MXR JHMS1 Hendrix Shrine Fuzz ...

2.550,-

MXR JHMS1 Hendrix Shrine Fuzz Face Mini Nytt spennende design med et tipp på hatten til John Van Hamersvelds ikoniske portrett av Hendrix To legendariske Fuzzlyder i en og samme minipedal Bytt enkelt mellom silkemyk Germanium og aggressiv Silicon Mulighet for Buffered Bypass så pedalen oppfører seg fint sammen med din Wah-pedal Authentic Hendrix™ ’68 Shrine Series Fuzz Face Distortion Fanger opp to forskjellige epoker av Jimi Hendrix fuzz-toner i et enkelt minihus. Den aggressive Silicon-baserte crunchen som han brukte i siste del av karrieren og den varme, smørmyke lyden av germanium-basert fuzz som han brukte tidlig i karrieren. Velg mellom de to med et trykk på en bryter. Denne pedalen har også Buffered Bypass-Switching for enda enda større variasjon i toner og ikke minst dra fult utnytte av Wah-pedalen din. Puristene der ute vil bli glad for å vite at den også kan kjøres i True Bypass.Denne spesialutgaven av Fuzz Face Distortion hyller legenden med en tilpasset finish som remikser den produktive og berømte rockeartisten John Van Hamservelds berømte Shrine Auditorium-konsertplakat fra 1968.Hint av grønn & blå flammer fremkaller den brennende lidenskapen og musikalske opplevelsen som Jimi Hendrix ga til verden mens psykedeliske bokstaver fanger tidsepoken.

MXR JHMS4 Hendrix Shrine Bog ...

2.550,-

MXR JHMS4 Hendrix Shrine Bog Fuzz Mini Nytt spennende design med et tipp på hatten til John Van Hamersvelds ikoniske portrett av Hendrix Basert på en mystisk rød Fuzz Face-Distortion med hvite knotter aggressiv, bitende tone ulik noen andre av Jimis effekter Tone-kontroll finjusterer karakteren på Fuzz-signalet ditt Authentic Hendrix™ ’68 Shrine Series Band of Gypsys Fuzz Denne pedalen er basert på en av de mest myteomspunnede produktene i moderne musikkhistorie.Mellom 1969-1970 kunne noen heldige se en rød boks med hvite knotter på scenen sammen med Jimi. Denne boksen var en helt annen fuzzlyd enn noen andre i hans  verktøykasse, en aggressiv og bitende tone. Den originale pedalen er forsvunnet men den helt unike lyden er bevart gjennom opptak. Dunlop sine eksperter rotet seg frem til at dette var en versjon av Octavio-kretsen som ikke hadde oktav-funksjon. 

MXR M103 Blue Box Octave Fuzz ...

1.695,-

MXR® BLUE BOX™ FUZZ M103 The Blue Box Octave Fuzz drops your guitar signal two octaves down and combines it with gnarly fuzz for huge subterranean tones. This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included). This is the crazy effect heard on Jimmy Page's "Fool in the Rain" solo. The Blue Box Octave Fuzz takes your guitar signal and duplicates it two octaves down for a huge, subterranean tone. The Blend knob lets you control how much of the fuzz tone is mixed with the two octaves down signal. Not for the timid—there is truly nothing like the Blue Box.

MXR M249 Super Badass Dynamic ...

2.195,-

MXR Super Badass Dynamic O.D. vil gi enhver rigg så mye ekstra bitt som du trenger samtidig som du bevarer din eksisterende tonale dynamikk. Med MOSFET-dioder under panseret, kan denne pedalens overdrive være en jevn spinnende fin ren boost, eller den kan gires opp til en vintage high-gain burnout.Dashbordet er et enkelt sett med innstillinger som lar deg tråkke inn riktig lyd for din rigg. Klassiske Output, Tone og Gain samt en Boost/Cut-bryter. Denne pedalen høres killer ut i seg selv, men vi synes den høres best ut når den presser en rørforsterker over grensen og lar motoren brøle.

