjente 8000-serien. Genelec har produsert høyttalere for det profesjonelle markedet siden 1978 og er anerkjent for lage solide og høykvalitetsprodukter med en lydgjengivelse du lett kan like. Nye 8010 er minstemann i den velkjente 8000-serien og er bygget i samme solide aluminium som sine større brødre, og gir med sin 3" woofer hele 96dB SPL ved 1m avstand. 8010 er bygget på samme lest som velkjente 6010, men har fått nye Klasse-D forsterkere på 25W til hvert element og XLR tilkobling. 8010 har også fått Genelec's nye strømsparingsfunksjonalitet, dvs det sitter en sensor på inngangen som setter høyttaleren i dvale hvis det ikke er lydsignal inn etter 1 time har gått – høyttaleren bruker da kun 0,5W. Bak på 8010 er det flere velgere for enkelt å sette opp monitorene slik at de vil låte best mulig til ditt bruk, som blant annet følsomhet på inngangsnivå og bassdemping og mulighet for å slå av strømsparing (ISS).

Genelec 8030CPM Aktiv Monitor ...

8.295,-

Genelec 8030 5" kompakt monitor med x2 50W amp i solid mørk grå alu utførelse. Maks SPL på 104dB. When your project requires a powerful performance with no sacrifice in quality, the Genelec 8030C active studio monitor is designed to exceed your expectations. The 8030C, introduced in 2017, even delivers 4 dB higher SPL and has a lower energy consumption than earlier models of 8030. As strikingly stylish as it is sonically impressive, the 8030C features the rounded edges and colour-free, accurate reproduction of the rigid all-aluminium Minimum Diffraction Enclosure (MDE™). Every element of the design is crafted to perfect your listening experience. Precise on- and off-axis frequency reproduction is courtesy of the Directivity Control Waveguide (DCW™). Broad low-frequencies and high SPLs are delivered with a flow-optimised internal curved reflex tube and a maximised internal volume. And when you’re finished, Genelec Intelligent Signal Sensing (ISS™) circuitry detects when your system is no longer in use, placing it into an environmentally friendly, power-saving standby mode. From professional studios to outside broadcast vehicles, the 8030C has been crafted to combine extraordinary power with absolute precision. Technical specifications 104 dB 47 Hz – 25 kHz (-6 dB) ± 2.0 dB (54 Hz - 20 kHz) Woofer 5 in + Tweeter 3/4 in metal dome + DCW™ Woofer 50 W + Tweeter 50 W (both Class D) H 299 x W 189 x D 178 mm, with Iso-Pod™ 5.0 kg 1 x XLR analog input

Harrison 500-series 32C ...

6.560,-

Harrison 500-series 32C Preamp The 32Cpre+ takes the high-performance, transformer-coupled microphone preamp from the 32Classic studio console, combines it with the renowned Harrison LP/HP filters, and delivers it in 500 Series format. Inspired by the iconic Harrison 3232, the 32Classic mixing console and preamp is an American icon reimagined, delivering the tone that helped create some of the most iconic albums of the 70s’ and 80s’. Thanks to the 32Cpre+, that Harrison sound is now available in 500 series format. Legacy in analog Harrison consoles have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison production tools to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time. The Harrison tone The 32Cpre+ delivers the warm, rich tone that Harrison is renowned for. Full low-end, open mid-range, and super-smooth, natural highs are what to expect from this Jensen JT-MB-CPCA transformer-coupled mic-pre. The gentle roll-off at each end of the frequency spectrum and delicate phase shift created by the 1:1 ratio transformer produces a mic pre that sounds so sweet you’ll use it on any source material. Tools for tracking The 32Cpre+ delivers +20 to +70 dB of smooth gain capable of driving a wide range of mic types, including ribbon. In addition to 180 ° Phase, 48V, -20 pad, and HiZ impedance switches, the front panel features combo XLR with ¼" jack connector that lets you plug a microphone or instrument into the 32Cpre+ directly without having to access the rear panel of the 500 Series rack. Legendary Harrison filters A Harrison mic pre wouldn’t be complete without our legendary filters. As found in the original 3232 and latest 32Classic console, the filters have a musical 12dB/octave slope, with the High Pass Filter featuring a characterful 3 dB resonant peak. The High Pass Filter range is 25 Hz – 3.1 KHz, and the Low Pass Filter is 160 Hz – 20 KHz. Key features: The sound of Harrison. Jensen JT-MB-CPCA transformer-coupled mic-pre. +20 to +70 dB of gain. Front-mounted combo XLR with ¼" jack connector. 48V phantom power switch. Polarity reverse switch. HiZ impedance switch. Input overload LED. Compatible with 500 Series format chassis.

