Prosessorer

Hovedbilde Radial StageBug SB-4 Piezo DI

1.399,-

The Radial StageBug SB-4 is a compact active direct box that has been optimized for use with piezo transducers. This enables violin, dobro, mandolin, cello, upright bass and other instruments that are best amplified using a piezo to be connected without compromising the tone or frequency response StageBug SB-4 Piezo DI Active DI optimized for piezo transducers Smoothes out peaks, eliminates squawk High pass filter eliminates resonance Ultra compact to fit in your guitar case The design begins with a ¼" input for the instrument pickup. Unlike typical direct boxes that have a 1meg-ohm input impedance, the SB-4 features a very high 5meg-ohm impedance that smoothes out troublesome peaks that give piezos a bad name. The higher impedance also broadens the frequency response for a more natural and pleasing sound. The active circuit performs the high-to-low impedance conversion and balances the signal to enable long runs upwards to 100 meters without loss, delivering spectacular linearity and low distortion throughout the audio range. To help eliminate feedback on stage, the SB-4 is equipped with a high-pass filter and 180° polarity reverse switch. The high pass filter eliminates excessive bottom end which in turn reduces resonance that can cause the top of the instrument to vibrate. The 180° polarity reverse helps reduce acoustic hot spots on stage by changing the phase relationship between the PA system and room acoustics which can combine at certain frequencies to create peaks. Reversing the polarity eliminates the acoustic peak without resorting to severe equalization which only serves to compromise the natural tone of the instrument. Connections include an AUX out for a stage amplifier plus a standard XLR output to feed the PA. Power is derived from the console's 48V phantom, thus eliminating the need for batteries or external supply. One simply connects, turns on the phantom power and plays! These features combined with the compact size make the StageBug SB-4 the perfect companion for orchestral artists, blue grass players and pop string quartets that need to turn it up when in concert.

Radial StageBug SB-48 Phantom ...

2.340,-

Radial SB48 Phantom Power Supply The Radial SB-48 is a high performance phantom power generator that employs a non-radiating charge pump circuit to create a stable, ripple-free 48 volt supply for active direct boxes and condenser microphones. The stereo design features XLR inputs and outputs with a choice of 48V and 12V operation. The SB-48 is powered by a single 15VDC 400 milliamp supply that is included. The connector may be locked into place using a retention clamp. As with all Radial products, the SB-48 is manufactured in Canada from solid steel and powder coated for years of great looks! Click here to download the manual

Radial USB-Pro Stereo USB ...

3.880,-

The Radial USB-Pro is a high-resolution stereo digital audio converter (DAC) and direct box that is designed to connect to any computer system to seamlessly transfer digital audio to analog. A stereo pair of balanced XLR audio outputs with adjustable level control then feeds the signal to a microphone preamplifier, PA system, mixing console or even a powered speaker! Made for plug and play simplicity, the USB-Pro will automatically be listed as an available sound card in the audio settings in all popular operating systems including Windows XP, Windows 7/8/10, and Mac OSX USB-Pro Stereo USB Laptop DI High performance 24bit digital audio converter Ready to use without the need of a driver 3.5mm analog headphone output to check signal Balanced Lo-Z outputs with switchable isolation Connection to a computer is accomplished through a standard USB type-B port. Digital-to-analog conversion can be monitored on headphones through the 3.5mm analog output to check signal quality and level before connecting to a sound system. A mono-sum switch may be engaged to check for phasing or for connection to a mono system. Should hum or buzz caused by ground loops be encountered, two recessed side-access switches allow the user to insert isolation transformers into the signal path. To further reduce susceptibility to noise, this is augmented with a ground lift switch that lifts pin-1 on both XLR jacks. As with all Radial products, the USB-Pro is designed to handle the rigors of professional touring. Our unique book-end design creates protective zones around the switches, connectors and controls to keep them out of harm's way. Inside, our time-tested I-beam construction assures the sensitive internal PC board will not torque, which could cause premature part failure. Finally, a full bottom no-slip pad provides mechanical isolation and electrical insulation to ensure quiet operation.

Radial Workhorse 8-Slot Power ...

