Prosessorer

2.730,-

Harrison 500-series Compressor The story behind Harrison and compression In the realm of audio engineering, Dave Harrison, the founder of Harrison Audio, stands out as a pioneer in the development of music production technology. Ironically, Dave Harrison himself was initially skeptical about compressors, a sentiment shared by his friend and legendary music producer and engineer, Bruce Swedien. Both held the belief that music should be captured authentically, without interference. However, the requirement for a compressor arose from the broadcast market's demands, seeking a tool to control dynamics and prevent clipping. To meet this demand, Harrison Audio ventured into the realm of compressors, with the result proving extremely effective. Its transparent 'leveling' capabilities, achieved with just a few dBs of gain reduction, quickly made it indispensable in music production for delicately smoothing signals, particularly on vocals, guitars, and other instruments with wide dynamic range. Over time, this compressor's ability to 'dig in' became apparent, transforming it into a sought-after vibe compressor when higher levels of gain reduction were applied. Dave Harrison's initial skepticism gave birth to a tool that not only met the broadcast market’s demands but also became relied on in the world of music production. Thanks to the Comp module, the distinctive Harrison sound is now accessible in the 500 Series format. Legacy in analog Harrison production tools have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time. Comp design The Comp 500 Series module is based on a classic ‘feed-forward’ design, using a THAT 2180 VCA chip for outstanding analog performance. The compressor’s Attack is program-dependent, adapting to the input signal and offering an optimal Attack time depending on the source material. The Release time is continuously variable. These parameters can turn the Comp module from a transparent leveler to a highly saturated, vibe compressor, adding character and excitement to a wide range of sources. Harrison's secret sauce – put it on everything The Comp module is a very flexible dynamics processor. From a transparent ‘leveler’ on guitars and vocals, using a 1:2 ratio and fast release, applying 2-3 dB of gain reduction. To a sizzling vibe compressor on drums and bass, slamming the ratio in combination with a slow release. The Comp 500 Series module is a well-crafted, no-nonsense compressor that is your secret production ‘sauce’ – you’ll put it on everything. Key features: The Harrison sound. Extremely flexible compressor; from transparent ‘leveler’ to ‘character’ comp. Classic feed-froward design. THAT 2180 VCA chip for outstanding analog performance. Program-dependant ‘Attack’ time. Continually variable Release time from ‘Fast’ to ‘Slow’. Input overload LED. Compatible with 500 Series format chassis.

Harrison 500-series MR3 EQ

2.110,-

Harrison 500-series MR3 EQ Originally developed for the Harrison MR3 studio console, the MR3eq stands out as one of Harrison's most popular EQ designs, renowned for its punchy, smooth sound, and powerful sculpting capabilities. Introduced in 1981, the Music Recording 3 (MR3) console rapidly became the preferred tool for numerous leading engineers and studios worldwide, helping to create some of the most iconic albums from the 70s and 80s. Like all Harrison production tools, the MR3 EQ delivers the vibe to inspire artists and the precision for engineers to excel. Thanks to the MR3eq module, the distinctive Harrison sound is now accessible in the 500 series format. Legacy in analog Harrison consoles have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison production tools to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time. MR3eq design The MR3eq is a high-performance analog EQ, crafted from decades of experience in equalizer and filter design. The circuit design of this EQ allows for precision in surgical tasks or the creation of broad musical strokes with lots of band interaction for a rich and colorful sonic character. 3-band parametric with HPF This powerful three-band parametric equalizer features Low and High-frequency 6 dB/octave Shelf bands, which can be switched to a 2nd order Bell response with Harrison’s renowned proportional Q. The Mid-band offers a continuously variable Q, while a separate High Pass Filter section includes a distinctive 3 dB resonant peak. The MR3eq’s flexible design and powerful sculpting capabilities make it a versatile tool that enhances a wide array of source materials, proving equally effective in both tracking and mixdown scenarios.　 Key features: The Harrison sound. Perfect for both precision EQ’ing and broad musical strokes. Three-band parametric EQ with +/- 10 dB boost/cut range. High-frequency (800 Hz –15 kHz) 6 dB/octave Shelf band, switchable to 2nd order bell. Low-frequency (40 Hz – 800 Hz) 6 dB/octave Shelf band, switchable to 2nd order bell. Mid-band (400 Hz – 8 kHz) with continuously variable, proportional Q. Separate High Pass Filter with characterful 2 dB resonant peak. Separate ‘In’ switches for EQ and HPF sections. Input overload LED Compatible with 500 Series format chassis.

