Fulltone Supa-Wah Pedal

4.590,-

Fulltone Supa-Wah 5 voice Wah Wah with BC109B transistors The Supa-Wah takes Fulltone’s legendary Clyde Wah concept to the next level by offering two additional modes: Phat is the throatiest, most vocal Wah sound while Sub is deep, grunty, and unbelievably expressive, plus it works great on Bass too. The Supa-Wah is powered by a matched-pair of rare BC109B transistors which were the same ones used in 60’s Vox Clyde McCoys. An adjustable input Level knob allows the signal to hit the wah circuit cleanly or to overdrive it for grit and more overtones. On the left side is a switch to engage a JFET Buffer/Booster allowing you to kick the volume up (as much as 20dB) while interfacing better with hi-gain amps and offering optimal isolation from pedals that follow in the chain. Fulltone treadles have more travel than traditional enclosures and incorporate nylon pivot-points which can be micro-adjusted to the desired feel. Fulltone’s custom-crafted components also ensure high quality sound as well as unprecedented isolation from outside noise. Their MU-80 Inductor is hand-made in the USA and crafted with exactly the same type of core material, wire and inductance as the 60’s era Vox Wahs, plus the MU-80 has a MuMetal cover that rejects stray hum fields. The custom-made FWP-2 Potentiometer has high resistance and the same taper as 60’s Icar pots used in vintage Vox Wahs, plus its triple-screened carbon-composition track gives a minimum 500,000 turn lifespan. The Supa-Wah’s 16 gauge cold-rolled-steel enclosure is not only super-tough but also blocks most external noise from entering the pedal. An added Grounding Strap connecting the bottom-plate to the main housing creates a tremendous reduction in 60-cycle hum and increased Radio Frequency rejection. Main Features: • Wah pedal • Fulltone’s legendary Clyde Deluxe Wah with two additional modes • 5 distinctly voiced wah modes o Sub - deep grunty and expressive, almost synth-like - also great on bass o Wacked - reminiscent of old Colorsound wahs, “wow” sound with deep bass response o Phat - throaty, vocal Wah sound, perfect for guitar o Jimi - recreation of the late 60’s Vox Clyde McCoy wah sound used by Hendrix and Clapton o Shaft - shifts the wah range up a little to capture the ‘70’s sounds of funk classics and cheesy movie soundtracks • Matched pair of rare BC109B transistors used in 60’s Vox Clyde McCoy Wahs • Switchable JFET Buffer/Booster - up to +20 dB • Fulltone hand-crafted MU-80 inductor with MuMetal cover and custom DWP-2 potentiometer with the characteristics of vintage components • True Bypass via Fulltone’s 3PDT footswitch • 100% hand-built in the USA • Powered by 9V battery or opt. 9-18 V DC PSU (centre -, 2.1 mm, ~5 mA current draw)

Fulltone Supa-Trem 2 v2 ...

3.790,-

Fulltone Supa-Trem 2 v2 Upgraded tremolo and now even smaller! The Supa-Trem 2 v2 has two identical separate circuits in true stereo with 2 inputs and 2 outputs. It also has enhanced-bypass thanks to hi-quality JFET buffered outputs, plus offers Tap Tempo with speeds so slow that it takes 6+ seconds to pan between the outputs or super-fast speeds in excess of 200bpm. Holding down on the Tap Tempo switch for 3/4 of a second enables true Half-Speed/Double-Speed. The Volume knob has 15db of available Boost, which acts as a fine clean boost with the Mix knob down. The Phase Correlation knob is a Fulltone exclusive allowing you to throw the outputs any degree in or out of Phase with each other, giving a hint of "naturally occurring" Harmonic Phase-shift as your guitar pans between the amps with the knob set full out of phase or a massive throbbing Tremolo with no panning when knob is set to full in-phase. Then there's the waveform switch that offers either a standard sine, a true square which is brutally abrupt and choppy at any speed even with hi-gain amps, and "Warble," to approximate vintage Leslie and Univibe waveforms. Version 2 is about half the size of the Supa-Trem 2 and debuts the incredible square wave mode. v2 also adds an external tape jack. Finally, v2 has the same JFET inputs, JFET op-amps, and JFET outputs, but with the latest Fulltone Custom Made Optocouplers offering a far wider range of Tremolo intensities than previously available.

Fulltone Robin Trower ...

