Jackson Audio Golden Boy ...

3.850,-

GOLDEN BOY MIDI-controllable Transparent Overdrive Designed in collaboration with Canadian alt-country star Joey Landreth, the GOLDEN BOY Transparent Overdrive is in no doubt one of the most versatile transparent overdrive pedals ever made. Rich in harmonic detail and overflowing with headroom, the pedal redefines the concept of transparent overdrive and brings it up to date with modern features, such as styles for clipping options, a 3-band active EQ for maximum tonal flexibility and Jackson Audio’s innovative GAIN CYCLE feature. All that is topped off with a separately switchable MOSFET boost circuit and full MIDI control over all the GOLDEN BOY’s plentiful parameters. • Transparent Overdrive and Boost pedal • Based on the celebrated Bluesbreaker/King of Tone circuit • Active 3-band EQ - for optimal tone shaping • MIDI control over all parameters, ON/OFF and Boost • 4 Clipping-Diode Styles with drastically different sound characteristics • 4 differently EQ’d Boost Styles • GAIN CYCLE circuit - for instant gain adjustment in 4 steps • Small footprint and top-mounted jacks - for ease of pedalboard mounting • Powered by 9 V DC PSU         (centre -, 2.1mm, ~ 100 mA current draw) For the overdrive circuit, the pedal is based on the Bluesbreaker/King of Tone circuit, resulting in a very open, uncompressed and transparent tone - think ‘John Mayer style’ overdriven tones. It sits in the mix perfectly and while it adds overdrive and grit, your guitar still sounds like your guitar. Where the GOLDEN BOY differs from other Bluesbreaker type circuits is that its overdrive has the ability to run much higher gain. There are also 4 selectable and distinct clipping modes available to further tailor the tone to you. One of the most exciting features of the GOLDEN BOY is the GAIN CYCLE, which takes the GAIN knob setting and divides that level of gain into 4 equal instantly accessible steps to cycle through. A unique circuit level matches the output of the pedal as various clipping diodes are selected, so now you can select between all four clipping options and your volume level will remain constant. The boost circuit is MOSFET based, much like the AMP MODE found in Jackson Audio’s best-selling PRISM Preamp pedal. This has its own true bypass loop, which means it can be used independently of the DRIVE circuit. One of the things that makes the boost in the pedal unique from other boosts on the market are the 4 styles available. Each style is EQ’d slightly differently, which allows it to alter how it interacts with the overdrive circuit in the GOLDEN BOY or any other pedal you may have in your rig To top it off, the DRIVE circuit has a 3-band active EQ that gives tremendous tonal flexibility. Based on the legendary Baxandall EQ that is featured in countless studio devices, the GOLDEN BOY takes this circuit and tailors it for guitarists. Jackson Audio spent a huge amount of time on this EQ dialling it in, so it would hit all the frequencies that guitarists need to adjust and then sweetened it by removing the ear-fatiguing highs and lows that can appear at extreme settings.

Jackson Audio The Optimist ...

4.450,-

THE OPTIMIST - Cory Wong Signature MIDI-Controllable Dual Overdrive and EQ Jackson Audio proudly collaborates with Cory Wong, one of the foremost guitar players of today, to bring you THE OPTIMIST. An updated take on the mythical Klon circuit, probably the most celebrated and sought-after drive pedals of all time, while at the same time fusing it with an independent Timmy-style circuit. The Optimist also adds Jackson Audio’s MIDI control and a killer 3 band EQ section, which makes the pedal a single product for creating some of the finest and inspiring lead and rhythm tones today. Main Features: • Dual Overdrive and EQ pedal • Designed in collaboration with Cory Wong (Vulfpeck, Fearless Flyers) • Two separately switchable mid-gain Overdrive circuits and a studio grade EQ circuit • OD1 circuit based on a Klon-style circuit featuring mystical Germanium diodes • OD2 circuit is a Timmy-style transparent full-range overdrive circuit • Active Baxandall-inspired 3-band EQ with +/- 12dB Boost/Cut per band- for optimal tone shaping • MIDI control • Small footprint and top-mounted jacks - for ease of pedalboard mounting • Powered by 9 V DC PSU         (centre -, 2.1mm, ~ 150 mA current draw) OD1 is based on the most expensive, hard-to-find, mythical overdrive ever created! For all of its hype, this magical pedal is still one of the most natural-sounding overdrives ever made and has cemented its reputation in the history of guitardom. Jackson Audio reproduced this circuit in perfect detail to provide the stock tone that people are looking for from this legendary pedal. Further, they updated it with an active EQ (bypass-able) to take this classic circuit into uncharted territory! Just like the original circuit, OD1 features impossible to find (unless you know how to use eBay) germanium diodes that have been carefully washed in unicorn tears to deliver the best tone possible! Why? Because you deserve the best. You deserve diodes that have been washed in unicorn tears. Standing in stark contrast to the mid-focused tone of OD1, OD2 is designed to be perfectly flat across the full range of the guitar. Perfect for rhythm work, OD2 is a perfect harmonic enhancer for OD1 when you want to boost OD1 even further! Based on the legendary Baxandall EQ that is featured in countless studio EQ’s, The Optimist EQ takes this circuit and tailors it for guitarists! Jackson Audio spent tons of time on this EQ dialing it in so it would hit all the frequencies that guitarists need to adjust and then sweetened it by removing the ear fatiguing highs and lows that can appear at extreme settings. THE OPTIMIST features MIDI control over all functions! OD1, OD2 and EQ can all be controlled via MIDI for an unlimited selection of tones. Jackson always want to make sure that their pedals are as easy to integrate into complex rigs as they are into simple rigs and MIDI makes that happen! "The Optimist is the most versatile overdrive pedal I’ve ever used. My goal was to design a pedal that could give me the full range of drive levels for punchy rhythm to soaring lead guitar lines. I knew that Jackson Audio was the place to land for this pedal. I’ve been blown away by the pedals they’ve made and wanted to explore some new circuits with them. The Klon has been this mystical and hyped up circuit for years and for good reason! It’s an incredible sounding circuit and the way it pairs with the flat response overdrive is incredible. OD1 has the mid bump Klon circuit that we know and love. OD2 has a flat response overdrive that has an incredible range of drive. When the two of them pair together it creates an even more boosted drive that doesn’t squeal because they’re both mid-level drives! The final piece of magic on this pedal is the EQ. Brad Jackson has been trying to convince me about the power of an EQ pedal for a long time and now I know why. We created an EQ section that focuses on the frequencies that you want more of in single coils and less of in humbuckers. The EQ can help tone shape your guitars to match each other or it can help you get the perfect clean tone out of an amp.” -Cory Wong

