Old Blood Noise Parting ...

4.299,-

Parting Glitch Delay/Reverb Crushing Modulation Device In creative collaboration, harpist Emily Hopkins and experimental effect makers Old Blood Noise Endeavors are proud to announce Parting, a new musical device with a curated suite of effects inspired by their favourite glitch, signal crushing, and ambient sounds. One central knob crushes the signal or sends it into reverse, while knobs to its left control a selectable modulation and knobs to its right control a chance-based or envelope-controlled glitchy delay that you can smear into a reverb. Everything interacts with various layers of chance-based clock-changing randomness to create a box of pleasant surprises. Main Features: • Glitch Delay/Reverb Crushing Modulation Device • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Aux footswitch for tap tempo, half clock speed, or preset switching • Dissolve control with two functions, below noon for reduced sample rate, above noon for increasingly degraded reverse signal • Analog Dry-Through • Expression and MIDI control over all parameters • MIDI clock I/O for external tempo syncing • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Available in 3 Colourways - Green (standard), Purple and Stone • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included) Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lo-fi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.

Nobels MOD-mini Compact ...

1.150,-

Nobels MOD-mini Compact Stereo Modulation Pedal A journey back in time, the new Nobels MOD-mini combines an outstanding selection of modulation effects in a deceivingly compact housing. Featuring intuitive switching and versatile option for seamless performance, the MOD-mini brings infectious modulation to your signal. Providing a skilfully curated selection of ageless modulation effects, MOD-mini delivers a wealth of sonic possibilities, with either a mono or spacious stereo image. The achievable tones are far beyond the pedal’s modest footprint making it an excellent addition to any type of setup. Main Features: • Mini Stereo Modulation Pedal • Three distinct Modulation modes: Tremolo, Phaser and U-Vibe • Tap Tempo • Selectable Mono or Stereo (via TRS) inputs and outputs • Selectable True or Buffered Bypass modes • Glow in the Dark pointer knobs • Metal Enclosure • Includes 4 x Integrated fold-out Mounty-P Mounting Plates • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 100 mA current draw, not included) The MOD-mini features three carefully crafted, yet distinct flavours of modulation. All three modes faithfully capture those iconic modulation tones that have shaped music across genres, past and present and are simply selected by the pedal’s convenient mode switch, right on the face of the pedal. From the pulsating Tremolo of the swinging 60s to the funky Phaser and U-Vibe grooves of the 70s, MOD-mini takes you into a sonic time warp. Adding to its flexibility, the MOD-mini features full tap tempo functionality, but in a single switch design. Simply holding the footswitch for approximately two seconds enters the pedal into “Tap Tempo Mode”, following which the pedal will respond to rhythmic tapping instantly. Further defying expectations based on its compact appearance, there are dedicated toggles for selection between mono and stereo (TRS) operation as well as true or buffered bypass modes, making the pedal suitable for almost any musical situation, anywhere, any time. As with all other current Nobels pedals, the MOD-mini features 4 integrated Mounty-P Mounting Plates for safe and secure attachment to pedalboards. With its full metal enclosure and Glow in the Dark pointer knobs, the MOD-mini is a pint-sized powerhouse that’s built for performance!

