Keeley Noble Screamer ...

2.785,-

4-in-1 ODR-1 and TS Style Overdrive Noble Screamer Overdrive and Boost 4-in-1 Overdrive and Boost Two all-new amp-like hybrid tones All analog signal path Switch from Buffered to True Bypass on the fly All new proprietary case shape – manufactured by RKFX in the USA Imagine being able to combine your favorite parts of different overdrive & boost pedals in order to create hybrid sounds no one has ever played through before. That is exactly what we’ve engineered with the Noble Screamer. It’s a 4-in-1 pedal that gives you two very familiar drive circuits and two brand new amp-like distortion tones that no one has used before. It’s almost like pedal-modeling, except these are 100% analog circuits, and you decide which tone-control or clipping-section you want to play through. You can play through battle-tested, classic overdrive effects or innovate new music with hybrid tones, let your ears be the judge. Even with all of these features the pedal remains a simple and easy to use three knob overdrive. The innovation in the Noble Screamer doesn’t end there; our new design features true-bypass or buffered, truly silent switching, on the fly. The Keeley Noble Screamer Overdrive and Boost is entirely manufactured at Keeley Electronics and is the first in our new aluminum enclosure. Four Overdrive and Boost sounds – including two new, amp-like hybrid tones Silent Buffered Bypass or True Bypass – hold down foot switch to change quickly Professionally Engineered Tone – sounds developed in the field and in our tone lab Tone Control Broad Spectrum Tone Control or Narrow Focus Filter Control: The Noble Screamer gives you two tone control circuits to choose from. When the Tone Switch is up and in the OD Position you will hear a ‘Spectrum’ type of tone control that has the ability to go from a flat EQ to an EQ that has a boost in the treble and bass response. If the Tone Switch is in the TS Position you have a Low Pass Filter that rolls off the high frequencies only. Diode Clipping Hard or Soft Clipping: The Noble Screamer gives you both styles of diode clipping. Diodes are used to create hard clipping distortions or smooth overdrive sounds. If the Clipping Switch is in the OD Position it features Hard Diode Clipping which is an edgier, more aggressive tone. When the Clipping Switch is in the TS Position that uses Soft Diode Clipping, like a tube amplifier softly overdriven. Noble Screamer Has Both Buffered and True Bypass The Keeley Noble Screamer features our Vitamin K Infused Buffer for noise free switching. We have developed an amazing sounding buffer which not only makes your rig sound better, it gives you silent switching with no tone loss. No more pops and clicks to distract from your music. If you want to turn that feature off and go back to true bypass, simply press and hold down the foot switch for two seconds and the pedal will switch to True-Bypass (LED will flash twice). True Bypass is great for players that want the effect of plugging directly into their amp when the pedal is off. Alternatively, players that want a strong and clear signal even when the Noble Screamer is turned off, simply hold the stomp switch down for two seconds and the effect is back to Buffered Bypass (LED flashes three times). Enjoy truly silent switching and let your music be the only voice. Made In The USA We design, engineer, and manufacture the Noble Screamer in Oklahoma City. Everything about the Noble Screamer is geared towards the professional musician and their quest for an inspiring tone when the performance demands it. From the inside of the pedal and its meticulously built circuit boards and metal construction audio jacks to the outside of the effect its newly fabricated aluminum enclosure; we make guitar effect pedals to be finely crafted musical instruments.

Keeley Octa Psi ...

3.456,-

Keeley Electronics Octa Psi Pitch Shifter and Octave Fuzz Introducing the Octa Psi Transfigurating Fuzz Pedal, the ultimate combination of polyphonic Pitch-Shifter, Octave Generator and Analog Fuzz! Imagine merging a powerful pitch-shifter, octave generator, and analog fuzz into one intuitive pedal. With the new Octa Psi, we’ve made that dream a reality! Octave/Pitch before or after fuzz? Well, now you can experience the best of both worlds, simply by holding down both foot switches on the Octa Psi at the same time to switch the effect order. For even more control, a quick double-tap of the Blend switch allows you to seamlessly toggle between an All-Wet effect or a Wet/Dry blend, while with a simple press and hold of the Fuzz switch, you can seamlessly shift between momentary and latching octave modes, giving you immense additional options to tailor your sound. Main Features: • Octave Fuzz and Polyphonic Pitch Shifter Pedal • Extensive on-board control options for maximum flexibility • Momentary or Latching Pitch Shifter • Analog Fuzz & Digital Pitch Shifting • True Bypass or Silent Buffered Bypass, user selectable • Top-mounted jacks for easy pedalboard mounting • Made in Oklahoma, USA • Powered by 9-18 V DC PSU (not supplied - requires centre - 2.1 mm, 150 mA current draw) The polyphonic octave and pitch shifter features three distinct modes: Up, Down and Dual. These unlock an array of possible harmonic intervals ranging from power chords to stacked fourths and even diminished chords across a +/- two octave range. Momentary mode is perfect for wild dive-bombs and multi-octave bends, while an adjustable ramp speed adds creative flair by letting you control pitch bending just as if you had an in-built expression pedal on board. With its all-analog, transistor-based fuzz circuit, Octa Psi brings wave after wave of gain staging, making your pickups sound enormous and leading to full on hard clipping and immense tones on tap. With the three-way tone switch, you can easily dial in your desired fuzz tone by switching between the Scoop, Punch, or Psi bass response modes.  Octa Psi is not only powerful, but also it is beautifully designed for simplicity and durability. Its high-octane circuitry is housed in a proprietary angled aluminium enclosure, combining stunning looks with rugged functionality. Upgrade your sound and explore new sonic possibilities with the Octa Psi Transfigurating Fuzz Pedal.  