Jackson Audio TWIN TWELVE ...

3.190,-

Jackson Audio TWIN TWELVE Silvertone 1484 Preamplifier In 1963, history was made with the release of the Silvertone Twin Twelve Amplifier. Originally listed in the sears catalog as the 1484, the Twin Twelve was offered from 1963 to 1967 and became the most coveted of all the Silvertone amplifiers. The unique sound of this amplifier proudly powers the tones of many of today’s best rock icons such as Jack White, Dave Grohl, Beck, Billie Joe Armstrong (Green Day), Dan Auerbach (The Black Keys) and many more. Today Jackson Audio and Silvertone make history again with the introduction of the 1484 Twin Twelve Pedal. An exact recreation of the legendary Twin Twelve amplifier, the 1484 Twin Twelve Pedal can be used as a studio grade preamp, booster, EQ or overdrive depending on how the controls are set. Bring back the classic Silvertone clean and overdriven tones and own the tone of legends. Relive history with the 1484 Twin Twelve Pedal. Main Features: • Preamp / Overdrive pedal • Exact recreation preamp section of the 1960s Silvertone 1484 Twin Twelve amplifier • Designed in collaboration Silvertone • Accurately recreates the unique amp sound popularized by many of today’s rock icons • Can be used as preamp, booster, EQ or overdrive • Authentic vintage looks paired with top-mounted jacks - for ease of pedalboard mounting • Powered by (opt.) 9 V DC PSU                 (centre -, 2.1mm, ~ 35 mA current draw)

Keeley Angry Orange 4-in-1 ...

2.790,-

Keeley Electronics Angry Orange 4-in-1 DS-1 and Civil War Big Muff Style Distortion and Fuzz Keeley crammed two legendary distortion and fuzz circuits into one stompbox and gave you two new sounds in the process. It’s sort of like pedal-modeling except these are 100% old-school, analog circuits and you decide which tone control or clipping section you want to rock. Heavily saturate your guitar through either a legendary ‘78 Japanese Orange Distortion or a ‘91 Soviet Civil War Fuzz. Use the Angry Orange to make your own fuzzztortions with the hybrid modes, all with only three simple knobs. This pedal can be True Bypass or Buffered Bypass, it only takes two seconds to switch between the modes. The Keeley Angry Orange is entirely manufactured at Keeley Electronics and is in our new aluminum enclosure. Main Features: • Compact Distortion and Fuzz Effects Pedal • 2 classic Distortion/Fuzz circuits combined with 2 swapable Tone Circuits in 1 pedal • Offers 4 Distortion and Fuzz flavors - 2 familiar circuits and 2 brand-new amp-like Distortion and Fuzz tones • Create unique Hybrid Fuzz Distortions by mixing the MF Fuzz’ and DS Distortion’s Clipping Sections and Tone Controls • Professionally Engineered Tone - sounds developed in the field and in our tone lab • 100% analog circuit with all-analog signal path • Switchable Tone control o MF: Scooped sounding, passive tilt-style Tone Control o DS: Differently voiced passive sounding tilt control • Switchable diode clipping o MF: Soft diode clipping - for an edgier more aggressive muffled fuzz tone o DS: Hard diode clipping - for softly overdriven tube-amp-like tones • Silent soft-touch switch with switchable Buffered or True Bypass Switching • Made in Edmond, OK, USA • Powered by a regular 9V DC PSU (centre -, 2.1 mm, 25 mA current draw) Tone Control The Angry Orange gives you two tone control circuits to choose from. When the Tone Switch is up and in the MF Position the tone control is a scooped sounding, passive tilt-style. If the Tone Switch is down and in the DS Position it also features a passive sounding tilt control, voiced a little differently. Diode Clipping Hard or Soft Clipping: The Angry Orange gives you both styles of diode clipping. Diodes are used to create hard clipping distortions or smooth overdrive sounds. If the Clipping Switch is in the DS Position it features Hard Diode Clipping which is an edgier, more aggressive tone. When the Clipping Switch is in the MF Position that uses Soft Diode Clipping, like a muffled fuzz tone. Buffered and True Bypass The Keeley Angry Orange allows you to quickly switch between either mode. Having a great buffer will make your rig sound strong and clear even when the pedal is off. Buffered switching prevents the pops and clicks of true-bypass switching. If you want to turn on true-bypass, simply press and hold the foot switch for two seconds. Holding the switch for two seconds toggle between modes. True Bypass is great if a buffer might affect the tone of a vintage pedal. Enjoy truly silent switching and a better sounding rig with Keeley’s buffered switching mode. Made In The USA We design, engineer, and manufacture the Keeley Angry Orange in Oklahoma City. Everything about the Super Rodent is geared towards the professional musician and their quest for an inspiring tone when the performance demands it. From the inside of the pedal and its meticulously built circuit boards and metal construction audio jacks to the outside of the effect its newly fabricated aluminum enclosure; we make guitar effect pedals to be finely crafted musical instruments.

