Dreadbox TREMINATOR Smashing ...

2.150,-

Dreadbox TREMINATOR Smashing Tremolo The Dreadbox TREMINATOR is based on a synthesizer’s last signal flow stage, called the VCA (Voltage Controlled Amplifier). Our development team took this simple circuit and adapted it to a really expressive effect pedal, which is combined with an LFO that is controlled by Envelope Generators. Forget everything you knew about tremolos and prepare to be amazed… TREMINATOR features a wide LFO range of 20 seconds to 220 Hz with two envelope Generators to control the LFO behavior. It offers five selectable wave shapes that allow you to create many flavours of tremolo ranging from classic triangle, or square wave to sawtooth, reverse sawtooth and random amplitude modulation. Its Fade knob controls a Fade In or Fade Out over the tremolo depth Designed to interact with modular synths and CV gear as well as stringed instruments, it offers three patch points that make it usable as standard classic triangle tremolo or signal chopper. Also it can be used as Volume pedal via external CV,LFO Generator for other CV gear or LFO Accelerator / Deaccelerator. As well as Fade In/Out LFO and much more. Main Features: • Analog Tremolo Effects Pedal • VCA circuit straight out of a synthesizer • Analog signal path with digital Modulations • Wide Range LFO (20sec-220Hz) • Tap Tempo with multiple division settings • 5 selectable Waveshapes o Sawtooth o Triangle wave o Reverse Sawtooth o Square wave o Random • 2 Envelope Generators to control the LFO behavior • 3 patch points to interact with modular and CV gear o VCA - controls pedal level, even in bypass o CV IN - controls LFO rate o CV OUT - sends LFO out • Secondary control functions accessible by holding down the ON Footswitch • Silent CMOS Buffered Bypass Switching • Powered by opt. 9V DC power adapter (2.1 mm, center -, 80 mA current draw)

Dreadbox RAINDROPS Stereo ...

2.970,-

Dreadbox RAINDROPS Stereo Delay / Pitch Shifter / Reverb The Dreadbox RAINDROPS is a Hybrid Delay/Pitch Shifter/Reverb pedal that takes the concept of short echoes to a different level. It is equipped with multiple delay stages and different chips and you can choose between 3 different play modes, where in each one you can have a whole new experience and alternative soundscapes. You can achieve from simple short echos, to long, dirty and lo-fi delays and from simple pitch shifting bursts to extensively lasting reverbs. RAINDROPS offers Delay times from 50ms up to 1 sec with tap tempo, while above 700ms it starts to become lo-fi and some dirt is added to the repeats. Its three distinct alrorithms make it useable as a standard delay, Modulated Delay, Shimmering Delay, Delay with Reverb on the repeats, simple lush Reverb, pitch shifted Delay or plain Noise Machine. The true stereo in and outs and the preset memory for each algorithm make it a versatile companion for creating subtle ambience to vast soundscapes. Main Features: • Stereo Delay, Pitch Shifter, Reverb Effects Pedal • Hybrid circuit with multiple delay stages and ICs • Delay times from 50ms up to 1 sec with tap tempo • 3 selectable algorithms with preset memory for each o Modulated Delay o Pitch-Shifted Delay o Large Lush Reverb • True stereo inputs and outputs - suitable for audio, line or instrument level input up to 2Vpp level • Analog dry signal path with Hybrid Delay and Digital Reverb paths • Tap Tempo with multiple division settings (accessible via secondary knob control functions) • Switchable Delay Tails • Secondary control functions accessible by holding down the ON Footswitch • Silent CMOS Buffered Bypass Switching • Powered by opt. 9V DC power adapter (2.1 mm, center -, 220 mA current draw)

Dreadbox LETHARGY 8-Stage ...

