Dreadbox DISORDER Oscillating ...

1.690,-

Dreadbox DISORDER Oscillating Filter Fuzz “The disturbance in physical or mental health or functions. It could be defined as a set of problems, which result in causing significant difficulty, distress, impairment and/or suffering in a person’s daily life.” The Dreadbox DISORDER is a very aggressive fuzz pedal with a twist. It is equipped with a self-oscillating filter, that allows you to produce oscillating fuzz sounds. This makes it perfect for achieving vintage aggressive transistor-based Gated Fuzz tones. Additionally it has a low pass and high pass filter, that makes it suitable for guitar and bass as well. Finally an envelope follower with two patch points that allow you to interact with modular and CV gear is also present, allowing you to create expressive wah wah sounds. DISORDER’s wide tonal range with excellent low end response and the practically unlimited volume boost make versatile effect suitable for achieving anything from full range drive, screaming oscillating Fuzz, Fuzz Wah sounds, as well as use as sub sonic booster. Main Features: • Fully Analog Filter Fuzz Effects Pedal • Vintage Transistor based Aggressive Gated Fuzz with wide tonal range • Advanced Oscillating Low Pass or High Pass Filter o Excellent Low End response for Bass Guitars o Screaming High Pass Filter for Guitars • Expressive Envelope Filter with 2 patch points to interact with modular and CV gear o FILTER - accepts CV to control the Filter at +/- 5V o ENV OUT - sends out the Filter Envelope at 0-5V • Internal trim pot for adjusting input gain • Silent CMOS Buffered Bypass Switching • Powered by opt. 9V DC power adapter (2.1 mm, center -, 65 mA current draw)

Dunlop DD95FW Cry Baby ...

3.895,-

Samarbeide mellom Dunlop och Daredevil pedals. Modded Cry Baby karakter med Custom Fuzz krets. Switch for å slå på/av Fuzz. Interne potter for output volum og Fuzz intensitet. Håndbygget med gjennomgående komponenter og true bypass switch. Cry Baby Daredevil Fuzz Wah kombinerer de uttrykksfulle klangene av en modded Cry Baby med en hot custom fuzz krets og leverer en full palett med råe og aggressive toner. Pedalen har sin opprinnelse hos Johnny Wator, eier og pedalbygger på Daredevil pedals, som brenner for klassiske vintage kretser og å skape nye sound. Med inspirasjon fra sine egne wah-spillende gitar-idoler har Johnny utviklet en unik krets under ett par års tid, først bygget til sine venner og bandmedlemmer, for å siden bli en del av Dunlops "line up". Cry Baby Daredevil Fuzz Wah er resultatet av et samarbeid mellom Cry Baby og den kanadensiske pedalikonet Daredevil. Den eneste eksterne kontrolleren er en kraftig baseballbat-switch for å slå på og av fuzzen. Om man åpner bunnplaten avdekkes  to kontrollere: en for å stille inn pedalens output når fuzzen er på og for å stille inn ønsket mengde fuzz. Øk både output og gain og du har en tøff lead-gitartone. Denne fuzz wah er fullstappet med old school-toner og har nok kraft til å rive ned hele huset. Det hele kommer i ett speciellt skall med en vintagelik overflate og en spesialdesignet gripeflate på fotplaten som er bygget i polert aluminium. Allt er håndbygget med gjennomgående hullkomponenter og true bypass-switching for å komplettere denne hyllest til skikkelig rock 'n' roll.

Dunlop FFM1 SIL. FUZZ FACE ...

2.550,-

SILICON FUZZ FACE® MINI DISTORTION FFM1 This Fuzz Face Mini Distortion sounds bright and aggressive thanks to vintage spec silicon transistors, with a status LED, AC power jack, battery door, and mini housing for modern convenience. This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included). The Fuzz Face Mini Distortion line features legendary Fuzz Face tones in smaller, more pedalboard-friendly housings with several modern appointments: a bright status LED, an AC power jack and a convenient battery door. As with the original models, Fuzz Face Minis feature true bypass switching. The FFM1 Silicon Fuzz Face Mini Distortion is spec'd from a 1970 Fuzz Face in our own collection prized for its bright and aggressive Fuzz Face sound delivered by its matched BC108 silicon transistors.

