EarthQuaker Devices Zoar ...

2.170,-

Zoar® Dynamic Audio Grinder Zoar is a medium-high gain discrete distortion (using only transistors; no opamps or diodes in here!) that has that touch sensitive amp-like quality to it that everyone craves. It has been finely tuned to create a highly tweakable hi-fi and modern sounding distortion, but with the ghosts of old school circuitry to deliver a grind that is both instantly familiar and delightfully unique. Want that defined sparkle and tightness of an overdrive? This has it. Want that low-medium gain fuzz that’s perfect for drop tuned guitars and basses? This has it. Want to be able to dial in and control every nuance of your tone from jangly on-the-verge of break up to blowing the walls out heavy saturation? Then this is the pedal for you. This meticulously crafted box has six knobs that allow you to truly customize your sound with the Level, Weight, Gain, Bass, Middle, and Treble controls. The red LED light indicates when the distortion is activated by the Flexi-Switch® enabled footswitch. The Gain control on Zoar goes from the edge of break up all the way over the cliff into the crunchy, grinding abyss. The character of the distortion is heavily dependent on the setting of the Weight control as well as your guitar’s pickup type, and it is further fine-tuned by the EQ section. Touch-Sensitive Controls While having its roots in a very familiar past, the passive 3-band EQ has been finely tuned for modern tones. While this style of tone shaping seems simple on the surface, it is deceptively complex and highly interactive. The 3-band EQ and Gain controls give you nearly unlimited options with great focus and sensitive precision, but the real powerhouse of Zoar is the Weight control. This control dictates the amount of low end that is passed into the circuit, thus controlling the entire character of the pedal. From a mere clean boost to a high gain distortion to overdrive to the crispy Hi-Fi fuzz territory, this function gives you everything. The Level control hits unity gain around noon, but this is dependent on where the other controls are set. In addition to controlling the output volume, it also plays a small part in the controlling the voice of Zoar. By adjusting the Level control with any combination of EQ (boosting the frequency bands and cutting the output volume), you can achieve drastically different curves that have the feel of the more traditional low pass filter type tone control. Running Zoar at 18v Want to elevate your sonic spirit to a higher level? Try running Zoar at higher voltage! Zoar can handle power up to 18v DC. Higher voltages will yield a different frequency response with more defined dynamics and a faster response. When powered at 18v, the range of clean tones are widened, dirty tones become punchier with better note articulation, low frequencies are tightened, the Treble control will cover a broader spectrum without becoming harsh and the output volume nearly doubles! The experience is not unlike plugging into a wall of high wattage tube amplifiers! Controls: Level: Adjusts the output volume. Weight: This is an input frequency control that changes the voice and saturation of the distortion. Turning Weight clockwise allows more low frequencies to pass through. This increases the gain, allows lower frequencies to clip faster and can shift the tone of the pedal from tight distortion to a loose fuzz. Gain: Turn clockwise to increase distortion. This adjusts the transistor bias. A little static sound when turning is completely normal. Bass: Passive bass control, adjusts the low frequency content between 0 and 800Hz +/- 15dB. Middle: Passive middle control, adjusts the midrange frequency content between 500Hz and 3kHz +/- 10dB. Treble: Passive treble control, adjusts the high frequency content between 1kHz and 10kHz +/-15dB. TECH SPECS Dimensions 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs Current Draw 10 mA Input Impedance 1 MΩ Output Impedance <10 kΩ Flexi-Switch® Technology This device features Flexi-Switch® Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching. • For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass. • For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed. Since the switching is relay based, it requires power to pass signal. Power This device takes a 9-18 volt DC power supply with a standard 2.1mm negative center barrel plug. We recommend using a pedal-specific, transformer-isolated, wall-wart power supply or a power supply with multiple isolated-outputs. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not always filter dirty power and may result in unwanted noise. DO NOT POWER THE ZOAR HIGHER THAN 18V! Artwork Artwork by Dave Neeson

EarthQuaker Devices Time ...

