Source Audio C4 Synth pedal

3.345,-

Source Audio C4 Synth Advanced Stereo Synth The C4 Synth unites all the sound creation tools of a classic Eurorack modular synthesizer and packages them in a compact and easy-to-use effects pedal for guitar or bass. Out of the box the C4 offers six dynamic synth tones that range from vintage analog to the thoroughly modern. It is essentially a modular synth in a small pedal with unprecedented tracking abilities, lightning-fast response, and countless sound options. With the addition of the Neuro Desktop Editor (a free download for Mac and Windows machines) and Mobile App. (for iPhone and Android) it's easy to browse from the ever-growing library of highly-inspired presets created by the Source Audio crew and the expanding community of C4 enthusiasts. Main Features: • Stereo 4-Voice Synth effects pedal • Supreme tracking with imperceptible latency and 2 pitch detection modes designed for either ultra-fast tracking when playing fast or high accuracy tracking when playing slow • 4 independent voices with individual oscillator wave shape, FM synthesis, mono- or polyphonic pitch shifter, intelligent harmonizing sequencers or dry signal to distortion, tremolo and filter settings • 3 types of oscillators with sine square and sawtooth wave shapes • 11 envelope followers with adjustable attack decay or ADSR triggering • 25 filter effects • 14 different LFO Wave Shapes - to control filter modulation, vibrato or tremolo effects • 2 programmable 16-step sequencers capable of running individually or simultaneously • Second layer knob function accessible via Alt-Switch • Deep customization features accessible via Source Audio Neuro App and Desktop Editor • 6 onboard presets in 2 banks and 128 presets accessible via MIDI • Stereo Inputs and outputs - for multiple advanced routing options • Mini USB Port for PC connectivity (Windows and Mac compatible) and remote control • 3.5 mm control port - for connecting compatible Source Audio control devices • Selectable Relay True or Buffered Bypass Switching • Included 3.5 mm to 6.3 mm TRS cable to connect to mobile device • Powered by (included) 9V DC power supply (2.1 mm plug, center -, 180 mA current draw) It’s that easy. When you're ready to explore beyond the C4's six onboard presets simply jump to the Neuro Desktop's Cloud tab or the Neuro Mobile App's Browse function and check out all the available presets created by the Neuro Community and the Source Audio team. We've got a huge and growing-huger collection of vintage and contemporary synth effects that are guaranteed to amaze. When you find that mind-blowing tone that you can't live without, simply click the BURN icon and upload the preset directly to your C4 - it will be waiting for you at the next gig. On the surface, the C4 features a simple 4-knob interface and a choice of six amazing guitar/bass synthesizer effects - just plug-in and play. If you want to take things to take things a bit further, we urge that you connect the C4 to our Neuro Preset Editing & Browsing tools. Inside Neuro you will find the tools to personally create your own synth utopia. Use the C4’s collection of four parallel voices, three oscillator wave shapes, ten-plus envelope followers, twenty-plus modulating filters, distortion, tremolo, pitch shifting, intelligent harmonization, FM synthesis, two programmable sequencers and more to dial in that perfect tone.

Source Audio ARTIFAKT Lo-Fi ...