Keeley Red Dirt Germanium ...

2.450,-

Special NOS Germanium Transistor equipped Red Dirt Overdrive pedal Red Dirt Germanium Overdrive Effect Pedal Modified Drive Circuit Tight Bass, Searing Sustain! Keeley’s latest mod to the venerable platform has everyone grinning here at the shop. The Red Dirt Germanium is nothing short of a red hot saturation machine. Perfect classic amp tones. The New Mod The new mod happened as a result of me trying to be a touch lazy. Or let’s say, I was trying to find a shortcut and struck gold. In modifying the circuit I came across a way to have variable gain on different parts of the frequency response. The rather small change isn’t groundbreaking, but I’ve never seen it done this way in a tube screamer type of circuit. The resulting sound is exceptional. It sounds 3D. It’s more of everything. It in fact cleans up really nicely with the volume control even though it has plenty more gain on tap. It makes a stock screamer sound very flat and one dimensional. By allowing differing gain rates for the bass response, the bass stays tight and forceful. The mid range and highs are soaked in sustain and saturation. The balance is exceptional. Red Dirt History The Red Dirt overdrive began from a quest to find the perfect classic drive sound while also offering new levels of sonic versatility to satisfy a wider range of musical styles. Founder and head engineer Robert Keeley took this idea and combined the great sounds found within his original “Mod Plus” and “Baked” modified pedals and added refinements found exclusively in his custom pedal line. A Keeley designed FET input stage makes this overdrive breakup in a whole new, genuinely “tube like” style that will have your leads singing and your rhythm playing sounding more dynamic and expressive than ever. It all culminates in an overdrive that is superbly dynamic, with crispness and clarity that let players cut through a dense mix, while retaining the plump midrange. By incorporating these tones along with the Keeley standard of U.S.A. hand-built quality using premium components, the Red Dirt overdrive aims to become an indispensable part of any pedal chain.

Keeley Super Phat Mod ...

2.069,-

Full Range TRANSPARENT Overderive pedal Super Phat Mod Legendary Phat Mod Dynamic Overdrive Tube Amp JFET Design Many say the Phat Mod delivers their favorite tone from a pedal. It’s that natural break-up that just feels good and lets you express yourself. The dynamics make it feel alive and part of your fingers. That’s the reason the modified pedal has stayed on people’s boards for nearly 15 years. The Keeley Super Phat Mod is our famous mod now perfected with amazing sounding JFETs that emulate old tube amps in a unique way. The original pedal was a great design that features tube-like amp stages, tube amp tone stacks, and a variety of tone shaping circuits to bring out the best in any guitar’s pickups. The problem with building one in the past has been the difficulty finding the perfect FET to capture the magic. If the harmonic content and grain of the distortion and overdrive weren’t exactly right, we moved on and waited to try out other devices. Well, after all these years Craighton Hale stumbled upon a Toshiba device that had the magic. Our resident guitar hero, Aaron Pierce, known for being very critical of even the most minute nuances, was grinning from ear to ear when he approved this ear-candy final version. We had found the magic device that pushed it over the top.  So, we just had to dress it in gold and royal purple.  The name badge had to speak of its history and heritage.  With Super Phat Mod in an old, Blackface-style logo and the metal-flake clear-sparkle on gold, we feel it will look incredible in any rig. The Super Phat Mod pedal now has incredible dynamics. It is full range and very responsive. The phrase “transparent overdrive” was born of this design! From country pickin’, to blues and rock wailing, the Phat Mod is the choice for those not wanting the over-refined sound of a common Screamer. Set the gain high and let your guitar’s volume control or your pick attack do the work. With the Super Phat Mod, you now have all of our refinements–the very best of tone-shaping electronics and modern features like true-bypass. The Skinny on the Phat History The Keeley BD-2 was the first mod that had a switch.  It was done to give players two modes of bass response. With the slight boost, it was called the Phat mode.  It was perfect for players of Strats and Teles who wanted just a small push without being muddy.  That same design is also available via the micro toggle on the Super Phat Mod.  Later on we released the Luna Overdrive which won a Gear of the Year award in England, and that pedal had further refinements made to it and became the Katana Blue Drive.  The Katana Blues Drive still retained the active bass and treble controls but smoothed out the highs and increased the gain range slightly.  That was an original design designed to meet many of the tonal characteristics of the Blues Driver.  The new Super Phat Mod takes off by duplicating the Keeley Phat Mod part-for-part with the exception of our new “super JFETs.”  And we think you’ll enjoy this incredible tone we have crafted for you.

