DigiTech Mosaic Pedal

2.050,-

DIGITECH Mosaic Turn any 6-string guitar into a 12-string Create a lush, shimmering chordal effect reminiscent of a 12-string guitar. Single notes and full chordal strums shine with polyphonic richness and celestial movement that will inspire you The DigiTech® Mosaic Polyphonic 12-String effect pedal sets you upon the path of creating lush 12-string sounds with either 6-string electric or amplified acoustic guitars. Immediately identifiable 12-string tones are now yours with octave low strings and doubled high strings. Single notes and full chordal strums shine with polyphonic richness and celestial movement that will inspire you. The Mosaic’s balanced low-end response with crisp octave shimmer produces a tone that’s lush and articulate, just as with a 12-string guitar.Tailor the Mosaic’s sound with the independent Level and Tone controls. Level will control the 12-string effect intensity while Tone shapes the overall brightness of the effect. The Mosaic will give you a richer, more resonant and full tone than a standard six-string guitar. It is true bypass and uses a 9V DC power supply to easily integrate into your existing pedalboard.

DigiTech Bass Whammy Pedal

2.895,-

DIGITECH Bass Whammy Legendary pitch shifting effect pedal for bass guitar Classic/Chords switch Classic and Chords (polyphonic) tracking modes for added musical flexibility Legendary pitch shifting effect pedal for bass guitar Classic/Chords switch Toggle between single note and chordal Whammy modes, providing rock solid pitch shifting effects. Classic and Chords (polyphonic) tracking modes for added musical flexibility The next generation Bass Whammy uses the most advanced pitch detection and polyphonic note tracking technology to create the world’s best pitch shifting effect pedal optimized for bass. The Bass Whammy maintains the classic settings from the original with many modern upgrades. With two different tracking modes, Classic and Chord, the Bass Whammy gives players the ability to recreate the shift glitch effects from the original or get the smooth pitch shift effect. Chord mode uses advanced polyphonic tracking algorithms for a more exact and smooth pitch shift effect while Classic maintains the tracking artifacts of the original Whammy. The Bass Whammy is true bypass, MIDI controllable, and uses a 9V DC power supply to easily integrate into your existing pedalboard.

Old Blood Noise Pardner Fuzz ...

3.233,-

Old Blood Noise Endeavors Pardner Fuzz Textures with Versatile Effects Loop Old Blood Noise Endeavors presents Pardner - a whacky yet extremely versatile fuzz pedal with unique tonal qualities, providing a suite of gnarly drivenness at the stomp of just two footswitches. The pedal’s core fuzz voice gives resonant, warbling saturation with a synthy edge. Playing nicely anywhere in the signal chain and with a wide set of controls, this fuzz opens up new textures compared to your usual fuzzy go-tos. However, when paired with Pardner’s built-in clean to medium gain overdrive effects loop (“Lasso”), you can add further textures to this already otherworldly dirt device, plus you can rope in your own effects alongside the fuzz. Try an envelope filter, a reverb, another fuzz, anything you like! The Order switch also allows for different routings of the two sections or even for both in parallel, for a world of unheard-of tones. Rip a solo or some massive chords or heck, run your drums through it - we’re not here to tell you how to Pardner. Main Features: • Fuzz Pedal with Versatile Effects Loop • Voice toggle, Filter and Intensity knobs shape the gain and frequency content of the Fuzz • Treble, Bass and Volume controls for further tonal sculpting • Lasso section, with variable overdrive plus add any external effect via the Send/Return Loop • Order switch to route and set the order of Lasso and Fuzz effects • Individual soft-touch bypass footswitches for each side, with true relay bypass when both sides are off • Durable compact enclosure for years of reliable switching • Top-mounted jacks, will fit into any setup • Made in the USA • Powered by regular 9V DC PSU (centre -, 2.1 mm, ~80 mA current draw – not included)

K&M 19790 Tablet PC Holder ...

