Fulltone 2B Clean Boost Pedal

1.690,-

Fulltone 2B The Fulltone 2B is a tiny, transparent, and amazing boost pedal, born from the “Boost” channel in our FD3 pedal. Soon after the FD3 came out I started getting a steady flow of emails asking if I could “please make that into a single channel Boost pedal!” So I crammed the circuit into the smallest possible enclosure with battery tucked tightly inside and even engineered space-saving rear-mounted IN, OUT, and DC power jacks. A boost pedal is not only used to kick up your volume when it’s time for your solo! A good booster can also solve a lot of problems in the modern guitarist’s rig, because today’s pedalboards average 8 or more pedals, with each of those pedals requiring: a guitar cable--->jack--->more wire--->footswitch--->circuit--->footswitch again--->jack--->more wire--> and on to next pedal. It’s a wonder there’s any signal left after all the stuff we put our signal through. Ever played through a 10’ guitar cable straight into a great tube amplifier? The feel, the dynamics, the fat tone...makes you want to play! Then you connect to your overpopulated pedalboard and suddenly the sound is tiny, thin, with diminished lows, cardboard mids, and scratchy thin highs. This is where a good booster comes in handy, because all that wire and all those connections reduce your signal by a measurable amount with each passing effect in your signal chain. Add a good booster and you can recoup a lot of that lost gain, tone, and reactive interplay between you and your lovely tube amp. Suddenly the “touch” is back. That’s the problem with other boosters…once they’re OFF, they cease to offer a high quality unity-gain buffer to drive the long cables, so you end up having to buy TWO boosters, one set to “unity gain” and the other set to do your Volume changes! A better solution is the 2B, its unity-gain JFET amp buffers your signal when the pedal is turned OFF…and when the 2B is turned ON; the only difference is now the GAIN knob comes into play allowing you to set the desired boost up to 20dB! Because Fulltone go the extra mile and buy the best JFET opamp, certainly the one that sounds the best to Michael Fuller’s ear. The problem with other boosters is that the more you turn them up, the more highs they add. Not the case with the 2B, there is a subtle roll-off of the harsh ultra-high frequencies as you roll the LEVEL knob clockwise past 12 o’clock. It’s subtle, you may not hear it, but you WON’T hear that shrill top end that other boosters can impart! The 2B offers something completely unique in the world of Boost pedals; a DYNAMICS knob. A subtle Germanium diode Limiter circuit that (as you turn the mini-knob clockwise) starts to slightly alter the feel of the notes being played as well as subdue the harsh transient spikes which can overload your amp’s input. Those spikes can be fatiguing to your ears, to the amp, and to its speakers! Similar to using a limiter on the mix down of a song in the studio, the 2B’s DYNAMICS feature helps you keep your place in the live mix.....like a very smart compressor. This feature can make even an “ok” amp feel responsive and juicy, and will keep you from distorting the amp’s input, a problem plaguing most booster pedals. Main Features: • Boost effects pedal • up to 20dB boost • subtle Germanium diode Limiter circuit • JFET opamp buffered bypass • small pedalboard footprint • 100% hand-built in the USA • Powered by 9-18 V DC PSU (centre -, 2.1 mm)

EarthQuaker Devices Silos ...

