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Keeley Dynatrem Multiple ...

2.785,-

Multiple waveform tremolo pedal DynaTrem Dynamic Tremolo Keeley DynaTrem Dynamic Tremolo & Reverb On Sale and Shipping! Hendrix and Vibe fans, a Must Have! Easily our most addictive Vibe tone! The DynaTrem Dynamic Tremolo by Keeley Engineering is an all new type of tremolo that is dynamic and responsive to your playing.  Your playing controls the Rate and Depth. The harder you play, the more it responds. Play softly and it relaxes. Set the sensitivity with Rate or Depth controls and you have an unparalleled ability to be expressive with your guitar and tremolo. Tone Trio – Three Modes Dynamic Rate – Your playing strength controls the Rate. The harder you play, the faster it modulates! Relax and play softly and the tremolo almost stops. Dynamic Depth – Play gently and it just barely throbs. Play aggressively and it and pulse hard and deep. Harmonic Tremolo + Reverb Mode. Yes that phaser/vibey, soulful and sweet sound! We have crafted our own circuits to give you a sound that is sinfully good. Slippery and smooth, you won’t want to gig without it. Add Reverb by adjusting the SHAPE control. Wave Table With a spin of the SHAPE control you get 4 wave-forms:  Ramp Up, Sine Wave, Ramp Down, and Square Wave. 4th Mode! All DynaTrems after serial number 300 have a hidden feature mode: Stadard Tremolo. Turn the Shape knob all of the way down and it become a standard triangle wave tremolo in the Delta Rate or Delta Depth modes. Call us for a free upgrade if yours does not have this feature. Or, when in Harmonic Tremolo Mode the Shape control is Reverb! Other Features Integrated noise reduction – developed with the code to reduce noise swells common with tremolo circuit, you get the quietest effect possible. Output Volume Control – Can be set for a boost for stand out effect. True-Bypass – No tone loss when off Battery Free – Any standard 9 volt, negative tip power supply will work, like a Voodoo Lab Pedal Power II.  60mA or greater. Keeley Engineered – Decades of audio experience and design. The DynaTrem Dynamic Tremolo features killer graphics!  Looks like an old tube amp or old tube radio.  Tone to match too!
Keeley Dyno My Roto ...

2.390,-

Tri-Chorus, Rotary, Flanger pedal Dyno My Roto Super Lush Tri Chorus Rotary Les’ Cab Roto Flanger You want tri-chorus in a pedal?  The new Keeley Dyno My Roto! Finally you can get those 80’s vintage rack chorus sounds that define killer chorus sounds. This was not an easy development. The Dyno My Roto is a tough and difficult thing to accomplish in such a small package and we couldn’t leave good enough alone. We added a Flanger and a Leslie Cabinet simulator. The magic to the chorus sound in the Dyno My Roto is the three LFOs that give you lush modulations that truly sing out like a chorus of guitars. Most chorus pedals, in fact nearly all, are simply two voice, one straight and one modulated. This offers twice the amount of joy by modulating another voice. That significantly reducing the ability to just hear one voice being affected and smears a couple voices in an effect that is truly enjoyable to listen to. We came up with a new Rotary Cabinet package that give you a Proximity Control. The Proximity Control controls how far away you are from the spinning speaker cabinet. This adds a depth and distance to the cabinet and is a touch like a reverb control.  It gives you that spatial expanse that can give you presence or depth in the chorus-like rotations. Lastly, while we were spinning things, we crafted a RotoFlange sound that has a simple negative feedback control. Easy to use and gets you the most classic flanger sounds possible. So whether you are going for an Alex Lifeson of Rush tone, an Andy Summers of the Police tone, or an SRV Crossfire rotary tone, we have you covered in one box with the Dyno My Roto.
Keeley Eccos Tape Delay & ...

3.457,-

Neo Vintage Tape Delay & Looper pedal ECCOS Delay Looper The ECCOS Delay Looper is based on a new stereo, flanged delay tone. Create beautiful sounding tape style delay lines and then spin them endless with the Looper! Designed to be at home in live pro rigs or bedroom studios while experimenting. The Keeley ECCOS is a delay-looper workstation with superb sound quality and abundant features. The true-stereo Keeley ECCOS artfully combines a delay pedal and a looper. At the heart of the ECCOS is a neo-vintage delay with unprecedented control over tape-style echoes. Create long and majestic sounding tape flanged delay lines and then switch to the feature-packed Looper to record endless layers of sound! Dual stomp switches in delay mode are for true-bypass, tap-tempo and even endless feedback – but in looper mode they allow you to record, play, reverse, half-speed and even trigger a “play-once”. Live or as a studio workstation the delay and looper work together giving you endless room for creating and experimenting in a small footprint. With over four years of development on the Quad 24/56-bit Dream DSP, Keeley has reached the pinnacle of delay sound quality with the amazing new tones in the ECCOS. The ECCOS now features Sound on Sound Mode! Sound on sound mode lets you record without erasing the original loop. The volume of the loops degrade over time, recreating a vintage reel to reel recording technique. To set the decay of the loops, hold down the FDBK knob and adjust the Depth control. This alt control comes in handy when using Sound on Sound Mode. The ECCOS features advanced independent switching. The Delay or the Looper can be turned on and off independently. You can start the Looper without without a Delay Setting. ECCOS Features: ECCOS is a True Stereo Delay and Looper Studio quality delay with tape flanged modulation Features include 3 memory presets, subdivisions, trails, runaway feedback Huge array of tone and time-based controls with the Alt Hold feature Full-featured Looper with reverse and half-speed loop effects 2 minutes of looping in mono, 60 seconds in stereo, Endless layers of recording! True-Bypass and Tap Tempo on-board or remotely with any style pedal-switcher Expression pedal assignment over any parameter and in any direction Pro Rig designed, remote control thru 1/4″ jacks for live use with pedal switcher systems 100% analog dry signal, audiophile designed input to output Stereo True-Bypass/Trails, switchable on the fly 9 Volt DC, 146mA low-current design Made in Edmond, USA
Keeley El Rey Dorado - Crunch ...