2.190,-

Dreadbox LETHARGY 8-Stage Phase Shifter Lethargy derives from the greek word for forgetfulness, “Lethe”. It is a state of being drowsy and dull. The feeling of having little energy or of being unable or unwilling to do anything. Dreadbox LETHARGY is an OTA based Phase Shifter effect pedal suitable for fretted instruments and synthesizers, with eurorack patch compatibility. This is not where the LETHARGY ends however though, as it gives you control over the balance between the LFO and Manual controlling the phase shifting as well as two selectable waveforms for the LFO - triangle and square wave The Feedback control allows you to create sounds ranging from smooth pitch vibrato and vibe effects to feedback-ladden distorted extreme phase shifting. The pedal’s Rate control ranges from very (very!) slow - hence the name - up to 110 Hz which puts it into FM territory. Its three patch points grant CV control over the Manual and Rate knobs and provide you with an LFO output, making the LETHARGY a perfect device for synth fans. Main Features: • 8-Stage Phase Shifter Effects Pedal • Fully Analog OTA-based Phase Shifter • Offers extremely wide LFO range of as slow as 15 seconds up to 110 Hz • 2 LFO wave shapes o Triangle - for classic, casual phaser effects o Square Wave - for choppy, rhythmic phase shifting • Adjustable balance between LFO and Manual control modulating the phase shift • 3 patch points to interact with modular and CV gear o MANUAL - accepts CV to control the Initial Phase Shift Degree at +/- 5V o RATE - accepts CV to control the Phasing Rate at +/- 5V o LFO OUT - sends out the LFO at +/- 5V • Silent CMOS Buffered Bypass Switching • Powered by opt. 9V DC power adapter (2.1 mm, center -, 90 mA current draw)

Dreadbox KOMOREBI Chorus / ...

2.190,-

Dreadbox KOMOREBI Chorus / Flanger Komorebi is a japanese, untranslatable word, which eloquently captures the effect of sunlight streaming through the leaves of the trees. The Dreadbox KOMOREBI is a BBD Chorus / Flanger effect pedal suitable for string instruments and synthesizers, which is also eurorack compatible. KOMOREBI is not your average Chorus pedal though, it offers 3 LFO wave shapes to drastically change the sound of the Chorus and due to its wide delay time range and the adjustable feedback also produces stellar Flanging sounds. The pedal’s Rate control ranges from a glacial 15 seconds up into FM territory while its Static control paired with the adjustable balance between Static and LFO controlling the Modulation makes it a great and uniquely versatile Chorus / Flanger as well as a static Comb Filter. Its three patch points grant CV control over the Static and Rate knobs and provide you with an LFO output, making the KOMOREBI a perfect device for synth fans. Main Features: • Chorus / Flanger Effects Pedal • Fully Analog Bucket-Brigade-based circuit with delay times of 2 ms to 40 ms • Offers extremely wide LFO range from 15 seconds up to FM speeds • 3 LFO wave shapes o Sawtooth o Triangle Wave o Reverse Sawtooth • Adjustable balance between LFO and Static control modulating the Chorus / Flanger effect • 3 patch points to interact with modular and CV gear o STATIC- accepts CV to control the Delay Time at +/- 5V o RATE - accepts CV to control the Filter at +/- 5V o LFO OUT - sends out the LFO at +/- 5V • Silent CMOS Buffered Bypass Switching • Powered by opt. 9V DC power adapter (2.1 mm, center -, 100 mA current draw)

Dreadbox KINEMATIC Compressor ...

2.150,-

Dreadbox KINEMATIC Compressor / Filter Kinematic is a Greek based word (Κίνημα), which describes motion - of points, bodies or systems of bodies, without the consideration of the forces that cause them to move. The Dreadbox KINEMATIC is a VCA based Compressor and an Envelope Filter effect pedal suitable for fretted instruments and synthesizers, with eurorack compatibility. This is not all however - KINEMATIC features an integrated drive circuit that can add soft overdrive up to big, fat distortion to your sound. The Envelope Filter provides a slow envelope curve that can be used as Auto Wah or Low Pass Filter, while the Compressor offers a substantial level boost in addition to providing soft to limiting brickwall-style compression. Its three patch points grant CV control over the Filter and Level knobs and provide you with an EG output, making the KINEMATIC a perfect device for synth fans. Main Features: • Compressor / Filter Effects Pedal • Fully Analog VCA based Compressor - offers Level Boost up to +18dB • Envelope Filter with slow Envelope curve useable as Auto Wah or Low Pass Filter • 2 modes of operation o COMP COLOUR - Compressor with Frequency Booster o ENV FILTER - 12 dB Low Pass Filter with Auto Wah • Integrated post Diode Overdrive Circuit - adds drive in the end of the circuit • Extreme compression ratio for brickwall style limiting compression • 3 patch points to interact with modular and CV gear o FILTER - accepts CV to control the Filter at +/- 5V o LEVEL - accepts CV to control the Level at +/- 5V o EG OUT - sends out the Envelope Generator at 0-7V • Silent CMOS Buffered Bypass Switching • Powered by opt. 9V DC power adapter (2.1 mm, center -, 85 mA current draw)

Dreadbox DISORDER Oscillating ...