4.464,-

ARTIFAKT Lo-Fi Elements Lo-Fi Modulation, Reverb, Bit-Reduction and Filter The ARTIFAKT Lo-fi Elements is the first pedal of its kind, a comprehensive collection of all the hazy, scratchy, wobbly, and broken tones that epitomize the term ‘lo-fi’.” Like a mega-delay or mega-reverb, ARTIFAKT is a “one-stop shop” for all the most sought-after lo-fi effects including old vinyl replications, tape modulation and saturation, bit crushing, sample rate reduction, dark reverb and echo, filtering, compression, glitch, and more. Source Audio has dedicated much of the past three years to meticulously honing each of these sounds as well as engineering an entirely new hardware design with an easy-to-use interface that places the pedal’s full capabilities at your fingertips. Main Features: • Lo-Fi Modulation / Reverb / Delay / Bitrate Reduction Effects Pedal • Updated platform with imporoved interface and additional controls and foots witches - for easier access to more parameters, presets, tap tempo and a variety of other engine specific functions • 7 different effect engines on the face of the pedal o Radio - crackling nostalgic tones of a vintage radio struggling to dial in a signal o Tape - conjures the sound of vintage tape machines with subtle compression, tape saturation, flutter and pitch modulation o μVerb - a primitive reverb effect with bouncing echoes similar to the reverb on 8-bit gaming systems o Crush - bit-depth quantizing and sample rate reduction, finely sculpted with the resonance of a Moog-style ladder filter o Ladder - filter effect inspired by the revered R-2R ladder filter o Vinyl - faithfully emulates the crackle and pop of vintage records o Glitch - adds an unpredictable edge with random speeds and pitches • 16 presets accessible via the pedal controls (128 presets available via MIDI) • Full MIDI control via 3.5 mm TRS MIDI In and Thru jacks • USB-C port for connecting to Neuro 3.0, Source Audio’s preset downloading and effect editing software • Stereo Inputs and Outputs • External expression control over any parameter using the Neuro 3.0 editor • Switchable Active Analog or True Bypass • Powered by (opt.) 9V DC power supply (2,1 mm plug, center -, 200 mA current draw) Navigating through the seven positions of ARTIFAKT’s effect selector knob unleashes a symphony of sonic transformations, each akin to engaging a new pedal with its own unique brand of lo-fi. • The first effect on the dial is Radio, tune into its crackling nostalgic tones where static frequency filtering and noise generation evoke the charm of a vintage radio struggling to dial in a signal. • The Tape engine conjures the sound of vintage tape machines by blending subtle compression, overdrive, tape flutter, and pitch modulation to invoke effects like slapback, chorus, doubling, and tape saturation. • μVerb is a primitive reverb effect with bouncing echoes similar to the reverb on 8-bit gaming systems. • The Crush effect voyages the realm of bit-depth quantizing and sample rate reduction, all finely sculpted with the resonance of a MoogTM-style ladder filter. • Ladder, inspired by the revered R-2R ladder filter, offers both envelope and LFO modulation control for classic and dramatic filter sweep effects. • Vinyl faithfully emulates the crackle and pop of vintage records, from pristine 180-gram vinyl to well-loved gramophone platters. • Glitch adds an unpredictable edge, capturing fragments of your performance and hurling them back at random speeds and pitches. Pairing the ARTIFAKT Lo-fi Elements with Source Audio’s completely reimagined and reengineered Neuro 3.0 software elevates an already great pedal to new heights. Access free, stage-ready presets from Neuro’s expanding library of factory and Neuro Community presets. Explore Neuro’s extensive editing capabilities to blend and experiment with the various lo-fi elements mentioned earlier—it’s a limitless effects palette for crafting unique lo-fi sounds. ARTIFAKT also boasts stereo inputs and outputs, full MIDI control via the 3.5mm TRS in and thru jacks, dual footswitches, 128 presets, and more.

SolidGoldFX AURRAS Optical ...