Keeley Super Rodent Overdrive ...

2.785,-

4-in-1 RAT and SD-1 Style Overdrive and Distortion Super Rodent Overdrive and Distortion 4-in-1 Overdrive and Distortion Two all-new amp-like hybrid tones All analog signal path Switch from Buffered to True Bypass on the fly All new proprietary case shape – manufactured by RKFX in the USA Keeley put two very different overdrive & distortion pedals in one box and gave you two new sounds in the process.  The Keeley Super Rodent is a 4-in-1 pedal that gives you two well-known distortion circuits and two brand new sounds by way of the toggle switches!  It’s almost like pedal-modeling, except these are 100% analog circuits and you decide which tone-control or clipping-section you want to play through.  You can play through the classic yellow ‘Japanese Super O-Drive’ or a ‘Rodentia Michigander’ distortion circuit, or even better, you can Frankenstein new monster tones with the two hybrid modes.  The creative design keeps the pedal a simple and space-saving three-knob distortion pedal with an amazing tone.  It only takes two seconds to make the Super Rodent either buffered-bypass or true-bypass, whatever works best on your pedalboard.  The Keeley Super Rodent Overdrive and Distortion is entirely designed and manufactured by Keeley Electronics in a new aluminum enclosure. Two classic distortion/overdrive circuits are combined into one pedal Swap tone controls and/or distortion sections to create new sounds. By mixing the SD Overdrive and RT Distortion, you can create two unique Hybrid Distortions. Silent Buffered Bypass or True Bypass – hold footswitch for one second to change Professionally Engineered and Expertly Manufactured Pro Audio Gear – sounds developed in the Keeley tone lab and in the field, then built entirely in our factory. Tone Control The Super Rodent gives you two tone control circuits to choose from.  When the Tone Switch is down and in the RT Position the tone control simply rolls off high-frequencies.  If the Tone Switch is up and in the SD Position you have an active low pass filter and more bass and treble frequencies are available. Diode Clipping Hard or Soft Clipping:  The Super Rodent gives you both styles of diode clipping.  Diodes are used to create hard clipping distortions or smooth overdrive sounds.  If the Clipping Switch is in the RT Position it features Hard Diode Clipping which is an edgier, more aggressive tone.  When the Clipping Switch is in the SD Position that uses Soft Diode Clipping, like a softly overdriven tube amplifier. The Super Rodent is both Buffered Bypass and True Bypass The Keeley Super Rodent features our Jfet buffer for noise free switching.  We have developed an amazing sounding buffer which not only makes your rig sound better, it gives you silent switching with no tone loss.  No more pops and clicks to distract from your music.  If you want to turn that feature off and go back to true bypass, simply press and hold down the foot switch for two seconds and the pedal will switch to True-Bypass (LED will flash twice).  True Bypass is great for players that want the effect of plugging directly into their amp when the pedal is off.  Alternatively, players that want a strong and clear signal even when the Super Rodent is turned off, simply hold the stomp switch down for two seconds and the effect is back to Buffered Bypass (LED flashes three times).  Enjoy truly silent switching and let your music be the only voice. Made In The USA We design, engineer, and manufacture the Keeley Blues Disorder in Oklahoma City.  Everything about the Super Rodent is geared towards the professional musician and their quest for an inspiring tone when the performance demands it.  From the inside of the pedal and its meticulously built circuit boards and metal construction audio jacks to the outside of the effect its newly fabricated aluminum enclosure; we make guitar effect pedals to be finely crafted musical instruments.

KMA CHIEF DISRUPTOR ...