2.490,-

EarthQuaker Devices Silos Multi-Generational Time Reflection Device Hey there, fellow Time Travelers! Are you tired of trying to fit all of your favorite delays onto your already overflowing pedalboard? Did you constantly have trouble choosing just one pedal to serve as the catalyst of your echo-centric musings? Had you wished that a pedal company would give you more bang for your buck by merging multiple classic delay effects into one simple little box? Well hold on to your whammy bar, because your problems are solved now that you’ve found the new Silos - Multi-Generational Time Reflection Device! That’s right, we’ve taken a digital delay, an analog delay, and a tape delay and merged them all together as one pedal with six presets, a tap-tempo, and user assignable expression control. Take a moment to compose yourself, we totally understand. Main Features: • 3-mode Delay effects pedal • Inspired by EQD founder Jamie Stillman’s three favourite delay pedals • Up to 1 second of delay time • 3 effects modes o D - Digital Delay mode offers nearly infinite repeats that hold their fidelity while gradually rolling off the top end with each regeneration o A - Analog Delay mode is more mid-focused in the initial attack and gradually degrades while getting darker with each repeat o T – resembles an old, well-loved tape delay with all its glorious artifacts. Dark and moody with just a hint of distortion when you hit it just right • 2 modes of operation: o Live Mode – Green LED-  pedal will operate exactly where the controls are set, any changes will have no effect on the presets unless saved o Preset Mode - red LED - recalls stored settings for each control, actual control settings will be ignored • 6 easily user-editable and accessible preset slots • Dedicated Tap Tempo footswitch • Silent soft-touch relais-based switching with Buffered Bypass and Trails • Flexi-Switch Technology for latching and momentary operation • EXP jack expression pedal or Voltage control pedal control over any parameter • All-analog dry signal path and digital effect signal path • Made in Akron, Ohio, USA • Powered by regular 9 V DC PSU (centre -, 2,1 mm, 75 mA current draw) Let us give you a little backstory; it all started when EQD founder Jamie Stillman was admiring his three favorite delay pedals from his personal collection and began ruminating on their vast differences. This sparked an ambitious foray into uncharted territory in finding a way to assemble them all together as one uncomplicated unit. After months of tinkering, his mission was accomplished and the Silos was born. With just four knobs, one three-way switch, one Save/Recall button, and two footswitches, he made the impossible possible and now your guitar playing shall reap the rewards! Each of the three modes offers up to one second of delay time which allows it to be a longer delay than our other delay pedals. From noon and back is 500 milliseconds to zero, which has its own character. From 500 milliseconds to one second of delay time, it’s an entirely different beast. Dial them in for shorter delay times where they really excel and add loads of atmosphere and vibes. Push them further for rhythmic delays that are perfect for strumming and adding extra ambiance for your riffs. And the tap tempo is truly precise and responsive so you can lock in your rate quickly within the first revolutions.

Emma Electronic StinkBug ...

1.850,-

Emma Electronic StinkBug The Pride And Joy Of Overdrive StinkBug is the embodiment of everything you’ve come to expect of a great overdrive and then some. It spits out warm amp-like drive tones and just adds that lovely touch of mid-presence that’ll make you cut through a mix like nobody’s business. But… and this is a good but, it does all of this without ever comprimising the natural timbre and sound of your instrument, leaving you with an overdriven sound that’s as dynamic and articulate as your own playing style.  * Chock-full of classic amp-like overdrive tones * Perfect mid presence - cuts through the mix while retaining your core sound * Highly sculptable EQ and wide gain range - From low-gain to blistering blues-rock tones. It’s all there! * Highly intuitive control set - dial in amazing tones quick and easy * Top-mounted I/O * Handmade in Denmark * True-Bypass switching The idea behind the StinkBug was to create the ultimate “classic” overdrive pedal. Something that beautifully distils the best parts of a vintage drive pedal, while alleviating common issues like overbearing mids and nasal, fizzy tones on higher gain settings. Hence a lot of work was put into getting the mids and gain structure just right, all while keeping the body and character of your instrument completely intact. The Low and High EQ dials give you a ton of different tones on tap. Turn them both down and the midrange comes out, but without being nasal. Turn them up and the mids gets slightly scooped, while still keeping the sound full and punchy. Oh and then there’s the gain! Oooooh boy, it’s warm, smooth but with that sweet harmonic tube-like crunch that we all know and love. Just picture the bluesy bite and dynamic drive tones of Stevie Ray Vaughan, Eric Clapton and John Mayer and you know what you’re getting yourself into with the StinkBug. So if you’re into blues, pop, rock or just filthy-good tones in general, then this is definitely the drive you’re looking for!

Emma Electronic ReezaFRATZitz ...

1.850,-

Emma Electronic ReezaFRATzitz Ready To Rock! ReezaFRATzitz is your golden ticket to distortion dreamland. Chock-full of roaring amp-like dirt tones, this pedal and its highly versatile controls will put some serious sizzle into your sound. From bluesy growls to grinding and screaming distortion, ReezaFRATzitz is sure to supply you with the super-sonic firepower you need. * Plethora of roaring amp-like distortion tones on tap * Bias control - alters the harmonic gain structure * Highly sculpt able EQ section - go from vintage to modern tones in seconds * Highly intuitive control set - dial in amazing tones quick and easy * Top-mounted I/O * Handmade in Denmark * Untrue-Bypass switching - a super-transparent buffered bypass If you like it loud and wild, then ReezaFRATzitz should instantly feel like home. Bursting at the seams with the DNA of rock, this pedal was created to give players the tone and touch-responsiveness of a cranked tube-amp right in front of their feet. The magic to this lies in the unique Bias control, which lets you alter the harmonic content and attack response of the pedal from that of a Class-A to a Class-B amp and anywhere in between. Combine that with the highly interactive Bass and Treble EQs, plus the pedal’s extremely wide gain-range and you’re ready to serve up anything from warm and vintage-sounding drive tones to tight modern distortion tones, all while maintaining the integrity of your core sound. So all that’s left to do now is plug in and rock out! So all that’s left to do now is plug in and rock out!