Keeley Aria Compressor ...

2.990,-

Aria Compressor Drive The Ultimate Compressor and Overdrive Experience Compression and Overdrive are the foundation of my engineering. These two Keeley tones have inspired countless musicians, now they sit in one extremely versatile, sonic tool. The Aria Compressor Drive not only offers out most flexible overdrive to date, it has all the tone and blend features of the Compressor Plus. Players also have the ability to swap the order of the compressor and drive for two very useful drive experiences. Two-Mode Overdrive: Soft clipping and a transparent boost to midrange frequencies, perfect for defining your own voice. Compressors and Overdrive are a fundamental part of the guitar recording process. They are also essentials for live guitar performance. You have two ways you can combine the beautiful midrange of overdrive and the benefits of compression and sustain. Most people run compression before overdrive in order to reduce the potential for idle, static noise. There are times when you want added sustain and therefore might need the compressor after overdrives, because using compressors after overdrives offers players a very warm and rounded, smooth and even tone with tons of sustain. And then you may need to return to the conventional routing, because compression before drives gives you a consistent gain level. Problem solved! Each half of the flexibly routed Keeley Aria Compressor Drive provides tons of volume for boosting and pushing your amp, with each half offering essential tone shaping controls to perfectly sculpt the core of your guitar’s sound. Main Features: •    Compressor and Drive effect pedal •    Combining Keeley’s Compressor Plus a two-mode Overdrive •    2 Overdrive gain modes:      o    High - Soft Clipping Overdrive      o    Low - Transparent Midrange Boost •    Compressor Tone control based on analog delays and other vintage effects - gently adds back in highs lost in compression •    Compressor Blend Control - for keeping all the peaks and transients while adding sustain •    Order switch – for selecting order of Boost and Drive effects in the signal chain •    Pro Rig designed remote control thru 1/4″ jacks - for live use with pedal switcher systems •    Top-Mounted Jacks - for a compact pedalboard layout •    Made in Edmond, USA •    Powered by a regular 9V DC PSU (centre -, 2,1 mm, low ~55 mA current draw) The Aria Compressor Drive comes with TRS insert jacks to allow you to divide the pedal into two units. Insert effects between the two sides! Compressor into delay into overdrive, anyone? Maybe swap that for overdrive into delay into compression. For nearly two decades, from nearly every Nashville session-ace to the praise and worship player at church, from Steely Dan, Steve Vai, Johnny Hiland, Daniel Donato, Arianna Powell, to Nicholas Veinglou, the Keeley Compressor and Red Dirt have been a part of these performing, recording, and touring sounds. Now, these two epic tones are together in one stomp box that is easy to use and full of features.

Keeley Blues Disorder 4-in-1 ...