2.070,-

Old School Crunch to Super Lead Tones; Plexi in a box! El Rey Dorado THE GOLDEN KING! Classic British Tone Two Gain Stages THE GOLD KING! The El Rey Dorado is your go-to box for that Plexi tone. Yes, there is a wide range of 1960s Plexi Amp Tone in terms of power, which tubes are installed, which speakers and/or cabinet is used, but the El Rey Dorado hits the core tone bullseye! One of the many reference points for the tone was my own JTM 45/100® full stack.  (It’s a dead-on reissue Marshall® did with crazy cool custom-made–vintage-recreation speakers and dual transformers to transfer the load of the 4 EL-84s!) Click here to try this pedal out “I want black and gold Plexi tone,” Joe yells!!! The El Rey covers a lot of classic British amp tones by featuring two gain modes with the Power Toggle.  With the Power Toggle switch you have control over the compression and harmonics.  Low Power mode is louder, has more girth, and has fewer harmonics for a more old-school tone.  The High Power mode has more compression, more harmonics, and a tighter, more defined tone.  Old-school crunch in Low Power mode, super lead tones in the High Power mode. Simple as grabbing an open E Chord! Volume, Gain, Tone, Power Toggle: Yes Keeley Engineered: Yes Ripe Tide Gain: Yes 9 volt battery: 9V compatible (battery not included)
Keeley Filaments High Gain ...

2.629,-

Warm tube like amp tones to high gain overdrive pedal Keeley Filaments High Gain Distortion Three Stacked Gain Stages Seven Layers of EQ Tube Amp High Gain Keeley Electronics, the leading manufacturer of pedals built in the U.S., announces the release of our most potent and aggressive metal stompbox to date: the Filaments High Gain Distortion Pedal. The Filaments accurately replicates high-gain tube amps by layering 3 stages of gain while providing 7 ultra-flexible ways to EQ the tone. The Filaments has more flexibility in tone-shaping than any other Keeley stompbox. Level and Gain set the stage for rich layers of high gain tube-amp saturation. Bass and Body give you the punch and authority of a gain monster no matter what size amp you are playing.  Even if you’re running a 10-inch speaker the bass and body controls will give you the low end bass response you need. Running through a 4×12 already?  Just dial back the body control to keep the sound tight and focused.  Have an amp that’s hard to push?  The Boost and Crunch switches give you two different levels of gain and compression to get your edge just right for your tone.  The Presence control works with the Bright control to give any guitar or pickup combination the authority to stand up and shout.  Lastly, the Treble control gives you that added range of highs to make your amp sing. Style is a Metal Head’s Swagger Metal is more nuanced and subdivided that nearly any other style of music outside the classical stuff.  The Keeley Filaments High Gain Distortion pedal feels your pain, brother.  So of course its amazing 7 layer toneshaping lets you chameleon into any of these types of metal:  Christian or Death Metal, Black Metal or Folk Metal, both types of Core,  Grind and Metal.  Crust Punk or Glam Metal?  Progressive Jazz Metal or just good old Stoner Metal?  We got ya covered.  Get a Keeley Filaments High Gain Distortion pedal and pound it out !!  Get creative!  Create your own Metal. Heavy Metal (often shortened to just Metal)  😉 #noshitsherlock Keeley is well-known for high-end tone and durability.  His attention to detail in stompbox tone, tube amp building experience and “tough as nails” build quality ensures his new Filaments pedal will dominate the high-gain pedalboard. Isn’t it time you had a high gain pedal that gives you everything you need for the road? Tech Specs: 9-18 VDC – Louder and More Powerful at 18 Volts! Ultra Low Current = 10mA Center Negative Tip Power Supply Required – No Battery Operation True-Bypass 100% Analog – Made Right Here.
Keeley 30ms Double Tracker ...