Harrison Mix Strip 32C ...

13.390,-

Harrison Mix Strip 32C High-performance 32Classic Channel strip A recording legend in 19" format The 32Classic MS is a high-performance all-analog channel strip that brings the signature Harrison sound and processing tools from our flagship 32Classic recording console to your studio. With additional hybrid workflow features and an integrated stereo mix bus for summing multiple units together, the 32Classic MS delivers the sound of legends whilst adding unique and innovative features to enhance your workflow. Boasting the same design as the 32Classic console, 32Classic MS features premium Jensen JT-MB-CPCA transformer-coupled microphone preamp, characterful Harrison LP/HP filters with 3 dB resonant peak, and super-smooth 4-band parametric EQ. The original 3232 console was used by artists such artists such as Michael Jackson, Fleetwood Mac, Led Zeppelin, and many others to create some of the most highly regarded and timeless music ever made. Now, for the first time, that unmistakable sound is available in 19" rack format. Add a recording legend to your studio with the 32Classic MS. Comprehensive input section: The 32Classic MS includes a versatile input section, featuring dedicated Mic and Line XLR inputs on the rear panel. For added convenience, it also offers a front-panel input with selectable Instrument/Hi-Z and Mic options. The mic input is equipped with essential utilities such as 48V phantom power, a -20 dB pad, phase flip, and a tri-color LED meter. Both the Mic and Line inputs have independent gain controls, ensuring precise adjustments and superior performance across both inputs. Whether you're recording, producing, or mixing, the 32Classic MS provides the connectivity you need to maximize your session. Harrison mic pre - the sound of legends: A defining feature of classic Harrison recordings is the high-performance transformer-coupled microphone preamp. True to its heritage, the 32Classic MS mic preamp offers 70 dB of clean gain to deliver and the warm, rich tone that Harrison is famous for. Expect full low-end, open mid-range, and super-smooth natural highs, thanks to the Jensen JT-MB-CPCA transformer. The transformer’s gentle roll-off at each end of the frequency spectrum and delicate phase shift creates a remarkably sweet and musical sound, making it ideal for virtually any source material. Characterful LP/HP Filters: As featured in the original 3232 and the latest 32Classic console, 32Classic MS’s Low Pass and High Pass filters offer a musical 12 dB/octave slope. The High Pass Filter, ranging from 25 Hz to 3.1 kHz, includes a characterful 3 dB resonant peak, while the Low Pass Filter spans 160 Hz to 20 kHz—ideal for eliminating rumble or smoothing high frequencies. The real Harrison magic starts when used in combination with the EQ section to tighten the low end and ‘bloom’ the top end without it ever sounding harsh or brittle. 32Classic EQ: The 32Classic MS brings the iconic 4-band parametric EQ from the 32Classic console to a 19" rack format for the first time. Originally crafted in the 1970s – an era where you had to just get it ‘right’ on the way in - its frequency bands and proportional Q design were painstakingly developed to offer both broad, musical curves and precise sculpting to get the best from any source material or recording scenario. Trusted by legendary engineers like Bruce Swedien and Roger Nichols for its power, and featured in renowned studios like The Village and Westlake Studios, LA, and LSI Studios, Nashville for its flexibility - add one of the most sought-after EQs to your toolkit. Integrated mixbus and hybrid workflow features: Build your Harrison recording and mixing system one channel at a time with the 32Classic MS’s integrated mixbus. Designed to enhance workflows and elevate recording and mixing capabilities, the mixbus allows outputs from multiple units to be cascaded together via rear panel ‘summing’ connectors and jumper cables. Balance signals using the Fader control and Pan them across the stereo outputs. Or engage the 0 dB Fader Bypass and record at unity gain. Perfect for hybrid workflows, mobile rigs, or tracking rooms, the 32Classic MS’s integrated mixbus delivers the iconic Harrison tone with exceptional flexibility. Insert point: 32Classic MS unit includes a balanced Insert Point (located after the mic pre, pre-filters) for inserting other processing gear such as a compressor into the signal path of the unit. Channel Outputs: The 32Classic MS provides useful pre and post-fader direct outputs for better control when feeding a recording device. 32Classic MS sidecar: Enhance your mixing and/or tracking workflow by combining multiple 32Classic MS channels for use as a "sidecar" to your existing setup. Perfect for drum or instrument buses, it adds the iconic Harrison sound to your sonic palette, delivering warmth, depth, and flexibility to any recording or mixing application. Key features: Flexible Input Section Dedicated Mic and Line XLR inputs on the rear panel. Selectable Instrument/Hi-Z and Mic combi-XLR input on the front panel. Transformer Coupled Preamp The microphone preamplifier uses legendary Jensen JT-MB-CPCA transformer. 32 Classic Equalizer Harrison 4 band parametric EQ with proportional Q from 32Classic Console. Legendary Harrison Low Pass and High Pass filters. Mixer Section Unique mixer section which allows the channel signal to feed a stereo mix bus with panning. The balanced Mix bus can be cascaded across multiple 32Channel Strip MS units. Insert Point Each 32Classic MS unit includes a balanced Insert Point. Specification: Mic pre: Minimum Gain – 20 dB Maximum Gain – 70 dB Input Impedance – 5.8K Input Impedance Pad In – 1.3K Maximum Input Level No Pad - +4 dBu Maximum Input Level With Pad - +24 dBu THD 50 dB Gain - < 0.01% Frequency Response 20 Hz – 20 KHz +/- 0.25 dB Ein < -129 dBu Line level input: Input Impedance – 10K Line Trim - +/- 9.5 dB Maximum Input Level - +24 dBu THD +4dBu Line Input To Stereo Mix Output < 0.01% Frequency Response 20 Hz – 20 KHz +/- 0.25 dB Line level outputs: Maximum Output Level - +24 dBu Output Impedance – 30 Ohms