Dunlop FFM2 Fuzz Face Mini ...

2.550,-

Dunlop FFM2 Fuzz Face Mini Pedal Basert på Fuzz Face fra 1966-68, før silisium-transistorer ble tatt i bruk. Varm vintage tone, takket være germanium transistorer. This Fuzz Face Mini Distortion provides warm vintage fuzz tones thanks to mismatched germanium transistors, with a status LED, AC power jack, battery door, and mini housing for modern convenience. This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included). The Fuzz Face Mini pedal line features legendary Fuzz Face tones in smaller, more pedalboard-friendly housings with several modern appointments: a bright status LED, an AC power jack and a convenient battery door. As with the original models, Fuzz Face Minis feature true bypass switching. The FFM2 Germanium Fuzz Face Distortion Mini is based on '66-'68 era pre-silicon Fuzz Faces famous for warm vintage fuzz tones provided by slightly mismatched germanium transistors.

Dunlop FFM3 Hendrix Fuzz Face ...

2.895,-

Samme krets som JHF1, men i en mye mindre utgave, ­leverer akkurat den samme tykke Fuzz Face tone som gjorde Hendrix verdensberømt. JIMI HENDRIX® FUZZ FACE® MINI DISTORTION FFM3 This Fuzz Face Mini Distortion features the same thick, smooth fuzz tones as the JHF1 in a smaller housing, with a status LED, AC power jack, and battery door for modern convenience. This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included). The Fuzz Face Mini pedal line features legendary Fuzz Face tones in smaller, more pedalboard-friendly housings with several modern appointments: a bright status LED, an AC power jack and a convenient battery door. As with the original models, Fuzz Face Minis feature true bypass switching. The FFM3 Jimi Hendrix Fuzz Face Mini Distortion has the same circuit as the JHF1 in smaller housing, delivering the thick, smooth Fuzz Face tone that Jimi Hendrix made famous in a pedalboard-friendly size.

Dunlop FFM6 Band of Gypsys ...

2.895,-

Mellom ’69 og ’70 opptrådde Jimi Hendrix mest, på Woodstock, Berkeley og Fillmore East, og da med en mystisk rød Fuzz Face med hvite knotter. Den fuzzboksen låt som et villdyr som knurret, den låt ikke som andre fuzzpedaler som Jimi brukte, den låt mye mer aggressivt enn noe annet noen hadde hørt på den tiden. Men pedalen har blitt borte og gått over i historieboken, men dens unike lyd kan fortsatt høres på innspillingen fra de tre ikoniske konsertene. Hendrix-fantaster har forsøkt å gjenskape lyden i årtider, men nå kan vi stolt si at søken har sluttet i Band of Gypsys – Fuzz Face Se video her.

Dunlop JDF2 Hendrix Fuzz Face ...

2.895,-

Dunlop JDF2 Hendrix Fuzz Face Pedal This Fuzz Face Distortion is constructed to vintage specs, featuring the original Germanium PNP transistor design for a rich, creamy fuzz sound. This pedal can only be powered by one 9-volt battery (not included). In stompbox lore, the Fuzz Face Distortion sits among the icons. Its uncanny ability to add harmonic richness and "hair" around clean tones at lower settings is as satisfying as the full-on roar it wields when dimed and raging. With a roster of power users that includes guitar legends and modern heroes from David Gilmour and Jimi Hendrix to Eric Johnson and Joe Bonamassa, the Fuzz Face has a unique, unmistakable sound no matter the player. This particular Fuzz Face Distortion is constructed to vintage specs, featuring the original Germanium PNP transistor design for a rich, creamy fuzz sound.

Dunlop JHF1 Jimi Hendrix Fuzz ...