Harrison 500-series ...

2.730,-

Harrison 500-series Compressor The story behind Harrison and compression In the realm of audio engineering, Dave Harrison, the founder of Harrison Audio, stands out as a pioneer in the development of music production technology. Ironically, Dave Harrison himself was initially skeptical about compressors, a sentiment shared by his friend and legendary music producer and engineer, Bruce Swedien. Both held the belief that music should be captured authentically, without interference. However, the requirement for a compressor arose from the broadcast market's demands, seeking a tool to control dynamics and prevent clipping. To meet this demand, Harrison Audio ventured into the realm of compressors, with the result proving extremely effective. Its transparent 'leveling' capabilities, achieved with just a few dBs of gain reduction, quickly made it indispensable in music production for delicately smoothing signals, particularly on vocals, guitars, and other instruments with wide dynamic range. Over time, this compressor's ability to 'dig in' became apparent, transforming it into a sought-after vibe compressor when higher levels of gain reduction were applied. Dave Harrison's initial skepticism gave birth to a tool that not only met the broadcast market’s demands but also became relied on in the world of music production. Thanks to the Comp module, the distinctive Harrison sound is now accessible in the 500 Series format. Legacy in analog Harrison production tools have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time. Comp design The Comp 500 Series module is based on a classic ‘feed-forward’ design, using a THAT 2180 VCA chip for outstanding analog performance. The compressor’s Attack is program-dependent, adapting to the input signal and offering an optimal Attack time depending on the source material. The Release time is continuously variable. These parameters can turn the Comp module from a transparent leveler to a highly saturated, vibe compressor, adding character and excitement to a wide range of sources. Harrison's secret sauce – put it on everything The Comp module is a very flexible dynamics processor. From a transparent ‘leveler’ on guitars and vocals, using a 1:2 ratio and fast release, applying 2-3 dB of gain reduction. To a sizzling vibe compressor on drums and bass, slamming the ratio in combination with a slow release. The Comp 500 Series module is a well-crafted, no-nonsense compressor that is your secret production ‘sauce’ – you’ll put it on everything. Key features: The Harrison sound. Extremely flexible compressor; from transparent ‘leveler’ to ‘character’ comp. Classic feed-froward design. THAT 2180 VCA chip for outstanding analog performance. Program-dependant ‘Attack’ time. Continually variable Release time from ‘Fast’ to ‘Slow’. Input overload LED. Compatible with 500 Series format chassis.

