Keeley Blues Disorder 4-in-1 ...

2.785,-

Keeley Electronics Blues Disorder 4-in-1 Blues Breaker and OCD Style Overdrive and Distortion Keeley combines two completely different overdrive and distortion circuits to create four different drives in one box. The Blues Disorder has two switches that allow you to separate the tone control from the clipping section. By mixing and matching the Tone and Drive switches you get two hybrid sounds. With both switches up it’s a smooth, soft-clipping Bluesy Breaker. The BB side is a low gain, soft-clipping overdrive. With both switches down it’s a fuller sounding, hard-clipping OC Distortion. The clever design keeps the pedal a three knob overdrive with 4 unique sounds. Switch easily between buffered or true-bypass; whichever sounds best in your rig. The Keeley Blues Disorder Overdrive and Distortion is designed and manufactured entirely by Keeley Electronics in our brand new aluminum enclosure. Main Features: • Compact Overdrive and Distortion Effects Pedal • 2 classic distortion/overdrive circuits combined with swapable Tone Circuits in 1 pedal • Offers 4 overdrive flavors - 2 familiar circuits and 2 brand-new amp-like overdrive and distortion tones • Swap tone controls and/or distortion sections to create new sounds • Create unique Hybrid Drive and Distortion by mixing the BB Overdrive’s and OC Distortion’s Clipping Sections and Tone Stacks • Professionally Engineered Tone - sounds developed in the field and in our tone lab • 100% analog circuit with all-analog signal path • Switchable Tone control o BB: a simple high-frequency filter with a more transparent sounding drive and response o OC: active midrange boost and then the tone control rolls off high-frequency • Switchable diode clipping o BB: Soft diode clipping - for softly overdriven tube-amp-like tones o OC: Hard diode clipping - for an edgier more aggressive tone • Silent soft-touch switch with switchable Buffered or True Bypass Switching • Made in Edmond, OK, USA • Powered by a regular 9V DC PSU (centre -, 2.1 mm, 27 mA current draw) Switchable Tone Stacks - Swap Voicings The Blues Disorder gives you two tone control circuits to choose from. When the Tone Switch is down and in the OC position you will hear an active midrange boost and then the tone control rolls off high-frequency. If the Tone Switch is up and in the BB position you don’t have the active mid-boost, there’s just a simple high-frequency filter and therefore a more transparent sounding overdrive and response. Switchable Diodes - Hybrid Gain Clipping The Blues Disorder gives you both styles of diode clipping. Where diodes are placed in the circuit, can have a dramatic effect on gain and compression. This pedal gives you both hard clipping distortion or soft clipping overdrive, depending on the position of the Drive Toggle. If the Clipping Switch is in the OC position it features Hard-Clipping which is an edgier, more aggressive tone.  Alternatively, when the Clipping Switch is in the BB Position, that uses Soft-Clipping and sounds like a softly overdriven tube amplifier. Buffered and True Bypass The Keeley Blues Disorder allows you to quickly switch between either mode. Having a great buffer will make your rig sound strong and clear even when the pedal is off. Buffered switching prevents the pops and clicks of true-bypass switching. If you want to turn on true-bypass, simply press and hold the foot switch for two seconds. Holding the switch for two seconds toggle between modes. True Bypass is great if a buffer might affect the tone of a vintage pedal. Enjoy truly silent switching and a better sounding rig with Keeley’s buffered switching mode. Made In The USA We design, engineer, and manufacture the Keeley Blues Disorder in Oklahoma City. The Blues Disorder is geared towards the professional musician’s demand for an inspiring tone when performance demands it. From the meticulously built electronic circuit boards to our in-house fabricated aluminum enclosure, Keeley pedals are professional grade. We make guitar effect pedals to be finely crafted musical instruments.

Keeley Red Dirt Germanium ...