2.226,-

CHIEF DISRUPTOR Fundamental Fuzz/Distortion   “Gazing from afar at the downfall of archaic sonic structures, a hooded being sat calmly on the cornerstone of legacy. For generations, instead of asking what the present actually screamed for, people had been blinded by the achievements of the past. That was before the CHIEF DISRUPTOR came along! All it took was the push of a single handle to tear down the ancient landmarks for good, not even passing a flinch as the explosion happened. Instead, a feeling of hope began to saturate the entire being, manifesting in an endlessly sustaining smile on their face. It’s finally time for a new era of crushing tones. It’s time for the age of the CHIEF DISRUPTOR!” Welcome to a new era of the most iconic fuzz/distortion sound the world has ever known. You know, that epically huge and super saturated tone (some might call it big and muffy) that has defined the signature sound of so many artists and countless records in the past few decades. It's arguably one of the pedals with the biggest impact on the entire industry, which has seen it modified over and over and over again. So much that you think it's all been done, right? Oh boy do we have a surprise for you here! Holding three different Gain Modes, a pre- or post-EQ Clean Blend, active Bass and Treble controls, a foot-switchable and expression-controllable parametric Mid-EQ as well as a switchable top-boost for even more raspy, grinding bite, CHIEF DISRUPTOR is the most flexible, beautifully balanced and LOUDEST muff-style pedal you'll ever hear! Features: • Fuzz/Distortion Pedal with Switchable Mid EQ/Boost • The ultimate ‘muff-style’ drive, with stacked topology • 3 distinctive gain structures:       Vintage (dynamic)       Tight (more focussed)       Heavy (sustaining and thick) • Pre or Post Clean Blend, for a tight low end • Active Bass and Treble EQ • Separate Mid EQ, with footswitch and frequency control • Top-Boost, for more crunchy harmonics • External Expression control, allows for filter or pseudo-phase tones • Internal controls for Mid Q and Top Boost Level • Relay-based soft-switching • Made in Berlin, Germany • Power by opt. 9 V PSU       (9 V DC, centre -, 2.1 mm, >160 mA max. current draw) Over the years, different muff drives had different levels of gain, so we derived three major distinctive gain structures all based on what we consider to be the best versions. The Vintage Mode (VTG) will give you every shade of discrete overdrive, while the Tight Mode will give a more focused and modern tone with less bass and super crisp harmonics. Heavy Mode is the essence of what we all love about muffs. Heavy, sustaining and crazy thick fuzzy distortion, with bone-shaking lows and chewy mids. Just crank the Disruption (Gain) Control and you'll know exactly what we’re talking about here.   Tonal shaping was one of the true weak points of classic muff pedals and something we absolutely knew we had to remedy. We’ve opened the gates to more modern tonal flexibility through our active Bass and Treble controls, which let you boost or cut highs and lows with up to 15 dB, while our parametric Mid-EQ with adjustable centre-frequency and level boost/cut allows you to fine tune the mids with extreme precision, for everything from classic scooped fuzz tones, modern mid-focused dirt tones and all the way to cocked-wah saturation. You can take complete hands-free control of the Mid-EQ frequency via an expression-pedal. This lets you make instant tone changes on the fly, as well as unleash fast and quacky wah-like sounds or slow and enveloping phaser-like sweeps. If you feel like the filter needs to be more resonant for screaming synth-like sweeps or needs to be subtler, then you can adjust the Q of the Mid-EQ via an internal trimpot. The mids can also be turned on and off via the relay-based soft-switch, allowing you to kick in the mids for soaring solos, cutting chords or when you want to get filter freaky. Having super saturated mids and lows can sometimes result in a perceived loss of highs. To fix this, just engage the Top-Boost to give your high-mids a big push for more crunchy harmonics and bite to cut through any band mix.  We’ve tweaked the Top Boost to our personal taste, but if you feel like it’s either too loud or not loud enough, you can also adjust the Top Boost Level via an internal trimpot. We carefully balanced the gain control to achieve total control of even the slightest harmonic nuances. So, whether you’re looking for low gain drive, crunchy medium gain rhythm tones, singing or saturated lead sounds or skull-crushing doom tones, the Disruption control can and will cover all of them! A lot of gain rules! But gain also means compression, and the more we compress our sound, the more our instrument will lose definition. Yes, bass players, synth slingers and extended range guitar rockers, we hear you!  To preserve your precious core tone the CHIEF DISRUPTOR sports a clean blend control and a toggle switch to define the insert position. Insert your dry signal before the EQ section for a more cohesive sound or place it post-EQ to keep your dry signal completely unaffected. Last but not least, we always felt the original muff pedals (and clones) lacked output, hence we implemented our stacked headroom topology to keep the EQs from getting saggy when cranked, all which results in the tightest, most punchy and LOUDEST muff-style tone on the market. Go forth and empower your creative side, with tone that has true vision to inspire. If you are ready for a change in distortion history, then it’s time to follow the CHIEF DISRUPTOR!

KMA Fuzzly Bear 2 Silicon ...