3.160,-

Time Shadows™ Subharmonic Multi-Delay Resonator This joint collaboration between EarthQuaker Devices and Death By Audio is a major update to the original Time Shadows that was released in 2020 and limited to 1000 units! Time Shadows now features 3 modes, user assignable expression control and 6 preset slots to save and recall your favorite settings. The EQD Mode is an envelope controlled sub-octave filter delay, the ALL NEW !¡ Mode is a dual delay where each repeat simultaneously shifts up and down with each regeneration, and the DBA Mode is a multi-delay regenerating filter. All three sounds are wildly different from each other and yet share a perfectly designed harmony to be completely complementary and suitable for every style and genre of music. Controls: Time: Controls the delay time. Filter: Arguably the most fun control on Time Shadows! On the EQD side this controls an envelope for the filter frequency and a gate for the cutoff to the input of the delay. On the DBA side this controls the filter frequency as well as the shift point of a precisely phased delay line for pole zero interpolation. In the magic middle position, this controls the mix… Span: Controls the intensity of repletion. Preset: Six available preset slots for you to save and recall your favorite settings! The settings for each of the three controls, the Mode switch and the expression jack assignment can be saved and recalled in any of the slots. TECH SPECS Dimensions 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs Current Draw 75 mA Input Impedance 500 kΩ Output Impedance 100 Ω TRS expression pedal wiring Tip: Wiper Ring: +3.3V Sleeve: Ground Flexi-Switch® Technology This device features Flexi-Switch® Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching. • For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass. • For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed. Since the switching is relay-based, it requires power to pass signal. Power This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

EarthQuaker Devices Blumes ...

1.720,-

Blumes® Low Signal Shredder Blumes® is an all-analog tri-mode soft clipping bass overdrive that carries the torch of the classic screamer circuit but has a voice all its own. While embodying most of the characteristics and features of our beloved Plumes® Small Signal Shredder, this modified circuit has double the gain and a deeper bass response to retain all the low end. It utilizes internal bipolar power, which gives you more dynamics and all the headroom you could ever desire. The end result is a three-dimensional tone with added clarity that really pushes a nice tube amp over the edge. Controls: Gain: This controls the amount of drive.
 Tone: More bass to the left, more middles in the middle and more treble to the right. Level: This controls the output volume. Clipping Modes (3-Way Toggle):
 Symmetrical LED clipping: more crunch and compression. No clipping: wide open OpAmp drive for clean boost. Asymmetrical silicon diode clipping: more transparency with a loose feel. As a bass player, we understand that you often feel neglected within the hierarchy of band constructs, despite the fact that you hold down the rhythmic foundation and make everyone sound better. So that’s why this marvelous yellow box was created specifically for you. But fear not, 6-stringers, this is also the perfect pedal for all of your deep overdrive needs, especially you drop-tuned masters. We see you. This all-analog tri-mode overdrive with soft clipping carries the torch of the classic screamer circuit but has a voice all its own. And thanks to its bipolar power, you'll get more dynamics, clarity, and all the headroom you could ever desire. The end result is a more three-dimensional tone with added clarity that really pushes a nice tube amp over the edge. While embodying most of the kick ass characteristics and features of the Plumes, we went ahead and modified this circuit with double the gain and a deeper bass response to retain all the low end. At lower gain settings, you’ll get all of the crunchy tone you love about the original, but once you get above noon on the Gain control, that’s where the similarities stop. Now you’re in bass country, baby! Get ready to shake some walls and field some angry calls from your neighbors (just send them to voicemail). And much like the Plumes, this pedal offers three different clipping options for your desired low end face melting needs. Mode 1 is symmetrical LED clipping that utilizes a pair of light emitting diodes. This is the crunchiest setting the Blumes has to offer. This signal is less compressed and way more open with tons of output for when you really want to go wild. Mode 2 is a clean pure OpAmp gain boost mode. This eliminates the soft clipping diodes altogether and leaves you with straight OpAmp drive. This will be the loudest output with the fullest frequency response, and can be used as a clean boost when the Gain control is set below 11 o’clock. Mode 3 is an asymmetrical silicon diode arrangement similar to the stock screamer but with more output and clean clarity, which provides more transparent tone. Using this mode gives a warmer low-end response and lower output. It’s fuzzier with half the output and is the most compressed. If you like the fuzzy ends of distortion with a clean undertone, you’ll love this setting. We guarantee it. TECH SPECS Dimensions 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs Current Draw 25 mA Input Impedance 10 MΩ Output Impedance 100 Ω Flexi-Switch® Technology This device features Flexi-Switch® Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching. • For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass. • For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed. Since the switching is relay based, it requires power to pass signal. Power This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES! Artwork Artwork by Jamie Stillman