19.340,-

Workhorse 500 Series Rack The Radial Workhorse is a modular 500-series rack that combines an extensive patching system with an analog summing mixer to create an incredibly flexible studio environment. 500 series 8 slot rack with 8×2 summing mixer Plenty of current for power hungry modules Dual output headphone buss for monitoring DB25, TRS & XLR I/O for flexible patching Create Unique Channel Strips Compatible with all API 500 series modules, the Workhorse provides more power and easier connectivity than a typical rack. Not only is it equipped with a variety of I/O options, but signal to be routed from one module to the next without cables to easily create channel strips. Compatible EQ and compressor modules can also be stereo linked with the flick of a switch. A special Omniport jack delivers module-specific functionality that can range from an extra output, key input, or effects insert depending on the module. Finally, an external 1600 mA power supply provides enough current to ensure each module is powered correctly. Mix Outside The Box Unique to the Workhorse is a built-in summing mixer that allows module outputs to be turned on and off, level matched, and panned to a Jensen transformer coupled stereo output. Multiple Workhorses can be linked in larger mixer setups, and a high-quality headphone output allows for monitoring without latency when tracking.

Radial X-Amp 500 Reamper 500 ...

4.790,-

X-Amp 500 Reamper 500 Series Reamp The Radial X-Amp is a 500 series module that lets you take a pre-recorded guitar track and send it back to amplifiers and effects so that you can tailor the sound to suit. The advantages of Reamping® are many: when recording, the guitarist need only concentrate on the performance. Working out specific sounds and optimal mic placement can be done later. This eliminates hours of tiresome repetition while allowing the producer to adjust the character of the track as the production evolves. Active Reamp® designed for 500 series racks 100% discrete class-A electronics for best tone Transformer isolated to eliminate hum and buzz Easy access front panel jacks & controls Professional Reamp Using the X-Amp is 'plug and play' easy to use. The design begins with an XLR balanced line level input located on the 500 series rear panel that feeds the X-Amp. To ensure the very highest fidelity, 100% discrete class-A circuitry is employed. The X-Amp unbalances and buffers the pre-recorded signal where it then feeds two transformer isolated hi-Z guitar level outputs. The ¼" jacks are front mounted for desk-top convenience and equipped with ground lifts to help eliminate hum and buzz caused by ground loops. Independent level controls enable you to adjust the drive going to each amp for optimal tone. Should one of the amps be out of phase, depressing the 180º quickly brings both in line.

Rolls MP13 Mikrofonforsterker ...

1.725,-

Rolls MP13 Mikrofonforsterker med fantommating Gain-kontroll +12V fantommating Balanserte/ubalanserte inn- og utganger Clip-indikator PS27E nettadapter inngår Introducing the MP13, your versatile and budget-friendly microphone preamplifier, perfect for a wide range of applications. This compact and straightforward device boasts XLR and 1/4" outputs, as well as XLR and 1/8" inputs. With a convenient single Gain control featuring a Clip indicator, achieving optimal audio levels is a breeze. Additionally, the MP13 includes Switchable Phantom Power, enabling seamless compatibility with condenser microphones. Worried about powering your unit? Worry no more – the preamplifier comes complete with a reliable power adapter. Experience high-quality audio amplification without breaking the bank with the MP13 microphone preamplifier.

sE Electronics DM2 inline ...