1.891,-

FUZZLY BEAR 2 Unleash the Beast, again “Through the untamed wilderness of the forest strives a grizzly monster, its glistening eyes peeking through the undergrowth. Endowed with razor sharp claws and bone-crushing teeth, this beast will rip through any intruder that dares to trespass into its domain. A thundering, sizzling roar distortedly echoes through the woodland. It’s here! It’s time to face the FUZZLY BEAR!” In 2013, KMA Machines’ first ever production pedal was inspired by an old, obscure and highly underrated fuzz box from the 1970s - the Jordan Bosstone. The original Bosstone wasn’t even a pedal, it was a device you plugged directly into your guitar, which brought a host of problems. Hence, we greatly refined the circuit for the original FUZZLY BEAR, to get the essence of that old-school sound, but giving it some modern twists by sorting out the low end and adding a Bias control, to help players explore lots of new tonal capabilities of this long-forgotten box of dirty tricks. With FUZZLY BEAR 2, KMA Machines put our now classic re-imagined fuzz into a modern, more pedal board friendly enclosure with top mounted jacks, enhanced it with relay-based silent switching and improved electronics. • Modern re-imagining of the classic ‘Jordan Boss Tone’ Silicon-Fuzz • Vintage '70s Fuzz sounds • Tones ranging from a sizzling and chunky overdriven tone, to furry wall of fuzz • SKIN/MEAT knob - provides control over Bias • GAIN control - delivers a whole range of different fuzz shapes • Compact enclosure with top-mounted jacks - will fit into any setup • True Bypass, with silent relay-based soft switching • Handmade in Berlin, Germany • Powered by standard 9 V PSU        (9 V DC, centre -, 2.1 mm, 35 mA current draw) Back in the day, the main reason why the Jordan Boss Tone did not conquer the world of effects was actually due to its massive lack of bass. However, its core fuzz sounds could be truly heavenly with tones ranging from a purring overdrive, to downright vile and aggressive fuzz assaults. But when you awoke it, dug in and found ‘that’ tone, boy was it good and not at all harsh and gritty, like so many other fuzz designs at the time could be. When designing and modifying the circuit, we kept all that fuzzy goodness, but brought back the essential low end and gave some more tonal control, all to make our take fit more modern styles without compromising the core sound and simplicity. The GAIN knob delivers a whole range of different fuzz shapes. Back it off to get a dirty chunky overdriven tone, turn it up to give the FUZZLY BEAR 2 a thick and thicker coat of fur. Set the gain fully clockwise and magic will happen! The pedal’s smooth, warm and cosy decay turns into a starved and gated fuzz sound that almost gives a ghost octave, pseudo trumpety kinda vibe - perfect for classic tunes of yesteryear. FUZZLY BEAR 2’s SKIN/MEAT control adjusts the bias of the circuit. Think of it as the claws of the beast. You can dial in a sharp drive tone that only brazes the skin, a thick and meaty wall of fuzzy fur that can rip right through the intruder’s flesh and anything in between. Don’t confuse this pedal with a cute brown bear cub - this is the FUZZLY BEAR 2 and it will maul your face off!

KMA Guardian of the Wurm ...