2.450,-

Special NOS Germanium Transistor equipped Red Dirt Overdrive pedal Red Dirt Germanium Overdrive Effect Pedal Modified Drive Circuit Tight Bass, Searing Sustain! Keeley’s latest mod to the venerable platform has everyone grinning here at the shop. The Red Dirt Germanium is nothing short of a red hot saturation machine. Perfect classic amp tones. The New Mod The new mod happened as a result of me trying to be a touch lazy. Or let’s say, I was trying to find a shortcut and struck gold. In modifying the circuit I came across a way to have variable gain on different parts of the frequency response. The rather small change isn’t groundbreaking, but I’ve never seen it done this way in a tube screamer type of circuit. The resulting sound is exceptional. It sounds 3D. It’s more of everything. It in fact cleans up really nicely with the volume control even though it has plenty more gain on tap. It makes a stock screamer sound very flat and one dimensional. By allowing differing gain rates for the bass response, the bass stays tight and forceful. The mid range and highs are soaked in sustain and saturation. The balance is exceptional. Red Dirt History The Red Dirt overdrive began from a quest to find the perfect classic drive sound while also offering new levels of sonic versatility to satisfy a wider range of musical styles. Founder and head engineer Robert Keeley took this idea and combined the great sounds found within his original “Mod Plus” and “Baked” modified pedals and added refinements found exclusively in his custom pedal line. A Keeley designed FET input stage makes this overdrive breakup in a whole new, genuinely “tube like” style that will have your leads singing and your rhythm playing sounding more dynamic and expressive than ever. It all culminates in an overdrive that is superbly dynamic, with crispness and clarity that let players cut through a dense mix, while retaining the plump midrange. By incorporating these tones along with the Keeley standard of U.S.A. hand-built quality using premium components, the Red Dirt overdrive aims to become an indispensable part of any pedal chain.

Keeley Seafoam Plus Chorus ...

2.629,-

Chorus, Double Chorus, ADT pedal Seafoam Plus Chorus Keeley True Chorus & Vibrato Double Tracker with Reverb Select Guitar or Bass Performance Yes, we redefined chorus pedals… Seafoam Plus Chorus – True Chorus and ADT with Reverb Keeley Engineering is changing the minds of even the most picky players… again. We redefined chorus. There is a new style of chorus that actually sounds RIGHT. We are proud to announce the all new Seafoam Plus Chorus – True Chorus and ADT with Reverb. It will forever change the way you think about chorus, because we have developed a new type of chorus that until now has only been available in expensive DAWs and in studios.  Not only is it tuned for guitar, but there are voices and modes created specifically for bass players including flanging and tremolo.  Lastly, this tri-mode chorus pedal offers internal switching for vintage and modern tones, further doubling the amount of sounds you can get. ADT: THE NEW DEFINITION OF CHORUS.  In the Seafoam Plus Chorus you get the automatic doubler that we developed in the revolutionary 30ms Double Tracker. Our ADT chorus is what we call True Chorus, because we create a second and third voice–like singers in a choir. Not only do they sing at different times, they sing at different pitches. True Chorus. Seafoam Mode: You guessed it… the all new Seafoam Plus Chorus–lush, wide, and with a very musical vibrato. It gives you the lush sounds and tone of a vintage BBD analog chorus unit. This is where you’ll find a typical chorus feature. The Seafoam Mode of the pedal has an LFO, the regularly cycling part you hear in most every other chorus unit. It provides a classic tone that you expect and which has become part of many classic tunes. Set the rate for slow and the depth for wide, and enjoy a really spacious sounding chorus. Roll the Mix Control all of the way up for Vibrato. With the Space control acting as a Tone Control in this mode, you can go from bright to vintage warmth, dialing in the perfect chorus. Dual Chorus Mode: We created a frequency crossover-based dual-chorus engine.  Imagine a dividing line that is centered on your high E-string. Control the depth of chorus independently for highs and lows. Craft the ultimate “Come As You Are” Nirvana of chorus tones. Create a very deep, throbbing chorus on the low end, and a near perfect calm on the top end. Or make the high-end and shimmer and waver while keeping the low end fixed! ChoralFlangelo OK, it goes twice as deep. The Seafoam Plus Chorus is a Bass Chorus, Flanger, and Tremolo too! Pop off the back, flick a switch, and it’s a bass guitar player’s dream. The Space Controls gives you controls or Regeneration, High-pass filtering to keep things tight, and a haunting Tremolo you have to hear to believe!  o let’s get down and funky, Michelangelo! Vintage at Heart Want a softer tone? Chorus that’s silky smooth and warm? No problem. Internal switching puts it in “Vintage Mode.” The Keeley Seafoam Plus Chorus ships in “Modern Mode” for ultra wide, lush, and high-fidelity chorus. Either way, enjoy sounds that are downright frighteningly good. Makes you wonder, “Is that my fingers playing that tone?!?”! Seafoam Plus Chorus Modes Dimension Chorus – Automatic Double Tracker RATE/TUNE: Adjusts the Tune/Pitch of Double Tracked voices by 0-21 cents DEPTH/TIME: Adjust the time delay in the Double Tracked voices by 0-21 milliseconds (ms) SPACE: Abbey Chamber Reverb BASS MODE: Flanger with Space knob for Positive and Negative Feedback control.  Center position is 0% Feedback.  Works perfectly on guitar too. Seafoam Plus Chorus RATE/TUNE: Rate from 0.1 – 7 Hz DEPTH/TIME: Depth from 0-20 ms SPACE:  Tone Control – +/- 6dB @ 500Hz BASS MODE: Tone Control -6dB @ 100Hz to +6dB @ 200Hz Special Notes: This is a simulation of our popular Seafoam Chorus and other popular vintage chorus pedals. Dual Seafoam Plus Chorus RATE/TUNE: Rate from 0.1 – 7 Hz DEPTH/TIME: Depth of the High Band Chorus 0-10ms SPACE: Depth of the Low Band Chorus 0-15ms BASS MODE: Chorus on Top End – Haunting, Throbbing Tremolo on Bottom end. Special Notes:  High Band chorus is delayed by 8ms and Low Band by 6ms.  Provides Wide Lush chorus on top and Focused Musical Chorus on bass.  Ultra wide and watery sounds!  For Bass Mode:  Band is split Chorus on Top and Tremolo on Bottom.

