Crush Acoustic 30
30W forsterkerkombo med batteridrift for akustisk gitar, orange vinyl
Orange Crush Acoustic 30 er en smidig og vellydende forsterker-combo på 30 watt for akustisk gitar og sang, som kan drives på batteri og strøm.
Den er bestykket med 1 x 8" høyttaler og har to kanaler, reverb, chorus, notch filter for å eliminere feedback, balansert line out, aux in for ekstern lydkilde og effektretur.
Den har to kanaler, instrument og mikrofon, der kanal 1 er en ren instrumentkanal med 3-bånds EQ og en Color switch som legger til litt topp og mid-scoop.
Kanal 2 har XLR/Jack kombo-inngang som kan brukes som en ekstra gitarkanal eller for sangmikrofon, med 2-bånds EQ. Den har også 48V Phantom power for kondensator-mikrofoner.
Det vinklede kabinettet gjør det enkelt å få en bra lytteposisjon uansett om man sitter eller står og spiller. Du får den kledd i klassisk orange vinyl eller svart vinyl.
Orange Crush Acoustic 30 er perfekt for små intime gigger, fester både ute og inne, gatemusikanter eller som hjemme-forsterker.
With over 50 years of experience in great guitar tone and quality, the Crush Acoustic 30 is Orange’s first entry into the world of Acoustic Amplification. At ease in any situation: the lightweight, portable, battery powered acoustic combo continues the Orange traditions of simple but versatile design.
The Crush Acoustic 30 is designed to clearly project sound with its angled construction and 30 Watts of power. The two channels and built in reverb and chorus across both channels and the global notch filter can be used to efficiently to precisely combat feedback, leaving you to concentrate on your performance.
Whether you busk, play stages, practice at home or all of the above, the Crush Acoustic 30 has you covered, leaving you free to work your magic.
Channel 1 – Instrument Channel
Dedicated to your acoustic guitar, this channel has a pad switch to take off 10dB off to maintain a clean signal for higher output instruments. The 3-band EQ allows quick changes to your sound and the colour switch boosts presence and slightly cuts the midrange frequencies.
Channel 2 – Mic Channel
With an XLR input this channel can be used as a second guitar input or separate microphone input, phantom power is switchable as is the mic/line.
Global Effects
The Crush Acoustic comes with Reverb and Chorus which can be blended between the two channels. The notch filter adjusts the frequency of a narrow-Q filter, to remove frequencies that can help to combat feedback.
30 Watts and Voice of the World 8" Acoustic Speaker
The 8" Voice of the World speaker is designed especially for the Crush Acoustic, delivering 30 Watts of power to ensure you are heard loud and clear.
Aux-In:
The 3.5mm Aux-In can be used to plug an MP3 or other similar audio device, allowing you to play along to backing tracks.
Battery Powered:
The Crush Acoustic 30 is the perfect amp to use on the go, the battery compartment takes 10 x AA batteries and gives you 3 hours of power at full volume, 5 hours at 50% volume and 8 hours at low volume. The Crush Acoustic 30 can be powered by the supplied DC adaptor, when connected the batteries are disconnected.
Cliff was also friendly with what was then a premier blues band called Fleetwood Mac. Mac became the first chart group to go Orange in late-1968 when they took with them to America the very first half dozen Orange 100-watters ever made. Sportingly, Cliff included the name Matamp below the psychedelic Orange logo engraved on amplifier front-plates.
But the Orange Matamp era would be relatively brief as stars as big and wide-ranging as Stevie Wonder, BB King, Jimmy Page, John Mayall, Ike and Tina Turner, and James Brown joined the client list and helped to establish the brand. Orders worldwide soon far outstripped the production capacity of the Huddersfield factory that Cliff had bankrolled for Matamp in early 1970.
When Orange introduced a 200-watt head in time for Fleetwood Mac’s spring 1969 tour with BB King, Peter Green remarked that the sound was too clean and so Cliff’s engineers voiced the amps deliberately to produce more distortion.
Then the 1972 introduction of the 120-watt and 80-watt Orange Graphic Amplifier OR series marked the start of an era in which Orange truly became The Voice of The World , with manufacturing now mostly in Bexleyheath. The Graphic’s front-plate used eye-catching graphic icons taken from a computer industry which was then in its infancy. The mid-1970s saw the launch of the first Orange amp with master volume overdrive the OD 120 model.
And Cliff by now was known in the business as Mr Orange or Monsieur Orange in France where Orange drum kits were made.
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