Lyd

Hovedbilde JBL EON712 Aktiv høyttaler ...

8.990,-

JBL EON712 Aktiv høyttaler 12" og horn 1300W Bluetooth The JBL EON712 12-inch loudspeaker is part of JBL’s new EON700 Series of powered PAs, which represents a major step forward in innovation and technology by delivering truly intelligible, clearly consistent coverage at any volume level. The EON700 Series leverages the latest acoustic science, transducer designs, cabinet materials and advanced DSP and control technologies to deliver extraordinary performance in a fully professional, highly flexible, easy to use, portable system. With four models available, including the 10-inch EON710, the 12-inch EON712 and the 15-inch EON715 powered PA speakers and the 18-inch EON718S subwoofer, EON700 systems cover the needs of today’s working musicians and sound providers. Features Custom-designed 12-inch woofer 2414H compression driver Redesigned high-frequency horn Power: 1,300W Peak / 650W RMS Frequency response: 50 Hz–20 kHz (-10 dB); 60 Hz–20 kHz (-3 dB) Max SPL: 127 dB Dispersion: 100° H x 60° V Audio I/Os: 2 XLR Combo, 1 XLR passthrough Advanced dbx DSP: Automatic Feedback Suppression, ducking, 100ms speaker delay, parametric EQ Built-in 3-channel digital mixer Backlit color LCD screen provides easy access to functions Universal JBL Pro Connect app control Bluetooth 5.0 streaming and control Durable polypropylene cabinet and metal grille Two ergonomic handles simplify transport Built-in pole mount and optional EON700 Universal Yoke Mount expand system configuration options Stackable cabinets allow easy storage Dimensions: 26.3 x 15 x 12.75 in (669 x 382 x 324 mm) (HxWxD) Weight: 32 pounds (14.5 kg) Shipping dimensions: 27.8 x 19.64 x 17.28 in (706 x 499 x 439 mm) (HxWxD) Shipping weight: 40.1 pounds (18.2 kg)

JBL PRX ONE Søylehøyttaler ...

24.500,-

JBL PRX ONE - søylehøyttaler med 12" sub og 7-kanals mikser. The JBL PRX ONE all-in-one powered column PA features an acoustically optimized column array featuring a 7-channel digital mixer, a full suite of professional DSP, class-leading audio connectivity, Bluetooth functionality and JBL Pro Connect universal app control. Enjoy unmatched power and performance in a sleek, compact package: PRX ONE delivers a stunning 130db max SPL, with consistent front-to-back throw, thanks to its custom-engineered 12-tweeter column array featuring JBL AIM acoustic technology, 12-inch bass-reflex woofer and built-in 2,000-watt (peak) amplifier. PRX ONE is ideal for DJs, musicians, entertainment venues, corporate presenters, rental companies and houses of worship. It’s the perfect solution for anyone who demands best-in-class power, acoustic performance, creative control and connectivity in a stylish, full-featured column PA that’s ideal for both installed and portable applications. Features Vertical array of 12 2.5-inch drivers delivers consistent, even HF response from the front of the room to the back Custom-designed high-frequency drivers feature copper-capped pole pieces to minimize distortion and smooth, natural high-frequency response JBL A.I.M. (Array Inumbration Mechanics) geometrically optimized array-shading technology ensures consistent front-to-back coverage Wide, 130° (H) x 30° (V) dispersion pattern delivers consistent coverage across the audience area Sophisticated crossover management and HF/LF coupling allow for more natural low-end response and smooth, uniform response across the entire frequency range 12-inch bass-reflex woofer extends low-end response to 35 Hz 2,000-watt (peak), fully bridged Class D amplifier with power factor correction and high-linearity inductors provides clean, efficient system power, superior headroom, low THD and protection from voltage spikes Four high-efficiency, low-noise microphone preamps maintain constant bandwidth at any gain level 130 dB max SPL Integrated 7-channel digital mixer with dual-operating mode gives users full control of their input faders or individual channel controls like bass, mid, treble and effects sends. Powerful Lexicon effects engine with delay, reverb chorus, echo and sub synth, with presets for easy setup Triple Tier DSP control offers multi-level user experiences based on knowledge level dbx DriveRack Inside technology features AFS (Automatic Feedback Suppression), 8-band master EQ, system limiter, plus gates and compressors on each channel for unrivaled dynamic control One-touch ducking by Soundcraft ensures speech is always heard Simple, intuitive full-color LCD screen provides easy access to all PRX ONE functions 8 user presets instantly optimize system sound Robust audio connectivity: I/Os include 4 XLR Combo, 2 Hi-Z, 1 1/8-inch/BT audio and 1 XLR Pass Thru 2 USB 2.0 ports charge devices and power AKG wireless systems (with optional JBL adapter cable) Two channels of true +48V phantom power expand microphone support Bluetooth 5.0 connectivity allows remote system control of up to 10 units using the JBL Pro Connect app Full app control using JBL Pro Connect Rugged enclosures withstand the rigors of the road Optional bracket and adapter allow array to be wall or truss-mounted independently of subwoofer for permanent installations Computer-modeled ComfortGrip handle simplifies transport Included nylon carrying bag for array Attractive, discreet form factor Weight: 55.65 lbs (25.7 kg)