Keeley Super Phat Mod ...

2.069,-

Full Range TRANSPARENT Overderive pedal Super Phat Mod Legendary Phat Mod Dynamic Overdrive Tube Amp JFET Design Many say the Phat Mod delivers their favorite tone from a pedal. It’s that natural break-up that just feels good and lets you express yourself. The dynamics make it feel alive and part of your fingers. That’s the reason the modified pedal has stayed on people’s boards for nearly 15 years. The Keeley Super Phat Mod is our famous mod now perfected with amazing sounding JFETs that emulate old tube amps in a unique way. The original pedal was a great design that features tube-like amp stages, tube amp tone stacks, and a variety of tone shaping circuits to bring out the best in any guitar’s pickups. The problem with building one in the past has been the difficulty finding the perfect FET to capture the magic. If the harmonic content and grain of the distortion and overdrive weren’t exactly right, we moved on and waited to try out other devices. Well, after all these years Craighton Hale stumbled upon a Toshiba device that had the magic. Our resident guitar hero, Aaron Pierce, known for being very critical of even the most minute nuances, was grinning from ear to ear when he approved this ear-candy final version. We had found the magic device that pushed it over the top.  So, we just had to dress it in gold and royal purple.  The name badge had to speak of its history and heritage.  With Super Phat Mod in an old, Blackface-style logo and the metal-flake clear-sparkle on gold, we feel it will look incredible in any rig. The Super Phat Mod pedal now has incredible dynamics. It is full range and very responsive. The phrase “transparent overdrive” was born of this design! From country pickin’, to blues and rock wailing, the Phat Mod is the choice for those not wanting the over-refined sound of a common Screamer. Set the gain high and let your guitar’s volume control or your pick attack do the work. With the Super Phat Mod, you now have all of our refinements–the very best of tone-shaping electronics and modern features like true-bypass. The Skinny on the Phat History The Keeley BD-2 was the first mod that had a switch.  It was done to give players two modes of bass response. With the slight boost, it was called the Phat mode.  It was perfect for players of Strats and Teles who wanted just a small push without being muddy.  That same design is also available via the micro toggle on the Super Phat Mod.  Later on we released the Luna Overdrive which won a Gear of the Year award in England, and that pedal had further refinements made to it and became the Katana Blue Drive.  The Katana Blues Drive still retained the active bass and treble controls but smoothed out the highs and increased the gain range slightly.  That was an original design designed to meet many of the tonal characteristics of the Blues Driver.  The new Super Phat Mod takes off by duplicating the Keeley Phat Mod part-for-part with the exception of our new “super JFETs.”  And we think you’ll enjoy this incredible tone we have crafted for you.