Harrison 500-series MR3 EQ

2.110,-

Harrison 500-series MR3 EQ Originally developed for the Harrison MR3 studio console, the MR3eq stands out as one of Harrison's most popular EQ designs, renowned for its punchy, smooth sound, and powerful sculpting capabilities. Introduced in 1981, the Music Recording 3 (MR3) console rapidly became the preferred tool for numerous leading engineers and studios worldwide, helping to create some of the most iconic albums from the 70s and 80s. Like all Harrison production tools, the MR3 EQ delivers the vibe to inspire artists and the precision for engineers to excel. Thanks to the MR3eq module, the distinctive Harrison sound is now accessible in the 500 series format. Legacy in analog Harrison consoles have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison production tools to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time. MR3eq design The MR3eq is a high-performance analog EQ, crafted from decades of experience in equalizer and filter design. The circuit design of this EQ allows for precision in surgical tasks or the creation of broad musical strokes with lots of band interaction for a rich and colorful sonic character. 3-band parametric with HPF This powerful three-band parametric equalizer features Low and High-frequency 6 dB/octave Shelf bands, which can be switched to a 2nd order Bell response with Harrison’s renowned proportional Q. The Mid-band offers a continuously variable Q, while a separate High Pass Filter section includes a distinctive 3 dB resonant peak. The MR3eq’s flexible design and powerful sculpting capabilities make it a versatile tool that enhances a wide array of source materials, proving equally effective in both tracking and mixdown scenarios.　 Key features: The Harrison sound. Perfect for both precision EQ’ing and broad musical strokes. Three-band parametric EQ with +/- 10 dB boost/cut range. High-frequency (800 Hz –15 kHz) 6 dB/octave Shelf band, switchable to 2nd order bell. Low-frequency (40 Hz – 800 Hz) 6 dB/octave Shelf band, switchable to 2nd order bell. Mid-band (400 Hz – 8 kHz) with continuously variable, proportional Q. Separate High Pass Filter with characterful 2 dB resonant peak. Separate ‘In’ switches for EQ and HPF sections. Input overload LED Compatible with 500 Series format chassis.

Harrison Flex 10 USB/Adat ...

7.230,-

Harrison Flex 10 high-performance 10-in/12-out, 32-bit/192 kHz USB/ADAT audio interface that brings the legendary Harrison analog sound to your desktop. Timeless Harrison Vibe Flex 10 deliver Harrison's renowned analog character in a versatile recording interface built for today's musicians and producers. Whether you're upgrading a basic interface or replacing an ageing recorder, Flex 10 delivers rich analog tone and classic Harrison character. Two premium Harrison microphone preamps feature signature H-DRIVE™ transformer saturation, adding musical warmth and colour at the source. Classic Harrison high-pass and low-pass filters, provide intuitive tone shaping from the moment you hit record. Two front-panel instrument inputs make it easy to connect guitars, basses and other high-impedance instruments. Flex 10 moves effortlessly from pristine, transparent recordings to rich transformer saturation. Dedicated balanced insert points on both preamps make it simple to integrate your favourite compressors, Harrison 500 Series modules, or other outboard gear into your recording chain. Classic Analog meets Modern Digital Flex 10 combines Harrison's analog heritage with modern performance. High-quality 32-bit/192 kHz converters deliver pristine audio, while 8 channels of ADAT I/O provide room to expand your setup. Dual monitor outputs with independent level controls, multiple high-current headphone outputs, and MIDI I/O via 3.5 mm TRS keep your entire studio connected. Front-panel VU meters complete the experience with unmistakable vintage studio style. Harrison Creator Pack & Mixbus 12 DAW Flex 10 includes the Harrison Creator Pack, featuring premium virtual instruments, plug-ins, loops and samples from partners including SSL, Slate Digital, Sonible, Loopcloud, AAS, Native Instruments and IK Multimedia. Also included is a full licence for Harrison Mixbus 12, the award-winning console-inspired DAW. Key Features: 10‑in/12‑out USB-C audio interface 32‑bit/192 kHz converters 2 x Harrison High-Performance Mic Preamps 2 x Hi-Z Instrument Inputs 2 x Line level inputs 2 x H-Drive Transformers Circuits Classic High-Pass + Low Pass Filters Balanced Insert Point Per Channel 2 x Main Stereo Outputs 2 x Headphone Outs ADAT I/O MIDI I/O Class compliant with Mac OS and on windows with provided ASIO driver. Bundled with Harrison Mixbus 12 DAW & Harrison Creator Pack software.

Harrison Mix Strip 32C ...

