Emma Electronic Okto Nøjs ...

2.640,-

Emma Electronic Okto-Nøjs  Subsonic Power Punch Just when you think you’ve seen and heard it all in an over flooded pedal market, from the deep rises a bass behemoth so crushingly brutal that it makes Godzilla look like the easter bunny. The Okto Nøjs takes your signal and turns it into pure subsonic fire. It spits and sputters sizzling, synthy octa-fuzz tones left and right, all while running it through an earthshakingly deep analog octaver for unprecedented levels of bass brutality. Some pedals just want to watch the world burn, the Okto-Nøjs is a true firestarter! - Analog Octaver and Fuzz in one pedal - Use independently or together - Dead-on octave tracking - Tracks perfectly down to the low-E of a bass - Ultra-versatile octa-fuzz - Goes from smooth drive to fuzzed-out synth tones - Intuitive controls set - For a world of never-heard-before tones - Handmade in Denmark - using only high-quality components - True-Bypass switching The Okto-Nøjs is actually two pedals in one – a super-accurate, fast-tracking Octave down (the Okto) combined with a dynamically responsive, synth-like Octave-Fuzz (the Nøjs). Both sides of the circuit are 100% analog and feature high-quality buffers and true bypass switching for the best sound quality possible. The Okto channel uses proprietary tracking circuitry to create a sub-octave that locks in fast and remains stable. The Okto can track accurately down to the open-E string of a Bass Guitar, and even lower with minor note wobble. The Okto’s Tone control can go from round, fat subs to the hollow, nasally honk tone. Blend in a bit of Okto with your Dry signal to subtly thicken your bottom end, or crank it up for spot-on note doubling. The Nøjs section is where the real fun starts. A harmonic distortion generator that creates a unique Octave-Fuzz effect, the Nojs circuit reacts to playing dynamics to create spitting, swelling, synth-like drive sounds that are truly out of this world. Gain, Tone & Level controls adjust the Nøjs circuit’s Fuzz section, yielding everything from smooth overdrive to squelchy feedback distortion with a blossoming note filtering. The Nøjs control blends in a square wave sub-harmonic that can be thick & meaty or edgy & aggressive depending on the setting of the Color control. Both Okto & Nøjs sections can be blended to taste against the Dry signal to cover a wide range of colors from subtle to extreme. Come get your freak on with the Emma Electronic Okto-Nøjs!

Emma Electronic OnoMATOpoeia ...

1.640,-

Emma Electronic OnoMATOpoeia The Sonic Boom! The OnoMATOpoeia is basically a sonic super hero. Clean boost by day, dirty overdrive by night, and with some serious superpowers hidden up its sleeve.  It’s the secret sauce your pour on your tone when you want that extra Oomph! That extra Kapow! It’s what you kick in when you need your solos to soar or your rhythms to roar. *From clean boost to gritty overdrive in one pedal *Saturation control - alters the gain structure for a world of old-school and modern drive tones *Unique seesaw tone control - for well-balanced vintage tones to crisp and sparkly modern tones *Highly intuitive control set - dial in amazing tones quick and easy *Top-mounted I/O *Handmade in Denmark *True-Bypass switching The goal with the OnoMATOpoeia was to create a pedal that every player out there would benefit from having on their board. Something that would sweeten up the sound no matter if it was used subtly or shamelessly. The result: a unique and versatile boost/overdrive pedal that can do anything from adding a little push to lift solos or rhythms off the ground, to adding some glorious tube-like grit. With the addition of a wide-ranging “seesaw” tone control and a saturation knob that changes the gain structure from loose, old-school and slightly fuzzy to tight and modern, this pedal has a tonal trick available for any musical trade out there.

Emma Electronic PisdiYAUwot ...