KMA ACTIVE STEREO AB/Y Pedal

1.555,-

KMA Machines Active STEREO ABY Consistent Active Connectivity, in Stereo  There’s nothing new about ABY boxes. They’re a very commonly used accessory and a staple part of many setups out there. But if they are so common, then (until we launched our passive Stereo ABY) why was it so difficult to find one in a stereo format that’s well built, noise-free AND affordable? This is a question we kept encountering as we use many stereo devices daily here at KMA, plus we know that a lot of users are just as mesmerised by the wide sonic worlds of stereo as we are. So, we made a killer stereo ABY switcher to use here at our workshop. In the process we found it so useful, so we decided to make the original STEREO ABY available to the world too in a pedal format.  However, despite our passive boxes gracing thousands of rigs the world over, the Active STEREO ABY takes things a little further and is ideal for those who like to use the Y splitting or combining functions - at least with some signals that don’t always play nicely together, due to often differing impedances between connected devices. With KMA’s high quality active buffer, the pedal can also help eliminate level mismatches or even signal loss, if used with long cable runs. Whether you’re looking to switch or combine a Stereo input signal between two separate destinations or switch or combine two separate Stereo input signals into a single stereo output without signal loss, the KMA Machines Active STEREO ABY pedal is a dependable little helper for your tonal quest - the fate of your Stereo signals is in your hands!   Main Features • Active Stereo / Dual-Mono ABY pedal • Sends a Stereo input to two separate stereo outputs, separately or combined via regular ¼ inch/6.35mm Jacks • Sends two Stereo inputs to one stereo source, separately or combined • 180° Phase switch, helps to remove mismatches • Active silent CMOS-based soft switching, heavily reduces mechanical noise with virtually silent signal bypass • Omnidirectional for 2 into 1 or 1 into 2 operations • A&B>Y or Y>A&B switch, allows for precise directionality • Distinct LED colours, to indicate your selected signal path at a glance • Durable compact enclosure for years of reliable switching • Top-mounted jacks, will fit into any setup • Made in Berlin, Germany • Power by opt. 9 V PSU  (9 V DC, centre -, 2.1 mm, >55 mA max. current draw) KMA’s ABY Series has been created with a focus on durability, reliability, simplicity and hassle-free operation. The Active ABY pedal features a fully active design along with our active silent CMOS switching. While that might be a hell of a wordy mouthful (or even sound scary to some), what it means practically is that the pedal is completely silent in operation. This has the added benefit of allowing for all sorts of hookups helping to prevent signal loss. Being active, it can also minimise any potential level mismatch between hookups. It can be electronically difficult to achieve this kind of switching without interference between the switching and signal paths, but by employing our own implementation of this switching technology, not only are the mechanical switching noises greatly reduced, but the risk of any pesky loud clicks and pops that has plagued so many boards and has haunted so many musicians, since the inception of ABY boxes when switching, is virtually eliminated. The bears eyes light up - how awesome is that!? Okay, besides just looking cool and fulfilling our childhood dreams of an army of robot bears with freaking lasers as eyes, the 3 distinct LEDs in the Active ABY actually serve a practical purpose; to quickly and easily show you what signal path you’ve selected at a glance. Red for A, Yellow for B and Blue in the centre for A&B. With the A&B>Y or Y>A&B switch you can use the device in either direction, for sending to different sets of amps, synths or effects or for switching inputs/ instruments/ devices into your chain via the Y channel, for even more creative combining or splitting. While the Phase switch allows for flipping the A Channel by 180°. This can prevent signal cancellation and tone issues that can happen in some setups when combining or splitting signals. This pedalboard-friendly device seamlessly integrates with your existing setup. It's compact, rugged, lightweight, durable, affordable and can be powered via a standard 9V DC power supply, making it convenient for all walks of sonic life. What’s not to like? So, will you choose A or B? With the KMA Machines Active STEREO ABY pedal, all you have to do is choose your path and perform!

