Fulltone Soul-Bender Fuzz ...

2.650,-

Fulltone Soul-Bender In the early 1970’s, Sola-Sound England produced a very fat, warm, and juicy sounding Distortion/Fuzz called the Tone-Bender MkIII. These were also sold under the Colorsound, and Park brand names with slight variations in circuit and sound....my favorite being the Sola-Sound. “3 knob Tone-Benders,” as they became to be known, were very different from the more popular Fuzzface pedals in that they had more sustain and a lot of sweet midrange on-tap, which could give a thin Tele or Strat a very sax-like solo tone, especially with the “Tone” control turned full clockwise. The ‘Bender tone control cuts treble and increases Bass & Mids as you turn it clockwise, panning between a large and small capacitor, which is the way different from most other pedal’s Tone controls which simply cut treble at the knob is turned counter-clockwise. The magic of these “3 knobbers” is that they contain 3 germanium transistors...all of differing gains, and the secret is you have to know the proper gain each transistor needs to be in order to produce the best sound. I know, not because of some schematic on the web (all wrong BTW) or “build your own” kit, but because I have owned and repaired 40 or more original “3 knobbers,” and have almost 20 years experience with this circuit, knowing what makes them sound great and sustain long. The original Fulltone Soul-Bender® came out in 1995, it was inspired by this classic 3-knob design, and was produced up until around 2006 when Fulltone could no longer parse suitable transistors. Recently Fulltone re-established a relationship with one of the last remaining germanium transistor making companies, which has allowed them to re-issue this fuzz-classic as the Soul-Bender® SB-2. The SB-2 is in some ways better than the old Soul-Bender® in that I am now having the transistors made-to-order just how I want them, and these wonderful skinny-tall TO-1 Germanium transistor (with a top hat brim) that have just the right characteristics, including the requisite low gain and low noise just like the vintage Sola-Sound pedals had. The Soul-Bender® improves on the original 60's design by offering more available volume, a more usable Tone control range, True-Bypass switching with my proprietary "silent switching circuit,” better power supply filtering for less noise, and polarity protection to keep the sensitive Germanium transistors from damage....you cannot fry this pedal if you accidentally use the wrong power supply! Your SB-2 is roughly half the size of the original Soul-Bender® (or Sola-Sound) and I left the IN & OUT jacks on the rear of the pedal like the original Soul-Bender® so it will fit on even the most cramped pedalboard. • Germanium Fuzz pedal • Replica of the 3-knob Sola-Sound Tone Bender • Vintage specs and vintage sound • 100% hand-built in the USA • Powered by 9 V DC PSU (centre +, 2.1 mm)

Fulltone Octafuzz OF-2 ...

2.690,-

Fulltone Octafuzz OF-2 Octafuzz... the only exact circuit copy of the legendary Tycobrahe Octavia. Cool Octave-Up sounds a la Hendrix "Band of Gypsies" and SRV's many live shows! Housed in a 16ga. steel enclosure with a beautiful ranar-blue gloss powdercoat finish and antique-white logo, this pedal is the reincarnation of the Tycobrahe. Scott Henderson 8/2022: "I’ve never done an album yet without your Octafuzz. I’d be lost without it!"* Gary Clarke Jr uses the Octafuzz (on "Fuzz" setting) for his epic Live and recorded Fuzz tones...no other pedal can do that imploding sound. "Edgy, tweaked, and haunted by strange overtones, it's distortion occupies a galaxy far, far away from modern crunchola fuzz." -- Guitar Player Mag Almost synth-like with its ring-modulation and "steel-drum" vibe... you will turn heads. Around 2000 I developed a mod to the Octafuzz that made it into a massive non-Octavia Fuzztone with a flip of a switch. My mod was soon adopted by all other companies who make Tycobrahe reissues and clones. • Octave Fuzz pedal • Exact clone of the Tycobrahe Octavia • Octa / Fuzz switch for cutting out theOctave circuit–for the nastiest most distorted Fuzz • 100% hand-built in the USA • Powered by 9 V DC PSU(centre +, 2.1 mm)

Fulltone OCD2 Obsessive ...