Meris 440 - 500 Series Mic ...

7.596,-

Meris 440 500-Series Mic Preamp Get Big Studio Console Sound on your Tracks The Meris 440 Mic Preamp is a unique boutique 500-Series studio preamp with a difference. With an integrated, pedal friendly built-in effects loop attenuated to guitar-pedal level, means that whatever your mic is recording, you can now use your guitar pedals to add effects to the signal. Designed to be the ultimate mic pre for guitar, the 440 is just as capable as a mic pre for vocals, percussion and other instruments as it is with handling acoustic and electric guitar transients. Cinemag I/O Transformers for an extremely fat mic pre-tone Built in Effects loop – connect your favourite pedals in-line or use as a superior Bass D/I High Pass Filter that selects between 80Hz and 200Hz Custom 7kHz or 4kHz High Shelf Filter to achieve the optimum tone for your instrument recording 20dB Pad, Phase Reverse and 48V Phantom Power switches Designed and Built in Los Angeles, California U.S.A. The Meris 440 is designed and built in L.A., California and contains only the highest quality components available today, like legendary Cinemag input and output transformers and hybrid-discrete OpAmps that receive and drive each respective transformer section. These all unite to create highly sought after classic American tone reminiscent of famously popular mic preamps made in the 1970s. The all-analogue signal path benefits from a customised 4kHz or 7kHz high shelf switch, 20dB pad and full control over the 60dB of gain and output levels. The levels of creativity you can go to with the Meris 440 are only hindered by your imagination! With immaculate attention to detail, the Meris 440 is solidly built and the front panel controls are clearly laid out and labelled, making it extremely easy to use. Plugging your guitar pedal into the effects loop means you can now add your favourite reverb or delay effects into the signal chain, distortion-free and without the need for any intermediary equipment. The effects loop input also doubles as a super-clean and smooth sounding D.I. for direct recording, adding to its versatility. Specifications: Gain: Up to 60dB of gain at the input stage High Pass: 12dB / octave High-Pass: 80Hz or 200Hz corner frequency Shelf: High-Shelf boost: + 3dB at 4kHz or 7kHz corner frequency Frequency handling: 20Hz to 20kHz flat frequency response (+/- .3 dB) with all filters disengaged Self-Noise: -130dBu EIN (A-weighted) Input Impedance: 1Meg Ohm input impedance at Return/D.I. input Additional switches: 20dB Pad, Phase Reverse/polarity switch and 48V Phantom Power controls Signal path: Premium components throughout the all-analogue signal path

Meris Hedra - 500 Series ...