3.095,-

En reproduksjon av 1969-70 Dallas Arbiter Fuzz Face som for eksempel bruktes på den klassiske plata ”Band of Gypsys”. Bygget med en uslåelig BC108 silikon-transistor. Dette er fuzzpedalen som virkelig stikker ut fra pedalbrettet! Et must for alle Hendrix og Fuzzfanatikere… Jimi Hendrix™ Fuzz Face® Distortion JHF1 Meticulously faithful reproduction of Jimi's 1969-70 Dallas Arbiter Fuzz Face Built around the toneful BC108 silicon transistor Carefully matched to the original specs Hendrix was the master of fuzz, an artist with many subtle shadings at his command. His love affair with the legendary Fuzz Face pedal began in the early days of the Experience and continued to evolve throughout his brief but blazing career. The Dunlop Jimi Hendrix Fuzz Face is a meticulously faithful reproduction of the 1969-70 Dallas Arbiter Fuzz Face that Jimi used on classic albums like Band of Gypsys. Dunlop's engineering department examined hoards of vintage Fuzz Faces, honing in on a few units which possessed that unmistakable Jimi voodoo. The Hendrix Fuzz Face is built around the toneful BC108 silicon transistor. It is authentic in every detail, a handwired brown circuit board with no solder mask and circuitry carefully matched to the original specs. The look is 100% accurate too, that groovy circular chassis with tooled clones of the original Fuzz Face knobs in the rare and vintage turquoise hammertone finish. A truly playable collectable for any Hendrix or Fuzz Face fanatic. Power: Single 9 volt battery.

EarthQuaker Devices Acapulco ...

1.820,-

Hey there, treasure hunters! The Acapulco Gold is a dirt-simple distortion Device based on the power section of a cranked vintage Sunn Model T, bringing the openness, clarity, and crunch that only a dimed tube amp can provide, at a fraction of the size, and without expensive maintenance costs! Since tone is in the hands, we decided to keep the controls of the Acapulco Gold as simple as possible. The footswitch turns the pedal on and off, and the giant knob controls the output volume. That's it. The rest is at your fingertips. Want less gain? Turn down your guitar's volume knob. Need a darker rhythm tone? Roll back your guitar's tone control. Easy, right? With your guitarÕs volume all the way up, the Acapulco Gold roars like a wide-open Model T on the verge of explosion. At just-barely-backed-off, the Gold becomes a raunchy overdrive. At minimum guitar volume settings, the Acapulco Gold delivers a hazy, Nashville-sounding spank to your tone. How about this? If your guitar has separate volume and tone controls for each pickup and a three-way selector switch, this little one-knob banger becomes a three-channel tone monster at the flick of your wrist! The Acapulco Gold is all-analog, true bypass, and built one-at-a-time by a wandering expedition of prospectors and speculators in dusty Akron, Ohio, USA Ð the hamburger capital of the world. The Acapulco Gold uses silent, relay-based soft-touch switching. Audio will not pass without power.

EarthQuaker Devices Barrows ...

1.820,-

EarthQuaker Devices - Barrows Fuzz Attacker Barrows pays homage to the iconic MKII circuit while adding modern refinements that would make even the most discerning vintage purist weep tears of harmonic joy. At its heart, Barrows features a trio of carefully matched germanium transistors nestled within finely tuned circuitry that has been lovingly coaxed to produce everything from light, singing distortion to crushing fuzz tones with nearly infinite harmonic-rich sustain. The phase-corrected and buffered output ensures it plays nice with other pedals down the line, while the increased output volume and wide range of fuzz tones make it a versatile sonic weapon. All this power is packed into a compact footprint that saves precious real estate on your pedalboard. This isn’t just another fuzz box – it’s a portal to the fabled tones that have haunted the dreams of fuzz fanatics for decades

EarthQuaker Devices Blumes ...