2.785,-

Keeley Electronics Blues Disorder 4-in-1 Blues Breaker and OCD Style Overdrive and Distortion Keeley combines two completely different overdrive and distortion circuits to create four different drives in one box. The Blues Disorder has two switches that allow you to separate the tone control from the clipping section. By mixing and matching the Tone and Drive switches you get two hybrid sounds. With both switches up it’s a smooth, soft-clipping Bluesy Breaker. The BB side is a low gain, soft-clipping overdrive. With both switches down it’s a fuller sounding, hard-clipping OC Distortion. The clever design keeps the pedal a three knob overdrive with 4 unique sounds. Switch easily between buffered or true-bypass; whichever sounds best in your rig. The Keeley Blues Disorder Overdrive and Distortion is designed and manufactured entirely by Keeley Electronics in our brand new aluminum enclosure. Main Features: • Compact Overdrive and Distortion Effects Pedal • 2 classic distortion/overdrive circuits combined with swapable Tone Circuits in 1 pedal • Offers 4 overdrive flavors - 2 familiar circuits and 2 brand-new amp-like overdrive and distortion tones • Swap tone controls and/or distortion sections to create new sounds • Create unique Hybrid Drive and Distortion by mixing the BB Overdrive’s and OC Distortion’s Clipping Sections and Tone Stacks • Professionally Engineered Tone - sounds developed in the field and in our tone lab • 100% analog circuit with all-analog signal path • Switchable Tone control o BB: a simple high-frequency filter with a more transparent sounding drive and response o OC: active midrange boost and then the tone control rolls off high-frequency • Switchable diode clipping o BB: Soft diode clipping - for softly overdriven tube-amp-like tones o OC: Hard diode clipping - for an edgier more aggressive tone • Silent soft-touch switch with switchable Buffered or True Bypass Switching • Made in Edmond, OK, USA • Powered by a regular 9V DC PSU (centre -, 2.1 mm, 27 mA current draw) Switchable Tone Stacks - Swap Voicings The Blues Disorder gives you two tone control circuits to choose from. When the Tone Switch is down and in the OC position you will hear an active midrange boost and then the tone control rolls off high-frequency. If the Tone Switch is up and in the BB position you don’t have the active mid-boost, there’s just a simple high-frequency filter and therefore a more transparent sounding overdrive and response. Switchable Diodes - Hybrid Gain Clipping The Blues Disorder gives you both styles of diode clipping. Where diodes are placed in the circuit, can have a dramatic effect on gain and compression. This pedal gives you both hard clipping distortion or soft clipping overdrive, depending on the position of the Drive Toggle. If the Clipping Switch is in the OC position it features Hard-Clipping which is an edgier, more aggressive tone.  Alternatively, when the Clipping Switch is in the BB Position, that uses Soft-Clipping and sounds like a softly overdriven tube amplifier. Buffered and True Bypass The Keeley Blues Disorder allows you to quickly switch between either mode. Having a great buffer will make your rig sound strong and clear even when the pedal is off. Buffered switching prevents the pops and clicks of true-bypass switching. If you want to turn on true-bypass, simply press and hold the foot switch for two seconds. Holding the switch for two seconds toggle between modes. True Bypass is great if a buffer might affect the tone of a vintage pedal. Enjoy truly silent switching and a better sounding rig with Keeley’s buffered switching mode. Made In The USA We design, engineer, and manufacture the Keeley Blues Disorder in Oklahoma City. The Blues Disorder is geared towards the professional musician’s demand for an inspiring tone when performance demands it. From the meticulously built electronic circuit boards to our in-house fabricated aluminum enclosure, Keeley pedals are professional grade. We make guitar effect pedals to be finely crafted musical instruments.

Keeley D&M Drive pedal

3.420,-

The perfect storm of Drive and Boost in a pedal D&M Drive High Voltage Boost Saturated Multistage Gain Advanced Switching for Pros Award Winning Tone.  It’s simply hard to beat the quality of tone and range of sounds.  It’s an honor to be part of such a hugely successful pedal. The D&M Drive is the perfect storm of Drive and Boost.  The D&M offers a gorgeous sounding high-voltage Boost side which is designed to impart the perfect tone on any amp that needs to be pushed.  No longer will you wonder what the perfect clean boost should be.  As you roll things up, the drive morphs your tone into singing gold.  A sexy and smoothly saturated midrange voice appears which breathes confidence.  The Drive side offers everything you would want in a powerful gain stage.  From flat honest overdrive that is perfect for any set of chords to searing hot lead work with tons of sustain.  The Drive is the perfect counterpoint to the Boost.  Not only does each side of the pedal provide rewarding guitar tones, they can be used to stack together for an out-of-this-world experience.  The pro switching system developed for the D&M Drive allows you to select which side of the pedal comes first. What’s more, you can configure the pedal to work in a pro switching system like the G2 for independent Boost/Drive use! Keeley D&M Drive Editor’s Pick Award 2017 Winner GPM Editor’s Pick Award That Boost Are you looking for something in between a clean boost, such as the high voltage Keeley Katana, and a germanium modded professional overdrive?  If so, the D&M is the answer. To get things started, the D&M Drive delivers insane amounts of headroom. Then, a distinct midrange voice can be dialed in to give you the lead voicing you dream of.  When dialed in, it can give you the punch and clarity of a horn yet be subtle and smooth in saturation in order to give you a warm overdrive filled with tons of sustain.  Expect it to work well with any amp or rig. That Drive Multiple Gain Stages is where it’s at.  This drive delivers. From its lowest settings, where you feel like you’ve discovered the perfect pro sounding overdrive, to the roar of a high-end amp, the multiple gain stage Drive delivers a heavily saturated punch. And the headroom here is no slouch. Use it to find that delicate balance between drive and amp saturation for the core of your tone.  Turn up the Drive to give yourself a dynamic and searing tube-like gain that excels in sustain.  The D&M is designed for quick attack with plenty of high and low end.  Rich harmonic gain and sustain with dynamics is what this side offers. That Switching Daniel Steinhardt from TheGigRig insisted that this was a versatile dual-gain box that wasn’t limited in any way with its two simple stomp switches.  You select the order!  A simple toggle allows you to configure the pedal so that when both the Drive and Boost are on, you decide which is first.  If you want to have a smooth and round tone to go into a richly driven amp-like gain stage … or if you want a highly driven tone with edge and harmonics to be then boosted with clarity and refinement, it’s your choice.  Not only that, but Daniel had the engineers incorporate his idea for TRS insert cables so that this pedal would easily integrate into a professional switching system like the G2.  Now pedalboard designers can configure the D&M Drive to act as two independent pedals, switching between either side of the pedal as it were its own stand alone effect.   TRS Explained:   Instructions

Keeley Dark Side Modern Fuzz ...

