Markbass CMD 102P Combo ...

9.390,-

Flightcase m/hjul, designet for MarkBass CMD 102P Ampen kan brukes i basen. 4 x Butterfly låser 4 x Kraftige håndtak 4 x hjul (2 m/brems) Fullt skumforet ca.vekt: 15Kg Inngravering av logo eller navn og plate med label for merking med tusj, kan velges som tillegg. Kvalitet produsert i Norge! VossMusikk.no er din leverandør av flightcaser, rack, transportkasser, pedalbrett, stativflighter, mikrofonkasser, backline flighter, instrumentkasser, keyboardflighter, DJ-flighter, flatskjermkasser, laptop-flighter og så mye, mye mer. Kun fantasien setter grenser for hva vi kan lage flightcase til.

Vox AC30HW2 Combo Flightcase

8.290,-

Flightcase m/hjul, designet for Vox AC30 HW2 Ampen kan brukes i basen. Bygget i 6,5mm Bjørkefiner 2 x Butterfly låser 2 x Kraftige håndtak 4 x hjul (2 m/brems) Fullt skumforet Innvendige mål: 705mm(L) x 264mm(D) x 550mm(H) ca.vekt: 15 Kg Inngravering av logo eller navn og plate med label for merking med tusj, kan velges som tillegg. Kvalitet produsert i Norge! VossMusikk.no er din leverandør av flightcaser, rack, transportkasser, pedalbrett, stativflighter, mikrofonkasser, backline flighter, instrumentkasser, keyboardflighter, DJ-flighter, flatskjermkasser, laptop-flighter og så mye, mye mer. Kun fantasien setter grenser for hva vi kan lage flightcase til.

Ibanez JGM5-BSN Westerngitar ...

18.675,-

JGM5-BSN (Black Satin Top, Natural) Jon Gomm Signatur. Platinum Collection Jon Gomm, a singer-songwriter from the UK with incredibly virtuosic guitar ability, wrote his first song at the age of six and has never looked back. After taking the world by storm with his performance video of his song ?Passionflower', which went viral in 2012 and catapulted Jon to the forefront of the acoustic fingerstyle movement, Jon has toured the world and has cultivated a dedicated and supportive fanbase. Jon's guitar playing style is highly technical, unique and, most importantly, incredibly musical, acting as the perfect accompaniment for his soulful and melodic vocal delivery. When listening to Jon's music, it is hard to believe that all of the sounds are being created by only Jon and his guitar. Jon is able to create the sound of a full band in real time with his guitar, which provides the perfect soundscapes for his songs. Together with Ibanez, Jon has designed the perfect guitar for him, and is very excited to make it available to everyone. Platinum Collection Platinum is inherently rare, objectively valuable, and unequivocally striking in appearance. These qualities are sought after in many things, including the world of luthiery and instrument building. To this end, we strived to create something entirely new, a series of instruments imbued with old-world, hand-built, and rarified qualities. This is a line of acoustic guitars unlike any we've produced before The Ibanez Platinum Series. Utilizing the highest-quality woods and crafted with uncompromising attention to detail, these instruments represent the highest pinnacle of design and tone for Ibanez Acoustic Guitars. Spec: • Asymmetrical Jumbo body. • Thermo Aged™ Solid Sitka Spruce top. • Pau Ferro back & sides. • Thermo Aged™ Spruce Modified X-M Bracing. • African Mahogany/Pau Ferro 5pc neck neck (satin finish). • Maccassar Ebony Fretboard. • Macassar Ebony top loading bridge. • Chrome Die-cast tuners(18:1 gear ratio). • Bone nut. • Compensated Bone saddle. • Tuning: 1D,2A,3G,4D,5G,6C. • Fishman® Rare Earth Mic Blend Active Soundhole pickup,Tap pickup. • Fishman® PowerTap Earth Blend Preamp. • Dual Outputs (2 endpin jacks - 1 stereo/mono output capability built in (with strap button) - 1 Mono Flush mount. • Luminlay side dots. • Gigbag included.