Keeley Super Rodent Overdrive ...

2.785,-

4-in-1 RAT and SD-1 Style Overdrive and Distortion Super Rodent Overdrive and Distortion 4-in-1 Overdrive and Distortion Two all-new amp-like hybrid tones All analog signal path Switch from Buffered to True Bypass on the fly All new proprietary case shape – manufactured by RKFX in the USA Keeley put two very different overdrive & distortion pedals in one box and gave you two new sounds in the process.  The Keeley Super Rodent is a 4-in-1 pedal that gives you two well-known distortion circuits and two brand new sounds by way of the toggle switches!  It’s almost like pedal-modeling, except these are 100% analog circuits and you decide which tone-control or clipping-section you want to play through.  You can play through the classic yellow ‘Japanese Super O-Drive’ or a ‘Rodentia Michigander’ distortion circuit, or even better, you can Frankenstein new monster tones with the two hybrid modes.  The creative design keeps the pedal a simple and space-saving three-knob distortion pedal with an amazing tone.  It only takes two seconds to make the Super Rodent either buffered-bypass or true-bypass, whatever works best on your pedalboard.  The Keeley Super Rodent Overdrive and Distortion is entirely designed and manufactured by Keeley Electronics in a new aluminum enclosure. Two classic distortion/overdrive circuits are combined into one pedal Swap tone controls and/or distortion sections to create new sounds. By mixing the SD Overdrive and RT Distortion, you can create two unique Hybrid Distortions. Silent Buffered Bypass or True Bypass – hold footswitch for one second to change Professionally Engineered and Expertly Manufactured Pro Audio Gear – sounds developed in the Keeley tone lab and in the field, then built entirely in our factory. Tone Control The Super Rodent gives you two tone control circuits to choose from.  When the Tone Switch is down and in the RT Position the tone control simply rolls off high-frequencies.  If the Tone Switch is up and in the SD Position you have an active low pass filter and more bass and treble frequencies are available. Diode Clipping Hard or Soft Clipping:  The Super Rodent gives you both styles of diode clipping.  Diodes are used to create hard clipping distortions or smooth overdrive sounds.  If the Clipping Switch is in the RT Position it features Hard Diode Clipping which is an edgier, more aggressive tone.  When the Clipping Switch is in the SD Position that uses Soft Diode Clipping, like a softly overdriven tube amplifier. The Super Rodent is both Buffered Bypass and True Bypass The Keeley Super Rodent features our Jfet buffer for noise free switching.  We have developed an amazing sounding buffer which not only makes your rig sound better, it gives you silent switching with no tone loss.  No more pops and clicks to distract from your music.  If you want to turn that feature off and go back to true bypass, simply press and hold down the foot switch for two seconds and the pedal will switch to True-Bypass (LED will flash twice).  True Bypass is great for players that want the effect of plugging directly into their amp when the pedal is off.  Alternatively, players that want a strong and clear signal even when the Super Rodent is turned off, simply hold the stomp switch down for two seconds and the effect is back to Buffered Bypass (LED flashes three times).  Enjoy truly silent switching and let your music be the only voice. Made In The USA We design, engineer, and manufacture the Keeley Blues Disorder in Oklahoma City.  Everything about the Super Rodent is geared towards the professional musician and their quest for an inspiring tone when the performance demands it.  From the inside of the pedal and its meticulously built circuit boards and metal construction audio jacks to the outside of the effect its newly fabricated aluminum enclosure; we make guitar effect pedals to be finely crafted musical instruments.