1.850,-

Emma Electronic PisdiYAUwot - Metal Distortion Beauty In Brutality You may have guessed it already, solely based on the looks of the PisdiYAUwot, this beast was made for METAL! The gain stage is raw and brutal yet extremely clear and defined. The EQ options are staggeringly versatile to say the least. The sound? Earthshakingly awesome! Chords, fast runs and triplets stand out with a clear and potent punch. No more mushy wobble, just power! *Powerful and versatile high-gain pedal *Extremely tight and transparent attack - no mud, all metal! *Ultra-wide gain range - from low-gain to beyond high-gain *Highly intuitive control set - dial in amazing tones quick and easy *Top-mounted I/O *Handmade in Denmark *Untrue-Bypass switching - a super-transparent buffered bypass The PisdiYAUwot is pure fire. It’s lightning in a bottle. It’s what every other metal pedal out there wishes to be. It’s the sound of a tight and punchy high-gain amp in a box, ready to bring down the house on your command. The EQ section pots are optimized to work in interaction with each other, and the gain range is extremely wide. Turn down the MID a bit, turn up the HIGH and get that old school Pantera like scoop. Turn the MID up, the HIGH down a bit and the LOW up, and you get a very modern in your face mega power distortion. Want it more brutal, turn the GAIN down a bit. Want it more gritty, turn it up. This pedal will bring speed, power and clarity to any metal guitar player out there.

Emma Electronic ReezaFRATZitz ...

1.850,-

Emma Electronic ReezaFRATzitz Ready To Rock! ReezaFRATzitz is your golden ticket to distortion dreamland. Chock-full of roaring amp-like dirt tones, this pedal and its highly versatile controls will put some serious sizzle into your sound. From bluesy growls to grinding and screaming distortion, ReezaFRATzitz is sure to supply you with the super-sonic firepower you need. * Plethora of roaring amp-like distortion tones on tap * Bias control - alters the harmonic gain structure * Highly sculpt able EQ section - go from vintage to modern tones in seconds * Highly intuitive control set - dial in amazing tones quick and easy * Top-mounted I/O * Handmade in Denmark * Untrue-Bypass switching - a super-transparent buffered bypass If you like it loud and wild, then ReezaFRATzitz should instantly feel like home. Bursting at the seams with the DNA of rock, this pedal was created to give players the tone and touch-responsiveness of a cranked tube-amp right in front of their feet. The magic to this lies in the unique Bias control, which lets you alter the harmonic content and attack response of the pedal from that of a Class-A to a Class-B amp and anywhere in between. Combine that with the highly interactive Bass and Treble EQs, plus the pedal’s extremely wide gain-range and you’re ready to serve up anything from warm and vintage-sounding drive tones to tight modern distortion tones, all while maintaining the integrity of your core sound. So all that’s left to do now is plug in and rock out! So all that’s left to do now is plug in and rock out!

Emma Electronic StinkBug ...

1.850,-

Emma Electronic StinkBug The Pride And Joy Of Overdrive StinkBug is the embodiment of everything you’ve come to expect of a great overdrive and then some. It spits out warm amp-like drive tones and just adds that lovely touch of mid-presence that’ll make you cut through a mix like nobody’s business. But… and this is a good but, it does all of this without ever comprimising the natural timbre and sound of your instrument, leaving you with an overdriven sound that’s as dynamic and articulate as your own playing style.  * Chock-full of classic amp-like overdrive tones * Perfect mid presence - cuts through the mix while retaining your core sound * Highly sculptable EQ and wide gain range - From low-gain to blistering blues-rock tones. It’s all there! * Highly intuitive control set - dial in amazing tones quick and easy * Top-mounted I/O * Handmade in Denmark * True-Bypass switching The idea behind the StinkBug was to create the ultimate “classic” overdrive pedal. Something that beautifully distils the best parts of a vintage drive pedal, while alleviating common issues like overbearing mids and nasal, fizzy tones on higher gain settings. Hence a lot of work was put into getting the mids and gain structure just right, all while keeping the body and character of your instrument completely intact. The Low and High EQ dials give you a ton of different tones on tap. Turn them both down and the midrange comes out, but without being nasal. Turn them up and the mids gets slightly scooped, while still keeping the sound full and punchy. Oh and then there’s the gain! Oooooh boy, it’s warm, smooth but with that sweet harmonic tube-like crunch that we all know and love. Just picture the bluesy bite and dynamic drive tones of Stevie Ray Vaughan, Eric Clapton and John Mayer and you know what you’re getting yourself into with the StinkBug. So if you’re into blues, pop, rock or just filthy-good tones in general, then this is definitely the drive you’re looking for!