2.190,-

Fulltone OCDv2 Latest version of the Obsessive Compulsive Drive The OCD has received many slight tweaks since its birth in 2004, often incorrectly identified as “version 2, Version 3, Version 4.” In reality there has always been only one version…Version 1, with very slight variations in a couple of values after that making them V1.0 through V1.8. All OCDs serial 205811 and higher are the new, less compressed versions some refer to as "v2.01" The OCD was the first pedal to use Mosfets as clipping devices. Another first was their configuration as "hard clippers connected to v-ref" instead of to ground, as was the norm. These things contribute greatly as to why the OCD has such touch-sensitivity...why they react so well when the strings are hit hard or soft, and why they sound & feel different than all other pedals out there, 90% of which are just slight tweaks of the Tube Screamer. The new output buffer eliminates the pedal from being influenced by effects that came after it when it is turned on in True-Bypass mode, or always when in Enhanced Bypass mode. Translation, your sound remains consistent regardless of placement in today’s more complex signal-chains, loopers, and pedalboards. This buffer also had a positive effect on the sound, it reduced loading on the pedal’s hard-clipping stage, allowing more sustain of both the sound and the overtones. Also new for V2 is the  Class A configured discrete 2N5457 JFET input section, raising the input impedance to 1 mega ohms and increasing the dynamics…resulting in significantly better interaction with both single coil and humbuckers. On top of that V2 gives you an internal switch to choose between ”Enhanced Bypass” & True-Bypass, and with no popping sound in either mode. While True-Bypass (TB) switching was the ultimate way to achieve a clean signal path for many years, everything’s different now. Most guitarists have elaborate pedalboards with 10 or more pedals being the norm, and tremendous potential for signal and tone loss with the many cables, connectors, and other pedals involved in the chain. There can be so much signal loss that it sounds nothing like the sound of a guitar with a cable straight into the front of a great tube amp. Uninspiring. The pedal industries’ solution to this problem for the last 40 years was unity-gain buffered bypass…i.e. a couple of Field effect Transistors (FETs) configured as unity-gain buffers This reduces the loading effect that occurs using long lengths of cable, and you remove the loud “popping” sound when switching the device on and off. This not only can sound ‘tinny’ , but also kills dynamic pick response, i.e. it kills the difference between picking soft and picking hard…Yes, when the pedal is in bypass! The solution is Enhanced Bypass! By configuring both of the switching FET’s Class-A all the dynamics return. People rave about old EP-3 Echoplexes and EP-3 type boosters, and although they know that they love what it does to the guitar’s sound, they can’t explain why. It’s because of the Class-A FET preamp! With a Class A FET the dynamics get amplified, allowing an even greater range of expression than if you were playing through a guitar and just one cable straight into your amp. The downside with EP-3 preamps is that they throw the signal OUT-of-phase, boost treble, and cut bass. Fulltone’s EB the signal exits the pedal IN-phase and doesn’t change the EQ at all. With OCD V2’s Enhanced Bypass you get this benefit whether the pedal is turned ON or OFF. This means that just having the OCD turned off in your signal chain makes the whole rig sound alive, fresh, and more powerful again. • Version 2 of Fulltone’s famous Obsessive Compulsive Drive pedal • tube-like distortion through combination of overdriving a JFET opamp and hard-clipping the signal with a pair of MOSFETs • more Dynamic-Range…meaning the difference between picking soft or picking hard will actually yield a more natural and wider range of distortion (with less compression) • Passive Hi-Cut Treble control • High Peak/Low Peak switch for tailoring the drive’s distortion tone • Class-A wired JFET input – isolates the pedal from the influence of anything that comes before it in the signal chain • Internally switchable True or Enhanced Bypass • 100% hand-built in the USA • Powered by 9 V DC PSU (centre -, 2.1 mm, ~8 mA current draw)

Fulltone Mas Malo ...