1.225,-

sE Electronics DM2 En eksplosiv inline preamp basert på den populære DM1 DYNAMITE, med mer gain og presis kontroll slik at dine favorittmikrofoner kan skinne som aldri før. The DM2 T.N.T is an active inline preamp based on the acclaimed DM1 DYNAMITE – featuring even more gain, less noise and more flexibility so your precious go-to microphones shine like never before. With an integrated recessed gain switch, the DM2 T.N.T lets you choose between a moderate 15 dB or explosive 30 dB of clean, transparent gain for more headroom and a clean signal with an ultra-high impedance input and eight load settings to perfectly match your DM2 T.N.T with any microphone. Intended for direct connection to the output of a passive ribbon or dynamic microphone, the DM2 T.N.T streamlines the traditional inline preamp by eliminating the need for an extra cable, and its compact size makes travel convenient, so the gain you're looking for is always by your side. Switchable, clean and consistent gain from moderate 15 to explosive 30 dB Two gain levels ensure even higher flexibility on various sources, designed for neutral, balanced sound quality and dangerously low noise. The uncompromising design ruthlessly boosts the signal independent from load impedance or cable length. Able to be matched perfectly with any passive microphone to boost the signal, the DM2 T.N.T reduces the likelihood of interference and provides a significantly improved level to your interface/mixer's preamp – all without adding noise or coloration! Get the best out of your mics with variable input load Common inline preamps tend to strain the transducers of passive microphones due to their electronic design, which results in a degradation of sound quality and output level. Thankfully, the DM2 T.N.T's ultra-high impedance input allows for any load on passive microphones to achieve the best out of your mic collection so they can shine like never before! At the twist of a dial, explore eight settings ranging from an unconventionally low 50 Ω to stunningly high 10 MΩ to match your preamp with any mic accurately for clear recordings with the lowest noise possible. Built to unleash the best qualities from your microphones, the DM2 T.N.T enables experimentation to discover nuance sound characteristics and the sweet spot of any passive mic in your collection. Sophisticated Class-A electronics and dedicated output buffer Boasting an elaborated electronic design and specially selected high-grade FETs, the DM2 T.N.T has the lowest self-noise in its class, making studio-quality recordings effortless. Unlike other industry-standard inline preamps, the DM2 T.N.T delivers a consistent +15 dB / +30 dB of gain regardless of the connected load. As the ideal audio engineer's tool, the DM2 T.N.T’s output impedance is also the lowest in its class, allowing it to drive long cable runs at a moment's notice while reducing susceptibility to RF interference, buzz and hum. Slim, rugged all-metal housing with premium finish Even in the most demanding environments, the DM2 T.N.T is ensured by a roadworthy and slim all-metal design, robust construction, high-quality manufacturing standards, and gold-plated XLR connector for reliable loss-free signal connection, whether on-stage or in the studio. Complete with an exceptionally convenient phantom-powered design that does not require an external power supply, the sE DM2 T.N.T is the ultimate game-changer in your pro audio arsenal. Switchable, clean and consistent gain from moderate 15 to explosive 30 dB designed for neutral, balanced sound quality at minimum noise two gain levels for even higher flexibility on various sources ruthlessly boosts the signal independent from load impedance or cable length Get the best out of your mics with the variable input load choose from unconventionally low 50 Ω to stunningly high 10 MΩ alter the sound character at ease thanks to eight settings Find the sweet spot for any mic of your collection Sophisticated class-A electronics state of the art electronics and high-grade FETs provide supremely low noise transformerless design for pristine sound quality provides the best performance and lowest noise in its class Dedicated output buffer amplifier extremely low output impedance enables long cable runs provides significantly improved level to your mic preamp for proper gain staging drives long cable runs and can reduce susceptibility to RF interference, buzz & hum Slim, rugged all-metal housing with premium finish efficient rejection of any electrical interference and noise high-quality finish ensures a great look for many years slim design allows for easy placement in the studio or on stage Gold-plated XLR connector for loss-free and reliable signal connection In the box: DM2 T.N.T Screwdriver User manual

SSL 500-Series 4KB Dynamics ...