Fortin Fourteen Pedal

3.765,-

Fortin Fourteen The FOURTEEN pedal boasts 2 identical foot switchable channels complete with Drive, Tone and Level controls where both channels feature a 3-way mini toggle to select HD, F9 or F808 modes. The Fortin FOURTEEN is the result of years of work designing professional overdrive circuits and modifying one of the most iconic drive pedals in electric guitar history. The FOURTEEN pedal boasts 2 identical foot switchable channels complete with Drive, Tone and Level controls where both channels feature a 3-way mini toggle to select HD, F9 or F808 modes. That's right; the iconic Fortin TS Mod's AND the discontinued Hexdrive are now back and combined together in one distinct stompbox! Additionally, Fortin implemented an amp channel switch function that can be assigned to either of both switches of the pedal. To ensure a correct functionallity of this latching switch with your amp, the polarity of this switch can be changed.

Fortin Fuzz O)) Pedal

1.999,-

Fortin Fuzz O)) The Fuzz))) is our nod towards some of the greatest doom, grit, drone and sludge tones ever heard but at the same time, retaining its own, unique, unmistakable Fortin character. It couldn’t be easier to use as the Fuzz))) only has three controls - Standard fuzz control, output volume and a girth control that adds a massive low end thickness to take your tone into, and beyond, previously unchartered sonic realms of destruction. Sure to delight even the most fastidious tonal fuzz connoisseur, Fuzz))) brings legendary fuzz and distortion all wrapped up in one tiny package.

Fortin Kali Pre-Amp Pedal

4.390,-

Fortin Kali Inspired by the iconic Fortin Cali amp head, you can now achieve high gain mayhem in a convenient footprint with the Kali Pre-Amp pedal. Kali is the third installment in Fotin's preamp series. Inspired by the iconic Fortin Cali Amp - born from Mike Fortin’s deep roots in amp modding (and a nod to Jose Arredondo’s revolutionary work). Kali captures everything from vintage Plexi sparkle all the way to full-throttle modern metal mayhem, all packed into a single-pedal sized footprint.

Fortin Natas Blackout LTD ...

4.290,-

Fortin NATAS Blackout LTD Unleash Pure Sonic Chaos with the Fortin NATAS Pedal: where raw power meets relentless clarity. Are you ready to harness the darkness? Now limited available as a Blackout version! Many Fortin amps have achieved legendary status over the years - but only one has had players constantly talking, constantly chasing and constantly looking to recreate the legendary tone. We want players to be able to find that tone from their own rig, be able to drop the NATAS pedal in and feel the brutal power, absolute articulation and depth of gain that made the NATAS amp the legend it is. The NATAS is a staggering feat of engineering, a sound and response never experienced from a gain pedal - cascading gain stages, a perfectly placed 3 band active EQ, additional Kill gain boost and a Mid Shape (mid scoop or hump) switch, ensures that the NATAS Distortion brings the authentic Fortin tone to a dirt pedal, for the very first time. Unleash Pure Sonic Chaos with the Fortin NATAS Pedal: where raw power meets relentless clarity. Are you ready to harness the darkness?

Fortin Natas Distortion Pedal

4.290,-

Fortin NATAS Unleash Pure Sonic Chaos with the Fortin NATAS Pedal: where raw power meets relentless clarity. Are you ready to harness the darkness? Many Fortin amps have achieved legendary status over the years - but only one has had players constantly talking, constantly chasing and constantly looking to recreate the legendary tone. We want players to be able to find that tone from their own rig, be able to drop the NATAS pedal in and feel the brutal power, absolute articulation and depth of gain that made the NATAS amp the legend it is. The NATAS is a staggering feat of engineering, a sound and response never experienced from a gain pedal - cascading gain stages, a perfectly placed 3 band active EQ, additional Kill gain boost and a Mid Shape (mid scoop or hump) switch, ensures that the NATAS Distortion brings the authentic Fortin tone to a dirt pedal, for the very first time. Unleash Pure Sonic Chaos with the Fortin NATAS Pedal: where raw power meets relentless clarity. Are you ready to harness the darkness?