2.674,-

GUARDIAN of the WURM Your Tone Must Flow, so Tame the Terror "The earth, once so tranquil and serene, started to shake more ominously than ever beneath her feet. After centuries of scaring the living daylights out of the ancestors, the monster-of-malice was back. She looked up with an imperious glance and faced her destiny, her irradiant eye focusing unwaveringly on the venerable creature ahead. Suddenly, the earth stood still and there fell a deep silence. She had tamed the beast! She was the long-foreseen saviour, the GUARDIAN of the WURM” Fusing together the powerful evolution of KMA’s highly regarded WURM Distortion with an intuitive, yet versatile and ultra-fast Noise Gate, GUARDIAN of the WURM is the perfect metal monster. From chugging hard-rock, droning doom metal and grinding Swedish death metal, the beast abides. But through its highly tweakable control set, the pedal can be tamed to provide impeccable clarity to your riffs, making this the definitive dirt pedal for metal, prog-rock, shoegaze, indie and beyond. Features: • Distortion Pedal with Built-in Noise Gate • The next evolution of KMA’s top-seller WURM, the most extensive and configurable HM-2 style unit on the market • Easy-to-use, yet high-performance Blackmer® VCA-based Noise Gate • 3 different clipping styles: o Silicon (As HM-2) o Asymmetric (More grit and less drive compression) o Off (Diode lift, perfect for bass and baritones) • Clean Blend, for a tight low end • Highly configurable 4-band Active EQ, with variable centre-frequencies • 3 distinct types of HIGH MIDS frequency controls, to tailor your tone • External Trigger Input, allows Noise Gate control from an external source • FX-Loop between Distortion and Noise-Gate, for signal-chain flexibility • Internal control for an input filter, signal-trigger source and Noise Gate response • Relay-based soft-switching, with variable Gate switching modes • Made in Berlin, Germany • Power by opt. 9 V PSU    (9 V DC, centre -, 2.1 mm, >150 mA max. current draw) Calling a pedal legendary or a cult classic is often stretching the truth, but when it comes to the Boss HM-2 MIJ it’s absolutely on the money. We’ve never tried to hide the fact that the WURM Distortion is our unabashed sonic love letter to this filthy box of doom and gloom, taking the essential ingredients of this classic, while in the process developing a way more flexible metal-distortion pedal. While WURM absolutely nails that Swedish death-metal chainsaw sound, the pedal is not all about that and is adept for so many other genres. To give you an idea, famous players like David Gilmour, Prince, Johnny Marr, Belinda Butcher, Lee Ranaldo, Daron Malakian and others have all made their mark with this style of distortion. With GUARDIAN of the WURM, we’ve evolved our take on this venerable circuit and added a bunch of really useful new features. Whether you’re playing guitar, baritone, bass or synths through this pedal, we’re sure you’ll appreciate the immense flexibility on offer here. So let’s dig in. We of course kept the iconic active HM-2 dual band EQ section, but added two more bands, giving a much wider range of tones to tailor your evil and gritty distortion sound. Each band now has a dedicated centre-frequency control on the front of the pedal, allowing you to quickly and easily change and fine-tune your tone. The EQ-STYLE mode, now also on the front of the pedal, helps you carve out even more tonal variation. Selecting HM-II mode will get you that classic ‘chainsaw’ high-mids character. However, in KMA mode the EQ is a little more tonally balanced, less peaky and a bit wider in response. Selecting BOTH fattens and doubles up the tone stacking, allowing you to rank the LOWS and the HIGH MIDS and rip that Swedish forest even more to shreds. To adjust the extent of drive compression, you can choose between 3 different clipping styles. Silicon (Si) delivers the original compression, for rich harmonics and singing leads. Asymmetric (A-S) increases the headroom and gives you more grit by retaining complex harmonics, while the OFF position lifts the sound of the Diodes for a slight compression and way more clarity, which is perfect for baritone guitars or bass. Plus, the Clean Blend feature helps to preserve your natural core tone. Simply twist the BLEND control to mix in the original unprocessed signal, allowing the initial pick attack of your tone to breathe. It is also especially useful when running the GUARDIAN of the WURM into an already distorted high-gain amp. When talking about high-gain, we all know drive circuits like this at full tilt can be noisy malice monsters. To get a grip on the potential noise floor, we designed a sophisticated, yet easy to use Noise Gate. This is based on a high-performance Blackmer® VCA and provides lightning fast and precise performance. Simply set the Threshold to taste via the GATE control and enjoy the silence. Fast palm-mutes? No problem. Decaying notes? Dead simple to accomplish. For even more tweakability, we fitted an internal DIP switch to change the trigger-source from pre- or post-Distortion or even pre-Noise Gate. Pre-Noise Gate? Well, that’s because we added a TRS FX-Loop that works between the Distortion and the Noise Gate sections, allowing you to insert whatever fun noise-making pedals you might wish between them. You can also use this feature to place the Noise Gate section in your amplifier’s FX-Loop. Those who like to experiment with sound designs might even use the Noise Gate in other ways, for instance by using an external trigger source. No problem, the EXT TRIG jack hooks up to your source of choice. In extreme settings, the WURM can sometimes begin to feedback, which can’t even be suppressed by the Noise Gate. To tame that high-frequency content, flip the internal dip-switch to activate the input filter to help smoothen things out. Yup, we did think of everything. But wait, there is more! As the cherry on top, we added relay-based soft switches and also two different activation modes to suit the needs of different players. “Independent mode” is exactly what it says on the tin. Both sides of the pedal can be switched on and off independently via the TERROR or TAME switches respectively. However, in “Synced mode” the entire pedal is switched on and off via the TERROR switch. In this mode the Noise Gate can also be switched in and out of the circuit as desired. Changing between modes is really simple to do. Just hold down both switches while connecting the pedal to the power supply, and you’re good to go. Once set, GUARDIAN of the WURM will remember the setting, even when powered off. So here it is. Crank it up and you will feel the rage of the ancient WURM, while the GUARDIAN will help you tame that beast when needed, making GUARDIAN of the WURM your perfect pairing for an evil and gritty tone that never gets out of control… unless YOU want it to! m/

KMA Logan Overdrive Pedal

2.226,-

Logan TRANSCEND DRIVE Take a walk in the gritty dirt and breathe in the crystal-clear mountain air, exactly as Logan once did on his journey to glean the beauties of both nature and mankind. Once you hear Logan's sweet and graceful sounds you will be driven to find your own way into the transcendental tone kingdom. So plug-in and let Logan guide you into a new era of overdrive. Logan is made to transcend the well-known boundaries of overdrive. It doesn't matter if you are looking for a pre-amp, a low/mid-gain drive or a screaming resonant cocked-wah sound, Logan will deliver all the gainy goods. Combined with our active 3-Band EQ, including a fully parametric Mid-EQ with a separate On/Off-Footswitch, Pre or Post Gain position-switch and an expression-in for hands-free filter sweeps, Logan is sure to deliver great tones and outstanding flexibility.

