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Orange Terror Stamp ...

2.010,-

Orange Terror Stamp Gitarrforsterker 20 Watt Klasse A/B i pedal-format med effektretur, hodetelefonutgang og omkopplingsbar Master-volum. Terror-serien har bevist att stort sound kan komme fra små forsterkere. Her får man soundet av Micro Terror og Micro Dark pakket i en pedal-forsterker på 20 riktig høylytte watt og omkopplingsbar Master-volum. Terror Stamp er en rør-hybrid (ECC83/Solid State Class A/B) og har effektretur, hodetelefonutgang med kabinett simulator og 8 ohm / 16 ohm høyttalerutgang. Du kan bruke høyttaler-utgangen og hodetelefon-utgangen samtidig, for maksimal fleksibilitet.   TERROR TONES AT THE TIP OF YOUR TOE… For years, our Terror series amps have proven that biggest sounds can come in the tiniest packages. Taking our pocket-sized powerhouse concept one step further, we’ve brought you the Terror Stamp. Packing all of the punch of the minuscule Micro Terror and Micro Dark amps into an even smaller pedal format, this Valve/Solid State hybrid amp brings 20 Watts of killer Orange tone right onto your pedalboard. The Terror Stamp’s tiny footprint, 8/16 Ohm Speaker Output, fully-buffered FX Loop and CabSim headphone output integrate seamlessly with your other pedals, whether you’re rocking a loud stage, recording direct or practising into the early hours. KEY FEATURES ALL-ANALOGUE HYBRID DESIGN Typically-Orange simplicity, unmistakably-Orange tone. The Terror Stamp’s hybrid Valve/Solid State design gives you the best of both worlds. From crystal-clean to thundering high-gain, the ECC83-based preamp has all the harmonics, dynamics and feel you’d expect, while the 20W Class AB Solid State power amp keeps things small, dependable and sounding great at any volume. SWITCHABLE MASTER VOLUME Footswitchable Master Volume controls give you the Terror Stamp’s full range of sounds at two different volumes. Jump right out of the mix for that all-important solo, without sacrificing your carefully crafted tone. SHAPE CONTROL Our exclusive Shape knob crams a whole load of character and control into a single dial. Turn anticlockwise for a mid-forward voicing or clockwise for a classic scoop. BUFFERED EFFECTS LOOP Just like our full-size amps, we’ve given you a fully-buffered, low-impedance FX Loop. Long cable runs? No Problem. True Bypass pedals? Great. The Terror Stamp fits right into your signal chain without ever compromising sound quality. Not only that, but connecting directly to the FX Return turns this little monster into a 20W power amp for whatever pedals, preamps or modellers you can throw at it – with a headphone output too! CABSIM HEADPHONE OUTPUT It wouldn’t be the perfect pedal amp without a headphone output. Our tried-and-tested, analogue CabSim circuit provides instant access to a very Orange-flavoured 4×12 speaker emulation. Just the thing for late-night practice with headphones, ‘silent’ recording or running direct to PA. The Headphone Output works simultaneously with the Speaker Output for maximum versatility.
Orange Kongpressor Kompressor ...