MXR M267 Octavio Fuzz pedal

2.550,-

Utforsk de mest avsidesliggende utkantene i silisiumuniverset i et transportmiddel du kan stole på ... Octavio Fuzz fra MXR. Sett koordinatene til Level og Fuzz, ønsket volum og intensitet, og la deg forføres av pedalens legendariske glødende fuzz-toner.Her får du gitarguden Hendrix sin berømte effekt i et pedalvennlig MXR-skall. MXR® OCTAVIO® FUZZ M267 Explore the furthest reaches of silicon saturation in a trusted vessel with the MXR Octavio Fuzz. Just set the Level and Fuzz controls to your desired volume and intensity, and allow your picking and plucking dynamics to coax out the pedal's legendarily searing, synth-like tones. This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included). Made famous by Jimi Hendrix, the Octavio Fuzz and its touch-responsive octave-up saturation continue to be employed by modern players, from straight-up rockers to low 'n' slow doomsayers. For the first time ever, that iconic effect has joined the MXR standard line. The layout is as simple as it ever has been—just set the Output and Fuzz controls to your desired volume and intensity, and allow your picking and plucking dynamics to coax out the pedal's legendarily searing, synth-like tones. Explore the furthest reaches of silicon saturation in a trusted vessel. Get yourself an MXR Octavio Fuzz.

MXR M94SE Fat Sugar Drive ...

2.195,-

MXR M94SE Fat Sugar Drive Få Sugar Drive Pedals brede utvalg av overdrive-toner i et klassisk MXR-chassis Blander inn et rent signal for å beholde personligheten til lyden din Mer headroom for dynamisk og åpen lyd Fra skjør boost til full distorsion Veksle mellom true og bufret bypass Spesialutgave i rosa metallic finish Med MXR Fat Sugar Drive får du Sugar Drives allsidige palett av klare og transparente overdrive-toner i MXRs klassiske chassis for de som foretrekker dets originale utseende istedet for mini.Pedalens allsidighet kommer fra dens unike Drive-kontroll som gjenskaper en forsterkers overgang fra ren til skitten. Dette gjøres ved å blande det rene signalet ditt gjennom noe som kalles en spenningsdobler, som øker den totale fyldigheten og åpner opp lyden fra pedalen. På den måten kan du få alt fra en skjør boost til full gass spreng røra distorsion.Fat Sugar Drive er innstillt på ekte bypass som standard, men for puristene som vil ha bufret bypass i stedet, bare fjern bunnplaten og trykk på den interne bufferen, lukk den og begynn å spille. Denne spesialutgaven kommer med en spesiell rosa glitrende finish.

MXR TBM1 Tom Morello Power 50 ...

3.395,-

MXR TBM1 Tom Morello Power 50 Overdrive • Tom Morellos signatur-sound • Innstillingsmuligheter tatt direkte fra forsterkeren • FX-loop • Autentiske forsterkerlyd gjenskapt fra bunnen av • MOSFET-teknologi I mer enn 30 år har nøkkelen til Tom Morellos rå, hardtslående lyd-DNA vært forsterkeren hans. MXR Power 50 Overdrive fanger lyden og funksjonaliteten til Toms rigg for bruk med hvilken som helst rigg, enten du har en enkel combo eller en avansert high-end topp med kabinett. Autentisk forsterker lyd gjenskapt fra bunnen av.Power 50 Overdrive bruker MOSFET-teknologi for å gjenskape Preamp-trinnene i Toms forsterker og skaper forsterkerlignende egenskaper som har en uhyggelig evne til å gjenskape store, røffe toner. Tom bruker utelukkende forsterkeren sin for sine karakteristiske vrengtoner, og når du tråkker ned Power 50 Overdrive vil du forstå hvorfor.Et komplett utvalg av innstillingsmuligheter tatt direkte fra forsterkeren.Power 50 Overdrive er utstyrt med samme grensesnitt som Toms forsterker, med Gain, Bass, Middle, Treble, Volum og Presence slik at du kan replikere hans eksakte innstillinger eller stille inn lyden etter eget ønske.Bli med i loopen.Tom kjører alle effektpedalene sine gjennom forsterkerens FX-loop, som gir signalkjeden en unik tonal vri. Power 50 Overdrive gjenskaper den samme funksjonen, slik at du kan gi signalkjeden samme preg. Hvis du har Cry Baby® Tom Morello Wah, er det her du kan koble den til og prikke Toms wah-tone.En frittalende stemme av et moderne ikon.MXR Tom Morello Power 50 Overdrive gjenskaper en av de mest ikoniske gitartonene fra den moderne rock 'n' roll-æraen. Tom brukte et halv-stack for å finjustere den lyden, og nå kan du koble den direkte til pedalbordet ditt."Power 50 Overdrive emulerer forsterkeroppsettet mitt som jeg har brukt siden 1988," sier han. "Jeg har laget 21 studioalbum, og den forsterkeren, den toppen og kabinettet, og den tonen har vært på 21 av dem. Det har vært mitt signatur-sound siden min karrieres første dag. Hvis du vil ha lyden som har vært med hele veien trenger ikke finne en topp og et kabinett fra 1988. Den lyden kan du få med Power 50 Overdrive, uansett hvilken innstilling du har."Tom Morello