KMA Wurm 2 High-Gain ...

2.226,-

WURM 2 Refined HM2-Style High-Gain Distortion Refine the Terror from Below Slithering across the ravaged landscape, the behemoth advances. With each thrust, the beast drags thousands of years of grinding grief and mauling malice that’s ready to be unleashed upon the world yet again. There is no escape. You either stand in its path and get torn asunder or join the legendary beast, receiving the blessing of its dark distorted powers and sawing sonic screams. The choice is easy. All hail the mighty WURM! With our WURM Distortion pedal, KMA Machines brought you a highly regarded, yet unabashed sonic love letter to the legendary filthy ‘doom and gloom’ distortion sound of the original Boss HM2 MIJ pedal, taking it much further and pushing the envelope of how destructive it could be. Adorned in an iconic black and orange colour-scheme reminiscent of its inspiration, WURM 2 takes the essential ingredients of KMA’s now classic pedal, adding the ability to switch between EQ settings right on the front of the pedal. In addition, we squeezed it into a smaller and more pedal board friendly enclosure with top mounted jacks, improved the electronics and enhanced it with relay-based silent switching, all helping to make WURM 2 a more flexible metal-distortion pedal than ever before. • High-Gain Metal Distortion pedal • Modern take of the classic and now sought-after original Boss HM2 MIJ • Wide range of metal-distortion tones - from chainsaw, to plain evil and gritty • Highly configurable 4-band active EQ • 3 distinct types of EQ frequency controls to tailor your tone - now accessible on the front • Compact enclosure with top-mounted jacks - will fit into any setup • True Bypass, with silent relay-based soft switching • Handmade in Berlin, Germany • Powered by opt. 9 V PSU   (9 V DC, centre -, 2.1 mm, 50 mA current draw) Calling a pedal legendary or a cult classic is often stretching the truth, but when it comes to the Boss HM-2 MIJ it’s absolutely on the money. From its beyond brutal and grinding distortion tones, bands like Dismember and Entombed birthed Swedish chainsaw metal. While WURM 2 absolutely nails that death-metal sound, its thick walls of gain and sustain is not all about that genre - the pedal is also adept for so many other styles, from Shoegaze to Prog Rock. To give you an idea, famous players like David Gilmour, Prince, Johnny Marr, Belinda Butcher, Lee Ranaldo, Daron Malakian and more have all made their mark with this style of distortion. We, of course, kept the iconic active HM-2 dual-band EQ section, but added two more bands, giving a much wider range of tones to tailor your evil and gritty distortion sound. On top of that, each band has an internal trim-pot to change the centre frequency and fine-tune your tone further if the need arises. For the WURM pedal, we developed our own EQ stack and added an internal EQ STYLE switch to help you carve out additional tonal variations. In WURM 2, this is now on the front of the pedal to make it easier to access and for even more tonal options on-the-fly. Selecting HM-II mode will get you that classic ‘chainsaw’ High-Mids character. However, in KMA mode the EQ is a little more tonally balanced, less peaky and a bit wider in response. If balanced and less peaky sounds too boring for you, select BOTH to fatten and double up the tone stacking, letting you ramp up the LOWS and the H-MIDS and rip that Swedish forest completely to shreds! However, with all of this extra tone shaping, the pedal can sometimes begin to feedback at extreme settings.   So, if this proves too much and to help tame that high-frequency content, we added a new internal control to smoothen things out. By flipping the dip-switch to activate the input filter, this will help to tame the high frequencies when absolutely everything is maxed out. The TERROR control dials in all the malice and the evil distortion sounds you are searching for. Crank it up and feel the tremors of the WURM 2 under your feet, tremors that would even frighten the wits out of a young Chuck Norris!