Keeley Verb O Trem Reverb and ...

2.069,-

Inspired Reverb and Tremolo Pedal Keeley VoT – Eddie Heinzelman Verb o Trem Reverb Tremolo Combo Vintage Two Spring Splash or Smooth Plate Reverb Three tube-amp style trems: Volume, Pitch, Harmonic Keeley and Eddie H. teamed up to produce the Verb o Trem, the Keeley VoT!!  When you go minimalist, you still consider Reverb and Tremolo.  Even the guys that say they just plug their guitar cord into the amp…still admit they love verb and trem!  So if you’re doing a small gig with a compact board or you just want the captivating power of tremolo and reverb at the same time, the Keeley VoT is a simple and beautiful sounding combo. The Keeley VoT reverb and tremolo combo gives players a simple and beautiful sounding way to end their pedal boards.  Reverb and Tremolo often sound best at the end of your guitar rig, after effects like compression, fuzz or overdrive.  The Keeley VoT gives you famous Keeley spring and plate reverbs as well as modulated tube amp tremolos.  This immaculate pairing provides you with everything you need for a small, compact pedal board. Reverbs Keeley 2 Spring Reverb is the real deal, it’s so good sounding, they install it in The Amp now.  The Keeley Spring Reverb allows you to get that splashy spring sound that instantly fattens your guitar tone. If you want something super smooth, however, you flip it over to switch in our Plate Reverb.  Get that huge plate reverb sheen by simply flipping a switch! Tremolos A Lotus Flower of Tremolos. I don’t know what that means, but it sounded good.  You have three blooming tremolos in the Keeley VoT. R+T – is an organic tube bias type tremolo.  This means you hear the tube amp bias change enough to modulate the volume.  A very personal and haunting tremolo.  Very moody. Mack – This mode is a MagnaAmp style pitch vibrato.  Done by carefully changing the phase to elicit a silky smooth pitch shift.  Sounds like you have your finger on the pulse of life.  Sometimes a walk on the wild side is the way to go. HAR – Harmonically Amplified Resonator.  I made that up too.  Harmonic Tremolo -two filters that we vine around, back and forth, creating a notch filter that gives you that Tower of Flower sound. VoT – Lotus Here’s where the flowering magic occurs: you can set the VoT to be either Reverb OR Tremolo OR Both if you want.  Let’s say you just need some ‘verb for the night, simply reduce the Depth control!  Reverb Purity. What if you want to use the tremolo only?  Simply roll off the Reverb control. This pedal can simply and easily be reborn into any combination of tones you need. The Artist Eddie Heinzelman is an in-demand session musician/sideman who currently plays guitar, mandolin, and sings background vocals with hit songwriter and Country/Americana artist, Radney Foster.  He is also an active member and admin for the Keeley Sound Check – Open Guitar Effects Forum.

Keeley Vibe-O-Verb Reverb ...

2.069,-

Ambient Reverberation Machine Vibe-O-Verb New Ambient Reverbs Simulates changing reflective surfaces! Simulates accelerating reference points! Welcome to the Vibe-O-Verb! This is a reverberation machine…. Lost reverbs that never were. The atmospheres are Vibey, have Vibratoneness, and are Phasery…. This three mode reverb lets you hear what some of the most classic effects sound like on just the reverb. Allowing you to create new sounds and textures like never before. Fibonacci All of the Delay Space in our reverb engine for the pedal are in the Fibonacci series.  What does this mean for you?  You’ll probably make more money, look better (see golden ratio) and find true happiness.  What does this mean for us?  A secret pleasure in defining a reverb that is unique and possibly more musical.  Since great works of art like Debussy’s La Mer have been crafted by using the Golden Ratio, why not create lengths of time defined by such ratios?   0, 1, 1, 2, 3, 5, 8, 13, 21, 34 https://en.wikipedia.org/wiki/Fibonacci_number Harmonic Reverb This mode is like a vintage Brownface Amp or our DynaTrem, Harmonic Tremolo on the reverb.  Imagine choppy waves of tremolo on your verb!  All with the a delicious hint of Vibe!  Dynamic Dimension Canyons?! Vibrato Reverb Pitch Bending Reverberation Machine.  From mild chorus to spacey bayou tones!  Too grande to call our modulated chorus, this is one for modern psychedelics.  For this one you have to imagine maybe both the source and the reflective wall moving!  Maybe even accelerating with respect to each other.  Why didn’t we call this one the General Theory Of Reverberation? Phaser Phaser Modulated Reverb.  Maybe the most mild but in a way that lets you appreciate some of the space around notes.  This notch filter in your reverb space gives the illusion of the reflecting wall morphing from carpet to wood, then to steel and then glass.  Round and round.  Get the idea?  Dynamic reflections in an all new space. Enjoy these “Lost Reverbs” Vibe-O-Verb, reverbs that never were….until now.