Diamond Vibrato Pedal

3.850,-

Diamond Vibrato Pedal  All-Analog Bucket-Brigade Vibrato Designed with a 100% audio analog path, updated features and a compact footprint. The Diamond Vibrato started back in late 2006 with a simple yet ambitious idea: crafting an analog, true-pitch Vibrato pedal built around the revered MN3007 bucket brigade device...  It promptly became one of the world's most coveted and sought-after Vibrato pedals. Now, nearly two decades later, the Diamond Vibrato is not only back—it’s better than ever. The latest and greatest version of the Vibrato incorporates decades-worth of end-user feedback, better tech, maximum efficiency, modern features, a meticulous redesign for enhanced player experience and the signature Diamond quality that made the OG Vibrato great. HALF THE SIZE, ALL OF THE SOUND Don’t let the size cause you to underestimate the power packed within. We’ve managed to stuff all the Vibrato’s analog audio path, Compandor and BBD Delay circuits in pedalboard-friendly sized enclosure. By using dual stacked PCB’s, we’ve not only optimized space but also enhanced the isolation of the audio path from the power and switching circuits. Add top jacks, soft-touch True Bypass switching, and standardized negative-center 9-18VDC input with polarity and over-voltage protection for a bulletproof pedal ready for any gig. ANALOG BBD DELAY LINE At the heart of this pedal lies the revered MN3007 Bucket Brigade Delay chip, renowned for its ability to create the rich, organic, and warbling Vibrato & Chorus tones which make the sounds of the 70s and 80s guitar icons. The MN3007 infuses its signature character to your guitar signal—delivering a natural, liquid-like pitch modulation with a rounded vintage texture and mojo that is missing from modern digital counterparts. COMPANDOR MAGIC Our Compandor Circuit adds warmth and complexity by controlling your dynamics. Acting as both a compressor and expander, it not only gives the Vibrato its signature feel and response but also reduces much of the noise inherently found in BBD technology. Borrowed from the Memory Lane Jr., the updated compandor design in the Vibrato provides increased clarity, less distortion and is pre-trimmed therefore will never have to be recalibrated. INPUT VOLTAGE While the original Vibrato could only be powered by an 18VDC reverse polarity power supply (internally regulated to 15VDC) – the new Vibrato offers a much more versatile 9-18VDC operating range. The voltage is internally regulated based on the power input and as a result, the pedal will sound slightly different depending on operating voltage as the clock frequency will shift.     For classic, pristine and lush Diamond Vibrato tones with added headroom, power the pedal at 18VDC like the original. Powering it at 9VDC will add a bit more color and warble—much like the “High Mode” in the original big-box Vibrato. You can take advantage of the added range or just dial back the depth. Better yet, grab a Cioks power supply and try it at 12VDC or 15VDC regardless of what you settle on, the Diamond Vibrato will sound great! As always, we recommend using a good quality, isolated power supply.  Pedal type: Vibrato   Input Impedance:  > 1 MΩ  Output Impedance:  < 10 KΩ  Switching: Relay True Bypass  Power Requirement: 9-18VDC negative tip, 2.1mm Barrel Jack  Current Draw @ 9V:  40mA  Current Draw @ 18V: 45mA  Jazz (UP) High Roll-Off:  5 kHz w/ -3db  Jazz (DOWN) High Roll-Off:  1.5 kHz w/ -3dB  Dimensions:  4.8” x 2.64” x 1.58”  Weight:  280g  Made In Canada 