7.596,-

Powerful in Execution Put Hedra 500 into your studio rack and re-voice your melody palette in real time. 3 voices, in rhythm, combine with your original voice to create angelic harmonies. Each voice can be delayed and fed back for classic studio fattening, detuning, or extreme warping. Explore pitch locked harmony, either smooth or hard stepped and use your voice as an instrument. Add sonic unease and texture by micro tuning each voice or with our original glide mode to slide between pitches. 3-Voice Rhythmic Pitch Shifter Selectable Pitch Correction Types to Re-Voice your Melodies in RealTime Hard Stepped Pitch Correction available Individual Controls for Pitch and Time Offset for each Voice (3 Voices Total) Micro Tune control creates gentle chorus-like detuning, classic studio fattening, and extreme warping Chromatic or Key Driven Harmony with Selectable Scale Types 520 mS tap tempo synced delay with selectable pitch feedback Our Original Glide Mode slides between pitches at the speed you choose Choice to sweep through Intervals smoothly or hard step for dramatic pitch effects Switchable Half Speed and Auto Swell for advanced textures Digitally controlled Analog mix control Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP Balanced I/O, extremely low noise floor and high headroom for a pristine studio signal path Color – raw brushed aluminum with clear coat Designed and built in Los Angeles, California U.S.A.

Meris Mercury7 - 500 Series ...

7.596,-

Meris Mercury7 500-Series Reverb Off-World Ambience The Meris Mercury7 Reverb is the world’s first 500 Series Algorithmic DSP reverb unit and uses a premium analogue signal path, alongside 24-bit AD/DA with 32-bit floating-point DSP to deliver its out-of-this-world reverb. Inspired by Vangelis’ majestic soundtrack for the sci-fi masterpiece Blade Runner, Mercury 7 Reverb is designed to send both humans and androids into an eternal dream state with its wealth of stunning reverb algorithms. From subtle plates and huge cathedrals to massive building soundscapes, swirling modulation, epic auto-swells and cascading shimmering pads. Whether you’re looking to capture the sound and feel of well-known earthly spaces, or that of huge starlit galaxies far away, the Mercury7 is sure to deliver! Handcrafted Algorithmic Reverbs Analog Mix & Dry Signal Path Intra-Tank Pitch Regeneration High & Low Frequency Damping Extensive Modulation Capability Variable Auto Swell Envelope Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP Stereo and Surround Linkable Designed and Built in Los Angeles, California U.S.A. With this dedicated hardware DSP reverb, you get all the reliability and pro level headroom necessary in modern studios (up to 21dBu / 30volts peak to peak, 116dB signal-to-noise ratio) without any load on your CPU/DAW. Plus, it has real knobs allowing you to sculpt the perfect reverb in real-time. As with all Meris products, the Mercury7 Reverb is designed and manufactured in Los Angeles, California U.S.A, to the highest specifications. The algorithmic reverb has been developed in house by their engineering team, who for many years have been responsible for some of the best sounding DSP in the known galaxy. The Mercury7 is truly something special. From the first note you play through this magic blue box, the tone and saturation you get from it is just spectacular. It’s very versatile, offering everything from sparkly-clean shimmer ‘verbs to dark and moody hall reverbs. It also features modulation should you want to delve deeper. Stereo, you ask? Not a problem. With two Mercury7 modules you can live in stereo sweetness using the stereo link cable. Then the left unit’s controls will control the right, or you can set them individually, as you please. Specifications: AD/DA: 24 Bit DSP: 32 Bit floating DSP hardware S/N Ratio: -116 dB Signal to Noise ratio Signal path: Premium analogue signal path throughout I/O: Burr-Brown precision balanced input and output drivers Mono / Stereo: Stereo and Surround linkable (requires link cable) True Bypass: 100% Analogue bypass Power consumption: <100 mA total power consumption

Meris Ottobit - 500 Series ...