Emma Electronic PisdiYAUwot ...

1.850,-

Emma Electronic PisdiYAUwot - Metal Distortion Beauty In Brutality You may have guessed it already, solely based on the looks of the PisdiYAUwot, this beast was made for METAL! The gain stage is raw and brutal yet extremely clear and defined. The EQ options are staggeringly versatile to say the least. The sound? Earthshakingly awesome! Chords, fast runs and triplets stand out with a clear and potent punch. No more mushy wobble, just power! *Powerful and versatile high-gain pedal *Extremely tight and transparent attack - no mud, all metal! *Ultra-wide gain range - from low-gain to beyond high-gain *Highly intuitive control set - dial in amazing tones quick and easy *Top-mounted I/O *Handmade in Denmark *Untrue-Bypass switching - a super-transparent buffered bypass The PisdiYAUwot is pure fire. It’s lightning in a bottle. It’s what every other metal pedal out there wishes to be. It’s the sound of a tight and punchy high-gain amp in a box, ready to bring down the house on your command. The EQ section pots are optimized to work in interaction with each other, and the gain range is extremely wide. Turn down the MID a bit, turn up the HIGH and get that old school Pantera like scoop. Turn the MID up, the HIGH down a bit and the LOW up, and you get a very modern in your face mega power distortion. Want it more brutal, turn the GAIN down a bit. Want it more gritty, turn it up. This pedal will bring speed, power and clarity to any metal guitar player out there.

Emma Electronic OnoMATOpoeia ...

1.640,-

Emma Electronic OnoMATOpoeia The Sonic Boom! The OnoMATOpoeia is basically a sonic super hero. Clean boost by day, dirty overdrive by night, and with some serious superpowers hidden up its sleeve.  It’s the secret sauce your pour on your tone when you want that extra Oomph! That extra Kapow! It’s what you kick in when you need your solos to soar or your rhythms to roar. *From clean boost to gritty overdrive in one pedal *Saturation control - alters the gain structure for a world of old-school and modern drive tones *Unique seesaw tone control - for well-balanced vintage tones to crisp and sparkly modern tones *Highly intuitive control set - dial in amazing tones quick and easy *Top-mounted I/O *Handmade in Denmark *True-Bypass switching The goal with the OnoMATOpoeia was to create a pedal that every player out there would benefit from having on their board. Something that would sweeten up the sound no matter if it was used subtly or shamelessly. The result: a unique and versatile boost/overdrive pedal that can do anything from adding a little push to lift solos or rhythms off the ground, to adding some glorious tube-like grit. With the addition of a wide-ranging “seesaw” tone control and a saturation knob that changes the gain structure from loose, old-school and slightly fuzzy to tight and modern, this pedal has a tonal trick available for any musical trade out there.

Emma Electronic Okto Nøjs ...