13.390,-

Harrison Mix Strip 32C High-performance 32Classic Channel strip A recording legend in 19" format The 32Classic MS is a high-performance all-analog channel strip that brings the signature Harrison sound and processing tools from our flagship 32Classic recording console to your studio. With additional hybrid workflow features and an integrated stereo mix bus for summing multiple units together, the 32Classic MS delivers the sound of legends whilst adding unique and innovative features to enhance your workflow. Boasting the same design as the 32Classic console, 32Classic MS features premium Jensen JT-MB-CPCA transformer-coupled microphone preamp, characterful Harrison LP/HP filters with 3 dB resonant peak, and super-smooth 4-band parametric EQ. The original 3232 console was used by artists such artists such as Michael Jackson, Fleetwood Mac, Led Zeppelin, and many others to create some of the most highly regarded and timeless music ever made. Now, for the first time, that unmistakable sound is available in 19" rack format. Add a recording legend to your studio with the 32Classic MS. Comprehensive input section: The 32Classic MS includes a versatile input section, featuring dedicated Mic and Line XLR inputs on the rear panel. For added convenience, it also offers a front-panel input with selectable Instrument/Hi-Z and Mic options. The mic input is equipped with essential utilities such as 48V phantom power, a -20 dB pad, phase flip, and a tri-color LED meter. Both the Mic and Line inputs have independent gain controls, ensuring precise adjustments and superior performance across both inputs. Whether you're recording, producing, or mixing, the 32Classic MS provides the connectivity you need to maximize your session. Harrison mic pre - the sound of legends: A defining feature of classic Harrison recordings is the high-performance transformer-coupled microphone preamp. True to its heritage, the 32Classic MS mic preamp offers 70 dB of clean gain to deliver and the warm, rich tone that Harrison is famous for. Expect full low-end, open mid-range, and super-smooth natural highs, thanks to the Jensen JT-MB-CPCA transformer. The transformer’s gentle roll-off at each end of the frequency spectrum and delicate phase shift creates a remarkably sweet and musical sound, making it ideal for virtually any source material. Characterful LP/HP Filters: As featured in the original 3232 and the latest 32Classic console, 32Classic MS’s Low Pass and High Pass filters offer a musical 12 dB/octave slope. The High Pass Filter, ranging from 25 Hz to 3.1 kHz, includes a characterful 3 dB resonant peak, while the Low Pass Filter spans 160 Hz to 20 kHz—ideal for eliminating rumble or smoothing high frequencies. The real Harrison magic starts when used in combination with the EQ section to tighten the low end and ‘bloom’ the top end without it ever sounding harsh or brittle. 32Classic EQ: The 32Classic MS brings the iconic 4-band parametric EQ from the 32Classic console to a 19" rack format for the first time. Originally crafted in the 1970s – an era where you had to just get it ‘right’ on the way in - its frequency bands and proportional Q design were painstakingly developed to offer both broad, musical curves and precise sculpting to get the best from any source material or recording scenario. Trusted by legendary engineers like Bruce Swedien and Roger Nichols for its power, and featured in renowned studios like The Village and Westlake Studios, LA, and LSI Studios, Nashville for its flexibility - add one of the most sought-after EQs to your toolkit. Integrated mixbus and hybrid workflow features: Build your Harrison recording and mixing system one channel at a time with the 32Classic MS’s integrated mixbus. Designed to enhance workflows and elevate recording and mixing capabilities, the mixbus allows outputs from multiple units to be cascaded together via rear panel ‘summing’ connectors and jumper cables. Balance signals using the Fader control and Pan them across the stereo outputs. Or engage the 0 dB Fader Bypass and record at unity gain. Perfect for hybrid workflows, mobile rigs, or tracking rooms, the 32Classic MS’s integrated mixbus delivers the iconic Harrison tone with exceptional flexibility. Insert point: 32Classic MS unit includes a balanced Insert Point (located after the mic pre, pre-filters) for inserting other processing gear such as a compressor into the signal path of the unit. Channel Outputs: The 32Classic MS provides useful pre and post-fader direct outputs for better control when feeding a recording device. 32Classic MS sidecar: Enhance your mixing and/or tracking workflow by combining multiple 32Classic MS channels for use as a "sidecar" to your existing setup. Perfect for drum or instrument buses, it adds the iconic Harrison sound to your sonic palette, delivering warmth, depth, and flexibility to any recording or mixing application. Key features: Flexible Input Section Dedicated Mic and Line XLR inputs on the rear panel. Selectable Instrument/Hi-Z and Mic combi-XLR input on the front panel. Transformer Coupled Preamp The microphone preamplifier uses legendary Jensen JT-MB-CPCA transformer. 32 Classic Equalizer Harrison 4 band parametric EQ with proportional Q from 32Classic Console. Legendary Harrison Low Pass and High Pass filters. Mixer Section Unique mixer section which allows the channel signal to feed a stereo mix bus with panning. The balanced Mix bus can be cascaded across multiple 32Channel Strip MS units. Insert Point Each 32Classic MS unit includes a balanced Insert Point. Specification: Mic pre: Minimum Gain – 20 dB Maximum Gain – 70 dB Input Impedance – 5.8K Input Impedance Pad In – 1.3K Maximum Input Level No Pad - +4 dBu Maximum Input Level With Pad - +24 dBu THD 50 dB Gain - < 0.01% Frequency Response 20 Hz – 20 KHz +/- 0.25 dB Ein < -129 dBu Line level input: Input Impedance – 10K Line Trim - +/- 9.5 dB Maximum Input Level - +24 dBu THD +4dBu Line Input To Stereo Mix Output < 0.01% Frequency Response 20 Hz – 20 KHz +/- 0.25 dB Line level outputs: Maximum Output Level - +24 dBu Output Impedance – 30 Ohms