7.596,-

Meris Ottobit 500-Series Bitcrusher Audio In >> Video Game Out Say ‘Hello’ to the Meris Ottobit 500-Series Bitcrusher – No quarters needed. Crush bits, de-res and sonic destroy. Beep Boop Bop Boop Beep! Conceived as an “Audio In >> Video Game Out” unit, the Ottobit enables you to transform your audio through a dynamic maze of textures, synth elements and bit crushing and is designed to give musicians and sound designers tools to sculpt any source into audio reminiscent of early 8 and 16-Bit video game soundtracks. Ottobit allows you to create totally unique sounds using its sample rate decimation and bit reduction circuitry, while giving you power over the video game soundscape with a host of Ring Mod effects, Envelopes & LFO Filters. Variable Sample Rate and Bit Crushing Triggered Stutter Effects Tap Tempo for triggered envelopes & LFO modifiers Premium and hi-end analog signal path Designed and Built in Los Angeles, California U.S.A. Along with bit reduction (right down to 1-Bit) and sample rate decimation, Ottobit offers ring modulation, envelopes and LFO Modifiers and tap tempo control to trigger the envelopes and is a powerful creative tool for electronic musicians and producers. It offers a unique collection of processing elements, giving you absolute control over interesting textures, sweeping sample rate changes, tremolos, vibratos, vintage octavers and primal pitch shifting, all inspired by Kubrick’s use of the Information Rate Changer. Made in California with a premium analogue signal path and 24-Bit AD/DA with 32-Bit floating-point DSP, Ottobit will smash, crush and decimate your signal opening up a whole universe of aural possibilities. Its design is unique, granting you the power to make any sound source sound like those video games soundtracks so evocative of the 80s. Specifications: Sample Rate: Decimate sample rate Bit Reduction: Variable bit reduction down to 1-Bit Levels: User controlled gain and mix Ring Mod: Pitch track enabled ring modulator Tap Tempo: Tap tempo controlled triggered envelopes & LFO modifiers Waveforms: Selectable LFO and Ring Mod Waveshapes – from sine and triangle to square Frequency Modulation: Parallel blendable Ring Mod AM/FM Modulation Signal path: Premium analog signal path and 24-Bit AD/DA DSP: 32-Bit floating point DSP Bypass: 100% Analogue bypass Power consumption: <100mA total power consumption

Meris Stereo Linking Cable ...

168,-

Internal cable which easily installs between two Mercury7 or Ottobit modules to allow stereo control of the modules. When installed, the left module sends all control parameters to the right module to keep them in sync. The right module can still be set independently to allow true independent stereo operation. https://www.meris.us/wp-includes/js/mediaelement/mejs-controls.svg

Morley Hum Removal Tool Box

2.990,-

Hum Removal Tool Box. Morley’s Humno and Hum Eliminator bundled together to allow customers to have the two best hum solving devices available. Solve 90% of all Hum and Noise you will encounter. If one device doesn’t solve the hum issue, the other will! A must have item for anyone using music gear. HUM ELIMINATOR SPECS 2-Channel Hum Eliminator™ 1/4″ Smart Jacks and XLR Jacks Dimensions: 4.75″ (L) / 3.25″ (W) / 1.75″ (H) Prevents Ground Loops That Create Hum and Buzz Custom Morley Isolation Transformers Converts Back and Forth Between Unbalanced and Balanced Cable Types Simply Insert on Audio Connections Between Offending Pieces of Gear Not Intended for Use on Mic Level, Instrument or Powered Speaker Line HUMNO SPECS Filters unwanted noise, hum and buzz Place between gear power (inlet or input) and power cable Not a Ground Lift LED shows that Humno is working Maximum recommended current draw 6 Amps Suitable for 100V to 240V, 50 Hz