4.140,-

Solid State Logic B-DYN 611B 500 Series Module Aggressive character compressor with its own unique sonic signature Overview: The 4000 B Dynamics (B-DYN) 500 series module takes the dynamics processor found in the channel strip of the SL 4000 B console and puts it into 500 Series format. Released in 1976, the SL 4000 B was the first commercially available console from Solid State Logic and famously used in ‘The Stone Room’ at Virgin’s Townhouse Studio (London), Le Studio (Montreal) and Record Plant (LA). It was responsible for countless iconic records, including Phil Collins’ ‘In the Air Tonight’ and Peter Gabriel’s ‘Intruder’, both of which feature characterful compression on drums and vocals. The B-DYN allows you to add heavily coloured, grabby, saturated compression from one of the rarest studio consoles ever made to your production toolkit. Key features: Authentic recreation of SL 4000 B consoles dynamics processing Design based on the SSL Bus Compressor Features Compressor/Limiter & Gate/Expander Feedback design with Peak sensing for aggressive ‘grabby’ character Fixed compression ratios, 2:1, 4:1 & 10:1 with additional ‘DS’ mode Fixed release times, DS, .2, .4, .8, 1.6 & renowned ‘Auto’ Auto make-up gain Sidechain High Pass Filter Stereo Link mode New (classic) SSL flavour for your productions 　 Compressor/Limiter: RATIO - Stepped compression ratios 2:1, 4:1, 10:1 and ‘ds’. The ‘ds’ setting is a fixed 10:1 with an additional sidechain filter. When ‘out, the compressor is bypassed. THRESH - Whenever a signal exceeds the level set by this control, the compressor will start to act at the ratio set by the Ratio control. The Threshold and Ratio controls also provide automatic make-up gain. HPF - A 6dB/Oct 185 Hz High Pass Filter in the compressor sidechain to help reduce bass pumping effects. RELEASE - Switched/fixed release ranges from .2 ms to 1.6 ms with additional ‘DS’ & ‘Auto’ release options. DS - The De-Ess mode changes the attack time from approx. 30 ms to 2 ms. De-Ess (DS) mode: By setting Compressor Ratio and Release controls to ‘DS’ the B-DYN module is optimised for reducing sibilance (De-Essing). The De-Ess is a 10:1 ratio with filtered S/C input signal, delivering broadband compression triggered by sibilance. The ‘DS’ release is automatically varied in response to the processed signal between release rates of 30 & 50 ms. This is a much faster minimum release than you would normally expect from an SSL Dynamics section. The attack time is also reduced to a fast 2 ms, slightly faster than the E-Series Dynamics module on its fast setting. Gate/Expander: The B-DYN Gate/Expander section can act as a 20:1 Gate or as a 2:1 Expander when the EXP button is pressed. Its attack time is a fast 0.2 ms. RANGE - Controls the maximum amount of gain reduction applied by the Gate/Expander. When set to ‘out’, the gate/expander is bypassed. THRESH - Sets the threshold above which the the gate/ expander will be opened. RELEASE - Sets how long the signal remains audible after the Gate/Expander closes. EXP - Switches the gate to expander mode with a gentle curve, for subtler control of level below the threshold.

SSL 500-Series E dyn Module

7.780,-

Legendary sonic signature of the SL 4000E The new E Series Dynamics Module for 500 Series racks reproduces the legendary sonic signature of an early 80's classic, the SL 4000 E console channel strip, which was featured on countless 1980's recordings. The E Series Dynamics Module features a compressor/limiter and an expander/gate, both of which return faithfully to the circuitry and key components which define the sound of the original SL 611E Series channel strip. A true RMS converter is used in the side chain while the gain element is an all discrete design identical to the Class A VCA chip used in the original unit. The compressor contains additional switching options to defeat the over-easy curve and to use a linear release instead of the more usual logarithmic curve. The result is a compressor with three distinct voices, each with its own musical character. Key Features: Immortal SSL 4000 Series circuitry Class A VCA replication Expander/Gate Based on classic 611E console channel strip

SSL 500-Series E EQ Module

7.780,-

Unique response curves and tonal character The E-Series EQ Module features two different EQ's found on editions of the console produced between 1981 and 1989. Each EQ has unique response curves and tonal character. Historically the type of EQ fitted in an individual console was distinguished by the colours used on the LF knob caps so the two flavours have become known as the 'Brown' and 'Black' EQ's. On the E Series EQ Module you can switch between these two different flavours of EQ that have been loved by generations of professional producers. Key Features: Immortal SSL 4000 E Series circuitry "Black-242" and "Brown-02" twin EQ design Versatile 4 band channel EQ Bell curve option on HF and LF Fully parametric LMF and HMF with Q Based on classic 611E console channel strip