Nobels ODR-1BC Natural ...

1.150,-

ODR-1BC (Bass Cut) Natural Overdrive gets an upgrade Ideal for blues and crunchy rock sounds (or for that extra punch when soloing), the Nobels ODR-1 has been the first choice and secret weapon for many players and top studio guitarists for nearly 30 years. In fact, this top selling pedal has developed its own almost cult following since it was first designed and engineered in the eighties.   When the original circuit was developed, there seemed to be countless overdrives on the market that had what many people describe as a ‘nasal’ tone, but Nobels worked hard on creating a very ‘open’ sounding pedal that works with you and your amplifier. The result was the ODR-1, German engineering at its finest with stacks of resistors and capacitors forming very precise filters and signal shaping, giving you a pedal that responds to your dynamics and adds texture to your tone in a very natural, musical way - all while allowing the character of your guitar to be fully retained. Step forward to 2020 with the latest model ODR-1BC. With numerous requests from the pedal community and professional players worldwide, Nobels have added the option of an internal Bass Cut switch under the battery cover to help tame your low end if needed. In standard mode though, you still get the full frequency response of the original that is perfect for warming up single coils etc. In addition, the internal power circuitry has been increased to allow for 9-18 V capability to provide extra headroom, if your playing styles and tone goals require it. These new features haven’t altered the fundamental tone and vibe, but have increased the versatility of the pedal massively for modern rigs. With the drive control, the distortion can be easily adjusted from almost clean to maximum drive. The circuit also works very well with your guitar’s volume control, so by backing off the volume you can clean up your tone. The tonal range is controlled by the Spectrum control tone pot with mid-click and fluorescent pointers on the Glow-in-the-Dark knobs. Turn the knob clockwise and it increases the bass and treble at the same time, while turning it counter clockwise has the opposite effect. The midrange stays untouched in either direction, to ensure a transparent yet warm tone wherever the Spectrum knob is placed. Main Features • Analog Overdrive Pedal • Bass Cut feature - helps to tame the low end - NEW! • Accepts 18 V power - allows for additional headroom - NEW! • Glow-in-the-Dark Knobs • Remote input jack - allows the pedal to be switched on/ off remotely • Controls: Drive, Spectrum/Tone and Level • Buffered Bypass • Solid metal housing • Low current consumption • Overhead battery compartment - allows for quick battery changes • Includes. 4x Mounty-P Mounting Plates • Powered by 9 -18 V DC PSU or PP3 9V Battery        (centre -, 2.1 mm, ~11 mA current draw)

Nobels ODR-1X Natural ...