2.650,-

Fulltone Mas Malo Distortion/Fuzz - NOS BC184C discrete transistors …one of Michael Fuller’s favorite Mexican restaurants in downtown Los Angeles. He likes the bold, spicy food, and he likes the name, which translates from Spanish to mean: ”More Bad.” It inspired this tiny, yet potent, and surprisingly versatile Distortion/Fuzz you now have before you. Each pedal is fitted with three matched New Old Stock BC184C transistors allowing this pedal to do everything from Jimmy Page type crunch tones, Gilmour style singing leads, all the way to howling, compressed, infinite sustain feedback, even at low volume levels. And with just the right amount of midrange to sit perfectly in the track, or in the live mix. On top of that, Mas Malo has a fairly high input impedance and extremely low output impedance along with true-bypass switching (with Millennium LED switching) to assure that it gets along with everything that comes before, and everything that goes after it. The Knobs are V for Volume, D for Distortion, C for Color, and H for Heat. Volume & Distortion are self-explanatory, and the Color knob is a unique tone control panning from rich warm sounds all the way to Trebly Fuzztones. The Heat knob regulates the Bias of the first transistor in the circuit, which can really set up a domino effect, and the reason that this pedal can cover as much range as it does. This pedal truly is MORE BAD. Main Features: • Distortion/Fuzz effects pedal • Huge tonal range from Jimmy Page type crunch tones to Gilmour style singing leads, all the way to howling, compressed, infinite sustain feedback, even at low volume levels • Containing 3 x hand-picked New old Stock BC184C discrete transistors • True Bypass Switching • 100% hand-built in the USA • Powered by 9-18 V DC PSU (centre -, 2.1 mm, 8 mA current draw)

Fulltone Full-Drive3 ...

2.560,-

Fulltone Full-Drive 3 Unlike its cousin the FD2, the FD3 uses both a JFET input and a JFET op-amp, giving it the most tube-like sound you can get out of a tubeless pedal. Along with great sound, these JFET’s give the FD3 an ultra-high Input impedance which allows the pedal to mate with any type/gain of pickup and react well to changes in your guitar’s volume control. 3-way CLIPPING toggle switch: set to 90’s and you’ll get symmetrical clipping with ample midrange. Set the switch to WIDE ASYM (wide asymmetrical) and more sweet highs and lows come through, along with chimey, Class-A style even harmonic overtones. set to COMP-CUT mode, pure opamp-overdrive, with no diode clipping assistance. Aggressive, cutting, and capable of a huge volume boost to slam the input of your amp. Discrete Channels: Unlike the FD2, the FD3 has completely independent OVERDRIVE and BOOST channels, and the ORDER toggle switch allows placing the BOOST channel* before* or after the OVERDRIVE channel. The BOOST channel is also an extremely transparent, high-headroom 100% JFET-powered circuit. Buffered Bypass: Serial# 2548 and higher FD3 pedals are now Buffered-Bypass instead of True-Bypass, so the FD3 will always drive long cables, be isolated from other effects, and always retain the highs and “feel” of your amplifier whether the pedal is turned ON or OFF. Do not confuse the hi-quality JFET op-amp buffer in the FD3 with the simple single transistor buffers on other pedals. The FD3's buffer sounds rich and fat, not thin. DYNAMICS knob: A Fulltone-exclusive Germanium diode Limiter circuit circuit that alters the feel of the notes being played as well as subdues transient spikes which can overload your amp’s input. This feature can make even a stiff amp feel responsive and juicy, and sweeten the treble frequencies. The Icing on the cake? The housing is about 20% smaller than the traditional FD2 SPECIFICATIONS: Input impedance: 1.1 mega-ohms. Output Impedance: 180 ohms. Dimensions: 5.17"W x 4.26"D x 2.36" H. Weight: 1lb 7oz. Power Consumption: maximum 13 ma with both channels on.

Fulltone Full-Drive2 v2 ...