KMA Logan Overdrive Pedal

2.226,-

Logan TRANSCEND DRIVE Take a walk in the gritty dirt and breathe in the crystal-clear mountain air, exactly as Logan once did on his journey to glean the beauties of both nature and mankind. Once you hear Logan's sweet and graceful sounds you will be driven to find your own way into the transcendental tone kingdom. So plug-in and let Logan guide you into a new era of overdrive. Logan is made to transcend the well-known boundaries of overdrive. It doesn't matter if you are looking for a pre-amp, a low/mid-gain drive or a screaming resonant cocked-wah sound, Logan will deliver all the gainy goods. Combined with our active 3-Band EQ, including a fully parametric Mid-EQ with a separate On/Off-Footswitch, Pre or Post Gain position-switch and an expression-in for hands-free filter sweeps, Logan is sure to deliver great tones and outstanding flexibility.

KMA Moai Maea Analog Octaver ...

2.450,-

Moai Maea   MONOPHONIC ANALOG SUBSONIC POWER OCTAVER   For thousands of years they tower over the green meadows along the coast and the hillside of Rapa Nui. Moai Maea, silent and solemn - venerated and mystified by a long forgotten ancient culture. It will let you feel the droning and shrieking of the mighty erupting Rano Raraku where the Moai Maea was born. Moai Maea is KMA Audio Machines’ answer to long forgotten analog octaver tones. The pedal generates one higher octave and up to two sub-octaves, helping you generate a huge wall of sound by playing just one note. The higher octave has an edgy and fuzzy character which is reminiscent of old late ‘60s early ‘70s octave-up tones, as used by legends like Hendrix or The Stooges. The sub-octaves turn your guitar into a filthy bass guitar with ground shaking lows. Choose between either the first (-I), the second (-II) or both together (-I/-II), which gives you the sought-after wall of sound. The Moai Maea also gives you the possibility to create an individual mix of each generated octave and the original signal. To expand your soundscapes, the pedal features a serial buffered FX-Loop, within the clean path, plus a phase inverter to avoid phase-cancelation when mixing signals this way. Each octave section is foot-switchable. You can turn on and off the higher octave by jumping on the SHRIEK switch and the sub-octave by the DRONE switch. So if you are looking for a pedal to you that extra edge for your guitar sound, Moai Maea might well be the nirvana you’ve been looking for. Powered by an optional standard 9V-18V DC PSU (negative center, 2.1mm, approx. 20mA current draw) ATTENTION: The Moai Maea is an analog octaver and works monophonic only, not polyphonic! That means for a clean and perfect tracking, you have to play single notes because of the analog circuit design. Keep in mind that chords will sound glitchy, but charming anyway. Every pedal is designed, assembled, silkscreened, tested and numbered by hand in our small workshop. We use external manufactured PCBs to guarantee our high quality standard and keep the price of our pedals reasonable. The use of an indestructible powdercoated die-cast enclosure ensures a maximum durability.

KMA Queequeg 2 Sub Octave ...