2.190,-

Orange Kongpressor Kompressor-pedal, analog Class A Optisk med studiokvalitet   The Kongpressor is an analogue Class A compression pedal which adds an organic three dimensional quality to any rig. The pedal takes its inspiration from some of the world’s most iconic vintage optical studio units, employing a re-issue of the famous vactrol VTL5C3 optocoupler that was responsible for the sound heard on countless hit records. At lower compression levels the Kongpressor’s effect is transparent but somehow fattening. It adds mojo and a glossy sheen to your core tone that you’ll truly miss when it’s bypassed. Even at extreme settings, the tone always remains musical with great feel under the fingers.   With controls for attack and release time, the Kongpressor can be tweaked to fine tune the transients and the bloom. We worked hard to make these parameters as forgiving as possible whilst still allowing players full control over the compression response. The pedal’s internal charge pump doubles the headroom of the unit, so however the dials are set, the compression tracks seamlessly and remains clean across its range. There’s also an active treble control for adding in extra chime and jangle, making the compression even more transparent. So whether you are new to compression or a seasoned studio user, it’s impossible to get a bad sound from this comp.   Of course it’s outstanding for crystal clean country pickin’, but the Kongpressor also maintains the bottom end that seems to gets lost in many compression pedals. This means it behaves impeccably with overdrive pedals or the lead channel of your amplifier, adding fullness and sustain.   Optical Class A Compression The Kongpressor’s analogue, Class A design makes for very natural sounding compression. The vintage-inspired optical circuit adds extra depth your guitar or bass tone, making it seem ‘larger than life’. The attack and release times can be adjusted to taste allowing for fine tuning of the bloom and perceived plectrum gauge. Faster attack times will react to the front of the note faster, while slower attack times will add punch to the sound as the compression reacts slower on the transient. Fast release times will give more perceived clean volume along with a more transparent compression.  Slower release times will yield more compression and a slower, mellower bloom. With any attack or release setting, the Kongpressor has a satisfying, springy playing response under the fingers.   12dB Clean Boost With up to 12dB of clean gain available on the Volume control, the Kongpressor works brilliantly as a transparent clean boost pedal, but with a little extra ‘something’. With the compression turned up, your lead lines will cut through the band with plenty of fat, singing sustain.   Internal Charge Pump Like all Orange pedal’s, the Kongpressor features an internal charge pump which doubles the operating voltage of the pedal to 18V. This has the effect of drastically increasing the headroom for super clean compression. The Kongpressor can be powered by 9V battery or standard DC adapter, or for even more output can also run on 12V DC.   Transparent Buffered Bypass The Kongpressor’s bypass features an ultra-linear buffer which retains your guitar’s upper harmonic content when the pedal is switched off. Maintain tonal integrity even with long cable runs and large pedalboards.
Orange Getaway Driver ...

1.720,-

Orange Getaway Driver Overdrive-pedal med høyttaleremulerende utgang, Klasse A Getaway Driver er en Overdrive-pedal med soundet av ikoniske forsterkere fra 70-tallet, komplett med høyttalersimulert Line/Hodetelefon-utgang. Passer like bra å koble til forsterker som til PA eller lydkort for direkte innspilling. A ’70S AMP IN A BOX The Getaway Driver is an amp-in-a-box type pedal with just three dials – Volume, Bite (tone) and Gain. While the pedal adds its vintage vibe on all amplifiers, it really excels when used with the amplifier’s clean channel, even ones with a bright cap. It also makes a great clean boost, with low Gain and high Volume pushing amps over the edge into classic overdrive. The gain structure is produced using single-ended JFET circuitry running in Class A, just like a valve amp. The input buffer, output buffer and Cab Sim are handled using op-amps, using a charge pump to give 18v of headroom. The pedal features the same transparent, buffered output used on the Orange Two Stroke and Kongpressor pedals. While the second output is a buffered Cab Sim/headphone amp which can also work into a PA (via a DI box) or directly into a recording interface. The first output is transparent when bypassed, however, when using the second output, the Cab Sim remains engaged. This means that the Getaway Driver can be used as just a Cab Sim on its own if needed. The voicing and gain structure of this pedal is based on a cranked modded ’70s valve amp. Running at 9 Volts, the pedal will have the character of EL84 valves, whereas 12 Volts will give an EL34 flavour. Use a regulated 9-12V DC centre-negative power supply. ’70S AMP IN A BOX It sounds like a ’70s amp cranked in a box. It’s voiced on multiple vintage amplifiers, such as a 1972 ‘Pics Only’ Orange Amplifier modified by our technical director, Ade Emsley. CAB SIM OUTPUT Connect the pedal direct into an audio interface, the PA (via a DI) or just to your headphones. It is modelled on a G12H30 which is a 30 Watt Celestion speaker used in our 1970s Orange cabs. If you’re using this output, it’s actually still active when you’re bypassing the pedal allowing you to use other pedals (such as fuzz and distortion), amplifier preamps (via their FX send) with the Cab Sim only. INTERNAL BUTTON There’s a button inside the getaway driver that when pushed in, tames the top end to make it better for clean channels with treble bleed caps on the volume which is helpful for amplifiers such as the Orange Rockerverb. It compensates so it doesn’t overcook the top end.
Orange Fur Coat Fuzz Pedal