1.666,-

Nobels ODR-1X Next Generation Overdrive For over 30 years, the Nobels ODR-1 overdrive pedal has become a renowned classic and has developed cult-like status among guitarists worldwide. Seen as an indispensable staple in many professional setups, the pedal has become an industry standard that is widely imitated, but seldom surpassed. The new Nobels ODR-1X is the next generation of this now legendary overdrive, heralding a new chapter in the Nobels overdrive legacy. Due to popular demand, a convenient external bass cut pot has been added, as well as the option to change between true bypass or buffered bypass. For hi-gain aficionados, a new switchable hi-gain boost is also now available. This is capable of transforming ODR-1X into a true hard rock monster. With the ability to control both the gain boost and bypass remotely, along with the unique SPECTRUM tone control, fold-out Mounty-P mounting plates and knobs with fluorescent ‘Glow in the Dark’ pointers, the ODR-1X adds worthwhile flexibility and utility to a time-tested favourite. Main Features • Natural Analog Overdrive Effects Pedal • New Variable Bass Cut knob - helps to tame and adjust the low end • Remote input jack - allows the pedal to be controlled remotely • Spectrum Tone control - double filter tone control that simultaneously cuts/boosts bass and treble frequencies • Switchable between True Bypass and Buffered Bypass via internal switch • New Gain Boost switch with remote control option • Overhead battery compartment - allows for quick battery changes • Glow in the Dark pointer knobs • Includes 4x integrated Mounty-P Mounting Plates • Powered by a regular 9-18 V DC PSU or PP3 9V Battery (not supplied - requires centre - 2.1 mm, ~15 mA current draw) For extended ease of use, the internal Bass Cut feature originally included in the ODR-1BC is now available as an external variable control right on the face of the pedal. This allows for complete optimisation of the pedal’s bass response on the fly, at the simple turn of a knob. The flexibility of this new additional control compliments Nobels’ unique and renowned SPECTRUM tone control, which alters the proportion of both the low-mid and high frequencies simultaneously. At midday, the frequencies remain almost untouched. However, moving from the minimum to maximum positions will deliver variations in frequency response that are suitable for a wealth of musical tastes and styles. ODR-1X also now features the ability to switch between True Bypass and Buffered Bypass via a mini switch that is located within the top loading battery compartment. True Bypass gives the maximum tonal purity. While players who are using longer cable runs, can switch to Buffered Bypass mode to preserve high frequencies. No matter what Bypass mode you choose, you also have the functionality of being able to switch the pedal on and off and control the new Gain Boost feature remotely via the pedal’s TRS connection. The pedal operates at standard 9 V DC, however if run at 18 V, this allows ODR-1X to deliver increased dynamic headroom. As with all Nobels pedals, the ODR-1X features integrated Mounty-P Mounting Plates for safe and secure attachment to pedalboards. Upgrade your overdrive experience and become a part of the new ODR generation!

Nobels ODR-Mini 2 Natural ...

890,-

Nobels ODR-mini 2 New Generation Mini Overdrive For over 30 years, the Nobels ODR-1 overdrive pedal has become a renowned classic and has developed cult-like status among guitarists worldwide. Seen as an indispensable staple in many professional setups, the pedal has become an industry standard that is widely imitated, but seldom surpassed. The new Nobels ODR-mini 2 is the next stage in the evolution of the legendary ODR-1’s little brother, the ODR-mini. Due to popular demand, this diminutive powerhouse now features a very useful bass cut feature as an external control. Added to this, the upgraded full metal housing, along with the integrated Mounty-P Mounting Plates, completes the worthwhile upgrades for this compact dynamo. Main Features • Natural Analog Mini Overdrive Effects Pedal • New Variable Bass Cut knob - helps to tame and adjust the low end • Spectrum Tone control - double filter tone control that simultaneously cuts/boosts bass and treble frequencies, with centre indent • New upgraded metal enclosure • True Bypass • Glow in the Dark pointer knobs • Includes 4x integrated Mounty-P Mounting Plates • Powered by a regular 9-18 V DC PSU (not supplied - requires centre - 2.1 mm, ~12 mA current draw) For extended ease of use, the internal Bass Cut feature originally included in the ODR-1BC is now available as an external variable control right on the face of the pedal. This allows for complete optimisation of the pedal’s bass response on the fly, at the simple turn of a knob. The flexibility of this new additional control compliments Nobels’ unique and renowned SPECTRUM tone control, which alters the proportion of both the low-mid and high frequencies simultaneously. At midday, the frequencies remain almost untouched. However, moving from the minimum to maximum positions will deliver variations in frequency response that are suitable for a wealth of musical tastes and styles. With its newly designed and upgraded full metal enclosure, the ODR-mini2 is capable of operating at either standard 9V or 18V for increased dynamic headroom. Along with all other Nobels pedals, the ODR-mini2 now also features 4 integrated Mounty-P Mounting Plates for safe and secure attachment to pedalboards. Upgrade your overdrive experience and become a part of the new ODR generation!