Keeley Fuzz Bender pedal

2.070,-

Ginormous Fuzz pedal with active EQ and Gate controls Fuzz Bender 3 Transistor Hybrid Fuzz Silicon and Germanium Fuzz Stages Huge Gyrator Bass and Treble Controls Pummel your amp with over 20dB of boost/cut at 100Hz and 10K Hz. The Keeley Fuzz Bender is a 5 knob – 3 transistor modern fuzz using a combination of high-gain silicon and silky smooth germanium.  What makes fuzz better?  Active EQ.  Using two gyrators as an active EQ gives you the ability to create massive fuzz tones not possible with typical square-wave boxes.  The Fuzz Bender is built around vintage Japanese germanium to create its monumental fuzz tones.  With the all new Bias Control, you control the attack and decay of your notes.  Anything from Fat Square Waves to Angular Fuzz to glitchy-Velcro attacks are possible with the Bias Control.  The Fuzz Bender’s five knobs confirm size matters when creating a new and epic world of fuzz. Click here to try this pedal out. Fuzz Bender Features: Five Knob Hybrid Fuzz with Japanese Germanium Transistor Ginormous Level and Fuzz controls you can move with your feet! Gyrator Bass and Treble controls with 20 dB boost each! Bias Control for glitchy-velcro attack Great for guitar AND bass! Simple in/out top mounted jacks, true bypass 9 volt DC, 20mA power jack, no battery Designed and Made in the USA

Keeley GC-2 Compressor ...

2.785,-

Limiting Amplifier (For Guitar and other instruments) Keeley Compressor GC-2 Limiting Amplifier Compressor and Limiting Amplifier Check out the Pete Thorn Demo on YouTube! Precision Rack Mount Quality Compression At Your Feet The Keeley Compressor GC-2 Limiting Amplifier. The same great professional compression/limiting technology available in our Bassist Limiting Amplifier, for musicians and compressor fans of all kinds! Precision Compression The Keeley Compressor GC-2 Limiting Amplifier provides true high-fidelity compression and limiting. The Keeley Compressor GC-2 Limiting Amplifier is built around the exotic and extremely high-fidelity THAT Corp. 4320.  Think of it as very musical studio-grade compressor in stomp box format!  It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra-high performance op-amps to bring you the very best quality. This type of compressor gives you precise control and very musical results. This along with a full frequency range means that the GC-2 Limiting Amplifier compressor is well suited for guitar, keyboards, drum machines and, really, anything you can throw at it. The Keeley GC-2 Limiting Amplifier is both musical and transparent.  Where our older compressors were based on the CA3080 or the LM13700 and are perfect for that “Compressor Effect” and are still in use by tens of thousands of players, the new Keeley GC-2 is a different style compressor, aimed at being the ultimate in low noise and transparency.  Not only can it handle astonishingly large signals, but it has an incredible bandwidth of over 20 KHz.  No detail in your guitar’s tone will be lost.  The Keeley GC-2 will be a sound investment in your tone–you now have genuine rack-mount quality at your feet. Compression and Threshold When musicians use the new Keeley Compressor GC-2, they will be greeted with a sound that is more easily amplified and heard.  Using the effect as a limiting amplifier saves your speakers from clipping and distortion.  Set the Threshold to look for peaks in your signal and limit distortion from your amplifier or damage to your speakers.  Simply watch the Threshold Indicator light to see what type of playing you want to limit; it’s that easy!  Next, set the Compression Ratio Control to determine how much squash you want when the signal is above Threshold.  Set Compression all of the way down (1:1) for no compression and use the Gain control as a boost.  Set Compression all of the way up for an above-Threshold, hard-knee limiter. Attack and Release There is a certain figure that just sounds good as far as compression goes, and that’s 125 dB/second.  With feed-forward compressors that use this type of true-RMS detector you use a single time-constant parameter.  The timing capacitor gives you attack and release times that are adaptive to your playing level or the signal input to the compressor.  Bottom line: Attack and Release times vary on program content.  Attack times are, generally speaking, about 100 times faster than release times. Attack Time: typically 15ms for 10dB, 5ms for 20dB, 3ms for 30dB Release Time: typically 8ms for 1dB, 40ms for 5dB, 80ms for 10dB, 160ms for 20dB, 240ms for 30dB Specs: Voltage Input: 9V Current Draw: 50mA Input Impedance 1 Meg ohm Output Impedance: 100 ohm Output Voltage Gain: +30dB Boost Bandwidth > 20kHz Total Harmonic Distortion: 0.1% Noise: -95dBV Threshold Indicator: Dual LED