2.640,-

Emma Electronic Okto-Nøjs  Subsonic Power Punch Just when you think you’ve seen and heard it all in an over flooded pedal market, from the deep rises a bass behemoth so crushingly brutal that it makes Godzilla look like the easter bunny. The Okto Nøjs takes your signal and turns it into pure subsonic fire. It spits and sputters sizzling, synthy octa-fuzz tones left and right, all while running it through an earthshakingly deep analog octaver for unprecedented levels of bass brutality. Some pedals just want to watch the world burn, the Okto-Nøjs is a true firestarter! - Analog Octaver and Fuzz in one pedal - Use independently or together - Dead-on octave tracking - Tracks perfectly down to the low-E of a bass - Ultra-versatile octa-fuzz - Goes from smooth drive to fuzzed-out synth tones - Intuitive controls set - For a world of never-heard-before tones - Handmade in Denmark - using only high-quality components - True-Bypass switching The Okto-Nøjs is actually two pedals in one – a super-accurate, fast-tracking Octave down (the Okto) combined with a dynamically responsive, synth-like Octave-Fuzz (the Nøjs). Both sides of the circuit are 100% analog and feature high-quality buffers and true bypass switching for the best sound quality possible. The Okto channel uses proprietary tracking circuitry to create a sub-octave that locks in fast and remains stable. The Okto can track accurately down to the open-E string of a Bass Guitar, and even lower with minor note wobble. The Okto’s Tone control can go from round, fat subs to the hollow, nasally honk tone. Blend in a bit of Okto with your Dry signal to subtly thicken your bottom end, or crank it up for spot-on note doubling. The Nøjs section is where the real fun starts. A harmonic distortion generator that creates a unique Octave-Fuzz effect, the Nojs circuit reacts to playing dynamics to create spitting, swelling, synth-like drive sounds that are truly out of this world. Gain, Tone & Level controls adjust the Nøjs circuit’s Fuzz section, yielding everything from smooth overdrive to squelchy feedback distortion with a blossoming note filtering. The Nøjs control blends in a square wave sub-harmonic that can be thick & meaty or edgy & aggressive depending on the setting of the Color control. Both Okto & Nøjs sections can be blended to taste against the Dry signal to cover a wide range of colors from subtle to extreme. Come get your freak on with the Emma Electronic Okto-Nøjs!

Emma Electronic Navigator ...

2.890,-

Emma Electronic Navigator Delay  Your new echo expedition awaits The Navigator Delay is the pinnacle of elegant simplicity. It offers everything you need in a compact delay pedal and nothing you don’t.  Dual delay heads, tap-tempo, modulation, beat-splits, trails, wet/dry outputs, all this and more in a neat yet pedalboard friendly package and in a pedal that’s really simple to use. • Super versatile and musical dual delay pedal • Color dial - go from pristine digital delays to warm analog-voiced repeats at the turn of a knob • Modulation - Depth and Speed controls lets you go from subtle wow-and-flutter to wide and lush chorus tones • Tap tempo and beat-split toggle - for cool rhythmical multi-tap delays • Tail toggle - turns delay trails on or off • Top-mounted I/O • Wet/Dry Outputs - Splits the wet and dry signal to separate outputs when runing in stereo • Handmade in Denmark Combining the best of analog and digital technology, the Navigator Delay offers practical and usable delay functions in a unique configuration that can generate classic delay tones, as well as many unique new sounds. While the Navigator’s hybrid circuit keeps the dry signal path 100% analog, to avoid signal latency and digital sterility. The delayed signal is created using a custom-coded DSP that allows for delay times of up to 1 second which can be adjusted via tap-tempo and also beat-split to create rhythmic, “multi-tap” effects. This is then fed back into the analog realm where Color, Level and Feedback controls add additional warmth and realism to the effect. In addition, a digital modulation section can create a variety of optional secondary effects to the delay repeats. From tape echo “warbles” to lush chorus and flanging, they’re all here in spades to provide you with all the gooey warmth you could want. Adding to the pedal’s feature set, is a separate Level control for the second, beat-split delay repeats, which perhaps is the most unique feature of the Navigator Delay. This option allows the user to emphasize the second delay voice or to turn the main delay off entirely, allowing you to create interesting and all new rhythmic effects.  The second delay has the option to be set at one-half, two-thirds or three-quarter intervals against the main delay, allowing for “dotted eighth” and other classic multi-tap delay sounds. The Navigator may very well be the most feature-laden, yet simple to use compact delay pedal on the market.  More importantly though, it simply sounds gorgeous. If you’ve been lost in the sea of digital despair, let the Navigator lead you home to a land of tonal bliss!

Emma Electronic ...