Old Blood Noise Alpha Haunt ...

3.009,-

Alpha Haunt Fuzz - Highly-tweakable Fuzz Pedal with EQ. Alpha Haunt is a fuzz. OK that’s simple enough so far, but Alpha Haunt also has twelve (!!) highly interactive controls which mean things got a bit more involved now. Most of the fuzz buzzwords are here – huge and sustaining, gated and sputtering, mid scooped, mid boosted, bright, dark, clarity, utter lack of clarity and splatty. This is basically the fuzz motherlode being thrown at you and the whole pack is at your disposal. You are the alpha now. Highly tweakable fuzz pedal – endless worlds of fuzz at your disposal 3-band EQ sliders – perfect your place in the mix with full control over lows, mids and highs Clean blend via Enhance control – retains string clarity and low-end response Made in the USA Powered by 9V DC PSU (9V DC, centre -, 2.1mm, ~30mA current draw) Building and expanding on the classic Haunt Fuzz, one of Old Blood Noise Endeavors’ first sonic excursions, the Alpha Haunt explores the vast variety of sounds you can coax from a single fuzz circuit. With its extensive control set, the Alpha Haunt gives the user the ability to dial in a wide swath of fuzz textures – from wide open overdrives, squashed sputters to wild disintegrating synthy textures. The controls that truly set the Alpha Haunt apart from the large fuzz pack out there, are the ultra-powerful 3-band EQ sliders, Enhance, Bias and Gate knobs. Found a nice foundational fuzz sound in there you like, but feel you could use more string clarity? Turn up that Enhance knob, and hear the sweet ring of your clean tone get blended in parallel to the fuzz. This feature also means you have a fuzz pedal that plays extremely well with bass, synth, drum machines or whatever you may feel like throwing at it. You’ve got the sound, but you need to find your place in the mix? Well, those three big sliders to the right should do the trick then. Bring up the treble for biting and cutting stings of fuzz, or bring up the lows and mids to unleash the sonic sledgehammer and bring down the house. Crave more unique textures than just straight up fuzzstortion? Bring up the Gate and Bias and hear your sound compress, sputter, scream and swell up like a monster trying to break free of its sonic shackles. Perfect for synth-like sounds, velcro-esque rips and sputters or crumbling lo-fi tones. You’re fully in charge now of your fuzz sound. So, take control, lay waste to your fuzz foes and create a new fuzzy landscape, reborn around the immense powers and possibilities within the Alpha Haunt Fuzz.

Old Blood Noise Beam Splitter ...

3.121,-

Old Blood Noise Endeavors Beam Splitter Automatic Triple Tracker Distortion The Beam Splitter is a single pedal meant to create a massive sound. It is three different takes on overdrive, voiced to work together perfectly. Two of them can be delayed in time, and all three can be run in parallel or split out to three separate sources. Beam Splitter takes a mono input and makes it wildly bigger than before. Things stretch in time and compress in dynamics, and a rich harmonic wash is achieved without sacrificing clarity. • Triple tracking overdrive/distortion pedal • 3 different parallel drive/distortion sections with individual gain and volume controls and adjustable delay and individual outputs o Purple – hard clipping distortion – the pedal’s core gain sound o Green – soft or hard clipping overdrive with the light and bright sound o Blue - transistor Overdrive - most neutral and reactive with a medium gain range • Offers triple-tracked drive tones with impressions of flanging, chorusing or broken vibrato, depending on the settings • Individually adjustable delay time on Green and Blue distortion sections • Feedback controls for Green and Blue distortion sections to add intense filtering or trailing delays depending on Time setting • Deviate Control for adjusting randomness of delay time variation in Blue and Green drive sections – for a more realistic sense of doubled players • EXP input – for controlling Deviate knob remotely • Relay bypass switching • Made in the USA • Powered by 9V DC PSU o (centre -, 2.1 mm, 150 mA current draw)

Old Blood Noise Excess V2 ...