2.562,-

SolidgoldFX AURRAS Optical Vibraphase The AURRAS Optical Vibraphase by SolidGoldFX is a powerful effects pedal named after the goddess of sound that meets the legacy of its predecessor the Athena Vibraphase in a harmonious blend of legendary, vintage Uni-Vibe textures and innovative, modern prowess. Main Features: • Optical Phase-Shifter effects pedal • 100% analog audio path from input to output • 2-stage asymmetric phase shifter built around a pair of selected and individually controlled opto-isolators • Dry Mix for tones and textures ranging from soft Vibrato to lush Uni-Vibe like sounds. • Dual LFO setup powered by a microprocessor, providing limitless sonic flexibility • 2 modes for increased versatility o Frequency Offset - adds rhythmic patterns by slowing down the second LFO o Phase Offset - fine-tunes the throb by introducing asymmetry between the LFOs • On-board tap tempo, speed ramping and expression pedal input • Soft-touch relay-based True bypass switching • Hand-made in Montreal, Canada • Powered by a regular 9V DC PSU (centre -, 2,1 mm, 25 mA current draw at 9V) Rich, Energetic Soundscapes AURRAS Optical Vibraphase is a 2-stage asymmetric phase shifter built around a pair of selected and individually controlled opto-isolators offering a clearer signal with minimal distortion while simultaneously isolating the audio path from any possible LFO interference. The dual LFO setup, powered by a microprocessor, provides limitless sonic flexibility. Drawing inspiration from albums such as Band of Gypsys or the Dark Side of the Moon, the AURRAS delivers the lush modulation and heavy pulse that have shaped Rock & Roll history. Comprehensive Tone-Shaping Controls With its dual LFOs, expression pedal input, adjustable dry mix control, and offset combined with Speed, Depth and Level knobs, AURRAS transcends eras with a rich tapestry of intriguing, lush liquid soundscapes. While the AURRAS features a 100% analog audio path from input to output, it takes advantage of precise digital controls, offering soft-touch relay-based true bypass switching, on-board tap tempo and speed ramping. Set your effect with the Speed knob, Expression Pedal, Tap Tempo, or by using the Ramp function. You can ramp up your LFO speed by simply holding the Tap Tempo footswitch, which will automatically ramp up to double your speed. You can also ramp down your LFO speed by simply holding down the Bypass Footswitch. This will automatically decrease your speed to half. Repeat this process as many times as you’d like to achieve the desired speed. Let’s talk about LFO Offset AURRAS runs on a pair of opto-isolators each operating on an independent LFO. While most Phaser or Modulation pedals use a single LFO to create their effect, independent LFOs can open a new array of effects by offsetting their symmetry. The OFFSET ADJ knob and OFFSET MODE FREQ|PHASE knobs work in tandem. For a more conventional effect, turn the OFFSET ADJ mode fully counterclockwise, allowing both LFOs to be in sync with no offset. The FREQUENCY OFFSET adds rhythmic patterns by slowing down the second LFO, while the PHASE OFFSET fine-tunes the throb by introducing asymmetry between the LFOs.

Red Panda Radius Stereo Ring ...

4.350,-

Red Panda Radius Stereo Ring Modulator / Frequency Shifter The Radius is a ring modulator and frequency shifter with pitch tracking and an advanced LFO. It is designed around a novel ‘eight-quadrant multiplier’ algorithm that smoothly transitions from ring modulation to frequency shifting and allows different frequency ratios for the upper and lower tones. Radius puts complex harmonic structures, bell-like tones, metallic textures, frequency shifting, soft tremolo, and bubbly phaser sounds at your fingertips. Pitch tracking, a push-to-tune footswitch, and picking dynamics make the Radius responsive and predictable on stage. Hold the left footswitch and play a note to tune the carrier oscillator to that note. Pitch tracking maintains the pitch ratio as you play up and down the scale, or tracks by a ratio (or inverse) for more dynamic sounds. An expression pedal can be assigned to any combination of knobs. Radius goes far beyond traditional ring modulation. With precise control over the balance and frequency ratios of both sidebands, you’ll have more advanced control than with any ring mod that has come before.  Main Features: • Stereo ring modulator and frequency shifter effects pedal • Continuous mix between ring modulation and frequency shifting • Selectable 2X frequency ratios for upper and lower sidebands • Frequency shifting with feedback • Three carrier frequency ranges (low, high, quantized) • Carrier frequency pitch tracking (monophonic, +/- 100%) • Push-to-tune carrier oscillator • MIDI-playable carrier oscillator • Multi-waveform LFO (triangle, square, random, intelligent random, X mod +/-) • Step modulator with 1-8 steps, programmable via front panel • Tap tempo and MIDI clock sync • Envelope follower • Envelope-triggered LFO (one-shot ramp, pulse, random, step mod) • Presets (4 on board, 100 via MIDI) • Expression pedal assignable to any combination of knobs / parameters • Configurable AUX switch (tap, tune, preset, LFO) • USB and TRS MIDI • Stereo input/output (TRS) • Full MIDI implementation • 96 kHz sampling rate • Web editor with preset upload/download • User-installable firmware updates (USB) • Designed and assembled in USA • Powered by a regular 9V DC PSU       (centre -, 2,1 mm, 250 mA current draw) A ring modulator multiplies two signal signals together to create new frequencies that are the sum and difference of the input frequencies. One signal is your instrument, and the other is an internal oscillator.  The Radius can double the sum or difference frequency ratios and adjust their relative levels, unlocking a spectrum of timbres beyond traditional ring modulation. It has an advanced LFO with triangle, square, random waveforms and an eight-step sequencer, all of which can be envelope triggered. The envelope follower makes it responsive to playing dynamics, and two ‘X’ modulation waveforms create sweeping spectral changes. Well-spaced controls and stereo input/output make the Radius perfect for sound design, synths, and creative mixing. A full MIDI implementation allows you to sync to MIDI clock, sequence parameter changes, and play the carrier oscillator from a keyboard. This is a musical ring modulator and frequency shifter that transforms the timbre of your instrument in new ways. With deep features and intuitive control, Radius modernizes classic electronic techniques for the future.