KMA Active AB/Y Pedal

996,-

KMA Machines Active ABY Active Consistent Connectivity ABY boxes are not something that will set the world on fire. We know that. But what a good ABY box can do, is start a flame that’ll fully ignite your creativity, and our Active ABY pedal is a REALLY GOOD one. Expertly built, noise-free, gorgeous looks AND affordable - it just ticks all the boxes.  As an additional offering to our passive ABY box that has graced thousands of rigs the world over, the Active ABY is ideal for those who like to use the Y splitting or combining functions - at least with some signals that don’t always play nicely together, due to often differing impedances between connected devices. With KMA’s high quality active buffer, the pedal can also help with level mismatches or signal loss due to long cable runs. Whether you’re looking to switch or combine your Mono input signal using two separate outputs, switch or combine two separate input signals into one output, the Active ABY pedal is a dependable little helper for your tonal quest - the fate of your signal is in your hands!   Main Features • Active ABY Pedal • Sends an input to two separate outputs, separately or combined • Sends two inputs to one source, separately or combined • 180° Phase switch, helps to remove mismatches • Active silent CMOS-based soft switching, heavily reduces mechanical noise with virtually silent signal bypass • Omnidirectional for 2 into 1 or 1 into 2 operations • A&B>Y or Y>A&B switch, allows for precise directionality • Distinct LED colours, to indicate your selected signal path at a glance • Durable compact enclosure for years of reliable switching • Top-mounted jacks, will fit into any setup • Made in Berlin, Germany • Power by opt. 9 V PSU (9 V DC, centre -, 2.1 mm, >55 mA max. current draw) KMA’s ABY Series has been created with a focus on durability, reliability, simplicity and hassle-free operation. The Active ABY pedal features a fully active design along with our active silent CMOS switching. While that might be a hell of a wordy mouthful (or even sound scary to some), what it means practically is that the pedal is completely silent in operation. This has the added benefit of allowing for all sorts of hookups helping to prevent signal loss. Being active, it can also minimise any potential level mismatch between hookups. It can be electronically difficult to achieve this kind of switching without interference between the switching and signal paths, but by employing our own implementation of this switching technology, not only are the mechanical switching noises greatly reduced, but the risk of any pesky loud clicks and pops that has plagued so many boards and has haunted so many musicians, since the inception of ABY boxes when switching, is virtually eliminated.  The bears eyes light up - how awesome is that!? Okay, besides just looking cool and fulfilling our childhood dreams of an army of robot bears with freaking lasers as eyes, the 3 distinct LEDs in the Active ABY actually serve a practical purpose; to quickly and easily show you what signal path you’ve selected at a glance. Red for A, Yellow for B and Blue in the centre for A&B. With the A&B>Y or Y>A&B switch you can use the device in either direction, for sending to different sets of amps, synths or effects or for switching inputs/ instruments/ devices into your chain via the Y channel, for even more creative combining or splitting. While the Phase switch allows for flipping the A Channel by 180°. This can prevent signal cancellation and tone issues that can happen in some setups when combining or splitting signals. This pedalboard-friendly device seamlessly integrates with your existing setup. It's compact, rugged, lightweight, durable, affordable and can be powered via a standard 9V DC power supply, making it convenient for all walks of sonic life. What’s not to like? So, will you choose A or B? With the KMA Machines Active ABY pedal, all you have to do is choose your path and perform!