Morley Line Level Shifter

1.930,-

The Line Level Shifter’s primary function is to increase or decrease signal voltage back and forth between -10dBu and +4dBV (depending on which way you route through it). The Line Level Shifter® also breaks loop antenna that causes ground hum and buzz, as well as converting back and forth between balanced and unbalanced connections AND preventing the cable to act as an antenna for noise. Simply place a channel of theLine Level Shifter® on the cable connections between the two mismatching pieces of equipment.Line Level Shifter® will not affect the quality of the audio, it will improve it. We use 1/4″ smart jacks that accept any combination of unbalanced (TS) or unbalanced (TRS) plugs. These are passive devices (no power required), in cold rolled steel housings, hand-soldered circuit boards and top quality components and hardware. For details on diagnosing hum, applications and specifications, please visit our Downloads section. All of our products are designed, developed and manufactured in the USA. MAIN FEATURES & SPECS 1/4″ Smart Jacks and XLR Jacks Jacks Can Be Used in Any Combination Dimensions: 4.75″ (L) / 3.25″ (W) / 1.75″ (H) Converts Signal Voltage Back and Forth Between -10dBu and +4dBV Custom Morley Step Up/Down Isolation Transformers Prevents Ground Loops That Cause Hum and Buzz Convert Back and Forth Between Unbalanced and Balanced Connector Types Simply Insert on Audio Connections Between Offending Pieces of Gear Not Intended for Use on Mic Level, Instrument or Powered Speaker Lines Morley Part Number: MLLS

Old Blood Noise MAW ...

4.128,-

MAW Microphone Effects Manipulator Originally conceived as a simple effects pedal for vocalists, the MAW is a fully functional pedal for any application that involves a dynamic microphone. Featuring a high-quality microphone preamp fed into three foot-switchable effect engines and an effects loop for integrating you own favourite external effects, MAW is both perfect as a versatile tool for studio tinkerers or it can be an all-in-one for creative vocalists looking to control their live sound. MAW can saturate, reverberate, delay, flange and rotate your signal with the three on-board effects sections, plus you can integrate additional effects pedals with the send/return loop for a world of other creative uses. This is also perfect to patch in other pedals and effects that you may already have, which traditionally wouldn’t be able to be hooked up to a microphone directly. Both a microphone audio workstation and a poetic tool, MAW likes an XLR signal but will take a 1/4” jack input too. Multiple outputs and expression control finish out this versatile toolkit. Let its voice become yours. Vocal Effects Pedal XLR Microphone preamp for dynamic microphones Microphone gain control with pad switch for hot signals Tone knob – low pass filter for darker or brighter tone Switchable saturation section, with blend and tone knobs to sculpt your tone Two foot-switchable multi-effects engines: First – two reverbs, short delay, phaser, lower and upper octaves Second – two additional reverbs, long delay, flanger and rotary Momentary or Latching Switching – for seamless effects changes on the fly FX Loop – add your own effects pedals into its signal chain Effects trails – allows natural Reverb and Delay decay External Expression Control – for each effects section 1/4”/6.5mm instrument cable input Dual outputs: Wet – switchable between 1/4”/6.5mm or XLR Post-saturation Dry – XLR Powered by regular 9 V DC PSU (centre -, 2.1mm, ~210mA current draw)

Radial BT-Pro V2 Bluetooth ...

4.890,-

The BT-Pro V2 is a Bluetooth-enabled direct box that connects wirelessly to smartphones, tablets, and other mobile devices and provides a pair of balanced analog audio outputs to feed a PA system. Each BT-Pro V2 has a unique identifier, allowing multiple units to be used within the same building. The latest model of the BT-Pro can also be powered via 48V phantom from a mixing console. Wirelessly connect smartphones and tablets to a mixer Bluetooth reception of up to 30 meters (100ft) Dual balanced XLR outputs feed the PA system Powered via external supply or 48V phantom power Unique device ID allows multiple BT-Pro’s in a single location

Radial EXTC 500 Guitar ...

4.970,-

EXTC 500 Guitar Effects Interface & Reamp Module The Radial EXTC is a unique 500 series module that allows you to connect guitar pedals to the inputs and outputs of pro audio equipment, providing the ability to incorporate effects pedals into your mix in new and creative ways. Balanced interface for guitar effects pedals Separate send & receive level controls optimize signal path Transformer isolation to eliminate hum and buzz from ground loops Creative tool incorporates effects pedals into your mix Reamp and mix through your guitar pedals The EXTC-500 is a 500 series module that allows you to get creative with your effects pedals, using them in your mix on any recorded track. Add a touch of distortion or chorus to a lead vocal, flange on a violin, or fuzz on piano - the possibilities are endless. The EXTC-500 takes the line level balanced output of your recording interface and converts it so an instrument level high-Z output optimized for guitar effects pedals, so you can Reamp any track through your pedalboard with ease. Once you've run the signal through your pedals, connect the output back into the EXTC and it will boost it up to a balanced line level so you can connect directly to the input of your recording interface. The EXTC features Radial's class-A buffer for the best audio quality and transformer isolation to eliminate any buzz or hum - so you can focus your attention on using your pedals in new and exciting applications.