Peterson StroboStomp Mini ...

1.555,-

Peterson StroboStomp Mini Mini HD Strobe Tuner For over 75 years, Peterson has been trusted by some of the biggest names on stage and in the studio as the standard in tuning precision. The StroboStomp Mini delivers the unmatched 0.1 cent tuning accuracy of all authentic Peterson Strobe Tuners in a mini pedal tuner format. Featuring a high-definition LCD strobe display with variable LED color backlight, your instruments will never sound more in tune.  A pop-less true bypass mode and a buffered output mode place you in command of your precious tone without compromise. With over 80 exclusive Sweetened Tunings® and Guided Tunings on-board, you’ll be able to dial in your sound and tune like the pros! We designed StroboStomp Mini around the most requested features from our customers: a mini form factor, and top mounted jacks. We felt there could be no concessions in StroboStomp Mini. Users will find everything they love about StroboStomp HD in StroboStomp Mini, pop-less true bypass, pure buffer, always-on Monitor Mode, transposition, adjustable concert A reference, as well as a few new features like Power Up Mute State not yet available on StroboStomp HD. As with all our tuners, StroboStomp Mini adheres to our 0.1 cents standard of tuning accuracy. StroboStomp Mini is everything you need in a pedal tuner; shrunk down to less than half the size of StroboStomp HD. Main Features: • Mini Strobe pedal tuner • User-Configurable High-Definition LCD Display with LED Colour Backlight • Easily Visible in Direct Sunlight or Stage Lighting • Real Strobe Tune with 0.1 Cent Accuracy • Over 80 Sweetened and Guided Tunings • 390Hz - 490Hz Concert A Reference • Up to +5 to -6 Half-Tone Transposition • Switchable Pop-less 100% True Bypass or Pure Buffered Output • Tuning ‘Always-On’ Monitor Mode • Mini Form Factor with Top Mounted Jacks • Updateable Firmware • Peterson Connect enabled • Powered by opt 9 V PSU or 5 V USB-C (9V DC, centre -, 2,1mm, ~85 mA current draw) Mini Pedal Form Factor Size matters. StroboStomp Mini includes all the fantastic tuning power you have come to love, in a teeny tiny living space. With its HD display, StroboStomp Mini is accurate to 1/10th of 1 cent, includes over 80 Sweetened and Guided Tunings, has adjustable Concert A Reference from 390Hz - 490Hz, and includes Transposition settings from -5 - +6 half steps. Top Mounted Jacks You asked. We listened. We take customer feedback seriously. Our most requested feature is top mounted jacks. StroboStomp Mini utilizes top mounted jacks to make its small footprint even more useful. StroboStomp Mini will fit on even the most crowded pedalboard. Pure Buffer Mode Operation Does your love for effect-driven musical chaos require a massive pedal board? Need that XL cable for jumping off the stack during your face melting solo? No problem, the StroboStomp Mini features a PURE buffer mode to preserve the sonic clarity of your axe while enabling you to run a collection of pedals and long cable lengths without compromise. 100% Pop-less True Bypass. We’ve redesigned and greatly improved the way incoming signal was handled in true-bypass mode to deliver a perfectly silent experience when muting your signal. A dual relay circuit effectively bleeds out any incoming signal before powering the tuner down resulting in a silent transition without affecting tone quality. Always-on Monitor Mode Want to see your tuning without having to mute? Need to check your intonation on the fly on fretless? With our Always-on Monitor Mode you can do just that. Monitor Mode allows you to see the Tune Screen at all times, without needing to mute the signal. It also engages our buffer to combat tone-sucking of long cable runs. Of course, you can still mute your signal in Monitor Mode to tune silently. We All See Color Differently The LCD display on the StroboStomp Mini is easy to see in bright lighting conditions but the LED backlight color is user-adjustable to suit your particular viewing preference. Globally change the display color for all functions or choose to associate colors with specific tunings for easy and quick identification at the gig. Create custom colors on Peterson Connect or use any of the 10 preset colors to organize your preset tuning list.