Fulltone 69 MkII Fuzz Pedal

2.690,-

Fulltone ‘69 mkII This is the new smaller box versionof Fulltone’s 69 Fuzz-the 69 mkII ...it containstwoFat-Body germanium transistors. This Germanium Transistor equipped Fuzz is identical to earlyArbiter Fuzzfaces, but allows for a few key adjustments to things like the Input level, theMids, and even the Transistor Bias. One of the desirable traits of Germanium Transistors(when matched properly) is their Tube-like responsiveness and thick, even harmonics....theother being they clean up incredibly by turning down the guitar's volume knob! Leave theFuzz all the way up and use your guitar's knob to get everything you need. •GermaniumFuzz pedal •Replica of early Arbiter Fuzz Faces •Internal Bias trimmer–forchanging the shape of the Distortion • 100% hand-built in the USA • Powered by 9 V DC PSU(centre +, 2.1 mm)

Fulltone 70 Fuzz Pedal

2.290,-

Fulltone ‘70 Vintage Fuzzface pedals are a favorite of many artists from the ‘60’s, ‘70’s, and beyond, used most notably by one James Marshall “Jimi” Hendrix to get a staggering array of clean and bombastic sounds...all depending on where the guitar’s volume knob was set. There were basically two versions of the Fuzzface: the earlier “Arbiter” Fuzzface (with Germanium NKT275 transistors) and the later “Dallas Arbiter” Fuzzface. (with silicon BC183L and BC108-C transistors). The nastier, more distorted, BC108-C Fuzzface came out around 1970, and it inspired both the circuit and the name of your new Fulltone 70 pedal. In my 20’s, Fulltone spent much of their time scouring the country finding these old vintage effects that nobody seemed to want. Many of them were broken, some sounded like God, and some sounded like crap. They couldn't believe people would pay $1000 for an original Fuzzface when the sound consistency was so hit-or-miss, so they started learning exactly what made the occasional one “magical.” This eventually led to the birth of Fulltone: vintage style tones with more flexibility, more reliability, better quality, true bypass switching with LED status, a DC power outlet, and at a price that was as much as 1/10th that of the original. The 70 pedal was the 3rd or 4th release from Fulltone, debuting in 1994 and was the quintessential version of a 1970-1973 silicon transistor "vintage Fuzzface clone.” For some reason I designed the 70 into a ridiculously large enclosure considering how simple the circuit is, but it was a fairly popular pedal in my line, considering most people don’t know how to use fuzzes. The 70 sold around 4400 units during the next 15 years, using various transistors including BC183L, ECG199, 2SC828, and (my favorite) the BC108-C. At some point early along the way Fulltone added the "Mid" knob which, for the first time, allowed a silicon Fuzzface-style pedal to cut through the mix...along with the internal Bias trimmer to allow the user to get softer or harder-edged tones. Recently they found a huge stash of my favorite Silicon transistors for this circuit, the BC-108C, so they reintroduced the 70 in a smaller enclosure, with our proprietary "anti-pop" quiet switching circuit, better power supply filtering for less noise, and polarity protection to keep you from frying the Transistors. ...that’s the magic of fuzz! • Fuzz pedal • quintessential version of a 1970-1973 silicon transistor "vintage Fuzzface clone • BC108C Silicon transistors • Lots of sustain, distortion and midrange • Mid control for cutting through the mix • Internal Bias trimmer for softer and harder-edged tones • True Bypass via Fulltone's 3PDT footswitch • 100% hand-built in the USA • Powered by 9 V DC PSU (centre -, 2.1 mm, ~5 mA current draw)

Fulltone Full-Drive1 ...

2.090,-

Fulltone Full-Drive 1 Yes it's true, finally the sound of a late 90s to early 2000s Fulldrive with-OUT the boost channel! Simple as it comes... with Volume, Tone, Drive, and toggle bringing back the Flat-Mids (FM), Vintage, and the infamous (for assaulting the front end of tube amps) Comp-Cut (CC) modes. Simple True-Bypass switching, 9-18 volt operation. No need to find and pay $400-$600 for a 90's FD2 anymore. Soundwise? I'm talking about the exact (full midrange) Comp-Cut that was in the earliest FD2s, not the Flatter mids CC in later models. So even though the FD-1 will have the Flat-Mids mode, the Comp-Cut is the fuller-mids version identical to the "pre FM / pre-MOSFET" versions of the FD2. This tiny pedal is the size of our Mas-Malo, with top-mounted (also called rear mounted) jacks & power port, and a JRC4558 chip for your go-to overdrive sound. Come home.

Fulltone Full-Drive2 v2 ...