Revv Tilt Boost Pedal

2.395,-

Revv Shawn Tubbs Signature Tilt Boost Pedal Pulled directly from Tilt Overdrive’s Boost circuit, Tilt Boost provides up to 20dB of organic level with an intuitive Tilt EQ control that simultaneously increases treble and decreases bass (or vice versa). This allows you to instantly fine tune your feel and tone, and combined with the strategic frequency choices of the independent 3-position Tight Switch, means you can use one knob to add fidelity, recover body, or maintain exact control of low end build up when adding level for an authentically clean boost without bloat. A new Drive Switch allows you to engage a fat overdriven tone reminiscent of Shawn’s favorite setting on the full-sized Tilt Overdrive. Perfect for putting your solo over the top, or giving you a bolder, brasher always-on voice. Tilt Boost was explicitly designed for use with any guitar and rig. It is fantastic for “waking up” a backline amp you’re not a huge fan of, or transparently adding organic push to your favorite existing setup. You can use Tilt Boost to quickly account for guitar changes during a set, or into the front of your modeler or interface for some extra analog love. Use it to make solos cut, or musically tighten a brutal high gain tone. The possibilities are only bound by your imagination. Tilt Boost is the ultimate workflow upgrade and tone enhancer that quickly solves problems to ensure you can focus on the music, always capture the perfect performance, and never have to leave tone on the table. Revv’s Tilt EQ has reached its logical conclusion as the compact tone multitool you’ve been asking for. When it comes to size, maintaining the integrity of your favorite amp sound, and turning knobs - less is absolutely more. Take control of your tone with the clear, organic boost you won’t want to turn off. Features • Includes renowned Tilt EQ from Shawn Tubbs for pristine tones. • Offers a generous 20dB boost for ample amplification • True bypass for maintaining signal integrity • Drive voice enhances articulation and power for solos • 3-position Tight switch for personalized Tilt EQ adjustment Pedal: Overdrive Analog/Digital: Analog Inputs: 1 x 1/4" Outputs: 1 x 1/4" True Bypass: Yes Controls: Boost, Tilt EQ, Drive, Tight Power: 9V-12V DC, 25mA

Death By Audio Octave Clang ...

3.290,-

Death By Audio OCTAVE CLANG V2 Fuzz & Octave Up The OCTAVE CLANG V2 is a pseudo-ring/distortion/noise/octave pedal that creates its unique sound from a specially sourced transformer and precision-matched diodes. This generates extremely rich harmonics and pure totally analog octave up. The octave effect is created by adding two out-of-phase half-wave rectified copies of your signal together. This works well for single notes, but when complex chords and waveforms are presented to the circuit, it mangles and twists them in an organic and beautifully chaotic way. OCTAVE CLANG V2 provides up to 39dB of gain and features a powerful pre-gain tone circuit using a unique tilt EQ. Internally the pedal offers a Bias control that allows the distortion circuitry to be misbiased for an even rougher sound. Use this pedal as a great distortion pedal with the octave off, and then kick on the octave to bring down the house! Main Freatures: • Fuzz effects pedal with Octave-Up • Enhanced version 2 of Death By Audio’s OCTAVE CLANG circuit with switchable octave using specially sourced transformers and precision-matched diodes • Creates a unique pseudo-ring/distortion/noise/octave sound by adding two out-of-phase half-wave rectified copies of your signal together • Provides up to +39dB of gain • Powerful pre-gain tone circuit with tilt EQ. • Internal Bias control - allows misbiasing the distortion circuitry, for a rougher sound • True Bypass Switching • Top-mounted jacks for easy pedalboard mounting • Made in the USA • Powered by regular (opt.) 9 V DC PSU     (centre -, 2.1 mm, ~10 mA current draw)

Daredevil Pedals Silver Solo ...

2.990,-

SILVER SOLO - Silicon Boost the SILVER SOLO.... -silicon transistor ‘range’ style gain circuit - great as a boost or “always on” tone generator -variable EQ range & true bypass It's not like all the others... This boost has a tighter low end, sharper bite, and more output than the usual germanium Rangemaster clones. The Silver Solo is a redesigned version that uses Silicon transistors and a tone blending option to achieve it's sweet spot. It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut. You’ll get more sustain and a sweet harmonic edge to each note. I use it for solos, but this one also works great for adding cut to your rhythm tone. The “Range” control adjusts which frequencies are pushed up. Fully CW is the classic bright treble boost, sweeping it CCW gradually includes more low end until reaching a full range boost. Take a vintage Marshall and push the front end for earlier breakup. Add some beef to single coils, get rippin 80’s metal tones, or brighten those vintage tweed amps like Billy Gibbons, this pedal does it all. Most notably heard on the first Sabbath album, Clapton’s Bluesbreakers, T.Rex, and Queen albums, this is a secret weapon of great tone. The Silver Solo interacts with your guitar best when used first in the pedal chain. True bypass with a 9V DC jack. "I swear by this pedal... kicks the shit out of any Rangemaster I've had. Now I gotta get another one! I keep pulling it out of my board at Conan to use outside the show." - Jimmy Vivino (Fab Faux, Conan Show) Main Features: • Treble Booster Effects Pedal • Silicon transistor range style gain circuit • Great as Boost or ‘always-on’ tone generator • Variable EQ range - for adjusting the pushed frequency range - from classic treble boost to full range boost • Great for stacking with other effects and amps • Reacts great to volume roll-off when put first in the signal chain • True bypass switching • All hand-wired in Chicago, IL, USA • Powered by (opt.) 9V battery or (opt.) regular 9V DC PSU (centre -, 2.1 mm, <100 mA current draw)

Daredevil Pedals Premium ...