1.667,-

QUEEQUEG 2 Sub Octave Generator Reawaken The Depths Below “Releasing the harpoon from his grasp, Queequeg gazed into the depths of the bleak waters that stretched down endlessly beneath him. Mindful to the aim of his adversary, the giant whale plunged further and further into the darkness of the abyss. This subaqueous dominion would forever be his rightful place. QUEEQUEG 2 - look deep down and believe.” KMA Machines released the original QUEEQUEG in 2016. The pedal was our take on how simple and effective an analog monophonic suboctave device could be. Time doesn’t stand still and so with QUEEQUEG 2, KMA’s aim was not only to update the device with a more striking appearance, but also add an additional sub-octave and the ability to switch and mix between them. With a small footprint, the updated pedal also has top mounted jacks and relay based soft switching for the modern age. QUEEQUEG 2’s super, easy-to-use and ultra-fast tracking sub-octaver works equally well on guitar, bass and synth, so these classic earth-shakingly awesome tones can find their way to any setup out there. Main Features • Analog sub octave pedal - from subtle tone thickening, to huge faux bass-synth sounds • Two ultra-fast tracking analog mono sub octaves • Offers precise octave shifted single note lines or glitchy, random chords • Easy-to-use one knob MIX design - controls clean/sub-octave blend • Three switchable sub-octave settings          -I: for synthy sub-octave sounds          -II: for truly earth-shattering lows          -I/-II: for a massive wall of sound sub tones • Multi-coloured LED - shows which mode is active at a glance • Compact enclosure with top-mounted jacks - will fit into any setup • True Bypass silent relay-based soft switching • Handmade in Berlin, Germany • Power by opt. 9 V PSU    (9 V DC, centre -, 2.1 mm, >60 mA max. current draw) Thickening up your tone slightly, blasting out faux bass-synth resonances or even filling in for a missing bass sound are just some of QUEEQUEG 2’s specialties. The pedal’s super quick tracking benefits from KMA’s custom all-analog circuit design, giving you very organic and smooth suboctave tones. Dead simple to operate, this tonally deep submergence vehicle offers three sub-octave settings to choose from. These allow you to turn your guitar into a filthy bass guitar with ground shaking lows, alternatively adding extra depth to basses and mono synths alike. The toggle switch lets you select between either the first octave (-I), the second (-II) or mix both together (-I/-II) which gives you a thunderously massive wall of sound, it even changes colour depending on the mode.   With its one knob MIX control, you are able to dial in just the right blend of the generated octaves and your clean signal. From completely clean on the left, to 100% suboctave action on the right and all with different sonic blends in between, you’re sure to find your mighty vessel of tone. Beware - don’t let your lows be dragged under! QUEEQUEG 2 draws the line right here and ends your hunt for an easy-to-set and great-sounding all-analog and thundering sub-sonic beast!

KMA Cirrus Delay and Reverb ...

2.226,-

Cirrus SPATIAL-TEMPORAL MODIFIER Floating above your head, delicate and elusive yet dreamy and sweeping. Always in motion until it dissolves and merges with the all immersive atmosphere around it. Just close your eyes and let the KMA Audio Machines’ Cirrus Delay and Reverb carry you across the open sky, onto its sonic cloudscapes. Cirrus is KMA Audio Machines’ first step into the fully digital realm. But we didn’t just want to do a regular and run-of-the-mill type of product. No, what we came up with is a truly special and versatile, dynamically modulated combined Delay and Reverb pedal that will forever change your perception of time and space.

KMA Fuzzly Bear 2 Silicon ...