3.009,-

Old Blood Noise Endeavors Excess V2 Distorting Modulator A Marriage of Distortion and Delay-Based Effects Way back in 2017, Old Blood Noise Endeavors released their first venture into Distortion aligned with Delay-based effects. Aptly named Excess, we all thought it was fantastically excessive enough back then, but along comes 2022 and Old Blood Noise are adding more switches. Despite this, the controls are actually dead simple, but the sonic potential is immense! Expanding on the original model, Old Blood Noise Endeavors continues their journey to revive and expand sought-out sounds of the 80s. With delay, chorus and harmonized fifths available, along with distortion in series or parallel configurations, Excess V2 unveils more unique tones and even more control, yet all in a smaller more pedalboard friendly package. Main Features: • Distortion and Modulation pedal • Three modes of modulation (Delay, Chorus and Fifth) each with Time, Depth, and Volume controls • Distortion section with control over Gain, Tone and Volume to access light overdrive through fuzzy distortion • Order switching to run Distortion into Modulation, Modulation into Distortion, or separate parallel paths • Soft touch switching and true relay bypass for each section • Expression jack to externally control Rate and Depth • Internal trimpot to set wet-dry mix of Modulation section • Made in the USA • Powered by 9V DC PSU (centre -, 2.1mm, ~125 mA current draw) Simply put, Excess V2 is two effects in one: a distortion and a modulation. The modulation takes the form of chorus, delay or pitch shifted delay and the way you route and engage them makes all the difference. Each mode has its own footswitch to engage or disengage the sound. We’re thinking about circuits from the 80s, 90s, today and a little bit earlier, all helping to create tones you’ve never thought of before! Excess V2 features three modes of modulation. Fifth is a harmonized delay and harmonizes the delay repeat up to a perfect fifth. When depth is turned up (adding delay repeats), those repeats continue to harmonize upward, creating rising fifths and octaves from your original note. Chorus offers a classic chorus, modulating the delay line to create swirling sounds. Delay is a short delay (up to 125ms) focused on comb filter, doubling, and slapback sounds. This section features three knobs, Mod Vol which controls the volume of the modulation, from zero to loud, Rate controls the rate or time of modulation (either the speed of the chorus LFO or the delay time of the delay) and Depth adjusts the depth or feedback of modulation (either the width of the chorus LFO or the number of repeats of the delay). The Distortion section also has three knobs. While Dist Vol controls the volume of the distortion, from zero to loud, Tone controls the high end of the distortion, from dark to bright. Gain adjusts the gain of the distortion, from bright and almost clean to heavily distorted. There are three ways of routing the effects in the Excess V2: • Mod 1st runs modulation into distortion, creating harmonically rich and sometimes almost out of control textures. Because the effects are in series, if either volume control is all the way down, you will get no signal.   • Parallel runs modulation and distortion side by side, which allows for clean modulated signal alongside distorted signal.  This mode has a natural volume boost due to the signals being added together. Blend to taste with the volume knobs and find some unfamiliar wet-dry textures.   • Dist 1st runs distortion into modulation, which is a classic way of routing these two effects, allowing for crisp repeats and modulations of your distorted sound. Because the effects are in series, if either volume control is all the way down, you will get no signal. Internally the Excess V2 has a hidden trimpot located above the expression jack that sets the mix of the modulation section. By default, it is set for a 50-50 mix of dry and wet, allowing for classic chorus and unity volume delay repeats. To increase the mix, turn to the right: this can go 100% wet (affected signal) for true pitch vibrato and strange delay textures. To decrease the mix for more subtle modulation, turn to the left: this can go 100% dry (unaffected) leaving only clean signal on the modulation side. For even more creativity, the Expression jack can be used to externally control the Rate and Depth knobs. To use it, plug an expression device in using a TRS cable (we recommend the OBNE Expression Slider or Expression Ramper) or any other expression device wired as TRS with tip as the voltage output.

Old Blood Noise Fault V2 ...