4.128,-

Modern Fuzz pedal with Rotary, Vibrato & Delay Dark Side Truly Inspiring Fuzz Multi Head Tape Delay Rotary/Flanger U-Vibe/Phaser You can behold the universe in a glass of wine. We should all be so lucky as to be identified by the sound of a single note. Some players are so well defined that their entire musical journey can be heard in a single note they play. Tone is in the fingers. Tone is in the mind. Effects can be a great way of expressing emotions or creating textures. The Dark Side is about creating sounds and adding new tones to your symphony. It’s the things you can’t create with your fingers or mind. It’s metasymphonic. The Dark Side provides all the textures that define an essence, in one pedal. Click here to try this pedal out. Atom The individual pieces that make up the Dark Side workstation are Fuzz, Delay and Modulation. The Fuzz side of the Dark Side is a big fuzz style distortion based on a 1977 op-amp style. We used something similar in our Psi Fuzz. This one is completely and radically different. We made what seemed like endless changes to extract the nuances of earlier transistor based fuzzes. We gained it way to down to fit the time period and the style. This is a more transparent Big Fuzz. This one lets your guitar sing with sustain, yet retains the essence of you guitar whether single coil or humbucker based. The next core element in the Dark Side pedal is the Delay and Modulation side. You can select between a multi-head tape delay effect or between a combination of 4 different modulation sounds. The Dark Side delay has 12 different syncopated delays. They are rhythmic and have the tonal quality of the old spinning drum tape delays. The Dark Side has many subtle filters to get the tape delay setting to have the feel and warmth of the original machines, yet gives you range of control to have modern features like expression pedal control for the number of repeats. You can use it for creating a feedback oscillation delay.  Extremely subtle modulations in the delay make it very musical. The next atom in this workstation is the modulation effect. There are four parts to this effect. Flanger, Rotary Speaker Cabinet, U-Vibe, and Phaser. You can blend between the “Electric Lady” Flanger and a Les-Rotary cabinet, creating new sounds. You can find that perfect blend between a vintage sounding opto-coupler based U-Vibe and the little orange phaser. There is also an Expression Pedal port on the pedal. It is highly recommended to have an expression pedal handy. You can make many adjustments on the fly that just increase the fun and functionality of the pedal while you’re creating music. It has to be a TRS style expression pedal. We suggest something like the M-Audio or Moog expression pedals. You spoke and we listened! Make America TRS-Free Again. Okay, we heard you, you can’t switch order on the fly during a gig. You never used the TRS cable to insert effects. You just tossed the cable aside. You all said YES when we said effect-order switch. New units have a simple push button switch to change the order! Mike Hermans did a new video with the effect-order switcher. On older units there is a TRS Insert for adding effects in between the Fuzz and Modulation/Delay side of the pedal. This is handy if you have phaser or chorus pedal you might want to add if you want to use the Delay side of the Dark Side. That way you can have Fuzz>Phaser>Delay for example. Heart At the heart of the Dark Side is a hand built board that contains analog fuzz and a high quality 24-bit DSP engine. We studied and analyzed decades worth of gear and crafted our own sounds that give you not only the original tones, but an endless range of in-between sounds you can’t get elsewhere. Even if you have other Keeley effects or workstations, you don’t have these exact sounds. The Rotary is slightly different than the Monterey, it’s more chorus like. The Flanger is different than the hidden one on the Bubble Tron. The U-Vibe on this pedal is also deeper and throbs with more intensity. If you were lucky enough to get one of the Jimi Hazel Phase Delays or put the Bubble Tron into the hidden bank 2 mode; well then you have heard our 4 stage phaser. It’s dead on and a blast to play. Like the Monterey, this unit is completely hand built. Including the high-end DSP, everything is hand assembled and soldered by our technicians with decades of experience.  Attention to detail and tone at every point. Mother What you get is a Mother Lode of effects and sounds. Necessity is the Mother of Invention. Someone needed to put all these epic sounds in one box. So we did. There’s no need to wish you were here, get out your Strat and we’ll see you on the Dark Side.

Keeley El Rey Dorado - Crunch ...