KMA DUAL LOOP SWITCHER Pedal

1.555,-

KMA Machines DUAL LOOP SWITCHER Efficient Switchability “A tale of two tones” We get it. There’s a wealth of pedalboard switching devices on the market and some can be quite complex, but what if you want to keep switching between multiple pedals on your board simple, easy to use and yet still effective? Well, the KMA Machines DUAL LOOP SWITCHER pedal has you covered and has been created with a focus on durability, reliability, simplicity and hassle-free operation to expand your creativity. Whether you’re looking to simply switch between two single pedals without extended tap dancing or combine and switch between two entirely separate signal chains, this helpful utility device features KMA’s active circuitry and soft switching for maximum signal integrity without compromise. Plus, with full Stereo/Dual Mono operation the DUAL LOOP SWITCHER allows for maximum flexibility. Main Features • Dual Loop Switcher • Switch or combine two Serial Loops, in Mono or Stereo/Dual Mono • Mono or Stereo/Dual Mono Input and Output (TRS compatible) • Buffered Bypass • Active Silent Soft Switching, heavily reduces mechanical noise and pops • Selectable Loop Order - A to B or B to A • Distinct LED colours, to indicate your selected loop at a glance • Durable compact enclosure for years of reliable switching • Top-mounted jacks, will fit into any setup • Made in Berlin, Germany • Power by opt. 9 V PSU (9 V DC, centre -, 2.1 mm, >55 mA max. current draw) So, you have a pedalboard with a healthy selection of different drives and pedals for your creative tone desires. Good for you, variety is the spice of life. However, what if you need to switch between different overdrive pedals or other effects seamlessly with just a single efficient click? Normally this would involve turning the first pedal off and the second one on... sure, that’s just two clicks... but you need it to happen in that split second, right at that climactic point in the song where you simply can’t have your clean signal popping in and spoiling the vibe for even a brief moment. What if you miss one of the switches or hit the wrong one by accident on your crowded pedalboard and all chaos breaks loose? Well, the KMA Machines Dual Loop Switcher is here to swiftly save moments such as this. Featuring just two loops and without any gimmicks, this handy little helper takes the pain out of the pedalboard shuffle and provides serene switching possibilities in a diminutive and solid package. The A/B Switch toggles which loop is selected and a single Bypass switch means you can juggle your tones with ease. But wait, there’s more. By briefly holding down the A/B Switch you can combine both A & B loops for even more creative options, plus you can change the order of the two loops via the Direction Toggle Switch right in the middle of the pedal. Want to setup two completely different effects chains and switch between them or combine them, with the possibility of switching the order of them at the same time? How about switching between stereo effects or other devices in your signal chain while maintaining the same output path? Even switching between mono and stereo effects and then combining them in series using the flexibility added by our stereo/dual mono compatibility via TRS jacks is possible. Perhaps you’d like to add a mute function at a specific place in your signal chain or a tuner output? With just two loops, the possibilities are still endless but the solution is dead simple. Oh, and did we mention the bears eyes light up - how awesome is that!? Okay, besides just looking cool and fulfilling our boyhood dreams of an army of robot bears with freaking lasers as eyes, the 2 distinct LEDs actually serve a practical purpose; to quickly and easily show you which loop is selected at a glance. Red for A, Yellow for B and both if the loops are combined. This pedalboard-friendly device seamlessly integrates with your existing setup. It's compact, rugged, lightweight, durable, affordable and can be powered via a standard 9V DC power supply, making it convenient for all walks of sonic life. What’s not to like? Reduce your tap dancing and increase your flow and creativity simply - effectively and with one tap at a time!

Keeley NOCTURNE Ambient ...

4.128,-

Keeley Electronics NOCTURNE Signature Andy Timmons Reverb Developed in collaboration with Andy Timmons, the NOCTURNE from Keeley Electronics is a flagship reverb pedal that redefines ambient tones. With three reverb soundscapes shaped by just four intuitive controls, it's designed for effortless onstage control and sonic depth for plug & play types. Advanced users will appreciate its remote switching, expression pedal support, preset storage, and full MIDI integration for maximum flexibility. The NOCTURNE pedal gives you three new reverb modes — Nocturne, Spring, and Plate — each designed to be the guitar and amp’s perfect companion. The Plate reverb is based on Keeley’s extensive analysis and modeling of the stereo tube plate reverb that was in Austin City Limits studio since the mid-1970s. The Nocturne’s Spring reverb features their finest sounds based on both stand-alone reverb tanks and tube amplifier combos. Main Features • Signature Andy Timmons Reverb Pedal • Three Reverb Modes      o Nocturne: Andy Timmons’ Halo delay algorithm reimagined as an ethereal, immersive reverb      o Spring: Features Keeley’s finest sounds based on both standalone reverb tanks and tube amplifier combos      o Plate: Based on Keeley’s extensive analysis and modelling of the stereo tube plate reverb used in the Austin City Limits studio since the mid-1970s. • Controls for Tone, Level, Decay and Modulation with alternate controls for High Pass Filter and Pre-delay • Store and recall presets with the dedicated Preset switch • Selectable True or Buffered Bypass • Selectable Trails on or off • Expression control input and MIDI compatible with 72 presets available • Stereo outputs with Wet + Dry or Wet-only operation • Top-mounted jacks and soft touch relay switching • Made in Oklahoma, USA • Powered by a regular 9V DC PSU (centre -, 2,1 mm, ~150 mA current draw) The simple four-knob layout of Tone, Level, Decay, and Modulation makes it easy to shape each gorgeous reverb algorithm. Each mode can be made a preset so you can store your favourite sounds.  Alt features include pre-delay time control, allowing you to create slapback echo effects. NOCTURNE offers a flexible signal path with True or Buffered Bypass, Expression Pedal control, Remote Switching, and MIDI compatibility for up to 72 presets. Whether you’re running mono or stereo, wet/dry, or full wet for parallel rigs, the NOCTURNE adapts easily to any setup. Built on Keeley’s award-winning Core architecture, every component and line of code is tuned to make this reverb feel musical and alive. Operation is easy with the NOCTURNE – if the indicator LED is blue then it's 'wysiwyg'; the knobs set the tone or level of each reverb mode. If the LED is red, each reverb is a favourite or preset, where you can save the settings for each reverb mode. Engineered for the working musician and voiced for inspiration.