2.590,-

Fulltone Full-Drive 2 V2 FEATURES: Dimensions: 4.45"W x 4.2"D x 2.5"H 16 gauge cold rolled steel enclosure. Based around the desirable JRC4558 chip and 1990’s Full-Drive circuit, with 2 toggle switches for many more sonic options. 30% smaller than the FD2-MOS, 15% smaller than the FD3 at only 4.45" wide x 4" deep. 2 Footswitches: Left ON/OFF footswitch: True-Bypass switching with exclusive Fulltone “Anti-Pop” circuit. Right “Channel select” footswitch: switches between Overdrive 1 or Overdrive 2, each with individually adjustable Volume and Drive knobs. 100% Built in the USA. 16 gauge cold rolled steel chassis with easy battery access via 2 thumbscrews. 9-18VDC operation, extremely green circuit only pulling 10mA of current. 2 toggle switches to access the many clipping options LEFT 3-position switch: Comp-Cut- removes clipping diodes, not a clean boost because it can distort the opamp. Flat Mids- a late 1990’s Fulltone invention that feeds signal back on to the clipping diodes removing the Mid-hump. Vintage- traditional 90's Full-Drive slightly asymmetrical clipping. RIGHT 3-position switch Wide- combines Mosfets & Schottky Diodes for more clarity, less compression, a more D*mble-like sound. Standard- traditional 90's FD2 slightly asymmetrical. Half-Clipped- another Fulltone exclusive, only clips the top waveform for extreme clarity, feel, and touch like you've never experienced! Explanation of DRIVE 2 “channel.” Think of it as the "More" Channel.... Engaging the DRIVE 2 footswitch brings in the DRIVE 2 knob, allowing you to add distortion (in addition) to what's selected on the DRIVE 1 knob. At the same time, the pedal jumps from the (pedal’s main, large) VOLUME knob level setting to a higher level selected on the DRIVE 2 VOLUME (mini-knob.) Practical uses: 1) Use as a volume Booster (same Distortion setting, only louder): Set DRIVE 2 knob to "0" and set DRIVE 2 VOLUME mini-knob to taste 2) Use as a higher Gain lead tone with Volume Boost: set DRIVE 2 knob anywhere above "0" and DRIVE 2 VOLUME mini-knob to taste. Ideally you set DRIVE 1 for your lower-distortion sounds and DRIVE 2 for the higher distortion sound…effectively giving you 2 pedals.  

Fulltone Full-Drive1 ...

2.090,-

Fulltone Full-Drive 1 Yes it's true, finally the sound of a late 90s to early 2000s Fulldrive with-OUT the boost channel! Simple as it comes... with Volume, Tone, Drive, and toggle bringing back the Flat-Mids (FM), Vintage, and the infamous (for assaulting the front end of tube amps) Comp-Cut (CC) modes. Simple True-Bypass switching, 9-18 volt operation. No need to find and pay $400-$600 for a 90's FD2 anymore. Soundwise? I'm talking about the exact (full midrange) Comp-Cut that was in the earliest FD2s, not the Flatter mids CC in later models. So even though the FD-1 will have the Flat-Mids mode, the Comp-Cut is the fuller-mids version identical to the "pre FM / pre-MOSFET" versions of the FD2. This tiny pedal is the size of our Mas-Malo, with top-mounted (also called rear mounted) jacks & power port, and a JRC4558 chip for your go-to overdrive sound. Come home.

Fulltone Clyde Deluxe Wah ...

3.950,-

Fulltone Clyde Deluxe Wah Three mode versatile Wah with Booster/Buffer Control The Deluxe version of the CLYDE wah has all the features that players have come to know and love about the original "CLYDE Standard" but with the following additions: Comes with the a custom-wound Fulltone pot...the most accurate (in resistance AND taper) reproduction of the vintage ICAR used in certain VOX wahs of the 60's and early 70's. Variable Input Level Control True-Bypass w/ bright side-viewable low current Pilot light status indicator 3 selectable modes: Wacked Jimi" (Clyde Standard) Shaft The three-way mode switch and variable input control pot will let you dial in almost any type of wah sound you can imagine. All the way from classic Voodoo Chile... to biting funk... to down and dirty low-end grunt. The CLYDE Deluxe can do it all! All CLYDE Deluxes sport the most authentic '60's Vox type inductor available, which happens also the quietest... our hand-wound Fulltone inductor and the long-life Fulltone-1 wah pot.    