2.070,-

Old School Crunch to Super Lead Tones; Plexi in a box! El Rey Dorado THE GOLDEN KING! Classic British Tone Two Gain Stages THE GOLD KING! The El Rey Dorado is your go-to box for that Plexi tone. Yes, there is a wide range of 1960s Plexi Amp Tone in terms of power, which tubes are installed, which speakers and/or cabinet is used, but the El Rey Dorado hits the core tone bullseye! One of the many reference points for the tone was my own JTM 45/100® full stack.  (It’s a dead-on reissue Marshall® did with crazy cool custom-made–vintage-recreation speakers and dual transformers to transfer the load of the 4 EL-84s!) Click here to try this pedal out “I want black and gold Plexi tone,” Joe yells!!! The El Rey covers a lot of classic British amp tones by featuring two gain modes with the Power Toggle.  With the Power Toggle switch you have control over the compression and harmonics.  Low Power mode is louder, has more girth, and has fewer harmonics for a more old-school tone.  The High Power mode has more compression, more harmonics, and a tighter, more defined tone.  Old-school crunch in Low Power mode, super lead tones in the High Power mode. Simple as grabbing an open E Chord! Volume, Gain, Tone, Power Toggle: Yes Keeley Engineered: Yes Ripe Tide Gain: Yes 9 volt battery: 9V compatible (battery not included)

Keeley Filaments High Gain ...

2.629,-

Warm tube like amp tones to high gain overdrive pedal Keeley Filaments High Gain Distortion Three Stacked Gain Stages Seven Layers of EQ Tube Amp High Gain Keeley Electronics, the leading manufacturer of pedals built in the U.S., announces the release of our most potent and aggressive metal stompbox to date: the Filaments High Gain Distortion Pedal. The Filaments accurately replicates high-gain tube amps by layering 3 stages of gain while providing 7 ultra-flexible ways to EQ the tone. The Filaments has more flexibility in tone-shaping than any other Keeley stompbox. Level and Gain set the stage for rich layers of high gain tube-amp saturation. Bass and Body give you the punch and authority of a gain monster no matter what size amp you are playing.  Even if you’re running a 10-inch speaker the bass and body controls will give you the low end bass response you need. Running through a 4×12 already?  Just dial back the body control to keep the sound tight and focused.  Have an amp that’s hard to push?  The Boost and Crunch switches give you two different levels of gain and compression to get your edge just right for your tone.  The Presence control works with the Bright control to give any guitar or pickup combination the authority to stand up and shout.  Lastly, the Treble control gives you that added range of highs to make your amp sing. Style is a Metal Head’s Swagger Metal is more nuanced and subdivided that nearly any other style of music outside the classical stuff.  The Keeley Filaments High Gain Distortion pedal feels your pain, brother.  So of course its amazing 7 layer toneshaping lets you chameleon into any of these types of metal:  Christian or Death Metal, Black Metal or Folk Metal, both types of Core,  Grind and Metal.  Crust Punk or Glam Metal?  Progressive Jazz Metal or just good old Stoner Metal?  We got ya covered.  Get a Keeley Filaments High Gain Distortion pedal and pound it out !!  Get creative!  Create your own Metal. Heavy Metal (often shortened to just Metal)  😉 #noshitsherlock Keeley is well-known for high-end tone and durability.  His attention to detail in stompbox tone, tube amp building experience and “tough as nails” build quality ensures his new Filaments pedal will dominate the high-gain pedalboard. Isn’t it time you had a high gain pedal that gives you everything you need for the road? Tech Specs: 9-18 VDC – Louder and More Powerful at 18 Volts! Ultra Low Current = 10mA Center Negative Tip Power Supply Required – No Battery Operation True-Bypass 100% Analog – Made Right Here.

Keeley Fuzz Bender pedal

2.070,-

Ginormous Fuzz pedal with active EQ and Gate controls Fuzz Bender 3 Transistor Hybrid Fuzz Silicon and Germanium Fuzz Stages Huge Gyrator Bass and Treble Controls Pummel your amp with over 20dB of boost/cut at 100Hz and 10K Hz. The Keeley Fuzz Bender is a 5 knob – 3 transistor modern fuzz using a combination of high-gain silicon and silky smooth germanium.  What makes fuzz better?  Active EQ.  Using two gyrators as an active EQ gives you the ability to create massive fuzz tones not possible with typical square-wave boxes.  The Fuzz Bender is built around vintage Japanese germanium to create its monumental fuzz tones.  With the all new Bias Control, you control the attack and decay of your notes.  Anything from Fat Square Waves to Angular Fuzz to glitchy-Velcro attacks are possible with the Bias Control.  The Fuzz Bender’s five knobs confirm size matters when creating a new and epic world of fuzz. Click here to try this pedal out. Fuzz Bender Features: Five Knob Hybrid Fuzz with Japanese Germanium Transistor Ginormous Level and Fuzz controls you can move with your feet! Gyrator Bass and Treble controls with 20 dB boost each! Bias Control for glitchy-velcro attack Great for guitar AND bass! Simple in/out top mounted jacks, true bypass 9 volt DC, 20mA power jack, no battery Designed and Made in the USA

Keeley Loomer Fuzz Reverb ...