SSL 500-Series SiX Channel

3.890,-

SSL SiX CH ( SiX Channel strip) The SSL SiX Channel is a single-width 500 Series mini channel strip using the SuperAnalogue channel processing features from SSL’s SiX console including the Mic-pre, low and high frequency EQ, as well as the single knob compressor. The SiX Channel is a simple way to add additional Mic/Line inputs to the line level inputs of any professional audio device, including the Stereo channels of the SiX console. It is also a flexible way to create a professional modular mixer from a ‘summing’ 500 Series rack unit. SuperAnalogue Pre-Amp input: A wide gain range, ultra low noise SuperAnalogue design provides both Line and Mic facilities with a “Line” gain range switch to cover a wide range of source levels. The nominal Line Input impedance is 10 kΩ. This can be changed to 1 MΩ using the Hi-Z switch. The 1MΩ impedance makes this input suitable for very high impedance sources such as passive guitar pickups without the need for an external DI box. Other Features; · Switched 12 dB/oct, 75 Hz High Pass Filter (HPF) · Polarity Switch (ø) inverts the polarity of the rear XLR Mic Amp rack input. · A five segment LED meter shows the output signal level in dBu EQ: The EQ is a gentle, broad stroke two-band design with high and low shelving filters at 3.5 kHz and 60 Hz, adjustable from +15 dB to -15 dB of gain. Each band can be independently switched between shelving and bell curves. The bell curves change centre frequency to operate at 5 kHz and 200 Hz giving greater versatility from the two controls. COMP: A versatile ‘one knob’ channel compressor with features that give powerful and versatile performance from its deceptively simple controls. A three LED meter indicating the amount of gain reduction being applied. The circuit has automatic make-up gain to maintain signal level for the full range of threshold settings. Key Features: SuperAnalogue Mic Pre with 48V, Polarity and HPF Front Panel TRS Line Input with 1MΩ Hi-Z switch. Switched 2 band EQ with indepandantly Switched single knob compressor with variable threshold. 5 frequency selectable High-Pass Filter and Dedicated Output Trim. Tech Specs: Module signal: Mono Pre-Amp Gain: Variable from +6 to +72 dB (Mic), -3 to +63dB (Line) Mic Pre EIN: Typically 129dB THD+N: <0.0015% CMRR: >80dB (Mic), >70dB (Line)

SSL 500-Series UltraViolet ...

6.230,-

SSL ULTRAVIOLET Equaliser The SSL 500 Series ULTRAVIOLET Stereo Equaliser takes the acclaimed min¬imum phase-shift EQ section from Fusion and puts it into the 500 Series format. The ULTRAVIOLET EQ takes things a little further than Fusion by adding two dedicated mid-bands, with a unique Focus control, for ultimate EQ flexibility. An ideal partner to the legendary 500 Series SSL Bus Compressor, the ULTRAVIOLET EQ draws on the SSL legacy of careful selection of frequencies and response curves to create a musical and intuitive EQ designed to quickly dial in a radio-ready sound for your mix. Focus Mode: Focus mode allows the user to ‘hone in’ on problem frequencies or specific frequencies they want to accentuate or attenuate. Pressing the ‘Focus’ switch in, automatically narrows the chosen Q setting further and increases the range of gain available beyond the normal +/-9 dB operation. In true flexible SSL workflow fashion, it transforms this sweet sounding, musical SSL EQ into a more surgical tool. Key Features: 4-Band SSL Stereo EQ Minimum-Phase High and Low shelving bands inherited from Fusion. 2 fully parametric SSL Mid-Bands, with ‘Focus’ mode. 5 frequency selectable High-Pass Filter and Dedicated Output Trim. Tech Specs: Module signal: Stereo LF Shelf EQ: +/- 9dB Gain at 30, 50, 70, 90Hz HF Shelf EQ: +/- 9dB Gain at 8k, 12k, 16k and 20kHz. HMF Parametric EQ: +/- 9dB Gain 400Hz-6kHz LMF Parametric EQ: +/- 9dB Gain 100Hz-1.1kHz Switchable HPF: OFF, 30, 40, 50Hz Gain Trim: +/- 12dB Switched Bypass: Yes