580,-

K&M 19790 Tablet PC Holder Holder til stativ for Tablet PC Universal tablet-holder som passer på mikrofonstativ med 3/8" gjenger. Justerbar i høyden fra 220 til 331mm og bredde 128 til 232mm. Dybde på tablet kan variere mellom 5 og 11mm. Vridbar 90° Vekt: 0.265 kg

ART S8 3WAY Eight Channel ...

4.389,-

ART S8-3Way 8-Channel 3-Way Mic Splitter The S8-3Way lets your mic signals be in three places at once. It's an 8-channel splitter in a 1U rackmount enclosure with one direct output and two transformer-isolated outputs per channel. The passive design doesn't require power, but the direct outputs will pass phantom power for use with active microphones. When three outputs are better than one, the S8-3Way is ideal for sending signals to multiple destinations, such as front-of-house, monitor, and broadcast or recording mixers. Need switchable input pads and ground lifts per channel? Check out the S8. Features 8-Channel 3-Way Splitter Balanced XLR Connections 1x Direct and 2x Transformer-Isolated Outputs per Channel Direct Outputs Pass Phantom Power Passive Design - No Power Required 1U Rackmount Reversible Rack Ears Specifications Input Impedance > 1.1 kΩ @ 1 kHz Typical Driving Source Impedance is 150Ω Output Impedance < 255Ω @ 1 kHz 1 kΩ Typical Output Load Impedance Frequency Response 20 Hz - 20 kHz (+/- 0.25 dB @ -15 dBu) THD < 0.26% (20 Hz - 20 kHz, -15 dBu Input) < 0.1% (45 Hz - 20 kHz, -15 dBu Input) 0.002% Typical @ 1 kHz (-15 dBu Input) CMRR > 105 dB @ 60 Hz > 80 dB @ 3 kHz Phase Shift <10° @ 20 kHz (Reference 1 kHz) Insertion Loss ~2 dB @ 1 kHz Dimensions (DWH) 3.75" x 19" x 1.75" 95 mm x 483 mm x 44 mm Weight 3.75 lbs / 1.7 kg

Zildjian 19" K Custom Dark ...

5.750,-

Zildjian 19" K Custom Dark Crash Spektakulært ren og tydelig crash med trashy overtoner Unique crash with dry, trashy overtones. Fast response with very quick decay. Speaks quickly, then dies. Very dark and full-bodied. 19" Dark Crash Finish: Traditional Finish

Blackstar FS-10 Footswitch

1.375,-

Blackstar FS-10 - Footswitch En multifunksjons fotkontroller som gir tilgang til alle 128 patcher pluss tunerfunksjonen Blackstar FS-10 - Fotbryter Designet for bruk med følgende forsterkere: Silverline Standard Silverline Special Silverline Deluxe Silverline Stereo Deluxe Silverline Deluxe Head ID:15TVP ID:30TVP, ID:60TVP ID:60TVP-H ID:260TVP ID:100TVP

ART Phantom II Pro Dual ...

1.099,-

The Phantom II Pro is designed to do one thing and do it well. It provides clean, reliable phantom power for one or two condenser microphones in a rugged, compact, and portable unit. Innovative low power circuitry generates the higher voltage necessary for powering microphones while maximizing battery life. The Phantom II Pro installs inline between your microphone and a balanced line input on your gear. Balanced lines offer increased immunity to external electrical noise, such as hum. Since a balanced system minimizes induced noise, it is the preferred method of connecting audio gear, especially when long lengths of cable are used.   The Phantom II Pro is an invaluable tool in application areas including (but not limited to): home or professional recording studios, live sound, PA, permanent installs, DJ, AV, podcasting and broadcasting. Use it with mixers, audio processors, digital audio workstations or anywhere you need phantom power for your mics.  

ART PHANTOM1 48V Phantom ...