2.590,-

Fulltone Full-Drive 2 V2 FEATURES: Dimensions: 4.45"W x 4.2"D x 2.5"H 16 gauge cold rolled steel enclosure. Based around the desirable JRC4558 chip and 1990’s Full-Drive circuit, with 2 toggle switches for many more sonic options. 30% smaller than the FD2-MOS, 15% smaller than the FD3 at only 4.45" wide x 4" deep. 2 Footswitches: Left ON/OFF footswitch: True-Bypass switching with exclusive Fulltone “Anti-Pop” circuit. Right “Channel select” footswitch: switches between Overdrive 1 or Overdrive 2, each with individually adjustable Volume and Drive knobs. 100% Built in the USA. 16 gauge cold rolled steel chassis with easy battery access via 2 thumbscrews. 9-18VDC operation, extremely green circuit only pulling 10mA of current. 2 toggle switches to access the many clipping options LEFT 3-position switch: Comp-Cut- removes clipping diodes, not a clean boost because it can distort the opamp. Flat Mids- a late 1990’s Fulltone invention that feeds signal back on to the clipping diodes removing the Mid-hump. Vintage- traditional 90's Full-Drive slightly asymmetrical clipping. RIGHT 3-position switch Wide- combines Mosfets & Schottky Diodes for more clarity, less compression, a more D*mble-like sound. Standard- traditional 90's FD2 slightly asymmetrical. Half-Clipped- another Fulltone exclusive, only clips the top waveform for extreme clarity, feel, and touch like you've never experienced! Explanation of DRIVE 2 “channel.” Think of it as the "More" Channel.... Engaging the DRIVE 2 footswitch brings in the DRIVE 2 knob, allowing you to add distortion (in addition) to what's selected on the DRIVE 1 knob. At the same time, the pedal jumps from the (pedal’s main, large) VOLUME knob level setting to a higher level selected on the DRIVE 2 VOLUME (mini-knob.) Practical uses: 1) Use as a volume Booster (same Distortion setting, only louder): Set DRIVE 2 knob to "0" and set DRIVE 2 VOLUME mini-knob to taste 2) Use as a higher Gain lead tone with Volume Boost: set DRIVE 2 knob anywhere above "0" and DRIVE 2 VOLUME mini-knob to taste. Ideally you set DRIVE 1 for your lower-distortion sounds and DRIVE 2 for the higher distortion sound…effectively giving you 2 pedals.  

Fulltone Full-Drive3 ...

2.560,-

Fulltone Full-Drive 3 Unlike its cousin the FD2, the FD3 uses both a JFET input and a JFET op-amp, giving it the most tube-like sound you can get out of a tubeless pedal. Along with great sound, these JFET’s give the FD3 an ultra-high Input impedance which allows the pedal to mate with any type/gain of pickup and react well to changes in your guitar’s volume control. 3-way CLIPPING toggle switch: set to 90’s and you’ll get symmetrical clipping with ample midrange. Set the switch to WIDE ASYM (wide asymmetrical) and more sweet highs and lows come through, along with chimey, Class-A style even harmonic overtones. set to COMP-CUT mode, pure opamp-overdrive, with no diode clipping assistance. Aggressive, cutting, and capable of a huge volume boost to slam the input of your amp. Discrete Channels: Unlike the FD2, the FD3 has completely independent OVERDRIVE and BOOST channels, and the ORDER toggle switch allows placing the BOOST channel* before* or after the OVERDRIVE channel. The BOOST channel is also an extremely transparent, high-headroom 100% JFET-powered circuit. Buffered Bypass: Serial# 2548 and higher FD3 pedals are now Buffered-Bypass instead of True-Bypass, so the FD3 will always drive long cables, be isolated from other effects, and always retain the highs and “feel” of your amplifier whether the pedal is turned ON or OFF. Do not confuse the hi-quality JFET op-amp buffer in the FD3 with the simple single transistor buffers on other pedals. The FD3's buffer sounds rich and fat, not thin. DYNAMICS knob: A Fulltone-exclusive Germanium diode Limiter circuit circuit that alters the feel of the notes being played as well as subdues transient spikes which can overload your amp’s input. This feature can make even a stiff amp feel responsive and juicy, and sweeten the treble frequencies. The Icing on the cake? The housing is about 20% smaller than the traditional FD2 SPECIFICATIONS: Input impedance: 1.1 mega-ohms. Output Impedance: 180 ohms. Dimensions: 5.17"W x 4.26"D x 2.36" H. Weight: 1lb 7oz. Power Consumption: maximum 13 ma with both channels on.

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