Keeley HALO Andy Timmons Dual ...

4.016,-

Andy Timmons Signature Dual Echo Halo – Andy Timmons Dual Echo Andy Timmons signature HALO sound 5 delay rhythms – 8 factory presets 0 to 1500ms of delay time for ambient creations Tap Tempo and Infinite Hold Andy Timmons’ mysterious sounding  “Halo” effect is a modulated dual echo sound that has long been kept a secret by the tone wizard himself.  Andy spent decades combining and crafting the sounds you can now get from the HALO. Notes from the HALO dance rhythmically, almost creating a reverb diffusion.  Those notes are held together with tape-style effects like modulation, saturation and compression.  The results are stunning.  The pedal comes loaded with his signature delay tone and you can program your own sounds and save them as presets. Easily bounce between Side A and B on the fly, essentially giving you two delay pedals in one. In addition to Andy’s signature “Halo” sound, there are numerous other rhythmic delays including: quarter note, dotted 8th, stereo rack mount analog delay, and a vintage multi-head tape echo. Stunning stereo and pristine sound quality are further enhanced with controls for saturation, tone, and shelving filters that give you the ultimate delay pedal. Tone Factory Use the Saturate control to add tape compression texture to your tone. The Tone and High Pass Filter controls your overall delay shape and mix. The Rhythm Mode selector delivers 5 delay types, including Andy’s unique “Halo” sound. Set the Time and Feedback controls low, and you can open up a world of ambient chorus and flanger effects. Run the HALO in stereo for incredible true-stereo imaging. Save your favorite combination of settings as a preset and the HALO becomes an incredibly compact multi-effect workstation. The Sound of Two Delays Use the HALO as two delay pedals that work in tandem, letting you switch between your main delay (side A) and an alternative (side B). With up to 1500 ms of available delay, set sides A and B for different delay times, then simply foot switch between the two. Our Smart Stomp System allows you to press and hold either stomp switch to engage tap tempo mode. Press and hold the alternate stomp switch for infinite repeat/hold.  Each Preset bank gives you 2 delays settings for a total of 8 user-storable effects! Let’s Dance Use the Rhythm control to select between different echoes like HALO, Analog, Tape, Quarter and Dotted Eighth. HALO Dual Echo Features: Andy Timmons signature “Halo” sound saved as a preset! The HALO functions as 2 delay pedals with up to 1500ms of available delay time – save different sounds to A and B – then switch between the two! 5 delay rhythms including stereo rack BBD and multi-head tape delay. 8 factory presets loaded with new delay and modulation sounds. Status light indicates when you’ve adjusted a knob from home settings. Soft stomp switches for tap tempo, infinite hold, preset save/recall, and more. Remote switching and programmable expression pedal control. DREAM multi-core DSP for stunning sound quality. True-Bypass or Trails. Made in the USA.

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