1.520,-

Orange Fur Coat Vintage Fuzz-pedal med justerbar oktav Fur Coat er en Fuzz-pedal basert på den klassiske Foxx Tone Machine fra 1970, med justerbar oktav og EQ. Med de doble fotkontrollerne velger du om du vil ha vanlig Fuzz eller Oktav-Fuzz og Fur Coat har True Bypass. VINTAGE FUZZ Loosely based on the vintage Foxx Tone Machine, the Orange Fur Coat Fuzz takes its inspiration from the great fuzz pedals of the 70’s. The Fur Coat gives you a fully controllable octave fuzz pedal. Separate switches mean you can choose between Fuzz or Octave Fuzz. The controllable Octave up fuzz means you can bring in the fuzz to whatever level you need and the EQ allows you to boost your Treble or Bass. This truly is a fuzz you control. This is our only True Bypass pedal. This is because a Fuzz is better at the beginning of the chain where it interacts directly with your guitar. Placing the pedal further into your signal chain will give the fuzz a more distorted tone. VINTAGE FUZZ: The Orange Fur Coat fuzz can be used into a clean amp or an amp with some hair. When used into an overdriven amp, it creates a unique, thick "fur coat" of vintage fuzz. ADJUSTABLE OCTAVE: Something quite rare, rather than simply being able to switch it on/off, the Fur Coat adds octave up as you increase the octave control. LOW POWER CONSUMPTION: The Orange Fur Coat fuzz draws very little current (much less than 10mA) allowing for long battery life. Use a regulated 9-12V DC centre-negative power supply.
Orange Amp Detonator ABY-boks ...

1.430,-

Amp Detonator Aktiv ABY-box med polaritetsvender og buffrede outputs, 3-farget LED-visning så man ser hvilke utganger som er valgt også på mørke scener.   It’s a well-known fact that running two amps is not only enormous fun, but also a time-honoured way of achieving bigger tones on stage and in the studio. Whether it’s switching between two different amplifiers for their individual characteristics (rhythm and lead, for example) or using them simultaneously for huge walls of sound, pros have been employing this setup for decades. Achieving this easily, however, has always been a problem for guitar players. Poor quality passive ABY boxes/line selectors load the guitar signal down, degrading the tone and rendering the whole exercise almost pointless. Not to mention ground hum issues caused by non-isolated outputs. On the other hand, active ABY pedals are in short supply and are usually quite cumbersome. Step forward: The Amp Detonator. Featuring two buffered outputs, one with a custom designed isolating transformer, we are pretty confident that the Amp Detonator is the smallest active, fully functional, buffered ABY pedal on the market. What’s more, it’s the only active ABY switcher that can be powered by a 9V battery. The transformer output has been meticulously engineered to be as transparent as possible, whilst both outputs are buffered with a low noise, linear circuit. Drive any length of cable to your amps with no loss of clarity and switch silently between them. No more unnerving ‘thumps’ for you or the sound guy! The Amp Detonator also has a push-button polarity switch to correct common phase issues between amplifiers, keeping the tone fat and full. Finally, the tri-colour LED is a handy feature, especially on dark stages, indicating your current switching setting at a glance
Orange Bass Butler Preamp ...