1.720,-

Blumes® Low Signal Shredder Blumes® is an all-analog tri-mode soft clipping bass overdrive that carries the torch of the classic screamer circuit but has a voice all its own. While embodying most of the characteristics and features of our beloved Plumes® Small Signal Shredder, this modified circuit has double the gain and a deeper bass response to retain all the low end. It utilizes internal bipolar power, which gives you more dynamics and all the headroom you could ever desire. The end result is a three-dimensional tone with added clarity that really pushes a nice tube amp over the edge. Controls: Gain: This controls the amount of drive.
 Tone: More bass to the left, more middles in the middle and more treble to the right. Level: This controls the output volume. Clipping Modes (3-Way Toggle):
 Symmetrical LED clipping: more crunch and compression. No clipping: wide open OpAmp drive for clean boost. Asymmetrical silicon diode clipping: more transparency with a loose feel. As a bass player, we understand that you often feel neglected within the hierarchy of band constructs, despite the fact that you hold down the rhythmic foundation and make everyone sound better. So that’s why this marvelous yellow box was created specifically for you. But fear not, 6-stringers, this is also the perfect pedal for all of your deep overdrive needs, especially you drop-tuned masters. We see you. This all-analog tri-mode overdrive with soft clipping carries the torch of the classic screamer circuit but has a voice all its own. And thanks to its bipolar power, you'll get more dynamics, clarity, and all the headroom you could ever desire. The end result is a more three-dimensional tone with added clarity that really pushes a nice tube amp over the edge. While embodying most of the kick ass characteristics and features of the Plumes, we went ahead and modified this circuit with double the gain and a deeper bass response to retain all the low end. At lower gain settings, you’ll get all of the crunchy tone you love about the original, but once you get above noon on the Gain control, that’s where the similarities stop. Now you’re in bass country, baby! Get ready to shake some walls and field some angry calls from your neighbors (just send them to voicemail). And much like the Plumes, this pedal offers three different clipping options for your desired low end face melting needs. Mode 1 is symmetrical LED clipping that utilizes a pair of light emitting diodes. This is the crunchiest setting the Blumes has to offer. This signal is less compressed and way more open with tons of output for when you really want to go wild. Mode 2 is a clean pure OpAmp gain boost mode. This eliminates the soft clipping diodes altogether and leaves you with straight OpAmp drive. This will be the loudest output with the fullest frequency response, and can be used as a clean boost when the Gain control is set below 11 o’clock. Mode 3 is an asymmetrical silicon diode arrangement similar to the stock screamer but with more output and clean clarity, which provides more transparent tone. Using this mode gives a warmer low-end response and lower output. It’s fuzzier with half the output and is the most compressed. If you like the fuzzy ends of distortion with a clean undertone, you’ll love this setting. We guarantee it. TECH SPECS Dimensions 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs Current Draw 25 mA Input Impedance 10 MΩ Output Impedance 100 Ω Flexi-Switch® Technology This device features Flexi-Switch® Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching. • For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass. • For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed. Since the switching is relay based, it requires power to pass signal. Power This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES! Artwork Artwork by Jamie Stillman

EarthQuaker Devices Chelsea ...

2.180,-

EarthQuaker Devices - Chelsea Low End Fuzz Driver Chelsea er en kraftfull fuzz-pedal med ett klassisk sound og stor dynamik. Med justerbare kontroller for Level, Sustain og Tone kan du skape alt fra tykke, myke fuzz-lyder til harde og aggresive distortioner. Chelsea er perfekt for deg som vil ha en fuzz med både vintage følelse og moderne kontroll. With only three controls, this deceptively powerful pedal offers you everything from light overdrive to full on distortion with clarity and blissful grinding. A Tone On/Off switch allows you remove the Tone control from the circuit, opening up a whole new world of midrange grind. Switch it off for a simplified and straightforward attack or leave it on for a full-bodied distortion with loads of low-end with a slight natural scoop. Roll up the Sustain for wall-shaking bass notes or sustaining lead and adjust the Tone for a wild and wide frequency response from aggressive top end to low-end rumble.

EarthQuaker Devices Fuzz ...

2.300,-

EarthQuaker Devices Fuzz Master General™ Legacy Reissue Limited Edition Octave Fuzz Blaster The Fuzz Master General is our take on the vintage Ace Tone Fuzz Master FM-2 Professional fuzz machine, an octave fuzz that was very similar to the wildly popular Super Fuzz. We have taken the basic circuit and re-imagineered it to be more useful for the modern player. The Fuzz Master General features a more accurate Fuzz control that delivers a much broader spectrum of dirt tones ranging from nearly clean through full buzz saw assault. We added a Voice toggle to further enhance your dirt desires and wrangle a more variable tone out of the classic circuit. This toggle selects between germanium, silicon and no diode clipping. This has a huge impact on the characteristics of fuzz tone, upper octave clarity and output level. Germanium diodes offer more output and an open, looser fuzz tone while the silicon diodes compress the signal and yield a tighter fuzz tone. When the voice is set to no diode clipping (center position) you can attain a nearly clean upper octave that borders on ring modulation! While the original Fuzz Master had a foot switch to select between two different tone settings, the Fuzz Master General has a variable Tone control that allows you to dial in everything in between a wide-open treble assault and a super-scooped, bass-heavy vintage unit. With all these added features, the Fuzz Master General delivers a more versatile version of the original while still retaining the same swelling octave grind we all know and love.