1.690,-

Dreadbox DISORDER Oscillating Filter Fuzz “The disturbance in physical or mental health or functions. It could be defined as a set of problems, which result in causing significant difficulty, distress, impairment and/or suffering in a person’s daily life.” The Dreadbox DISORDER is a very aggressive fuzz pedal with a twist. It is equipped with a self-oscillating filter, that allows you to produce oscillating fuzz sounds. This makes it perfect for achieving vintage aggressive transistor-based Gated Fuzz tones. Additionally it has a low pass and high pass filter, that makes it suitable for guitar and bass as well. Finally an envelope follower with two patch points that allow you to interact with modular and CV gear is also present, allowing you to create expressive wah wah sounds. DISORDER’s wide tonal range with excellent low end response and the practically unlimited volume boost make versatile effect suitable for achieving anything from full range drive, screaming oscillating Fuzz, Fuzz Wah sounds, as well as use as sub sonic booster. Main Features: • Fully Analog Filter Fuzz Effects Pedal • Vintage Transistor based Aggressive Gated Fuzz with wide tonal range • Advanced Oscillating Low Pass or High Pass Filter o Excellent Low End response for Bass Guitars o Screaming High Pass Filter for Guitars • Expressive Envelope Filter with 2 patch points to interact with modular and CV gear o FILTER - accepts CV to control the Filter at +/- 5V o ENV OUT - sends out the Filter Envelope at 0-5V • Internal trim pot for adjusting input gain • Silent CMOS Buffered Bypass Switching • Powered by opt. 9V DC power adapter (2.1 mm, center -, 65 mA current draw)

Dreadbox DARKNESS Stereo ...

2.990,-

Dreadbox DARKNESS Stereo Reverb Darkness is the deficiency or absence of light. I Love You But I’ve Chosen Darkness… Dreadbox DARKNESS is a Digital True Stereo Reverb effect pedal and it is a result of a collaboration with Sinevibes. Technically, the Dreadbox DARKNESS is a Granular Pitch Shifter, followed by the famous large Reverb found on their Typhon synthesizer and ending up to a gate generator. In addition to this, there is also a micro looper that can hold up 150ms of the input signal, in order to create a freeze effect. Experimenting is strongly suggested. By combining two of Sinevibes’ exquisite Algorithms, the Dreadbox team took things even further by extending the code and making these suitable for use as an effect pedal. Dreadbox favours open architecture in most of their devices, so instead of having several switched algorithms, DARKNESS has a single versatile and flexible formula, that can create from Small and Smooth Reflections up to Huge Shimmering and Endless Reverbs. Main Features: • Stereo Shimmer Reverb Effects Pedal • 32bit @ 48kHz Digital Effects Processor • Decay times up to 30 seconds • Selectable Pitch Shift (+/-12 semitones) with variable mix amount for shimmering sounds • Variable Time Scale with Modulation (Triangle or Sample & Hold) • Fully Adjustable Dry/Wet Balance up to 100% Wet • Freeze/Micro Looper function - loops 150 ms of the input signal • True stereo inputs and outputs - suitable for audio, line or instrument level input up to 2Vpp level • 2-Pole Damping Filter (High Pass or Low Pass) • Versatile switchable Gate effect with variable Attack and Release Times • Switchable Reverb Tails • Secondary Reverb and Gate control functions o Holding down ON Footswitch accesses secondary Reverb controls o Holding down HOLD Footswitch accesses Gate Controls • Silent CMOS Buffered Bypass Switching • Powered by opt. 9V DC power adapter (2.1 mm, center -, 150 mA current draw)

Source Audio ZIO Analog Bass ...