4.190,-

Orange Bass Butler Tokanals preamp for bass. En kanal gir ren basslyd for fin bunn og kraft. Den andre kanalen gir Overdrive/Distortion. Dette er en gammel metode for å ikke miste bunn når du "dister". En gang i tiden krevde dette to forsterkere, nå klarer du deg med en pedal.  _____ AN ENTIRE BI-AMP BASS RIG IN A PEDAL Back in the good ol’ days, it was a popular practice to send a bass guitar signal to a bass amp and a guitar amp at the same time – known as Bi-Amping. This allows the player to keep their low end deep, clean and defined whilst amplifying the mids and top end separately, adding distortion or crisp highs with total control. This type of setup can produce some enormous tones but typically requires a huge and complicated rig, only possible if you’re Rock ‘n’ Roll royalty. But, if you have to get all this together by yourself? Forget it! Enter the Bass Butler…   YOUR BASS RIG IS READY, SIR Forget amp-in-a-box pedals, the Bass Butler is a whole van-load of gear in a box! Splitting your signal at the input, the Bass Butler features two completely separate, parallel, analogue signal chains, just like a real bi-amp rig. The difference is there’s not an amp in sight.   BASS CHANNEL: The always-on Bass Channel has a simple but effective control layout of Compression, Bass, Treble and Volume. An optical compressor circuit, cut/boost tone controls and dedicated, bass cabinet-simulated balanced D.I. output are always on hand with all manner of classic clean tones. From the depths of Dub to the heights of hi-fi, the Bass Butler has it all polished up and ready, like your best pair of shoes.   GUITAR CHANNEL: Whether you need mayhem, musicality or a mere modicum of mischief, this classic high-gain guitar channel won’t disappoint. Five familiar controls and four gain stages that can clean right up are summoned with one kick of the footswitch, serving up everything from bright vintage tones to floor-splitting, wall-crumbling modern destruction. Coupled with a guitar cab-simulated balanced D.I. output and an expression pedal jack for extra control over the input gain, this really is a plentiful platter, pleasing to the even pickiest of players.   DIRECT AND TO-THE-POINT The Bass Butler’s two individual XLR outputs from the two separate channels mean that your finished Bi-Amp bass tone makes it to the mixing desk with nothing left to do except blend to taste, with a Ground Lift switch for solving any ground loop issues. It’s the same story in the studio, but that’s not all… The Bass Butler also features an Amp output, which takes a blend of the two channels before the cabinet simulation circuits from a 1/4" jack – perfect for connecting to the front end of any bass amp. The blend is set by the channel volume controls, meaning you can control your on-stage sound completely independently of what the audience hear. In fact, you can even use this output on its own, just like a plain old preamp pedal.   FIVE-STAR QUALITY As the Bass Butler is the ultimate fly rig, the perfect studio tool and quite possibly the only pedal you’ll ever need, it has to be built to last. A sturdy steel enclosure, 18V DC power for high headroom, and all-round road-ready ruggedness mean that the Bass Butler is willing and waiting for a lifetime in your service.
Orange Crush Acoustic 30 ...