Morley 20/20 Power Fuzz Wah

2.990,-

Morley - Power Fuzz Wah 20/20 En av de mest klassiske Morley produktene. Stort sweep og masse fuzz. Bør virkelig prøves med bass. Behold the mighty Power Fuzz Wah, one of the great Morley classics. The 20/20 version not only comes in a Pedalboard friendly size, but now has our acclaimed Switchless Activation. It offers our widest frequency sweep and when combined with it’s Fuzz circuit delivers monstrous Fuzz Wah tone that will send other Wah pedals into hiding. MAIN FEATURES & SPECS One of the great Morley classics. Fuzz and Wah packed into one pedal. Fuzz circuit comes before the Wah circuit just like the original. Vintage Fuzz mode emulates that old-school ripped speaker sound that the original MPSA12 Transistors achieved. Modern Fuzz mode is tighter and more Guitar Distortion like. Switchless Wah activation, simply step on to activate and step off to bypass. Our acclaimed Optical circuitry that won’t wear down or get scratchy over time. New 20/20 Buffer circuit that prevents signal loss and maintains tone. 6.85″ x 4.5″ x 2.5″ (L x W x H) Powered by one 9-volt battery or optional Morley 9V adapter with 12ma Current draw. Compatible with most 9V adapters. Silent Switching, won’t “pop” or bleed into audio signal when Fuzz and Fuzz type are engaged. MQ2 custom Inductor, LED indication, cold-rolled steel housing, quick clip battery door, glow-in-the-dark treadle grip/toe-end logo. One-year warranty. Lifetime Warranty available with registration. Morley Part Number: MTPFW

MXR CSP027 Timmy Overdrive

2.550,-

MXR Timmy Overdrive har et kjempeomfang av skitne toner og er et multitalent av en overdrivepedal som ikke fjerner personligheten til forsterkeren din. En transparent overdrive av beste slag. Mannen bak designet av denne pedalen er Paul Cochrane. En veteran av en pedalbygger som er hyllet av alt fra bransjens first-call studiomusikere til legendariske rockestjerner. Timmy kommer i et MXR mini-chassis for å passe så bra som mulig på pedalbordet ditt. Denne pedalen er en arbeidshest og burde finnes i alle gitaristers arsenale.

MXR CSP039 Duke of Tone ...

2.550,-

Basert på den legendariske Prince of Tone Samarbeid mellom MXR og Analog Man Tilfører varme og skitt Lyden og følelsen av en boutique-forsterker Komponentene er personlig testet av Analog Mike Boost/OD/Distortion i samme pedal Duke of Tone Overdrive er designet i samarbeid med den legendariske pedalbyggeren Analog Man. MXR Duke of Tone Overdrive er til for gitarister som ønsker å tilføre et snev av varme og skitt til riggen samtidig som den naturlige tonen og følelsen skinner gjennom.Duke of Tone er basert på Prince of Tone Overdrive, enkeltkanalversjonen av King of Tone Overdrive. Denne pedalen er en vintagekjenners drøm som går i oppfyllelse. Analog Mike har personlig testet og matchet alle de forskjellige komponentene i King of Tone Overdrive, og sørget for en varm, men klar og åpen lyd som lar alle nyansene i signalkjeden din komme gjennom, fra dine individuelle gitarstrenger til dynamikken i forsterkerens rør.Pedalen er enkel å stille inn med sine tre knotter og en Boost/OD/Distortion-bryter som lar deg endre pedalens humör. Boost har en ren, men energisk lyd, OD skitner og komprimerer og Distortion legger til litt av begge deler. Men riggen din vil fortsatt høres ut som riggen din. Duke of Tone fungerer utmerket med andre gain-pedaler, så ikke vær redd for å eksperimentere.Duke of Tone Overdrive er din lyd... bare litt mer av den.

MXR DD25v2 Dookie Drive Pedal ...

2.995,-

MXR DD25v2 Dookie Drive Pedal v2 This pedal recreates the sounds of the two heavily modified amplifiers—represented as separate and blendable High Gain and Crunch Gain circuits—that Billie Joe Armstrong used to get his dirty-yet-articulate sound when recording Green Day’s groundbreaking record, Dookie. This version features special edition artwork that contrasts the most explosive element of the Dookie album cover with a brushed aluminum casting for a look that's sleek yet rugged. This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included). Billie Joe Armstrong's guitar tone on Green Day's groundbreaking album Dookie sounded dirty and punchy with the perfect amount of articulation to express the musicality of his fast, melodic riffs. He got that sound by running his signal through two heavily modified amplifiers—one scooped with a ton of gain and the other with a well-defined midrange. When it came time to mix the record, the band blended the two signals together in different ratios to match the vibe of each track.

MXR EG74 Raw Dawg Overdrive ...

2.050,-

Eric Gales er mannen bak den moderne bluesens kanskje feteste licks og trenger derfor den perfekte krydderblandingen for å kunne skru opp varmen et ekstra nivå. MXR Raw Dawg Overdrive er designet for akkurat dette. Raw Dawg er basert på en OD klassiker som er mest kjent for sitt møkkete sound. Men vi har balansert pedalens midrange og gitt den en ekstra gain injeksjon, for å skape en rundere og naturligere tone selv om den er helt på maks. Tre enkle kontroller (output, tone och drive) er alt du trenger for å skru deg til det perfekte soundet på denne pedalen. Raw Dawg Overdrive gir deg flere tonn av styrke og varmet i et mini chassis som passer perfekt til den som har lite plass på pedalbordet... som vi alle har.

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