JBL PRX412M passiv høgtalar ...

9.650,-

PA-høyttaler med 12" LF- og 1,5" HF. Med 600 watt program/ 1200 watt peak -power rating, max SPL 126 dB, og en vekt på kun 17,5 kg, er PRX412M ideell som PA- og monitorhøyttaler. PRX412M er med kun 17,5 kg blant de letteste PA-høyttalere i sin klasse. Den lave vekten er oppnådd bl.a. ved spesialutviklede neodymium-magneter. Kabinettet er fremstilt av 18 mm multilaminat tre, som er beskyttet av JBLs sterke DuraFlex lakkering. Frontgitteret er av pulverlakkert stål med skumunderlag. Kabinettet har 12 integrerte M10 flypunkter og dual polemount i bunnen. Tekniske data: 2-veis system: 1 x 12" LF, 1 x 1,5" HF, 8 OHM Frekvensområde: 50Hz - 19,0 Khz Max SPL: 126 dB peak. Spredning: 90º x 50º Mål: 577 mm x 353 mm x 400 mm Vekt: 17,5 kg.

JBL PRX415M passiv høgtalar ...

9.900,-

JBL PRX415M passiv høyttaler, 15" og horn, flypunkter, svart. PA-høyttaler med 15" LF- og 1,5" HF. Med 600 watt program/ 1200 watt peak -power rating, max SPL 129 dB, og en vekt på kun 21 kg, er PRX415M ideell som PA- og monitorhøyttaler. PRX415M er med sine 21 kg blant de letteste PA-høyttalere i sin klasse. Den lave vekten er oppnådd bl.a. ved spesialutviklede neodymium-magneter. Kabinettet er fremstilt av 18 mm multilaminat tre, og beskyttet av JBLs sterke DuraFlex lakkering. Frontgitteret er av pulverlakkert stål med skumunderlag. Kabinettet har 12 integrerte M10 flypunkter og dual polemount i bunnen. Tekniske data: 2-veis system: 1 x 15" LF, 1 x 1,5" HF, 8 OHM Frekvensområde: 55Hz - 19,0 Khz Max SPL: 129 dB peak. Spredning: 90º x 50º Mål: 650 mm x 429 mm x 457 mm Vekt: 21 kg.

JBL PRX418S passiv subbass ...

12.990,-

Subwoofer med 1 x 18" LF. 1600 watt program/ 3200 watt peak -power rating (8 Ohm), max SPL 130 dB, og en vekt på kun 36 kg. PRX418S er, med sine 36 kg en av de letteste subwoofere i sin klasse. Den lave vekten er oppnådd bl.a. ved spesialutviklede neodymium-magneter. Kabinettet er fremstilt av 18 mm multilaminat tre, beskyttet av JBLs sterke DuraFlex lakk. Frontgitteret er av pulverlakkert stål med skumunderlag. Tekniske data: 1 x 18" LF, 8 OHM Frekvensområde: 35Hz - 300 Hz Max SPL: 130 dB peak. Mål: 678 mm x 536 mm x 615 mm Vekt: 36 kg. NB! Vekt for høy til normal transport. Ta kontakt for fraktkostnad.

JBL PRX425 Passiv Høgtalar ...