2.990,-

Daredevil Pedals Premium Hand-Crafted Transistor Overdrive The Premium is a hand-wired, transistor-based Overdrive, inspired by the classic Colorsound power boosts of the early 70s. This pedal carries a bright control tone stack, more gain and increased low end, making it sweet for bass as well. While the Post knob controls the volume, Pre controls the gain and the Bright control adds more bite as you turn it up. The drive the Premium offers sounds like a very natural amp-style gain. It's open and raw, gets great feedback when cranked and stacks very well. These are nowhere in the realm of TS overdrives, so if that's what you want, look elsewhere. Warm and bluesy, saturated full stack crunch, bright gain boost for solos - it's in there. Main Features: • Natural Overdrive Effects Pedal • Transistor-driven circuit that offers any style of gain, from low to high • Inspired by the classic early 70’s Colorsound power boost • Offers warm and bluesy saturated full-stack crunch and bright gain boost for solos • Stacks well with other pedals and amps • Small, pedalboard-friendly format • True bypass switching • All hand-wired in Chicago, IL, USA • Powered by (opt.) 9V battery or (opt.) regular 9V DC PSU (centre -, 2.1 mm, <100 mA current draw)

Daredevil Pedals Northern ...

2.990,-

Daredevil Pedals Northern Creeper Med to High-Gain Silicon Fuzz The Northern Creeper is a true Daredevil Pedals original - now with updated new artwork this is the exact same classic circuit as the original. Balanced, gritty, sweet, and loads of sustain, it contains one of the best all-round fuzz tones, reminiscent of early 70s fuzzes by Shin-ei or Maestro. It stays tight for chords, crunches when you want it to and covers a huge range of vintage fuzz colors and tones. All hand wired with silicon transistors and true bypass, the Northern Creeper is an original circuit design and one of the oldest pedals in the Daredevil lineage. This is what you hear in your head when somebody mentions Vintage Fuzz. More output, even tone response and more gain. Big, gritty, blown out and saturated, but tight enough to hold its own in a live setting. The Northern Creeper has a raspy, crunchy edge and loads of sustain with a little bit of low-end sag. You can even get a more starved feel using the “ol’ dying battery” approach. It also really opens up and adds a bit of harmonics with a cranked tube amp. Toss one in your boogie van and spread some fuzz! Main Features: • Silicon Fuzz Effects Pedal • Medium to High-Gain vintage-style original circuit • Stays tight for chords, crunches when you want it to, covering a huge range of vintage fuzz colors and tone • Balanced EQ range for great lows and lots of mid bite • True bypass switching • All hand-wired in Chicago, IL, USA • Powered by (opt.) 9V battery or (opt.) regular 9V DC PSU (centre -, 2.1 mm, <100 mA current draw)

Daredevil Pedals Drive-Bi ...

2.990,-

DRIVE-Bi - Dual Gain Distortion -op amp powered gain circuit -2 channels of distortion, low & Hi -natural amp sound and rich harmonics The Drive – Bi is a dual channel, op-amp gain circuit. Designed to cover medium to high level amp style drive that is extremely dynamic and raw. Low channel adds grit, sustain, and overdrive to your amp while still pushing output. Hi gain mode expands low end, saturation, and output compression for huge warm tones. This is one of the most natural sounding gain pedals on the market. Great for solo boosts as well. VOLUME – Controls effect output GAIN – Amount of circuit drive HI / LOW – Selects between both channels of gain -True bypass, runs on 9V battery or DC supply “I just picked up your Drive-Bi pedal …I’ve had over a hundred pedals over the years, but this is honestly the best dirt pedal I have ever played. I don’t know how you did it but something magical happens when you adjust the two knobs. I can’t get a bad sound out of it and to think it doesn’t even have a tone knob! Awesome job on this one, you now have a new forever fan!” -Jeff M.

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