2.480,-

Emma Electronic DiscumBOBulator V3 The holy grail of funky wah is BACK! Emma Electronic’s DiscumBOBulator is often heralded as being the world’s best auto-wah/envelope filter pedal. Once you plug it in, we just know you’ll agree. Now upgraded with a side chain input and more easily readible UP/DOWN toggle switch, the new and improved DiscumBOBulator V3 retains all the features that made the previous version so great. Main Features: • Envelope Filter/Auto-Wah Effects pedal • All-analog circuit - for old-school tones and feel • Wide range of funky auto-wah tones, throaty cocked wah sounds to synth-like sweeping tones • Dead-on tracking even on super-fast single notes - with even more improved tracking on high notes • Separately footswitchable ultra clean 0-10dB boost • Side chain input - allows control / triggering of the envelope from external sources • UP/DOWN Toggle switch - for easier readibility and haptic feedback • Wide frequency spectrum, making it suitable for any instrument • Highly intuitive control set - dial in amazing tones quick and easy • Top-mounted input and output jacks - for ease of pedalboard use • Super silent switching ‘‘Untrue bypass’’ • Hand-made in Denmark • Powered by (opt.) 9V DC power supply (2.1 mm, centre -, 7 mA current draw) The DiscumBOBulator V3 features the same tripled headroom as its previous iteration, so that it now easily will take any high output active bass or line level signals. Also present is the independent up to 10dB ultra-clean boost that’ll make funky solos take flight instantly,  now with a distinctly coloured crème knob, for better on-stage visibility. The newly added side chain gives you even more control over the envelope triggering. For example, you can have the filter sweep synced to a snare or kick drum hit or the bassplayer slapping a note, or trigger it with an external momentary footswitch, the options are endless! It’s better and more precise tracking on high notes, and the wide frequency spectrum make the DiscumBOBulator V3 suitable for any instrument that you would like to give that “funky tone” chords or single notes. The goal in creating the DiscumBOBulator V3 was to make a fast and extremely dynamically responsive envelope filter that would be able to handle everything from super-fast single-notes, fingerstyle picking to denser signals such as complex chords, without getting mushy. Additionally the improved up/down switch largely widens your opportunity for creating a versatile palette of your own personal sounds. The pedal’s proprietary all-analog circuit does just that while letting the full spectrum of your preferred instrument through and you won’t experience any of the nasty volume peaks or dips that are common to other filter pedals out there. Boasting everything from full-on funk tones, old-school cocked wah sounds and all the way to unique synth-like sweeps, via its super-intuitive control and feature set, DiscumBOBulator V3 truly is the definition of cool!

Dreadbox PSYCLOP Wet/Dry ...

1.130,-

Dreadbox PSYCLOP Wet/Dry Mixer / Booster and Attenuator / EXP to CV Converter Cyclop – (Greek: “Round Eye”) – in Greek legend and literature, any of several one-eyed giants to whom were ascribed a variety of histories and deeds. The Dreadbox PSYCLOP is the ultimate modern utility device. It’s an Effects Chain Loop with Dry/Wet mix control, Signal Attenuator and Boost as well as Expression to CV (Control Voltage) converter, all in one easy to use package suitable for string instruments or synthesizers and is also Eurorack compatible. Main Features: • Dry/Wet Mixer / Attenuator and Booster pedal • Manages any signal • Parallel Effects Loop with Mix control for seamlessly blending Dry and Wet signals • Adjustable Input Gain - from 0 to -20 dB • Output Gain Boost Level - from 0 to +20 dB • CV IN and OUT • EXP Input with adjustable CV OUT Attenuation from 0-5 V - converts TRS EXP pedal input to CV Output • Silent CMOS True Bypass Switching • Powered by opt. 9V DC power adapter (2.1 mm, center -, 25 mA current draw) PSYCLOP is not your average Effects Loop Mixer. Capable of managing any type of signal from instruments or effects pedals, PSYCLOP seamlessly blends them with its parallel effects loop. Its features include Input Attenuation of up to -20 dB and an Output Gain Boost of up to +20 dB in order to match any signals. For unity gain, simply set the Input Attenuation Amount to 100% with the IN control and using the OUT knob, adjust the Output Gain Level to 0%. To avoid phase cancellation issues between the dry and wet signal paths, the PSYCLOP also features a simple but effective Effects Loop Phase switch, which is easily accessible on the pedal’s side. Additionally, PSYCLOP is capable of converting TRS Expression signals to CV and makes them usable with most Eurorack gear, making it a perfect device for synth fans and sound design enthusiasts. The pedal’s EXP knob attenuates the CV output. When nothing is connected to its CV IN jack, the CV OUT jack will output 0-5V depending on this knobs’ setting and a connected EXP pedal’s position. So all you have to do is plug in and embark on your next thrilling sound design adventure.

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