EarthQuaker Devices Gary Mod ...

2.340,-

EarthQuaker Devices - Gary Automatic Pulse Width Modulation Fuzz and Dynamic Natural Overdrive A collaboration between EarthQuaker Devices and Lee Kiernan from IDLES. Gary started as a simple request to create a compact version of the now discontinued Gray Channel®, which was a mainstay on Lee’s board and a big part of his main drive tone. This was all fine and good, and sounded quite sick, but Gary was demanding that we look deeper and explore his dark side a little more, Gary after dark, Saturday night Gary. So, we sat him down and began the trek of figuring out old Gare-Bear once and for all. The result is a dynamic and destructive pulse width modulated fuzz paired with a natural-sounding op-amp overdrive.

EarthQuaker Devices Hizumitas ...

2.300,-

Hizumitas Fuzz Sustainar Hizumitas was designed for the one and only Wata from the legendary experimental band Boris, one of the heaviest bands ever to come out of Japan. The trio of guitar sorceress Wata, drummer and vocalist Atsuo, and double-neck bassist, guitarist and vocalist Takeshi has almost 100 releases filled with genre and brain-melting music. In their nearly three decades together, Boris has infused doom, hardcore, thrash, noise-core, ambient, free improv, drone, psychedelia, and more into their extensive discography. Boris is also known for their unique collaborations with mutually adventurous artists, including American Doom mongers Sunn O))), noise legends Merzbow, Keiji Haino, and Ian Astbury of The Cult. Wata, always seen and heard on stage wielding her black Les Paul Custom, mixes killer riffs with searing, fluid, or jaggedly melodic leads and controlled walls of feedback, often with help from an EBow. It's a connection of chaos and melody that has enchanted Boris fans worldwide and influenced many bands that have followed in their considerable wake. Simply stated, no other band sounds like Boris, and no other guitarist rocks like Wata. But with EQD's Hizumitas fuzz on your pedalboard, you can carve out your own singular, mega-heavy tone. Main Features: • Faithful sonic recreation of Wata from Boris’ crushing go-to fuzz: the Elk BM Sustainar • Offers loads of heavy distortion and smooth sustain with an underlying grit • Excellent response to different pickup types and playing dynamics • Unique Tone and Sustain controls greatly impact the distortion’s character • Offers plenty of output Volume - unity is around 9-10 o’clock; everything above that is set to destroy • All-analog signal path • True bypass • Silent relay-based switching • Powered by regular 9 V DC PSU     (centre -, 2,1 mm, ~10 mA current draw) Hizumitas is a faithful recreation of Wata's go-to distortion pedal, the Elk BM Sustainar. The Elk is a Japanese variant of the very well-known "Triangle" BMP. The designers at EQD tried several vintage BMP's during development, found that each pedal was wildly different and realized that to truly capture the magic they needed the original. Wata graciously sent her beloved pedal halfway around the world, and EQD discovered that it had something special the others didn't have: heavy saturation with a gritty edge and massive bottom while maintaining a clear and dynamic tone with enough mids and top end to cut through any sludge. The studious wizards at EQD have built all of those characteristics into the Hizumitas. This fuzz/distortion brings loads of heavy distortion and smooth sustain and an underlying grit that sounds like the speakers are on the verge of ripping apart while delivering amazing and unexpected clarity from such an aggressive sounding pedal. The Sustain control has a wide range of saturation, meaning even small changes will significantly affect the overall tone. Hizumitas responds excellently to all types of pickups and playing dynamics. Your power chords will sound huge and heavy, while open chords will be dynamic with fantastic note separation, and single note leads will come across smooth and powerful, especially with the neck pickup. The Tone control can drastically change the character of the distortion in conjunction with the tone. Bass frequencies are boosted clockwise, and treble frequencies are boosted counter clockwise. The tone control can go from an aggressive mid-range grind to piercing highs as you turn it counterclockwise. As you turn it clockwise, the mids become less present, the highs are tamed, and a humongous, thundering low end comes to the forefront. The Volume control offers massive output gain with unity at around 9-10 o'clock and beyond that, prepare to hear and feel the power of Hizumitas.

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