2.790,-

Keeley 30 ms Double Tracker Automatic Double Tracker, Vintage Chamber Reverb, True Stereo Chorus Keeley 30ms Automatic Double Tracker. This stereo effect pedal offers an array of studio-style doubling effects used for creating thicker, fuller sounding instruments. Also included in the effect pedal is a reverb that simulates the famous chamber in Studio Two. Main Features: •    Automatic Double Tracker, Slapback Delay, Reverb effect pedal •    Vintage 80’s rack chorus sounds in a compact pedal •    3 modes      o    Dimension – Automatic Double Tracker – adds 2 additional voices, detunable by ±30 cents with Delay up to 30ms      o    Abbey Mode – approximates double tracking effect applied in the Abbey Road Studio      o    Slapback – adjustable classic slapback plus two adjustable doubled voices •    Internally switchable mono/stereo output via TRS jack and TRS insert cable •    Internally switchable PRO mode for even more control over the double tracked voices •    Pedalboard-friendly size – for compact rigs •    Made in Edmond, USA •    Powered by a regular 9V DC PSU (centre -, 2,1 mm, low ~65 mA current draw) The Keeley 30ms is designed to work with guitar, bass, keyboard, even vocals Says Chief Engineer Robert Keeley, “Since the early days of automatic double tracking, pioneered by Ken Townsend and John Lennon at Abbey Road Studios, this technique has become the de facto way of creating recordings that sound bigger and fuller by making it sound like two guitars, or singers, or instrumentalists are playing at same time. The Keeley 30ms Automatic Double Tracker offers musicians the ability to take these techniques with them out on the road with a wide range of tools needed for crafting unique double tracking schemes.” The Keeley Engineering 30ms Automatic Double Tracker pedal can be used in mono with a built in “Abbey Verb” reverb control, or in stereo as the Double Tracker Pro. The 30ms offers altered and detuned effects like a chorus pedal might sound, only without the regularity of a LFO oscillator in Dimension Mode. In this mode you have the ability to create up to two different voices for a stereo double tracked field. The user controls the tuning and delay for results that are stunning mono or, through two amplifiers, sublime stereo. Abbey Mode offers something more similar to a conventional chorus in that it simulates synched tape decks running in parallel with varying tape speeds. Stereo or mono, this mode gives players a wide, lush sound without sounding like a conventional chorus pedal. Lastly, the team at Keeley created a unique Slapback Mode for rockabilly sounds. The Slapback is now a double tracked echo with the two altered voices. Add the Keeley Abbey Verb to this mode to create stunning, new effects. In Stereo Double Tracker Pro Mode, the unit drops the reverb channel in favor of complete control over the double tracked voices. Each of the two voices can be tuned up to 30 cents sharp or flat. Those voices are then delayed by up to 30 milliseconds for subtle to very distinctive doubling sounds. Via internal switches, users can program the wet output to have either dry and effected sounds or just the effect, giving them true double tracking in stereo– live.
Tama T-shirt Logo w/Redline ...

190,-

Svart t-skjorte med TAMA logo og rød underline. Størrelse Large TAMT004L. T-shirt Tama Logo. Colour: Black. Logo: White. 100% Cotton.
Fulltone ABY Soft-Touch v2 ...

3.450,-

Fulltone True-Path ABY Soft-Touch v2 Upgraded, smaller and now even simpler to use! The CS-ABY-ST V2 has silent soft switches thanks to a Nickel core custom-wound 1:1 transformer that doesn't boost the treble frequencies, so fuzz pedals played through the True-Path sound round and distortions don't sound strident. Using the most advanced 4 opto switching system ever, yet also offering the purest signal. Each channel has switchable JFET Buffers to drive long lengths of cables without any tone loss and can be turned off for use with low impedance fuzzes. The True-Path also has a phase switch for in or out of phase signals and an isolation transformer to avoid noise and grounding issues.
Fulltone Wahfull fixed ...

3.290,-

Fulltone WahFull Around 1999 Robin Trower called Fulltone and asked if they would make him a pedal that achieved a “parked wah” sound, which is usually created by turning on a wah wah and finding that special spot where the Midrange is singing with feedback…a technique made famous by Michael Schenker and Jimmy Page. The Fulltone Custom Shop made one for Robin, called it WahFull and never thought about it again until years again when they started getting multiple emails per day asking if they were ever going to release it. They then made a second one for Joe Satriani, adding some very usefull features – born was the Fulltone Custom Shop WahFull. Main Features: • Cocked Wah effect pedal • JFERT buffered input and Output • Expression Pedal control jack • 3-position rotary switch - 3 different wah sounds, Wacked, Jimmi and Shaft • Pickup Compensator knob for compensating for hotter pickups or ones with weaker output, or to overdrive the inductor • Adjustable Transistor Bias trimmer - want it soft or hard? Want more or less chime? Just turn and adjust by ear, there is no wrong setting • Small footprint with top-mounted jacks & DC port • 100% Hand-Made in Los Angeles, using full-size components • Powered by 9 V DC PSU (centre -, 2.1 mm, 100 mA current draw)
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