Fulltone Ultimate Octave Fuzz ...

3.790,-

Fulltone Ultimate Octave Octave Fuzz Pedal Back by popular demand, the Fulltone Ultimate Octave has returned - redesigned, refined, and ready to inspire a new generation of players. Originally one of Fulltone’s most celebrated designs, this pedal earned a cult following for its massive fuzz tone and screaming octave-up mode. 100 % handmade in the USA, a custom smaller enclosure, top-mounted jacks, and premium full-size components - Built for today’s boards. Iconic Tone, Evolved Design At its core, the Ultimate Octave delivers thick, harmonically rich fuzz that moves from smooth sustain to ferocious bite. Engage the dedicated Octave footswitch to unleash one of the most intense, upper-octave circuits ever made - that unmistakable “Velcro buzz” and cutting clarity that define vintage-meets-modern tone. Main Features: • The return of Fulltone’s legendary Octave Fuzz pedal • Independent footswitches for Fuzz and Octave • The Fat/Bright voice toggle completely reshapes the EQ curve and gain structure:      o Fat Mode: Warm, classic vocal-like fuzz with punchy mids      o Bright mode: Mid scoop with Bass and Treble boost • Top-mounted jacks • Compact custom enclosure • True Bypass switching • Hand-made in the USA • Powered by (opt.) 9-18V DC PSU (centre -, 2.1mm, ~ 35 mA current draw, not included)

Death By Audio Thee Treble ...

3.390,-

Death By Audio Thee Treble Overload Legendary piercing tone, reimagined  Thee Treble Overload revives the coveted treble boost circuit from the infamous limited-edition pedal, Thee Fuzz War Overload - this time packed with extra features and unleashed as its own weapon. It slices through any mix with razor-sharp precision, adding just the right edge to make your signal sound mean, bright, and alive. To achieve that bite, Thee Treble Overload carves away bass, tightening your tone and bringing definition to whatever sound you feed it. Armed with over 60dB of gain and a LIMIT control, you can push it from a cutting boost to crispy obliteration while keeping your output balanced with the rest of the band. Thee Treble Overload is dual mono, meaning it can process stereo chains, perfect for blasting your stereo reverbs, choruses, delays, keyboards, or drum machines straight into overdrive. Pair it with a Death By Audio Fuzz War to resurrect that revered Thee Fuzz War Overload sound without needing to hunt one down or drop collector dollars. Part of Death By Audio’s Destroyer Series, Thee Treble Overload sports the line’s signature look: a compact footprint, glowing vintage-style LED display, and minimal controls that conceal a world of sonic madness. Each Destroyer pedal delivers a distinct, over-the-top effect in a smaller, stage-friendly box - together forming a family of beautifully chaotic tone machines in stereo. Main Features: • Reimagined remake of Thee Fuzz War Overload • 60dB gain Booster Pedal • Dual Mono for processing stereo chains • Boost range from +17dB to +52 dB • Limit control for setting the maximum output volume • Top-mounted Jacks • TRS Inputs and Outputs for easy stereo/dual mono chain implementation • Hand-made in New York, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 23 mA current draw, not included)

Death By Audio Moonbeam ...