3.121,-

Source Audio ZIO Analog Bass Preamp+DI All-analog Preamp and DI for Bass Guitar The ZIO Analog Bass Preamp + DI is an ultra-low noise, all-analog preamp and DI for bass guitar. The pedal offers maximum headroom and a simple but flexible set of tone shaping controls. ZIO Bass can be used as a direct input using the balanced XLR output for connection to a mixer or audio interface as well as with headphones through its dedicated headphone jack. Main Features: • Preamp and DI effects pedal for Bass Guitar • All-analog ultra-low noise and distortion preamp • +/-12V high voltage rails for active and passive basses • Full tone-shaping control set with FOCUS high pass filter • GRIT and SCOOP modes for added tonal character options • Balanced XLR Direct Output with optional ground lift • Headphone output for direct monitoring • True Bypass Switching • Powered by (included) 9V DC power supply (2,1 mm plug, center -, 200 mA current draw) The ZIO Bass features a simple control panel. The OUTPUT knob offers +12db of additional boost plus a significant amount of cut. The BASS and FOCUS controls work best in tandem – use the BASS knob to increase low-end output and the FOCUS knob (which adjusts the cut-off point of a high-pass filter) to eliminated excessive lows and create added punch. The TREBLE knob boosts or cuts the high frequencies, providing enhanced articulation without adding harshness. The GRIT toggle enables a mild distortion to mimic the transformer-style breakup from high-end bass amps. GRIT mode’s gain level can be adjusted for more or less distortion with the GAIN control located on the side of the pedal. The SCOOP toggle engages a special midrange cut to clean up “muddy” mid-range frequencies. The SCOOP profile is based on the “Pultec Trick” – a setting commonly used with vintage Pultec Equalizers to add clarity. The pedal has three outputs that can be used individually or simultaneously. The OUTPUT jack connects to an amplifier or pedalboard. The DIRECT OUT is a balanced XLR output that sounds great running into a mixer or audio interface for recording or live sound applications. The HEADPHONE jack features a high dynamic range, low-noise amplifier that is capable of driving low impedance studio headphones.

Source Audio NEMESIS Delay ...

4.464,-

Source Audio NEMESIS Delay ADT Multi-Engine Stereo Delay with Analog Dry Through The NEMESIS Delay ADT is an updated version of Source Audio’s award-winning NEMESIS Delay. It has all the tones and features that made the original NEMESIS so popular and includes some key updates including an analog dry through signal path. Analog dry through means that the guitar’s dry signal maintains a 100% pure and unprocessed analog signal adding only the delay you choose. Other new features include enhanced MIDI functionality, 100 factory loaded presets, and an updated collection of delay effects easily accessible with the pedal’s intuitive interface. The updated NEMESIS is also compatible with over 1,000 Neuro user presets created for the original NEMESIS Delay. Additional NEMESIS Delay ADT features include stereo ins & outs, full MIDI functionality with 5-pin MIDI DIN and through ports, tap tempo with 15 different beat divisions, 8 onboard presets (128 with MIDI), bypass trails, external expression control, and a delay “freeze” function engaged by holding down the tap tempo footswitch. Main Features: • Stereo Delay effects pedal • Analog Dry Through path (NEW!): - when engaged the instrument’s dry signal remains completely unprocessed, maintaining a 100% pure analog signal path that runs alongside the delay effect • 12 onboard delay engines o Slapback: short single-repeat echo based on early tape delay machines o Digital: classic clear digital delay with optional delay time modulation o Diffuse: delay line with a diffusion effect that smears the attack of the repeated signal, reminiscent of classic “oil can” o Analog: sound of classic bucket brigade analog delays - warm, resonant and increasingly lo-fi o Tape: detailed re-creation of classic moving-head tape delays that captures the characteristic flutter, warmth, and color o Noise Tape: detailed re-creation of classic fixed-head tape delays with grittier and darker repeats, capturing the sound of old or damaged tape. o Resonant (NEW!): a analog-voiced delay with pleasant midfrange resonant peak, capable of self oscillation o Shifter: delay with polyphonic pitch-shifting on the delayed signal (octave up or down, minor or major 3rds, 4ths, and 5ths) o Helix: angelic delay effect combines reverse delay with an octaver to create a strange, shimmering delay that disappears into the upper frequency range o Reverse: creates several overlapping reversed delays that fade in and fade out regularly to create a pulsing tremolo effect o Oil Can (NEW!): a faithful recreation of the dark, jangly and warbling distorted repeats of vintage oil can delay units o Drum Echo (NEW!): inspired by the magnetic drum tape echo of a Binson Echorec unit • Additional engines and deep customization features accessible online via Source Audio Neuro App and Desktop Editor • 8 Presets accessible via onboard controls, 120 more presets recallable via MIDI • Mix knob - for adjusting between 100% Wet/Dry Balance plus global Kill-Dry Mode • EXP/Switch input with selector switch for selecting external control source between Switch EXP pedal) • Stereo Inputs and outputs - for multiple advanced routing options • Tap Tempo with dedicated footswitch and Sub-Divisions (quarter note/dotted eight note/triplets) • Hold (a.k.a. “Freeze”) function - Use the tap tempo switch to freeze a small portion of the delay in a continuous loop • MIDI IN and MIDI THRU connections • Mini USB Port for PC connectivity (Windows and Mac compatible) and remote control • 3.5 mm control port - for connecting compatible Source Audio control devices • Selectable Relay True or Buffered Bypass Switching with selectable Trails Mode • Included 3.5 mm to 6.3 mm TRS cable to connect to mobile device • Powered by (included) 9V DC power supply (2.1 mm plug, center -, 200 mA current draw)