HK Audio Elements E835 ...

6.399,-

Mid/High Unit Our engineers developed the E 835 mid/ high unit to afford you even greater flexibility when you want to set up bigger systems. Loaded with eight speakers, it can handle 300 watts at 8 ohms impedance. The E 835 comes highly recommended when you want to minimize the number of mechanical connections. The E 835 and E 435 mid/ high units’ design and tuning are identical, so feel free to combine them. Techn. Data Model E 835 Power-handling nominal (RMS) 300 W RMS @ 8 Ω Frequency response -10 dB 140 Hz – 20 kHz, via active system Nominal impedance 8 Ω Sensitivity 1W 100 dB (half space) Connections 1 x E-Connect-In 1 x E-Connect-Out Speaker 8 x 3,5" broadband Directivity 70° horizontal Crossover frequency 140 Hz, 12 dB/oct. Dimensions (WxHxD) 11 x 74,5 x 12 cm (exkl. E-Connect- sleeves) Weight 4,5 kg, 9.9 lbs

HK Audio Elements EP1 ...

869,-

Elements Extending Pole Dette er ikke et vanlig høyttalerstativ! Foruten at det går raskt og enkelt å sette opp og veldig lett å justere, leder den signalene til mid/high-modulene via dens interne EConnect. Ingen høyttalerkabel trengs! • Dimensioner: 95-160 x 3,5 cm • Vekt: 0,8 kg

HK Audio Elements Softbag ...

799,-

ELEMENTS Soft Bag This padded bag accommodates any combination of four E 435 or two E 835 mid/ high units or amp modules, for example, three E 435 mid/high units and one amp module. You can also easily tuck a speaker pole in the bag.

HK Audio Linear L Sub 1200 ...