3.830,-

Crush Acoustic 30 30W forsterkerkombo med batteridrift for akustisk gitar, orange vinyl Orange Crush Acoustic 30 er en smidig og vellydende forsterker-combo på 30 watt for akustisk gitar og sang, som kan drives på batteri og strøm. Den er bestykket med 1 x 8" høyttaler og har to kanaler, reverb, chorus, notch filter for å eliminere feedback, balansert line out, aux in for ekstern lydkilde og effektretur. Den har to kanaler, instrument og mikrofon, der kanal 1 er en ren instrumentkanal med 3-bånds EQ og en Color switch som legger til litt topp og mid-scoop. Kanal 2 har XLR/Jack kombo-inngang som kan brukes som en ekstra gitarkanal eller for sangmikrofon, med 2-bånds EQ. Den har også 48V Phantom power for kondensator-mikrofoner. Det vinklede kabinettet gjør det enkelt å få en bra lytteposisjon uansett om man sitter eller står og spiller. Du får den kledd i klassisk orange vinyl eller svart vinyl. Orange Crush Acoustic 30 er perfekt for små intime gigger, fester både ute og inne, gatemusikanter eller som hjemme-forsterker. With over 50 years of experience in great guitar tone and quality, the Crush Acoustic 30 is Orange’s first entry into the world of Acoustic Amplification. At ease in any situation: the lightweight, portable, battery powered acoustic combo continues the Orange traditions of simple but versatile design. The Crush Acoustic 30 is designed to clearly project sound with its angled construction and 30 Watts of power. The two channels and built in reverb and chorus across both channels and the global notch filter can be used to efficiently to precisely combat feedback, leaving you to concentrate on your performance. Whether you busk, play stages, practice at home or all of the above, the Crush Acoustic 30 has you covered, leaving you free to work your magic. Channel 1 – Instrument Channel Dedicated to your acoustic guitar, this channel has a pad switch to take off 10dB off to maintain a clean signal for higher output instruments. The 3-band EQ allows quick changes to your sound and the colour switch boosts presence and slightly cuts the midrange frequencies. Channel 2 – Mic Channel With an XLR input this channel can be used as a second guitar input or separate microphone input, phantom power is switchable as is the mic/line. Global Effects The Crush Acoustic comes with Reverb and Chorus which can be blended between the two channels. The notch filter adjusts the frequency of a narrow-Q filter, to remove frequencies that can help to combat feedback. 30 Watts and Voice of the World 8" Acoustic Speaker The 8" Voice of the World speaker is designed especially for the Crush Acoustic, delivering 30 Watts of power to ensure you are heard loud and clear. Aux-In: The 3.5mm Aux-In can be used to plug an MP3 or other similar audio device, allowing you to play along to backing tracks. Battery Powered: The Crush Acoustic 30 is the perfect amp to use on the go, the battery compartment takes 10 x AA batteries and gives you 3 hours of power at full volume, 5 hours at 50% volume and 8 hours at low volume. The Crush Acoustic 30 can be powered by the supplied DC adaptor, when connected the batteries are disconnected.
Orange Crush Acoustic 30 ...

3.830,-

Crush Acoustic 30 Black 30W forsterkerkombo med batteridrift for akustisk gitar, svart vinyl Orange Crush Acoustic 30 er en smidig og vellydende forsterker-combo på 30 watt for akustisk gitar og sang, som kan drives på batteri og strøm. Den er bestykket med 1 x 8" høyttaler og har to kanaler, reverb, chorus, notch filter for å eliminere feedback, balansert line out, aux in for ekstern lydkilde og effektretur. Den har to kanaler, instrument og mikrofon, der kanal 1 er en ren instrumentkanal med 3-bånds EQ og en Color switch som legger til litt topp og mid-scoop. Kanal 2 har XLR/Jack kombo-inngang som kan brukes som en ekstra gitarkanal eller for sangmikrofon, med 2-bånds EQ. Den har også 48V Phantom power for kondensator-mikrofoner. Det vinklede kabinettet gjør det enkelt å få en bra lytteposisjon uansett om man sitter eller står og spiller. Du får den kledd i klassisk orange vinyl eller svart vinyl. Orange Crush Acoustic 30 er perfekt for små intime gigger, fester både ute og inne, gatemusikanter eller som hjemme-forsterker. With over 50 years of experience in great guitar tone and quality, the Crush Acoustic 30 is Orange’s first entry into the world of Acoustic Amplification. At ease in any situation: the lightweight, portable, battery powered acoustic combo continues the Orange traditions of simple but versatile design. The Crush Acoustic 30 is designed to clearly project sound with its angled construction and 30 Watts of power. The two channels and built in reverb and chorus across both channels and the global notch filter can be used to efficiently to precisely combat feedback, leaving you to concentrate on your performance. Whether you busk, play stages, practice at home or all of the above, the Crush Acoustic 30 has you covered, leaving you free to work your magic. Channel 1 – Instrument Channel Dedicated to your acoustic guitar, this channel has a pad switch to take off 10dB off to maintain a clean signal for higher output instruments. The 3-band EQ allows quick changes to your sound and the colour switch boosts presence and slightly cuts the midrange frequencies. Channel 2 – Mic Channel With an XLR input this channel can be used as a second guitar input or separate microphone input, phantom power is switchable as is the mic/line. Global Effects The Crush Acoustic comes with Reverb and Chorus which can be blended between the two channels. The notch filter adjusts the frequency of a narrow-Q filter, to remove frequencies that can help to combat feedback. 30 Watts and Voice of the World 8" Acoustic Speaker The 8" Voice of the World speaker is designed especially for the Crush Acoustic, delivering 30 Watts of power to ensure you are heard loud and clear. Aux-In: The 3.5mm Aux-In can be used to plug an MP3 or other similar audio device, allowing you to play along to backing tracks. Battery Powered: The Crush Acoustic 30 is the perfect amp to use on the go, the battery compartment takes 10 x AA batteries and gives you 3 hours of power at full volume, 5 hours at 50% volume and 8 hours at low volume. The Crush Acoustic 30 can be powered by the supplied DC adaptor, when connected the batteries are disconnected.
Meinl HCS141620 Cymbalpakke ...