1.891,-

FUZZLY BEAR 2 Unleash the Beast, again “Through the untamed wilderness of the forest strives a grizzly monster, its glistening eyes peeking through the undergrowth. Endowed with razor sharp claws and bone-crushing teeth, this beast will rip through any intruder that dares to trespass into its domain. A thundering, sizzling roar distortedly echoes through the woodland. It’s here! It’s time to face the FUZZLY BEAR!” In 2013, KMA Machines’ first ever production pedal was inspired by an old, obscure and highly underrated fuzz box from the 1970s - the Jordan Bosstone. The original Bosstone wasn’t even a pedal, it was a device you plugged directly into your guitar, which brought a host of problems. Hence, we greatly refined the circuit for the original FUZZLY BEAR, to get the essence of that old-school sound, but giving it some modern twists by sorting out the low end and adding a Bias control, to help players explore lots of new tonal capabilities of this long-forgotten box of dirty tricks. With FUZZLY BEAR 2, KMA Machines put our now classic re-imagined fuzz into a modern, more pedal board friendly enclosure with top mounted jacks, enhanced it with relay-based silent switching and improved electronics. • Modern re-imagining of the classic ‘Jordan Boss Tone’ Silicon-Fuzz • Vintage '70s Fuzz sounds • Tones ranging from a sizzling and chunky overdriven tone, to furry wall of fuzz • SKIN/MEAT knob - provides control over Bias • GAIN control - delivers a whole range of different fuzz shapes • Compact enclosure with top-mounted jacks - will fit into any setup • True Bypass, with silent relay-based soft switching • Handmade in Berlin, Germany • Powered by standard 9 V PSU        (9 V DC, centre -, 2.1 mm, 35 mA current draw) Back in the day, the main reason why the Jordan Boss Tone did not conquer the world of effects was actually due to its massive lack of bass. However, its core fuzz sounds could be truly heavenly with tones ranging from a purring overdrive, to downright vile and aggressive fuzz assaults. But when you awoke it, dug in and found ‘that’ tone, boy was it good and not at all harsh and gritty, like so many other fuzz designs at the time could be. When designing and modifying the circuit, we kept all that fuzzy goodness, but brought back the essential low end and gave some more tonal control, all to make our take fit more modern styles without compromising the core sound and simplicity. The GAIN knob delivers a whole range of different fuzz shapes. Back it off to get a dirty chunky overdriven tone, turn it up to give the FUZZLY BEAR 2 a thick and thicker coat of fur. Set the gain fully clockwise and magic will happen! The pedal’s smooth, warm and cosy decay turns into a starved and gated fuzz sound that almost gives a ghost octave, pseudo trumpety kinda vibe - perfect for classic tunes of yesteryear. FUZZLY BEAR 2’s SKIN/MEAT control adjusts the bias of the circuit. Think of it as the claws of the beast. You can dial in a sharp drive tone that only brazes the skin, a thick and meaty wall of fuzzy fur that can rip right through the intruder’s flesh and anything in between. Don’t confuse this pedal with a cute brown bear cub - this is the FUZZLY BEAR 2 and it will maul your face off!

Orange Dark Terror Forsterker ...

5.590,-

Dark Terror DA15H Förstärkartopp, rördriven high gain-modell i kompakt utförande. Shape-kontroll hämtad från Thunderverb-serien. Omkopplingsbar mellan 15 och 7 watt, effektretur.   The first high gain amp in the Terror series, the Dark Terror is a true master of saturated distortion, making it an ideal match for Hard Rock players looking for signature Orange ‘chug’ in a portable package. Featuring the same 15/7 Watt output section as the Tiny Terror, plus the addition of our low impedance, valve buffered effects loop, the key to the amp its high gain preamp section and our exclusive Shape control. The Shape, which first appeared on our Thunderverb Series, takes your sound from scooped, chunky modern rhythm tones in the fully clockwise position, to a more classic voicing (anticlockwise) with boosted mids and smooth highs, and everywhere in-between. This makes the amp much more versatile than its single channel, three knob layout (and black chassis!) might suggest. The preamp features four stages of gain, becoming increasingly aggressive as you turn the Gain control, reaching truly insane levels of drive. Ignore the clean and crunch tones at your peril, though. There are some tasty Blues tones to be had here!

Orange Acoustic Pedal

1.630,-

Orange Acoustic Pedal Class A Preamp-pedal for akustisk gitar med EQ og effektretur Orange Acoustic Pedal forenar en førstklasses Preamp med alle verktøy du behøver for å forme det ultimate soundet fra din akustiske gitar, såvell live som i studio. 3-bånds EQ med parametrisk Mid og Notch-filter, effektretur, bryter for fasevending på XLR-utgangen, volumkontroll og 18V strømforsyning (inkludert) som gir ekstremt bra dynamikk. The Orange Acoustic Pedal takes all the know-how of our acclaimed Acoustic Pre TC preamp and Crush Acoustic 30 amplifier, cramming it all into a do-it-all, compact preamp pedal. Whether you need to win the battle against feedback, handle complex effects chains, brighten up a dull instrument or just plug into a PA, the Acoustic Pedal has you covered – in top-notch Orange style. With a low-noise JFET circuit design, surgical-yet-flattering EQ, XLR and 1/4″ outputs and a buffered FX Loop, all situations are taken care of. This high-headroom, high-quality pedal keeps your setup simple and controlled, leaving you free to do what you do best. Play.

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