Peterson StroboClip HDC ...

999,-

Peterson StroboClip HDC True High-Definition Strobe Tuning for your Headstock With the launch of the Peterson StroboClip HD, Peterson took exactly the same tenth-of-a-cent accuracy and pin-point precise strobe tuning technology that features in all Peterson Strobe Tuners and crammed it into a small and sleek-looking enclosure with its HD screen, perfect to fit straight on almost any instrument. Now refining this concept even further, StroboClip HDC is the next iteration in Peterson’s Strobe Clip-on tuner line-up. This new and versatile tuner comes complete with an adjustable, beautiful bright Colour High-Definition display and is now rechargeable, with a USB-C charging port, for even more convenience and customisability. Main Features: • Strobe Clip-on Tuner • Integrated re-chargeable Lithium-Ion Battery • Long battery life and Quick-Charging Cycle • Wide Viewing Angle, visible even in direct sunlight • True Strobe 0.1 cent accuracy • High-definition backlit display, with adjustable colour • Note range: C0 - B6 with rock solid tracking down to 16 Hz - perfect for Bass players • Adjustable Hz calibration with Concert A range from 390 Hz to 490 Hz • Drop Tuning and Capo Settings with Transposition Range: -6 to +5 • 8 selectable historic temperaments • Over 65 Sweetened™ Tunings • USB-C port for charging, software updates and customisation via Peterson Connect™ StroboClip HDC’s long-lasting rechargeable lithium-ion battery holds enough charge for up to 6.5 hours of tuning time and features a fast-charging cycle, to be ready again for a quick tuning action in no time, should the charge run low. You never need to carry spares or try and find the right size battery again! This nifty tuner comes complete with over 65 Sweetened™ tunings, alternate temperaments for a vast array of string and wind instruments and soft, rubber-lined jaws to protect your instrument’s finish, all while offering a firm grip for maximum signal tracking. The jaw of the StroboClip HDC is large enough to accommodate a variety of instruments and mounting locations. With rock-solid tracking down to 16 Hz, tuning that low B will never be a problem. There is no more need for 12th fret tuning to get low notes to register or trying to decipher an erratic tuning display. Even early music and orchestral instruments can be tuned with ease. Peterson’s design features a raised power button for instant identification on a dark stage and the positive-click, tactile buttons take the guesswork out of changing settings on the fly. Confidently perform touch-up tuning quickly between songs and save valuable seconds during the gig. The StroboClip HDC will always deliver a smooth tuning response and convey even the most minute changes in pitch in real-time, allowing you to get in tune faster using the highest resolution in tuning accuracy.

Old Blood Noise SCOOCH Tap ...