Source Audio COLLIDER Stereo ...

4.799,-

Source Audio COLLIDER Delay+Reverb Stereo Dual DSP Reverb and Delay Design complex soundscapes in seconds with the COLLIDER Delay+Reverb. We hand-picked 12 standout delay and reverb effects from our award-winning NEMESIS Delay and VENTRIS Dual Reverb, and put them together in one compact housing with massive power and dead simple control. The COLLIDER’s intuitive control surface makes it easy to mix-and-match any two-engine combination of delay and reverb. Dual footswitches provide individual Engage/Bypass control over each effect, making it a perfect choice for live performance. Main Features: • Stereo Delay and Reverb effects pedal • Dual Processing - 2 Identical dual 56-bit signal processors allow use of 2 reverb engines simultaneously • 7 onboard reverb engines o ROOM: captures ambient reverberations of a variety of room sizes from warm and intimate household room to a larger theatre sized spaces o HALL L: patterned after the lush sounds of studio rack units from the 80s, with highly diffused tones and glorious blooming characteristics o TRUE SPRING:  perfectly captures the sweet idiosyncrasies of vintage spring reverb tanks with exceptionally realistic “drip” o PLATE: meticulously crafted simulation of vintage plate reverb units from the 50s and 60 blasting audio into the face of a large plate of suspended sheet metal o E-DOME:  produces long cavernous reverb trails with a lovely smooth and lush modulation invoking the sound of massive arena o SWELL: applies a volume swell effect to your instrument’s dry signal, which is then fed into the reverb effect for amorphous clouds of sound • 5 onboard delay engines: o DIGITAL: pristine and unfiltered digital repeats o ANALOG: reproduces the characteristic dark sound of bucket brigade analog delays o TAPE: detailed re-creation of classic moving-head tape delays that captures the characteristic flutter, warmth, and color o REVERSE: creates several overlapping reversed delays that fade in and fade out regularly to create a pulsing tremolo effect o OIL CAN : dark, jangly, warbling and distorted delay inspired by old oil can designs - previously only available as additional Delay engines on NEMESIS • Deep customization features accessible via Source Audio Neuro App and Desktop Editor • 8 Presets accessible via onboard controls, 120 more presets recallable via MIDI • Mix knob - for adjusting between 100% Wet/Dry Balance plus global Kill-Dry Mode • EXP/Switch input with selector switch for selecting external control source between Switch EXP pedal) • Stereo Inputs and outputs - for multiple advanced routing options • Tap Tempo with onboard footswitch and Sub-Divisions (quarter note/dotted eight note/triplets) • Knobs switch for switching the control interface between Reverb or Delay effects and locking knob settings • MIDI IN and MIDI THRU connections • Mini USB Port for PC connectivity (Windows and Mac compatible) and remote control • 3.5 mm control port - for connecting compatible Source Audio control devices • Selectable Relay True or Buffered Bypass Switching with selectable Trails Mode • Included 3.5 mm to 6.3 mm TRS cable to connect to mobile device • Powered by (included) 9V DC power supply (2.1 mm plug, center -, 300 mA current draw)

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