2.750,-

Fulltone Robin Trower Overdrive The Fulltone/Robin Trower connection goes back much further than the 15 years that Fulltone has been Robin’s exclusive choice for OD, fuzz, wah-wah, and ‘vibe pedals. Robin Trower is known for TONE. While working with Robin during his 2008 tour, I developed an overdrive truly worthy of the Trower namesake. Touch responsive, huge sounding, sustain for days... and crystal clear when the guitar's volume knob is reduced for great live dynamics. Being that Robin uses Fenders as well as Marshalls, it had to work well with both types... and it does. And Robin hits so hard that the front end of the pedal had to be tuned for those .012-.048 tuned-down strings. The RTO holds tight and smooth for Strat and Les Paul players alike. Robin's quite happy with the way it turned out, and I think you will be too. Robin’s own words: “The RTO is the smoothest, most natural sounding Overdrive I have ever used… but the fact that it enhances my guitar’s character tone is what made me LOVE it!” Main Features: • Robin Trover Signature Overdrive effects pedal • JFET Op Amp feedback loop design without input buffer for natural sounding, slightly asymmetrical waveform • True Bypass Switching • 100% hand-built in the USA • Powered by 9-18 V DC PSU (centre -, 2.1 mm)

Fulltone Ranger Treble ...

3.450,-

Fulltone Ranger Fulltone’s Rangemaster treble booster clone In pure Fulltone fashion, the new Ranger has been made with top-quality components and high-end craftsmanship, with extensive knowledge and great listening skills. Ranger has been thoroughly tested, played, and listened to before being modified, played and adjusted again, over and over until the result was satisfying enough to fit Fulltone’s very high standards. Just like all the other wonderful effects from Fulltone, all this attention to detail makes the Ranger a unique and truly great sounding pedal and so it may very well be the greatest Rangermaster treble booster clone ever made. Features: • PNP (Positive to ground) Germanium pedal • Proprietary Power supply design - allows the pedal be powered by any standard NPN (Negative to Ground) PSU • 6-position rotary switch - 6 different sounds, including Rangemaster 1 and Rangemaster 2 • Sexy amber light jewel • Top-mounted jacks & DC port • Adjustable Transistor Bias trimmer - want it soft or hard? Want more or less chime? Just turn and adjust by ear, there is no wrong setting • It’s a tiny pedal (12 x 7.4 cm) yet there’s a battery in it too! • 100% Hand-Made in Los Angeles, using full-size components

Fulltone Queen Bee Germanium ...

3.490,-

Fulltone Queen Bee Sparkle Gold 3 x Germanium Fuzz The Fulltone Custom Shop Queen Bee is powered by 3 NOS Military “Flying Saucer” germanium transistors in an original design that behaves in an amp-like manner, responding dynamically to the input from your hands and guitar. Great clean-up by lowering the guitar’s volume knob, sweet mids, clarity, sustain, harmonics... It’s all there! Its first 2 transistors are configured to achieve maximum gain in order to hit transistor #3 extremely hard, creating more sustain and distortion than is possible with 2-transistor Fuzzes while making the pedal rather low-noise for such a high-gained design. The Queen Bee also has a lot of midrange! Fender amp owners will appreciate the Passive Hi-Cut Treble control for taming the treble, and further sonic sculpting via the Bass switch (placed before transistor #3) tailoring the low frequencies and keeping the bottom-end tight. This pedal has a wildly asymmetrical waveform high in second-order Harmonics, culminating in a sweet, rich, commanding voice with tons of sustain. Inside the pedal is a trimmer for adjusting the bias of transistor #3 by a range between 2 and 6 volts DC. A slight turn results in a drastic change in sound, in volume, and in compression characteristics. Suddenly firm becomes soft, bright becomes warm, grainy becomes smooth. The Queen Bee has True-Bypass switching via the Fulltone 3PDT footswitch for maximum signal integrity while the pedal is bypassed. Because the Bee utilizes Germanium transistors it should only be powered with a battery or a “Center Positive,” well-regulated power supply. Fulltone Queen Bees are 100% Hand-Built in the USA. • Fuzz pedal • 3 Germanium transistors • Lots of sustain, distortion and midrange • Passive Hi-Cut Treble control • 3-position Bass switch • Internal Bias trimmer for transistor #3 • True Bypass via Fulltone's 3PDT footswitch • 100% hand-built in the USA • Powered by 9 V DC PSU (centre +, 2.1 mm, ~5 mA current draw)

Fulltone PlimSoul mkII ...