899,-

ART - PHANTOM1 48V Phantom Power Supply Different condenser microphones specify different amounts of required phantom power. As a rule these ratings can range from 48 volts all the way down to 9 volts. Fortunately, there is some flexibility in terms of matching phantom voltage to your mic. A rough rule of thumb would be “more is better.” For example, a 24-volt condenser mic will run perfectly on 48 volts. In fact, mics rated at as little as 9 volts can often operate on 48 volts, but you should check with the manufacturer first. Conversely, a mic will generally perform best driven by not less than its rated voltage so, for a 48V mic, you would obtain best results with 48 volts of phantom power. The Phantom I is a great choice for the above needs.  

Keeley Angry Orange 4-in-1 ...

2.790,-

Keeley Electronics Angry Orange 4-in-1 DS-1 and Civil War Big Muff Style Distortion and Fuzz Keeley crammed two legendary distortion and fuzz circuits into one stompbox and gave you two new sounds in the process. It’s sort of like pedal-modeling except these are 100% old-school, analog circuits and you decide which tone control or clipping section you want to rock. Heavily saturate your guitar through either a legendary ‘78 Japanese Orange Distortion or a ‘91 Soviet Civil War Fuzz. Use the Angry Orange to make your own fuzzztortions with the hybrid modes, all with only three simple knobs. This pedal can be True Bypass or Buffered Bypass, it only takes two seconds to switch between the modes. The Keeley Angry Orange is entirely manufactured at Keeley Electronics and is in our new aluminum enclosure. Main Features: • Compact Distortion and Fuzz Effects Pedal • 2 classic Distortion/Fuzz circuits combined with 2 swapable Tone Circuits in 1 pedal • Offers 4 Distortion and Fuzz flavors - 2 familiar circuits and 2 brand-new amp-like Distortion and Fuzz tones • Create unique Hybrid Fuzz Distortions by mixing the MF Fuzz’ and DS Distortion’s Clipping Sections and Tone Controls • Professionally Engineered Tone - sounds developed in the field and in our tone lab • 100% analog circuit with all-analog signal path • Switchable Tone control o MF: Scooped sounding, passive tilt-style Tone Control o DS: Differently voiced passive sounding tilt control • Switchable diode clipping o MF: Soft diode clipping - for an edgier more aggressive muffled fuzz tone o DS: Hard diode clipping - for softly overdriven tube-amp-like tones • Silent soft-touch switch with switchable Buffered or True Bypass Switching • Made in Edmond, OK, USA • Powered by a regular 9V DC PSU (centre -, 2.1 mm, 25 mA current draw) Tone Control The Angry Orange gives you two tone control circuits to choose from. When the Tone Switch is up and in the MF Position the tone control is a scooped sounding, passive tilt-style. If the Tone Switch is down and in the DS Position it also features a passive sounding tilt control, voiced a little differently. Diode Clipping Hard or Soft Clipping: The Angry Orange gives you both styles of diode clipping. Diodes are used to create hard clipping distortions or smooth overdrive sounds. If the Clipping Switch is in the DS Position it features Hard Diode Clipping which is an edgier, more aggressive tone. When the Clipping Switch is in the MF Position that uses Soft Diode Clipping, like a muffled fuzz tone. Buffered and True Bypass The Keeley Angry Orange allows you to quickly switch between either mode. Having a great buffer will make your rig sound strong and clear even when the pedal is off. Buffered switching prevents the pops and clicks of true-bypass switching. If you want to turn on true-bypass, simply press and hold the foot switch for two seconds. Holding the switch for two seconds toggle between modes. True Bypass is great if a buffer might affect the tone of a vintage pedal. Enjoy truly silent switching and a better sounding rig with Keeley’s buffered switching mode. Made In The USA We design, engineer, and manufacture the Keeley Angry Orange in Oklahoma City. Everything about the Super Rodent is geared towards the professional musician and their quest for an inspiring tone when the performance demands it. From the inside of the pedal and its meticulously built circuit boards and metal construction audio jacks to the outside of the effect its newly fabricated aluminum enclosure; we make guitar effect pedals to be finely crafted musical instruments.

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