4.128,-

Wall of Fuzz pedal, Drenched in Wash of Reverb Loomer Wall of Fuzz Soft Focus Reverb Reverse/Trem Bar Reverb Hall/Octave Reverb The Loomer is a Wall-Of-Fuzz drenched in a Wash-Of-Reverb. Heavy Gain, Soft Focus, Reverse,  Cascading Octave Feedback, Tremolo Bar Strummed Reverb. A stoned, morning floaty, messed up, thrill machine is what it is.  Washes of reverb in new ways you’ve not heard in a stomp box before and a fuzz that’s like a cigarette burn on your forearm.  It rages. Jesus, Mary, and Reverbs Can’t live without these three and the new reverbs are born of a Shoegaze dream. Hall Super long ambient wash with the ability to add octave regeneration in the feedback loop.  More than shimmer it’s more like ascension shimmer. Reverse Set different delay times with the Decay control which gives you rhythmic reverse.  This is based on the Yamaha SPX90 and the Alesis Midiverb II. This is not a true reversed reverb as it reads through a delay line at various points in the delay while increasing in volume.  The Decay control is more of a switch in that it is chooshing between 8 different set “decay” times: 150ms, 200ms, 250ms, 300ms, 350ms, 400ms, 450ms, and 500ms allowing you to set all kinds of delay times in which the notes come back at you. This is where it gets really cool.  The vibrato in this mode is envelope controlled. The range runs from 0 to 50ms of time shift.Tone control is loosely based on the Jazzmaster rhythm tone control with a low pass filter centered at 156.6Hz  Strum hard at it pitch bends like you are playing the trem bar on a Jazzmaster or Jaguar!  Combine the two for an unreal dual-guitar player effect! Soft Focus Because all of the reverbs can go All-Wet by means of the Blend Control, this is a great approximation of the Yamaha FX500 patch. Soft Focus Reverb features a dense reverb with two delays in parallel (one set for 250ms, the other set for 380ms.) Muffdive Grabs you by the fuzz.  When you’re a gazer, you can do those kinda things.

Keeley Manis Iconic Overdrive ...

2.673,-

Keeley Electronics Manis Iconic Overdrive Pedal With the introduction of the Manis Overdrive, Keeley pens the next chapter in the legend of the mythical Klone. The essential germanium diodes at the heart of the myth faithfully deliver the iconic tones that are as expected, but that’s far from where this story ends. With additional options for switching between both clipping and bass boost modes, Manis is sure to conjure up a suitable saturation for any situation. Main Features • Voltage-Doubled Hard Clipping “Clean Boost” • Updated Ge-Trans Switch – Diodes or Transistors – Huge difference in feel with increased saturation and tube-like compression • Bass+ switch – for selecting between 2 bass settings          o Down: Stock mode - “Transparent” Mid Boost          o Up: Bass+ mode - Adds 3dB of low end for enhanced bass response • Clipping switch – for selecting between 2 distinct clipping modes          o Down: GE Diode - for classic “Klone” style clipping          o Up: GE Transistor - for increased compression and saturation • Top-mounted jacks and soft touch relay switching • True Bypass or Buffered Bypass (selectable) • Hand-made in Oklahoma, USA • Powered by a regular 9-18V DC PSU (centre -, 2,1 mm, ~15 mA current draw) Keeley recognises that not every guitarist relates to the sound of the original horse related pedal, so while the Manis totally nails the sound of the fabled original, it also delivers a worthwhile evolution of this renowned circuit. By using GE Transistors as opposed to the fabled GE diodes, the result is representative of the same well-known flavour, but due to the different cutoff voltage there is increased saturation, compression and sustain. The additional “tube like” second order harmonics and extra gain on tap are like a miracle cure for anyone with the “Klone blues”. Toggle the clipping switch to swap in cold-war era GE transistors for more sustain, saturation, and tube-like response that you can really feel under your fingertips. Or leave the pedal in Diode mode for that authentic Klone experience. Control the character and punch of your sound by dialing down the upper-mid honk with the Tone knob. Need more low-end? A dedicated bass boost switch lowers the cutoff an octave and adds 3dB of gain, ideal for single coil low-end recovery. Manis is built tough and uniquely capable of running on 18V for more headroom, a true first of its kind. Being a modernised voltage-double hard clipping boost, Manis is a one stop solution for clean boost amp saturation, sure to please Klone purists, newcomers or converts alike.

Keeley Mk3 Driver Andy ...