3.009,-

Fault V2 Overdrive & Distortion The Old Blood Noise Endeavors Fault is a stellar overdrive/distortion combo with a foot-switchable second gain stage and three band EQ. Now with the Fault V2, OBNE has taken all the goodness from the original pedal and carved out room for even greater gain ranges, voice control and additional clipping options. It’s simple and not an outside-of-the-box, whacky take on crunched-up guitar signal. No, Fault V2 does what it does - to provide the player with ample tonal and gain shaping options in a single package. Plus, the V2 pedal also excels as a clean boost and tweakable high gain distortion too. • Dual gain overdrive pedal - goes from clean boost to all-out distortion • 3-band EQ with sliders - delivers precise control over low, mid and high frequencies • Gain 2 channel - lets you go from light overdrive to heavy distortion on the fly • Boost switch - sets range of Gain 1 knob from clean to mean • Crush switch - add an additional post-EQ clipping stage • Relay bypass switching • Made in the USA • Powered by regular 9V DC PSU     (centre -, 2.1 mm, ~31 mA current draw) The Fault V2 Overdrive/Distortion is the drive you didn’t even know you needed. It can push your amp over the edge, provide a sensitive drive for a clean signal or act as an all-out distortion for your chugging rhythms, singing leads or noise experiments.  A Bypass switch turns it on and off. Volume makes it louder. Gain 1 sets the intensity of the first gain stage and Fault can go from light and sparkly, to tight and crunchy. Pretty sweet and simple, huh? Now on to the powerful tone sculpting 3-band EQ at the heart of it all. The Low, Mid and High controls each cut or boost their respective frequencies - scoop it, hump it, flatten it - whatever your heart desires. Low is a 100 Hz shelf filter, Mid is 500 Hz bell and High is 3 kHz shelf. Jangly rhythms, fat leads or chords with just the right amount of mid-push to see you push through the mix - it’s all in there! Gain 2 is activated by the Gain 2 footswitch. If it’s off or if the knob is all the way down, it does nothing. But turn the switch on and the knob up and you’ll find increasingly heavy distortion in a pedal you thought was only an overdrive. Gain 2 is highly interactive with where you’ve set Gain 1, letting you conjure a myriad of delightfully driven and distorted sounds. Add in the new controls - Voice (sets the overall tone of your drive heading into the 3 band EQ) and Boost (sets the range of Gain 1) and you get even more drive versatility. While the Crush control gives one final clipping stage right before the output. All of these options interact to form many different drive tones, from signal sweetening to aggressive distortion. Different levels of each will create different sounds, which when tweaked with the EQ can be further shaped. So just plug in, don’t be afraid to tweak and just rock out!

Old Blood Noise Haunt 19 Fuzz ...

2.562,-

Fuzz Pedal - updated switches and sonic improvements. Haunt Fuzz The Old Blood Noise Endeavors Haunt is a gated fuzz that is capable of a wide array of fuzz sounds. From restrained and nuanced light fuzziness, to granular and biting saw sounds, many textures and character traits can be summoned up with this beastly fuzz pedal. Gated fuzz pedal – made for walls of ripping fuzz and unique spluttery textures 2 different fuzz modes – open or Compressed Clean blend via Mix control – retains string clarity and low-end response Made in the USA Powered by 9V DC PSU (centre -, 2.1mm, ~20mA current draw) The Haunt’s primary objective is to fight off your enemies with its gnarly grinding bite – or put your audience into sludgy, doomy ecstasy. Totally your choice, my riff-wielding friend. The Volume, Gate, Fuzz, Mix and Tone knobs give you access to a wealth of different dirt tones. From open, present and punishing sound to hyper-compressed and spluttery synth-like fuzz tones of doom and gloom. It’s all there and then some! The Haunt also has two toggle switches – Mode and Low. Mode switches between two combinations of silicon transistors. One is a lower volume, more compressed and harmonic fuzz (toggle to the left) and the other a louder, more open mid-range fuzz (toggle to the right). The Tone, Fuzz and Gate controls all respond in a unique way within each mode. So, mess around with it until you find exactly the fuzz you’re after. Low switches between a normal signal (toggle to the left) and a bass boosted signal (toggle to the right) and fattens the sound up a bit. Pair that bass boost with the clean-blend option of the Mix knob and you have a fuzz pedal that also plays extremely well with bass.

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