9.899,-

L SUB 1200 Housed in a bass reflex enclosure, this compact and light subwoofer is perfect for band PAs. It makes for a very powerful subwoofer stack when paired with the active Linear SUB 1200 A. Loaded with two 10' woofers, it delivers tight, snappy bass with a lot punch ranging all the way down to around 45 Hz. Compact System Subwoofer for Band& DJ systems Powerhandling(Continuous): 600 Watt (2400W Peak) 2x 10' Speaker with 2,5' voice coil 128 dB Max SPL Peak @ 10% THD (halfspace) Rugged wood enclosure of birch multiplex Multifunctional handles Model L Sub 1200 Max SPL peak 130 dB half space Max SPL 128 dB half space Power-handling nominal (RMS) 600 Watt Power-handling, peak 2400 Watt Power-handling, program 1200 Watt Frequency response +/- 3 dB 55 Hz - X-Over Frequency response -10 dB 38 Hz - X-Over Nominal impedance 8 Ohm Sensitivity 1W 101 dB Connections 2 x Speakon NL4 LF Speaker 2 x 10" with 2,5" voice coil featuring Advanced-Cooling-Technologie Pole mount 2 x M20 Handles 4 integrated Optional accessories Protective Cover, 100mm Blue Wheels, Tilt Unit Enclosure Birch multiplex 15/18 mm, 9/13 ply Grille 2mm metal grille Finish Acrylic enamel, black Dimensions (WxHxD) 38 x 67 x 56 cm Weight 29 kg / 63,9 lbs Meir info hjå HK Audio !

HK Audio Premium PR:O 12 ...

6.479,-

Fullrange topp • 12”-element med 1”-diskanthorn • Effekt: 400/800 W • Max. SPL: 128 dB • Frekvensrespons: 68 Hz – 19 kHz A fullrange enclosure in classic 12'/1' format, this cab’s balanced sonic image, speech intelligibility, and high SPL are certainly impressive. It is the perfect satellite for the PR:O 18 S subwoofer. The PR:O 12 MA also features 600 watts power circuitry and a Speakon® port for connecting a passive auxiliary cabinet. Model PR:O 12 Title PREMIUM PR:O Product Class Passive Systems Info Classic full-range cabinet doubles as compact PA or part of satellite system. Power-handling nominal (RMS) 400 W Power-handling, peak 1200 W Power-handling, program 800 W Frequency response +/- 3 dB 68 Hz – 19 kHz Frequency response -10 dB 60 Hz – 19 kHz Nominal impedance 8 ohms Sensitivity 1W 104 dB Maximum SPL, @ 10% THD 128 dB Connections 2x Speakon LF Speaker 12" HF Driver 1" Horn characteristics 60° x 40° CD horn HF protection (passive) Dyn. protective circuit Crossover frequency 2 kHz,12 dB / oct. Pole mount DuoTilt 3/7 Rigging points 3x M8 Handles 2, integrated Enclosure MDF Grille metal grille with acoustic foam Finish acrylic painture, black Dimensions (WxHxD) 39 cm x 57 cm x 36 cm Weight 18,5 kg / 40.8 lbs. Meir info hjå HK Audio !

HK Audio Premium PR:O 15 ...

6.599,-

Fullrange topp • 15”-element med 1”-diskanthorn • Effekt: 400/800 W • Max. SPL: 128 dB • Frekvensrespons: 53 Hz – 19 kHz Sporting a 15' woofer, this cab delivers performance on par with the PR:O 12, plus enhanced low-midrange and bass response compared. And that makes it a great choice for stand alone deployment without a subwoofer. The active PR:O 15 A model also features a 600W RMS power amp and a Speakon port that accepts a passive add-on cab. Model PR:O 15 Title PREMIUM PR:O Product Class Passive Systems Power-handling nominal (RMS) 400 W Power-handling, peak 1200 W Power-handling, program 800 W Frequency response +/- 3 dB 60 Hz – 20 kHz Frequency response -10 dB 53 Hz – 19 kHz Nominal impedance 8 ohms Sensitivity 1W 104 dB Maximum SPL, @ 10% THD 128 dB Connections 2x Speakon LF Speaker 15" HF Driver 1" Horn characteristics 60° x 40° CD horn HF protection (passive) Dyn. protective circuit Crossover frequency 2 kHz,12 dB / oct. Pole mount DuoTilt 3/7 Rigging points 3x M8 Handles 2, integrated Grille metal grille with acoustic foam Finish acrylic painture, black Dimensions (WxHxD) 47 cm x 61,5 cm x 41 cm Weight 22,5 kg, 49.6 lbs. Meir info hjå HK Audio !

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