2.673,-

Andy Timmons Full Range Overdrive Overdrive Mk3 Driver – Andy Timmons Full Range Overdrive Tone Crafted with Andy Timmons Germanium Diodes for Perfect Compression Clean Boost to Square Wave Fuzz Buffered Bypass or True Bypass Manufactured by RKFX in the USA The Mk3 Driver – Andy Timmons Full Range Overdrive is an overdrive workstation that allows you to orchestrate everything from a clean boost to a treble supercharger, a chimey tube-amp overdrive to a square-wave, germanium fuzz generator and more. This pedal combines a three-control blues driver circuit with two switches for the voicing Drive and Tone characteristics. Robert and Andy developed these switches to give players a broad range of drive tones. The Drive toggle engages two germanium diodes for a smoother, slightly compressed drive.  Switch to Andy’s clipping style for a brighter and more articulate attack. Every part of the circuit has been optimized for tone and the demanding needs of a recording and touring artist such as Andy Timmons. Simply adding the Mk3 Driver to your pedalboard will likely make your rig sound better. This pro sounding overdrive can be switched between true-bypass and buffered bypass at any time. Classic blues driver circuit with decades of Keeley mod experience Germanium based overdrive crafted with Andy Timmons’ direction AT/RK Tone Switch cuts lows for a clarity or boosts low-end for power AT/RK Drive Switch alternates between asymmetrical silicon to dual germanium diodes Buffered Bypass or True-Bypass – Change instantly depending on your rig’s needs JFET Transistors, Germanium Diodes and Op-Amp Gain combine to form harmonically rich overdrive 9 to 18 Volt operation for huge dynamic range and headroom Andy Timmons – Tone Switch The Mk3 Driver gives you two tone control circuits to choose from. When the Tone Switch is up and in the AT Position the tone control features Andy’s preferred voicing of the low-end response of a drive pedal. Each note in a chord is clear and articulate. If the Tone Switch is down and in the RK Position that features the legendary Phat Boost in the low-end frequency response, perfect for pushing vintage or single coil pickups. Full Range Overdrive – Germanium Toggle Switch The Mk3 Driver circuit combines JFET saturation, diode clipping, and op-amp clipping in order to create its harmonically rich tone. Drive Switch UP for AT Clipping – this mode features asymmetrical LED diode clipping and is Andy’s Super AT Mod sound.  When the Drive Switch is Down for RK Clipping – the circuit features two germanium diodes for clipping.  This mode can sound a bit like a vintage fuzz pedal with a softer, smoother feel. Mk3 Driver – Both Buffered Bypass & True-Bypass The Mk3 Driver features our precise buffer for noise-free switching. We have developed a buffer which not only makes your rig sound better, it gives you silent switching with no tone loss. Switch between true-bypass and buffered on the fly. Simply press and hold down the foot switch for two seconds and the pedal will switch between true-bypass and buffered bypass!  You can decide what works best in your rig. Made In The USA – Mk3 Driver – Andy Timmons Full Range Overdrive We design, engineer, and manufacture the Keeley Electronics/Andy Timmons Mk3 Driver in Oklahoma City.  Everything about the Mk3 Driver is geared towards the professional musician and their quest for an inspiring tone when performance demands it. From the inside of the pedal and its meticulously built circuit boards to the newly fabricated aluminum enclosure – we make guitar effect pedals like finely crafted musical instruments. A Note From Andy Timmons: The Mk3 Driver is the ultimate expression of the clean/slightly broken-up tone I’ve been going for over the last several years. Robert Keeley and his incredible team have once again knocked it out of the park! The AT/AT setting is exactly my Super AT Mod tone: just the right amount of breakup available at your dynamic command. Every note and nuance is clear as a bell. The crazy thing about this mode is that it also sounds great with the gain turned up, providing an incredibly cool Marshall-esque crunch tone. Having the original RK modded BD-2 circuit is sheer luxury as that’s the circuit that I fell in love with years ago! It still inspires me! The real hidden gem here is Robert’s new modification that utilizes germanium diodes instead of the original silicon for a new kind of clipping that works insanely well on its own OR as a boost for my lead tone. It has a lovely way of further taming the low-end that I really love. With the Mk3 Driver and the Halo, I’m in Tone Heaven!

Keeley Moon Op-Amp Fuzz Pedal

2.069,-

Op-Amp Fuzz Moon Op Amp Fuzz Our most bombastic fuzz ever! Tons of gain and volume on tap Refined Filter controls – 3 distinct EQ profiles The Moon Op Amp Fuzz is a supermassive destroyer, spinning galaxies of gain. Tidal wave bass response gives you tones heavy as gravity itself. The filter control offers an expanded range of usable tones and the filter switch gives you three distinct EQ phases: Scooped Mids ‘classic’, Flat EQ, or Full Range. Feed the Moon Op Amp Fuzz with your favorite drive pedals and unlock worlds of complex tones. Megatons of volume and gain, an incredibly musical filter range, and three distinct EQ Modes makes for a stellar fuzz experience. We are proud to offer the most powerful and bombastic ‘wall of sound’ fuzz that Keeley has ever made. Moon Rise The Moon’s massive sound is achieved with a quad op amp delivering four stages of gain and fuzz.  This circuit has its roots in our popular Dark Side pedal. In that design we tailored the tone and gain of the pedal to be a vintage sounding fuzz for lead work. We wanted to go 180 degrees in the other direction with the Moon’s tone. We set out to achieve infinite sounding dreamy deep fuzz. This is a punishingly heavy op amp fuzz designed to extend your guitar or bass frequencies as low as possible. This also means that your lead tones are as harmonically as rich as possible. So thick is the fuzz that your notes will rise and peak into brilliant feedback. Keeley’s most lunar sounding pedal: Moon Op Amp Fuzz. “The new Moon Fuzz could be considered a heavily modified Rotten Apple (or Dark Side), but this circuit has changed so much that it ‘s really a different design. Here we stack the gain stages differently and add low-end in a different area of the circuit,  thus giving much more gain without the bass eating up the headroom. The tone control has also been re-imagined to tighten up the range. It comes out ‘cleaner’ and much more gainy at the same time!” – Robert Keeley

Viser 91 til 105 (av 228 produkter)