13.290,-

JBL PRX425 passiv høyttaler, 2 x 15" og horn, flypunkter PA-høyttaler med 2 x 15" LF- og 1,5" HF. Med 1200 watt program/ 2400 watt peak -power rating (4 Ohm), max SPL 134 dB, og en vekt på kun 33,5 kg er PRX425M ideell som PA til mindre band, klubber osv. PRX425 er med kun 33,5 kg en av de letteste PA høyttalere i sin klasse. Den lave vekten er oppnådd bl.a. ved spesialutviklede neodymium-magneter. Kabinettet er fremstilt av 18 mm multilaminat tre, beskyttet av JBLs sterke DuraFlex lakk. Frontgitteret er av pulverlakkert stål med skumunderlag. Kabinettet har 12 integrerte M10 flypunkter. Tekniske data: 2-veis system: 2 x 15" LF, 1 x 1,5" HF, 4 OHM Frekvensområde: 55Hz - 19,0 Khz Max SPL: 134 dB peak. Spredning: 90º x 50º Mål: 1044 mm x 429 mm x 521 mm Vekt: 33,5 kg.

JBL PRX812W Aktiv ...

15.790,-

JBL PRX812W | Aktiv monitor/høyttaler med 12" og horn 12" høyttaler/scenemonitor med 1500W forsterker, DSP og kontroll over WiFi. Innebygget DSP, med volum, 8-bånds parametrisk EQ og 50 ms speaker delay. Innebygget WiFi, for fjernkontroll via iOS og Android app. 1500W klasse D forsterker, med intelligent «vari-speed» viftestyring. Analog dbx type IV limiter JBLs patenterte Differential Drive elementer (les mer her). Kabinett av tre, med robust DuraFlex finish. PRX812W 12" og horn Switch for bruk som main eller monitor 2 x linje/mic inn, med separat gain og linje ut Frekvensrespons +/- 3 dB: 56 Hz – 20 kHz Max peak SPL: 135 dB Dekningsgrad: 90 x 50 Vekt: 19,4 kilo

JBL PRX818W-XLF Aktiv Sub ...

21.900,-

JBL PRX818W-XLF | Aktiv 18" sub 18" subwoofer med 1500W forsterker, DSP og kontroll over WiFi. Innebygget DSP, med volum, 8-bånds parametrisk EQ og 50 ms speaker delay. Innebygget WiFi, for fjernkontroll via iOS og Android app. 1500W klasse D forsterker, med intelligent «vari-speed» viftestyring. Analog dbx type IV limiter JBLs patenterte Differential Drive elementer (les mer her). Kabinett av tre, med robust DuraFlex finish. PRX818XLFW 18" sub 2 inn/2 ut Frekvensrespons +/- 3 dB: 35 Hz – 87 Hz Max peak SPL: 134 dB Vekt: 36,8 kilo NB! Vekt for høy til normal transport. Ta kontakt for fraktkostnad.

JBL PRX825W Aktiv Høyttaler ...

24.900,-

JBL PRX825W | Aktiv monitor/høyttaler med dobbel 15" og horn Dobbel 15" høyttaler med 1500W forsterker, DSP og kontroll over WiFi. Innebygget DSP, med volum, 8-bånds parametrisk EQ og 50 ms speaker delay. Innebygget WiFi, for fjernkontroll via iOS og Android app. 1500W klasse D forsterker, med intelligent «vari-speed» viftestyring. Analog dbx type IV limiter JBLs patenterte Differential Drive elementer (les mer her). Kabinett av tre, med robust DuraFlex finish. PRX825W Dobbel 15" og horn 2 x linje/mic inn, med separat gain og linje ut Frekvensrespons +/- 3 dB: 46 Hz – 17 kHz Max peak SPL: 138 dB Dekningsgrad: 90 x 50 Vekt: 37,2 kilo NB! Vekt for høy for normal transport. Ta kontakt for fraktpris.

JBL PRX835W Aktiv 3-Vegs ...