3.190,-

Fulltone PlimSoul mkII Soft And Hard Clipping Overdrive Clipping = Distortion, and for many years players have only been offered two clipping choices: Soft-Clipped or Hard-Clipped. Soft-Clipped pedals such as Tube Screamers, Fulldrive2, OD-1, etc, get their distortion by using diodes placed in the feedback loop of their Op-amps. This type of clipping produces a cleaner, more compressed, low-to-medium gained Overdrive sound. The other choice are Hard-Clipped pedals like the RAT, Distortion+, Boss DS-1, etc. These pedals create distortion using diodes tied to ground or, unique to the Fulltone OCDv2, Mosfets that are tied to the half-way point between 9 volts and ground, offering a more natural sounding distortion, which resembles the sag or feel of an amp’s tube rectifier. The original PlimSoul is the only pedal to offer both Soft & Hard clipping with separate control over each. I designed the PlimSoul’s unique, independent dual-stage clipping circuit to replicate not only the sound, but the feel of a tube amp with its subtleties and complexities, resulting in my being granted U.S.Patent # 8471136. The Fulltone PlimSoul mkII is Hand-Built in the U.S.A. using top-notch, full size components, many of which are designed by and exclusively for Fulltone.   Main Features: Dual Stage Overdrive pedal with independent Soft- and Hard-Clipping Stages Hard Clipping circuit using two Germanium diodes for symmetrical hard clipping with aggressive, punchy gain Soft Clipping circuit for extremely asymmetrical soft clipping with low-to-medium gain Infinite overdrive combinations Increased input impedance increased of 1.1 Megaohms - for even better interaction with guitar’s Volume knob Passive Hi-Cut Treble control 3-position Bass switch True Bypass via Fulltone’s 3PDT footswitch 100% hand-built in the USA Powered by 9-18 V DC PSU (centre -, 2.1 mm)

Fulltone OCD-Ge Germanium ...

2.790,-

Fulltone OCD-Ge Must-have overdrive - now with Germanium diodes The OCD pedal is the only pedal that uses 2 x Mosfets configured as "hard clipping to Vref." The earliest OCDs used 2 x Mosfets plus 1 x Germanium diode, but very quickly these diodes became harder and harder to find, and they became expensive. Fulltone recently got their hands on a reasonably large stash of the right kind of Germanium diodes and decided to do a small run of the ultimate OCD: a Custom Shop offering with a few circuit tweaks, 2 x Mosfets plus 2 x Germanium diodes, and one hell of a beautiful paint job... Metallic Teal with a chrome undercoat! In terms of sound, the OCD-Ge has great definition, more tube-like feel, a bit wider dynamic range, more sustain, and a more focused single-note tone. And as with all Fulltone pedals, it is 100% Built in the USA. • Germanium diode version of the Obsessive Compulsive Drie • Audio (Log) taper volume pot • Internal selectable True Bypass or Enhanced Bypass • Fulltone 3PDT footswitch • Current draw: ±8 mA • Runs on any voltage between 9 and 18 Volts DC

Fulltone Mini-Deja'Vibe mkII ...

3.990,-

Fulltone MDV mkII What is an “original Univibe?” It is a four-stage Phaser effect made between late-1968 and 1973 designed to replicate a Leslie rotating speaker by using a tiny incandescent light bulb shining on four photo-resistors housed under an aluminum shroud. This odd circuit offered a watery, thick, and unique blend of pitch-bend vibrato and chorus-like phase-shifting. Although it didn’t sound too much like a Leslie, its sound took on a life of its own, a sound heard on many recordings by Jimi Hendrix, Frank Marino, David Gilmour, and Robin Trower. Original Univibes were extremely large, heavy effects boxes mated to an external wah-type foot-pedal controlling the modulation speed via a 5 pin, quick-disconnect cable. Old ‘vibes were very inconsistent from one unit to the next and were prone to malfunctioning, with no one knowing how to fix them let alone how to make them sound good again....well, almost no one. Michael Fuller started out in the ‘80’s collecting, dealing, and repairing ’vibes, which lead him to the idea of re-designing and building a bullet-proof new ‘vibe clone in a smaller footprint. Enter the Fulltone Deja’Vibe in 1993 with the goal of making a True-Bypass ‘vibe that was more reliable and that was 1/4 the original Univibe’s astronomical used-market selling price! Fulltone have been making “the exact original Univibe clone” ever since, with Robin Trower and many others using them exclusively the entire time. Fulltone is the only ‘vibe using custom-made original-specification photocells, other companies buy incorrect ones from a DIY website because they didn’t spend thousands of dollars blueprinting every aspect of these original photocells like we did. They also devised a way to use our custom-made Optocoupler for controlling the speed of the oscillator and the external speed controller, providing much slower and faster available speeds than other ‘vibe clones. You don’t have to be a huge Trower or Hendrix fan to appreciate the mkII, you just have to appreciate that massive pulsating wall of sound it creates when you switch it on. Play on! Main Features: • Univibe effects pedal • Totally discrete design • Fulltone manufactured Optocouplers • Chorus/Vibrato Switch • Vintage Modern Switch • Uses glass covered/hermetically-sealed photocells and an incandescent bulb • 100% hand-built in the USA • Powered by 18 V DC PSU (centre -, 2.1 mm, 35 mA current draw)

Fulltone Mini-Deja'Vibe3 v2 ...