436,-

Old Blood Noise Endeavors SCOOCH Tap Tempo Tap Tempo Switch SCOOCH is an external tap tempo footswitch designed for use with our Expression Ramper X3, Whitecap, and Blackcap. Simply plug scooch into the Tap In/Ext Tap jack with a TS cable and start tapping in your desired tempo! The pedal you plug SCOOCH into will handle the rest. SCOOCH Tap Tempo can be used with a wide variety of other devices as well, for Tap Tempo, Remote Switching, or other purposes: anything expecting a momentary, normally open footswitch signal through a TS cable (connecting Tip to Sleeve when pressed) will be compatible. Main Features: • Tap Tempo Footswitch • 6.3 mm TS output (configured as normally open) - for connecting any compatible tap-tempo or external switching enabled pedal • Designed to work with Old Blood Noise Endeavors effects pedals • Also compatible with any device capable of accepting momentary, normally open TS footswitch signlals connecting Tip to Sleeve when pressed • Compact form factor • No power required

Old Blood Noise MTET MIDI To ...

1.667,-

Old Blood Noise Endeavors MTET MIDI to Expression Translator Realizing matching gaps in the market and their friends’ workflows, Old Blood Noise Endeavors unveils their newest utility device, the MIDI to Expression Translator (MTET). MTET is a simple device for complex workflows.  It receives MIDI CC messages and turns them into expression outputs, allowing players to unlock MIDI control over their expression-enabled devices.  Where once there was only a foot, now there is envelope control, LFO control, snapping to preset positions: any MIDI shape can express an OBNE (or similar) device. Main Features: • MIDI to TRS Expression interface • Translates MIDI control change messages to TRS Expression • 4 individual expression outputs • Expression compatibility with any TRS expression enabled device where tip is connected to wiper • CC control over LSB for 8-bit resolution from a 50K digital potentiometer • MIDI Thru jack for easy daisy chaining • Powered by (opt) regular 9 V DC PSU  (centre -, 2.1 mm, 50 mA current draw) Language is hard: let’s start at the start. Communication is complex, beautiful a real thorn in our sides. Many languages, dialects, standards.  Some similar, some vastly different. A linear sweep, a barrage of Bits. Music, of course, is meant to be the universal language, but our devices don’t see it that way. One could argue even we don’t see it that way – tonal and microtonal, EAST+WEST, free jazz and bubblegum pop. But we’re not here to argue. We’re here to blame the devices. The MIDI To Expression Translator (MTET) does exactly what it says on the tin. It receives MIDI messages from external MIDI devices and uses those MIDI messages to create four separate Expression outputs for use with external expression enabled devices. MTET uses a 50k digital pot, wired for TRS connection with the tip active (connected to the wiper). It is assumed the external expression-enabled unit will apply to the sleeve and reference voltage to the ring. It is configured to communicate with other devices using this standard. Its primary purpose is to interface with Old Blood Noise Endeavors pedals and serve as a communicator between them and a MIDI controller. However, it will work with many other units that use the same expression setup as OBNE.

Old Blood Noise Expression ...