3.490,-

Death By Audio Moonbeam Phaser A Mesmerising Array of Phasers  The Moonbeam Phaser has landed. A stereo, multi-stage phaser like no other, the Moonbeam Phaser lets you completely reshape your sound by choosing between one and six stages of phase shifting for any modulation occasion. With its expansive range of controls, you can instantly explore everything from classic swirling movements to ultra-gooey bends, resonant filtered tremolos, and textures yet to be discovered. Take a trip through the world of tones from beyond the exosphere. At its core, the Moonbeam Phaser houses two fully analogue 6-stage phase shifter engines. You can tap into each stage individually and hear its unique movement as the display morphs through a spectrum of colours that mirror the sound. To unleash the full potential of this unique circuit, we supercharged the FREQ control far beyond the usual range. Drift slowly through 2-minute phase sweeps, dive into liquid swirls, or blast off into ring-modulated frequency shifts. Combined with the DEPTH control, the Moonbeam Phaser opens a vast spectrum of refracted phasing tones- from shimmering rotary-style warbles to deep, resonant bends. And if one phaser wasn’t enough, we’ve packed two phasers in one, letting you bring your guitar, bass, synth, or anything you can imagine into mesmerizing stereo with the click of a stomp. Part of Death By Audio’s Destroyer Series, the Moonbeam Phaser sports the line’s signature look: a compact footprint, glowing vintage-style LED display, and minimal controls that conceal a world of sonic madness. Each Destroyer pedal delivers a distinct, over-the-top effect in a smaller, stage-friendly box - together forming a family of beautifully chaotic tone machines in stereo. Main Features: • Analog Stereo 6-Stage Phaser pedal • Perfect for both mono and stereo chains, because of the onboard input configuration switch • TS/TRS and TS to TRS compatible • Phase Selector control for switching between the different phasers, indicated by the LED’s colour o RED – A sweeping high pass filter and tremolo o YELLOW – A sweeping notch filter with resonant peaks on each side o GREEN – A cross between a phaser and a harmonic tremolo o CYAN – the most famous, classic phaser sound you know and love o BLUE – Adds in more intense resonance and treble focus to the 4-phase sound o PURPLE – A full, bassy, and chewy-sounding phaser sound • Wide frequency range from 0,006 Hz to 140 Hz • Super slow phasing with up to over two minutes of phase sweeps • Controls for Frequency and Depth • Top-mounted Jacks • Hand-made in New York, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 72 mA current draw, not included)

Death By Audio Dream Station ...

3.490,-

Death By Audio Dream Station Stereo Reverb and Delay Pedal  The Dream Station is like two Death By Audio pedals in one! It’s an instant mood creator, blending DBA-style reverb and delay to plunge your signal into a vivid fantasy hallucination. Three filter settings let you radically shape the tone and character of the effects, opening up a myriad of soundscapes at your fingertips and exploding your sound into super-wide stereo. From shimmering, lush pads to wild slapback insanity, ping-pong comb filtering, and swirling atmospherics, the Dream Station delivers a full palette of sonic reflection for bending reality and dreams alike. In this compact package, you can create any combination of echo and reverb with the Dream Station’s easy-to-use interface and feel the power of a full-stereo ambience in our smallest reverb ever. With the three filter settings, you can explore different spaces from airy and bright, dark and moody, and full-range digital. And when you really want to go crazy, crank the ECHO F-BACK to blow your bandmates away. Part of Death By Audio’s Destroyer Series, the Dream Station sports the line’s signature look: a compact footprint, glowing vintage-style LED display, and minimal controls that conceal a world of sonic madness. Each Destroyer pedal delivers a distinct, over-the-top effect in a smaller, stage-friendly box - together forming a family of beautifully chaotic tone machines in stereo. Main Features: • Stereo Reverb and Delay pedal • Perfect for both mono and stereo chains, because of the onboard input configuration switch • TS/TRS and TS to TRS compatible • Switch between continuous or muted trails when bypassed with the internal Trails Dip Switch • Mode Switch for changing the filter settings for the delay and reverb o Bright: Low frequencies are filtered out for a splashy, airy “tape” sound o Full: No filtering; a complete, uncoloured tone for a clean “digital” sound o Dark: High frequencies are filtered out, creating a warm analogue-style sound • Controls for Mix, Reverb Time, Echo Time and Echo Feedback • Top-mounted Jacks • Hand-made in New York, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 95 mA current draw, not included)

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