SSL 500-Series VHD+ Preamp

7.870,-

SSL VHD+ Variable Harmonic Drive (VHD) Mic Preamplifier The VHD+ Pre is an immensely versatile recording and processing device. It can deliver ultra clean SSL SuperAnalogue™ grade recordings but also features a switchable VHD mode. SSL’s patented Variable Harmonic Drive (VHD) system uses a 100% analogue signal path to generate rich harmonic distortion. As you increase VHD input gain, the Variable Harmonic Drive process introduces either 2nd or 3rd harmonic distortion or a blend of the two to your source material. At lower gain settings it adds gentle valve-style warmth or a touch of transistor edge. As the gain is increased the more extreme the distortion becomes until at high gain settings it delivers fierce trashy bipolar transistor style grunge. This new 500 series version features front and rear inputs with four different impedance selections making it an extremely versatile mic pre and DI box for a wide range of microphones and instruments. The Mic Amp provides up to +75 dB of super clean gain. The VHD switch along with the Drive control provides a variable mix of 2nd to 3rd order harmonics to add warmth and colour to the signal. A Trim control provides +/- 20dB of output trim, which allows the Mic Pre to be ‘driven’ and then the output dialled back to prevent overload of the next module in the chain. An 18dB/Octave High Pass Filter provides a way to filter low frequencies such as floor rumble and is switched to bypass it from the signal path. The front panel 1/4” Tip/Ring/Sleeve (TRS) Jack Socket provides a convenient way to connect instruments when the module is fitted in a rack. This balanced input overrides the rear XLR and has a 10KΩ input impedance and features an automatic -10dB level pad to allow for typically louder balanced line level signals. The Jack input can also be used with unbalanced (TS) cables such as those from synthesizers or guitars. The input level and impedance are switched to 0dB and 1MΩ respectively (for very high impedance sources such as guitar pick-ups) with selection of the HI-Z switch. The rear XLR and front Jack inputs have different impedances available by using the Hi-Z switch and allow for a wide variety of sources. The rear XLR input impedance changes from 1.2 KΩ to 10KΩ for Hi and Lo Z Microphones. The front panel Hi Z switch changes the front Jack input impedance from 10KΩ for line sources such as keyboards to 1MΩ for sources such as electric guitars and basses. Signal level is indicated with a tri-colour LED and the scale of the LED can be set between two -3dB overload points at +16 and +21dBu to allow for operation with +18dBu or +24dBu operating levels. Key Features Ultra clean SSL SuperAnalogue grade preamp VHD system adds controllable 2nd or 3rd harmonic distortion Switchable LF Filter (15Hz to 500Hz) +48V Phantom Power with status LED Pad for use with line level source material Front TRS Jack input with ultra Hi-Z switch for Instrument DI Signal polarity invert switch

SSL Delta-Link MADI OptiCoax ...

7.835,-

MADI Opti-Coax MADI (Multi-channel Audio Digital Interface) is an established standardised audio format that can carry up to 64 channels of audio in a single cable connection. MADI is available in two different cable/connection formats; MADI Optical (Optical Fibre cable with SC type connectors) or MADI Coaxial (Coax’ cable with BNC connectors). The SSL ‘MADI Opti-Coax’ is a handy format converter box designed to convert up to 64 audio channels bi-directionally (64 IN & 64 OUT) between the MADI Optical and MADI Coaxial formats. Its front panel is equipped with one set of MADI SC type optical input & output connectors and one set of MADI BNC coaxial input & output connectors. Conversion takes place in real time with no latency and no audio degradation. In addition to simple format conversion MADI Opti Coax can be used to extend cable distance coverage from 50m for the MADI Coax format to 2km for the MADI Optical format. MADI Opti-Coax is housed within a rugged all metal case and is extremely simple to use. Key Features MADI optical to coax converter MADI coax to optical converter Real time operation (no latency) Extends your MADI distance coverage: from 50m (coax) to 2 km (optical)

SSL Fusion Stereo Master ...

19.990,-

Fusion is an all-analogue 2U stereo outboard processor created for the modern hybrid studio. Fusion introduces five completely new analogue colouration tools designed to bring the perfect combination of added tonal character, weight and space to your mix bus or stereo stems, with the detail, warmth and finesse that only real analogue circuits can provide. The SSL sonic legacy is built upon a much-emulated collection of analogue audio processing tools that have featured in generations of studio consoles; pristine mic pre’s, classic Channel EQ & Dynamics, the legendary Stereo Bus Compressor, the Listen Mic Compressor, and the unique SSL summing bus. Fusion takes SSL into a new era with the introduction of a suite of new analogue processing tools that offer exceptional tonal character and versatility. Fusion expands the processing palette for hybrid studio owners and is a superb partner for the SSL Stereo Bus Compressor.

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