23.900,-

JBL PRX835W | Aktiv høyttaler med 15", 6,5" og horn Tre-veis høyttaler med 1500W forsterker, DSP og kontroll over WiFi. Innebygget DSP, med volum, 8-bånds parametrisk EQ og 50 ms speaker delay. Innebygget WiFi, for fjernkontroll via iOS og Android app. 1500W klasse D forsterker, med intelligent «vari-speed» viftestyring. Analog dbx type IV limiter JBLs patenterte Differential Drive elementer (les mer her). Kabinett av tre, med robust DuraFlex finish. PRX835W 15", 6,5" og horn 2 x linje/mic inn, med separat gain og linje ut Frekvensrespons +/- 3 dB: 39 Hz – 20 kHz Max peak SPL: 138 dB Dekningsgrad: 90 x 50 Vekt: 34,9 kilo NB! Vekt for høy for normal transport. Ta kontakt for fraktpris.

Kali Audio IN-5 B Aktiv ...

3.690,-

Kali Audio IN-5 Black 3-veis Co-Axial studiomonitor med 5’’ basselement, 4’’ mid og 1’’ Textile Dome-diskant. 160W (80+40+40) Class-D forsterker. Svart finish. Pris pr stykk. Project Independence Kali’s IN-5 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed. Performance Power. Detail. Soundstage. The IN-5 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali’s celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide. In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion. The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail. All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems. Imaging We know. We keep harping on about the "hyper-realistic" imaging of the IN-5. What does that mean? When you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording. Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you "see" each element of the mix in front of you, so you can hear exactly what happens when you make changes. 2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture. The IN-5 solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-5 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix. Clarity The IN-5’s total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 280 Hz, a full 2.5 octaves lower than on the LP-8. The tweeter is crossed over at 2800Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-5 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter. It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-5 is limited to less than 1 millimeter peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter. Boundary EQ Control A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound. Happily, most of the common positions are fairly predictable and easily corrected. Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed. Easy Connections The IN-5 feature balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack. Specifications - Powered: Yes - Amp Class: D - Power Config: Tri-Amped - LF Power: 80 W - Mid-Range Power: 40 W - HF Power: 40 W - Total Power: 160 W - LF Driver: 5-Inch Poly-Coated Paper - Mid-Range Driver: 4-Inch Optimized Profile Poly-Coated Paper - HF Driver: 1-Inch Textile Dome - Freq. Response (-10 dB): 39 Hz - 25 kHz - Freq. Range (±3 dB): 47 Hz - 21 kHz - LF to Mid-Range Crossover: 280 Hz - Mid-Range to HF Crossover: 2800Hz - Listening Distance: 2.2 Meters - Max SPL: 112 dB

Kali Audio IN-5 W Aktiv ...

3.660,-

Kali Audio IN-5 White 3-veis Co-Axial studiomonitor med 5’’ basselement, 4’’ mid og 1’’ Textile Dome-diskant. 160W (80+40+40) Class-D forsterker. Hvit finish. Pris pr stykk. Project Independence Kali’s IN-5 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed. Performance Power. Detail. Soundstage. The IN-5 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali’s celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide. In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion. The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail. All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems. Imaging We know. We keep harping on about the "hyper-realistic" imaging of the IN-5. What does that mean? When you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording. Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you "see" each element of the mix in front of you, so you can hear exactly what happens when you make changes. 2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture. The IN-5 solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-5 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix. Clarity The IN-5’s total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 280 Hz, a full 2.5 octaves lower than on the LP-8. The tweeter is crossed over at 2800Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-5 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter. It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-5 is limited to less than 1 millimeter peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter. Boundary EQ Control A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound. Happily, most of the common positions are fairly predictable and easily corrected. Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed. Easy Connections The IN-5 feature balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack. Specifications - Powered: Yes - Amp Class: D - Power Config: Tri-Amped - LF Power: 80 W - Mid-Range Power: 40 W - HF Power: 40 W - Total Power: 160 W - LF Driver: 5-Inch Poly-Coated Paper - Mid-Range Driver: 4-Inch Optimized Profile Poly-Coated Paper - HF Driver: 1-Inch Textile Dome - Freq. Response (-10 dB): 39 Hz - 25 kHz - Freq. Range (±3 dB): 47 Hz - 21 kHz - LF to Mid-Range Crossover: 280 Hz - Mid-Range to HF Crossover: 2800Hz - Listening Distance: 2.2 Meters - Max SPL: 112 dB

Kali Audio IN-8 V2 B Aktiv ...