3.195,-

Meinl HCS cymbalset - HCS141620. Cymbalsett av MS63 messingslegering inneholder: HCS14H -14" Hihat. HCS16C-16" Crash. HCSC20R-20" Ride. Stabile messingcymbaler som gjør de førsta stegene i karrieren til en reise for både ører og lommebok. HCS er bra begynnercymbaler som dessuten kan ekspanderes når denne lavpris pakken behøver å kompletteres med ekstra splash, china eller flere crashcymbaler.
SolidGoldFX Imperial MKII ...

2.226,-

Upon first glance at the Imperial MKII, you might be intrigued by its charmingly retro appearance. Inspired by the JEN Jumbo fuzz, which is one of our personal favorite vintage fuzzes, the Imperial MKII’s four sliders, textured black paint and bold red graphics shows you can immediately tell that this pedal means business. If a ripping, royally raucous fuzz, with impeccable manners, is what you seek in your tone conquest or whether you are chasing those soaring Gilmour-esque leads that propel you to the far side of the moon, then look no further than the Imperial MKII. So, what is the JEN Jumbo Fuzz and what makes it so awesome? JEN Elettronica was an Italian manufacturer who made pedals for Vox, Dallas Arbiter and Sound City (among others), in addition to making equipment under their own brand. The Jumbo Fuzz was their spin on the venerable EHX Big Muff® that swapped the knobs out for sliders and added a nifty germanium noise gate. In terms of sound, the tuning of the Jumbo Fuzz lies somewhere in the Ram’s Head camp - not overly scooped or woofy, with a nice gain range - just a great sounding pedal! While the Jumbo’s noise gate is a great feature and gives this BMP variant a unique attack with practically zero noise, vintage units vary greatly from one unit to another, with some gating too much and others not at all. Capturing the Jumbo Fuzz’s vibe and redesigning the gate was essential to our Imperial redesign. Let’s dive in… True to the original SGFX Imperial, the MKII retains our high impedance JFET preamp, giving the low noise floor detail and definition you would expect from any SolidGoldFx pedal. Bass, guitar or synth, stick it anywhere in your effects chain and feel free to ride your volume knob for clean-up - the Imperial’s preamp will respond. While the tone stack is carried over from the original design, a new Contour slider replaces the mids switch, which changes the frequency of the high-pass filter in the tone stack. This allows you to boost or scoop your mids, with every shade in between.  About that noise gate, this is where the Imperial MKII really shines. We’ve swapped out the Jumbo Fuzz’s germanium transistor design with silicon devices and given it an improved envelope generator, to ensure consistency and response throughout. Having fine-tuned the attack and release, not only does the noise gate allow for virtually zero noise, but it also gives the pedal a unique, sharp attack with no loss of sustain at higher fuzz settings. Align this to a nice, dry attack at low settings, and Imperial MKII will pair great with other dirt boxes too. The noise gate will even allow you to add fuzz to a hollow-body, while controlling the howl and feedback should you choose. Finally, the Imperial MKII package is completed with dual LED indicators (one for bypass and the other indicating the gate status), top jacks, true bypass switching and, of course, our retro sliders and vintage inspired artwork.
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