Radial J33 Turntable Direct ...

3.480,-

The Radial J33 is a combination phono preamplifier and purpose built stereo direct box made to handle the rigors of the professional recording studio and the abusive environment of live touring. But don't let the tough exterior fool you… the J33's sonic performance will easily surpass many audiophile preamps costing much more J33 Turntable Direct Box Combination RIAA Phono preamp and DI box Stereo RCA, ¼" TRS, 3.5mm and XLR outputs Built -in low frequency rumble filter Choice of 48V phantom or DC supply Designed specifically for dynamic cartridges, the J33 begins with a low noise front end. Inputs are standard RCA with the required turntable ground lug. A precise RIAA low pass filter is tailored to produce a smooth, warm response. The signal is then buffered to provide the audio system with a standard -10dB signal with choice of RCA connectors for compatibility with home HiFi entertainment systems, 3.5mm (1/8") output to feed a laptop or iPod, or a stereo TRS ¼" jack for an audio recorder. A second set of direct box XLR outputs deliver a mic level signal to feed a concert snake, mic splitter and mixing desk preamp inputs. A rumble filter is also available for high sound pressure environments to reduce bothersome resonant feedback. As with all Radial DIs, the J33 features a 14 gauge steel enclosure with a unique book-end design that creates a protective zone around the switches and connectors. The internal I-Beam construction ensures maximum rigidity while ensuring minimal stress on the sensitive solder joints. These combine to provide exceptional shielding against noise while ensuring greater dependability in the most demanding environments. The Radial J33, a high performance turntable preamp that is ideally suited for music playback, archiving, DJing and sampling.

Radial J48 Phantom Powered ...

3.480,-

The Radial J48 has been designed from the ground up to deliver the most natural tone. As a direct box manufacturer, we do not believe it is our task to alter the sound of your prized '1962 Fender Jazz Bass', but retain and transfer the true character of the instrument to the mixing console without adding distortion or introducing artifact. This design philosophy has gained a tremendous following from many of the world's most demanding musicians. J48 Phantom Powered Active Direct Box Ultra low distortion of all types Exceptional headroom & dynamic range Retains instrument's natural sound Powered by 48V phantom Using only 48V phantom power, the Radial J48 is an active direct box that produces an exceptionally linear response that extends from 20Hz up to well above 40kHz. Low distortion of all types is achieved via a unique digital switching power supply that raises the internal operating rail voltage for added headroom and improved signal handling. The results are truly amazing. The J48 delivers an ideal even-order harmonic cascade and a sonic performance that outperforms DIs costing several hundreds more. And like all Radial products, the J48 is both feature-rich for studio and made tough to handle the road. This includes a -15dB input pad to tame extra loud signals, 180° polarity reverse for feedback control on stage and a ground lift to help reduce hum & buzz caused by ground loops. Special features include a merge function that elegantly mixes left-right signals to mono without phase cancellation. To minimize resonant feedback with acoustic instruments, the J48 is also equipped with an 80Hz high-pass filter (low-cut). When engaged, this also increases headroom by eliminating unneeded bass frequencies.; Radial's innovative book-end design protects switches and connectors from abuse while the internal I-beam construction eliminates stress on the PC board. This serves to reduce solder joints from going 'cold' and delivers trouble-free performance for years. A full-bottom no-slip pad provides mechanical and electrical isolation while providing plenty of 'stay-put' for rockin' stages! The Radial J48 is used by artists as diverse as acoustic guitarist Tommy Emmanuel; super-star engineer Joe Chiccarelli; and one of the most successful bands of all time, Fleetwood Mac. The Radial J48... the world's finest 48V phantom powered active direct box.

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