4.190,-

IN-8 V2 Black 3-veis Co-Axial studiomonitor med 8’’ basselement, 4’’ mid og 1’’ Soft Dome-diskant. 140W (60+40+40) Class-D forsterker. Versjon 2. Svart finish. Project Independence Kali’s IN-8 V2 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed. Performance Power. Detail. Soundstage. The IN-8 V2 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali’s celebrated LP-8 V2, the IN-8 V2 adds a midrange driver that surrounds the tweeter, and acts as its waveguide. In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion. The coaxial nature of the midrange and tweeter make the IN-8 V2 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail. All of this means that the IN-8 V2 is extremely accurate and easy to mix on, and that mixes made on the IN-8 V2 will transfer wonderfully to other systems. Imaging We know. We keep harping on about the "hyper-realistic" imaging of the IN-8 V2. What does that mean? When you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording. Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you "see" each element of the mix in front of you, so you can hear exactly what happens when you make changes. 2-way systems with good waveguides, like Kali’s LP-6 V2 and LP-8 V2, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture. The IN-8 solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-8 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix. Clarity The IN-8 V2’s total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 330 Hz, a full 2.5 octaves lower than on the LP-8. The tweeter is crossed over at 3000 Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-8 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter. It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-8 is limited to less than 1 millimeter peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter. Boundary EQ Control A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound. Happily, most of the common positions are fairly predictable and easily corrected. Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed. Easy Connections The LP-6 V2 and LP-8 V2 both feature balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack. Specifications - Powered: Yes - Amp Class: D - Power Config: Tri-Amped - LF Power: 60 W - Mid-Range Power: 40 W - HF Power: 40 W - Total Power: 140 W - LF Driver: 8-Inch Poly-Coated Paper - Mid-Range Driver: 4-Inch Optimized Profile Poly-Coated Paper - HF Driver: 1-Inch Textile Dome - Freq. Response (-10 dB): 37 Hz - 25 kHz - Freq. Range (±3 dB): 45 Hz - 21 kHz - LF to Mid-Range Crossover: 330 Hz - Mid-Range to HF Crossover: 3000 Hz - Listening Distance: 2.8 Meters - Max SPL: 114 dB

Kali Audio IN-8 V2 W Aktiv ...

4.290,-

Kali Audio IN-8 V2 White 3-veis Co-Axial studiomonitor med 8’’ basselement, 4’’ mellomtone og 1’’ Soft Dome-diskant. 140W (60+40+40) Class-D forsterker. Versjon 2. Hvit. _____ Project Independence Kali’s IN-8 V2 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed. Performance Power. Detail. Soundstage. The IN-8 V2 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali’s celebrated LP-8, the IN-8 V2 adds a midrange driver that surrounds the tweeter, and acts as its waveguide. In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion. The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail. All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems. Imaging We know. We keep harping on about the “hyper-realistic” imaging of the IN-8 V2. What does that mean? When you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording. Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you “see” each element of the mix in front of you, so you can hear exactly what happens when you make changes. 2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture. The IN-8 solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-8 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix. Clarity The IN-8 V2’s total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 330 Hz, a full 2.5 octaves lower than on the LP-8. The tweeter is crossed over at 3000 Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-8 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter. It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-8 is limited to less than 1 millimeter peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter. Boundary EQ Control A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound. Happily, most of the common positions are fairly predictable and easily corrected. Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed. Easy Connections The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack. Specifications - Powered: Yes - Amp Class: D - Power Config: Tri-Amped - LF Power: 60 W - Mid-Range Power: 40 W - HF Power: 40 W - Total Power: 140 W - LF Driver: 8-Inch Poly-Coated Paper - Mid-Range Driver: 4-Inch Optimized Profile Poly-Coated Paper - HF Driver: 1-Inch Textile Dome - Freq. Response (-10 dB): 37 Hz - 25 kHz - Freq. Range (±3 dB): 45 Hz - 21 kHz - LF to Mid-Range Crossover: 330 Hz - Mid-Range to HF Crossover: 3000 Hz - Listening Distance: 2.8 Meters - Max SPL: 114 dB

Kali Audio IN-UNF 3-veis ...