Fulltone 70 Fuzz Pedal

2.290,-

Fulltone ‘70 Vintage Fuzzface pedals are a favorite of many artists from the ‘60’s, ‘70’s, and beyond, used most notably by one James Marshall “Jimi” Hendrix to get a staggering array of clean and bombastic sounds...all depending on where the guitar’s volume knob was set. There were basically two versions of the Fuzzface: the earlier “Arbiter” Fuzzface (with Germanium NKT275 transistors) and the later “Dallas Arbiter” Fuzzface. (with silicon BC183L and BC108-C transistors). The nastier, more distorted, BC108-C Fuzzface came out around 1970, and it inspired both the circuit and the name of your new Fulltone 70 pedal. In my 20’s, Fulltone spent much of their time scouring the country finding these old vintage effects that nobody seemed to want. Many of them were broken, some sounded like God, and some sounded like crap. They couldn't believe people would pay $1000 for an original Fuzzface when the sound consistency was so hit-or-miss, so they started learning exactly what made the occasional one “magical.” This eventually led to the birth of Fulltone: vintage style tones with more flexibility, more reliability, better quality, true bypass switching with LED status, a DC power outlet, and at a price that was as much as 1/10th that of the original. The 70 pedal was the 3rd or 4th release from Fulltone, debuting in 1994 and was the quintessential version of a 1970-1973 silicon transistor "vintage Fuzzface clone.” For some reason I designed the 70 into a ridiculously large enclosure considering how simple the circuit is, but it was a fairly popular pedal in my line, considering most people don’t know how to use fuzzes. The 70 sold around 4400 units during the next 15 years, using various transistors including BC183L, ECG199, 2SC828, and (my favorite) the BC108-C. At some point early along the way Fulltone added the "Mid" knob which, for the first time, allowed a silicon Fuzzface-style pedal to cut through the mix...along with the internal Bias trimmer to allow the user to get softer or harder-edged tones. Recently they found a huge stash of my favorite Silicon transistors for this circuit, the BC-108C, so they reintroduced the 70 in a smaller enclosure, with our proprietary "anti-pop" quiet switching circuit, better power supply filtering for less noise, and polarity protection to keep you from frying the Transistors. ...that’s the magic of fuzz! • Fuzz pedal • quintessential version of a 1970-1973 silicon transistor "vintage Fuzzface clone • BC108C Silicon transistors • Lots of sustain, distortion and midrange • Mid control for cutting through the mix • Internal Bias trimmer for softer and harder-edged tones • True Bypass via Fulltone's 3PDT footswitch • 100% hand-built in the USA • Powered by 9 V DC PSU (centre -, 2.1 mm, ~5 mA current draw)

Fulltone 69 MkII Fuzz Pedal

2.690,-

Fulltone ‘69 mkII This is the new smaller box versionof Fulltone’s 69 Fuzz-the 69 mkII ...it containstwoFat-Body germanium transistors. This Germanium Transistor equipped Fuzz is identical to earlyArbiter Fuzzfaces, but allows for a few key adjustments to things like the Input level, theMids, and even the Transistor Bias. One of the desirable traits of Germanium Transistors(when matched properly) is their Tube-like responsiveness and thick, even harmonics....theother being they clean up incredibly by turning down the guitar's volume knob! Leave theFuzz all the way up and use your guitar's knob to get everything you need. •GermaniumFuzz pedal •Replica of early Arbiter Fuzz Faces •Internal Bias trimmer–forchanging the shape of the Distortion • 100% hand-built in the USA • Powered by 9 V DC PSU(centre +, 2.1 mm)

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