2.674,-

Old Blood Noise Endeavors Expression Ramper X3 Syncable Triple Expression Control with Presets Expanding on the concept of our Expression Ramper, we present the Expression Ramper X3, an expression movement shaper capable of manipulating three expression jacks simultaneously with copious control. This utility device brings new sounds out of your old favorites, reinvigorating the sonic possibilities of your collection. Main Features: • Expression Control Pedal, with storable expression preset settings • 3 expression separately adjustable and syncable outputs to create footswitch activated motion on up to three external devices • Ramp between the two presets (A and B) • 3 new random shapes (Smooth, Sharp and 1 Shot) in addition to the classic shapes (Triangle, Square, and 1 Shot) for movement between settings • Ability to sync across all three Rampers, with subdivided rate or direct output matching • Tempo syncing via tap switch on the device, external tap switch, and tap out in order to sync multiple Expression Ramper X3s • Expression input for Ramper 1, allowing X3 to become a 1-in-3-out Expression splitter • Rate control, sets the speed of movement • Configurable EXP output (TRS, TRS reverse polarity or TS) • LED indicates which setting is currently active • Smart footswitching for momentary or latching operation • Powered by regular 9 V DC PSU (centre -, 2.1 mm, ~50 mA current draw) A Ramper is a device that creates motion on your expression-enabled devices. You choose point A, point B, and the way it moves between. It’s utilitarian, but opens up a number of sounds from your existing pedals. The Expression Ramper X3’s allows you to set the shape of the LFO (the thing that determines the expression motion). There are three standard shapes (Triangle, Square and One Shot), and three random variations of those shapes. To access the alternative shapes, simply hold down the tap button while switching the Shape toggle. • Triangle, for a linear motion between A and B, starting and ending at A and hitting B at halfway on the LFO cycle. • Alternate shape: Smooth random, which repeatedly moves to a random spot between A and B in a linear fashion. • Square, to snap between A and B, spending half of the LFO cycle in each position. • Alternate shape: Sharp random, which immediately moves to a new random spot between A and B at the start of each cycle. • 1 SHOT, to move linearly either from A to B or B to A (depending on the starting point) and then stop. • Alternate shape: one shot random, where each press of the footswitch snaps to a new random spot between A and B. The device’s Footswitches set things in motion. A stomp of the footswitches will initiate motion according to the shape and LFO speed you’ve set, and another stomp will stop that motion. By holding a footswitch, you can momentarily stop or start the movement, and then revert to where you were before when that footswitch is let go. Most of the time, when not in motion, a Ramper will be in the A position, unless using one of the 1 Shot modes or currently setting the B position. To know where your Ramper is, use your ears as an auditory guide and the two LEDs as a visual guide. Expression Ramper X3 is more than three Rampers in one box, there are a plethora of additional controls to tempo sync multiple Rampers. The SYNC toggles on Rampers II and III determine whether they are synced to Ramper I. ALL syncs everything about the Ramper: the output of the completely synced Ramper will match Ramper I’s output exactly. RATE syncs only the rate of the Ramper: A, B, Shape, and motion settings stay independent, but the rate is tempo synced. In this setting, changing the Rate knob assigns subdivisions: 1⁄4, 1⁄2, 1x, 2x, 3x, and 4x speeds are all available. OFF deactivates any syncing, so the Ramper can act fully independently. Ramper I (the green one) has a TAP button. This can be used to tap in the desired LFO speed. It begins syncing at two taps, but multiple taps in a row at similar BPMs will average out to increase accuracy. Note: the slowest possible tap tempo is 30 BPM, so taps outside of this range will be disregarded. Ramper I also has external control via the jack. It can be used in three different ways, configurable via the internal dipswitch (located on the bottom right of the board, labeled “TAP/EXP SETTING”). It can be configured for TRS Expression input, External Tap Tempo with a footswitch, like our ‘Scooch’ Tap Tempo device using a TS cable and tap away. Or for External Tap Tempo using a pulse, turn 1 off, 2 off, 3 off. This is optimized to sync tempo across two ERX3s by plugging into the second ERX3's Tap Out jack, but will also work with other external pulse sources. There is also a TAP OUT jack on the side of Triple Ramper. This continually outputs 3.3V pulses based on Ramper 1’s tempo. In this way, you can sync external units (like another Expression Ramper X3) to Ramper 1. Happy Ramping!

Old Blood Noise BL-52 Phase ...

2.508,-

Old Blood Noise Endeavors BL-52 Phase Repeater Variable Clock Phase Repeater Further pushing the boundary of clock-defined pedals, the latest entry in Old Blood Noise Endeavors’ BL series is a Phase Repeater, in the process making a genre entirely of its own. Phase repetition takes the modulation of a phaser and applies it to the realm of time, creating a completely unique sound and more like delay or reverb than its namesake phaser. First used in the OBNE Dweller pedal, the BL-52 Phase Repeater represents a new spin on the sound, with simple controls including a Clock slider that enlightens the timing of everything in the pedal. Main Features: • Phase Repeater Effects Pedal • Creates sounds that are between phaser, delay and reverb tones, by applying the modulation of a phaser to time • Simple, yet interactive control layout - gives immediate tactile experience that encourages experimentation • Clock slider - changes the delay time, LFO speed and overall fidelity of the effect, from faster repeats to time-stretched lo-fi • Feedback knob - enhances the intensity of the phase repetition by further lengthening the trails • Wet/Dry Mix control • Soft-touch bypass switching • Pedalboard friendly size • Made in the USA • Powered by 9V DC PSU (centre -, 2,1 mm, ~110 mA current draw)

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