6.990,-

Kali Audio IN-UNF 3-veis studio monitor system. To satelitter og subwoofer. IN-UNF er eit 3-vegs, ”full-range”, studiohøyttalersystem som er designet for små rom der man enten på grunn av romakustikk eller naboers toleranse må holde volumet nede. IN-UNF gir deg referenselyd av høgste kvalitet og godt med ”headroom” på en armlengdes avstand. Systemet består av en bassenhet og to satelitter. Bassenheten anvender to stk. 4,5-tommer element, og satelittene anvender samme mellomregister/tweeter-enhet som finnes i Kalis hyllede IN-5 og IN-8 studiomonitorer. USB, optisk, 3,5 mm og balanserte Jack innganger. Hele systemet får plass på skrivbordet og gir samme full-range, uforvrengt lytteopplevelse omtrent som et par IN-8 på standard lytteavstand. Fleksibelt og enkelt. Bassenheten kan plaseres vertikalt f.eks bak en laptop eller skjerm, eller horisontalt f.eks som monitorbase for en skjerm. Kali Audio’s IN-UNF is an ultra-nearfield desktop studio monitor system. It’s designed to be used in small spaces where the ability to get loud is limited, either by room acoustics or the tolerance of neighbors. The IN-UNF presents full-range audio at reference levels at .8 meters, or about arm’s length. The entire system sits on your desk, and provides the same full-range, low distortion listening experience as a pair of IN-8s at standard listening distance. Flexible setup options allow users to easily integrate the IN-UNF in their existing deskscape; the bass unit can be placed vertically to sit behind a laptop or display, or horizontally to be used as a monitor riser for a display. The IN-UNF consists of three main pieces: a bass unit and two satellites. The bass unit houses two high-excursion 4.5-Inch woofers as well as the amplifier and other electronics for the system. The two woofers are horizontally opposed, so no net vibration is transferred to the desk or to anything sitting on the bass unit. The two satellites use the same coaxial midrange and tweeter as Kali’s acclaimed IN-5 and IN-8 studio monitors. The architecture of this element has been praised for its excellent stereo imaging capabilities. At the close range of the IN-UNF, the intimacy and detail of the stereo image is unrivaled. You’ll hear a more engrossing, lifelike picture of your mix than you’ve ever heard before. The bass unit also features a variety of inputs to meet all your audio needs. Via the USB-C connector, which supports 24-bit resolution and 48k sample rate, you can connect computers, phones, and tablets without the need for an outboard interface or DAC. Optical and 3.5mm inputs provide support for both digital and analog connection to consumer devices like game consoles and receivers. For connection to standard pro audio devices, stereo TRS inputs are provided. The IN-UNF is uniquely tuned for its role as a desktop speaker. The desk is accounted for as an acoustic element of the system, solving some of the problems that are typically presented with putting speakers on a desk. DIP switches are provided to account for the position of the system in a room, and for you to dial in bass, mids, and treble to your preferences. The IN-UNF is part of Kali’s 2nd Wave product family, utilizing low noise-floor technology, upgraded drivers, and an advanced limiter circuit to maximize output and fidelity while keeping noise to a minimum. Specs: - Powered:Yes - Amplifier Class: D - Power Configuration: 2-Channel, Each Channel Bi-amped - HF/Midrange Power Per Channel 60 W - LF Power Per Channel 100 W - LF Driver: 4.5-Inch Long-Excursion Woofer - Mid-Range Driver: 4-Inch Optimized Profile Paper - HF Driver: 1-Inch Textile Dome - Frequency Response: (-10 dB) 39 Hz - 25 kHz - LF to Mid-Range Crossover: 280 Hz - Mid-Range to HF Crossover: 2800 Hz - SPL: 85 dB Continuous at .8 Meters with 20 dB Headroom - Max SPL: 103 dB Stereo Inputs - USB-C (Digital) - Optical (Digital) - 3.5mm (Unbalanced, -10 dBV) - TRS (Balanced, +4 dBU) In the box: - IN-UNF Bass/Input Unit - 2 x Midrange/HF Satellites - 2 x Satellite Stands - Power Cable - USB-A to USB-C Cable - Quickstart/Setup Guide

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