5.350,-

Fulltone MDV-3 v2 The CS-MDV3 V2 can be powered with the supplied 18 volt DC power supply or by an 18 volt DC outlet on your power supply offering at least 200mA of current. You can also split between 2 x 9Volt DC outlets using Voodoo Lab's series splitter cable. Real Estate is precious, especially on your pedalboard, but the lush organic sounds of a perfect "authentic vintage Univibe clone" are a necessity, and they are now attainable in a space now smaller than a standard wah wah pedal... the Mini-Deja'Vibe3, MDV-3 for short. With a Hammertone Blue powder coated finish, White lettering, and a Blue LED that throbs to the beat of the pedal's hypnotic, asymmetrical rhythm. The MDV-3 has a new heel or toe activated True-Bypass footswitch that is perfect for the person who rarely changes speeds and just wants to turn it on or off with his toe, but also perfect for the person who rides it like a Gas-pedal and wants to turn the pedal on/off with a simple flick of the heel (see the MDV-3 video at youtube.com/fulltoneeffects) There are a LOT of pedals claiming to be "authentic vintage Univibe clones" on the market...the small ones are merely a glorified MXR phaser filled with opamps with a few capacitor changes. That's not a Univibe! So how is one to know which pedals are real and which ones are just a cheap shortcut? Fulltone have been building "authentic vintage Univibe clones" since 1992. Theirs are being used by Robin Trower, Peter Frampton, Doyle Bramhall II, and countless others... by the people who know great sound and won't settle for less. In typical Fulltone fashion, they also manufacture their own geared potentiometer & Optocouplers used to control the speed, which is why Fulltone 'vibes get a much wider range of speeds than other 'vibe clones.   Main Features: • Univibe effects pedal in a wah housing • Totally discrete design • Up to 15dB of available and adjustable volume boost when pedal is on. • even more lush and watery 'vibe sound than previous versions • Fulltone manufactured geared potentiometer & Optocouplers • Chorus/Vibrato Switch • Vintage Modern Switch • Uses 4 x glass covered/hermetically-sealed photocells and an incandescent bulb • 100% hand-built in the USA • Powered by 18 V DC PSU (centre -, 2.1 mm, 300 mA current draw)

Fulltone Supa-Trem Jr Tremolo ...

2.999,-

Fulltone Supa-Trem Jr The logical progression to the beloved Supa-Trem1 is here! The next evolutionary step of the beloved Supa-Trem1 is here...it’s the Supa-Trem Jr! Much, much smaller, and much more intelligent version of the epic Supa-Trem1, retaining a 100% analog audio path, now utilizing a digital Oscillator, allowing for Tap-Tempo and a choice between 3 stellar waveforms, all while retaining the custom-made Fulltone Optocoupler that gives it a natural feel no digital effect could ever achieve! Also sporting True-Bypass, external Tap jack, Half/Double hold feature, up to 15dB boost, Square, Sine, and the natural heartbeat-like Warble wave-forms! The ST-Jr can do speeds so slow that a full cycle takes around 7 seconds, and fast speeds that go beyond 500bpm. The heart of the ST1 is still there, the warm Analog Devices JFET preamp, which is the same opamp we use in our 2B, Wah Wah Buffers, and ABY switchers. With its topmounted jacks, the Jr will fit into the smallest spot on your board. Don't forget, just like the ST1, the ST-Jr also works as an incredible clean boost with the Mix control turned down. Main Features: • Tremolo effects pedal • from slow 7 second cycleto up to 500 bpm speeds • Descrete analog design using Fulltone’s Opto-1 Photocell • Three stellar waveforms selectable: • Square • Sine • Warble – for heartbeat-like natural tremolo • Tap-Tempo with Half/Double feature accessed by holding down Tap switch for ¾ of a second • External Tap jack! • True-Bypass switching • Up to 15dB of available and adjustable volume boost when pedal is on • Fulltone manufactured Optocoupler for natural feel • 100% hand-built in the USA • Powered by 9-18 V DC PSU (centre -, 2.1 mm, 30 mA current draw)

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