Sontronics Drum Pack Plus ...

11.661,-

Sontronics - Drum Pack Plus Complete set of 7 microphones for drums. The new Sontronics DrumPack and DrumPack Plus pull together our award-winning DM-series drum microphones into two all-in-one, premium-quality miking options that no drummer or studio should be without. The five- and seven-piece condenser microphone sets will give absolutely stunning results across your whole drumkit, plus they save you more than 30% on buying the mics individually! The five-piece DrumPack (pictured right and above right) comprises a DM-1B for kick drum, a DM-1S for snare and three DM-1T mics for tom tom packaged together with four mic clips in a rugged, waterproof ABS flightcase. Meanwhile the seven-piece DrumPack Plus (pictured below right and above left) includes a DM-1B, a DM-1S and three DM-1T as above plus a pair of STC-10 pencil condensers for use as overheads or for solo percussion miking. “We were A/B testing the Sontronics drum mics set up against some thousand-pound mics and we had to keep checking the tracks because the Sontronics mics sounded as good if not better than the expensive ones. We were totally blown away!” MARK RANKIN, Producer (Florence & The Machine, Adele, Plan B, Queens of the Stone Age) Sontronics’ DM-series microphones were designed and developed over three years by founder Trevor Coley alongside top UK producers and drummers. Each microphone has been specifically tailored to capture the perfect sound from each of your drums and the mics have received rave reviews, awards and have appeared on the touring kits and studio set-ups of major drummers including Dave Grohl, Aerosmith’s Joey Kramer, Muse’s Dom Howard and Blur’s Dave Rowntree. Sontronics DM-1B: The DM-1B large-diaphragm, end-fire cardioid condenser microphone is superb at capturing the entire dynamic range of your kick drum, thanks to its high sensitivity, extremely low self-noise, -15dB attenuation pad and ability to handle up to 155dB SPL. The DM-1B delivers outstanding results on kick drum but also sounds fantastic on bass guitar cabinets, low brass and woodwind, tenor and baritone sax and even male vocals. Sontronics STC-10: The STC-10 cardioid condenser microphones (two of which are included in the DrumPack Plus set) boast two-stage pad and filter controls and an extremely precise response with Sontronics’ signature smooth high-frequency roll-off. As a pair they are amazing as drumkit overheads, but they also sound stunning whether used individually for solo percussion, woodwind or stringed instruments, but also together for stereo-miking acoustic guitar, piano and ensemble. Sontronics DM-1S & DM-1T: The DM-1S for snare and DM-1T for tom tom are small-diaphragm cardioid condenser mics each with a -10dB pad and SPL handling of up to 135dB. They have been designed with subtle variations in their response to suit the exact sound of your snare and tom, catching every element of your sound from the crack of the first hit to the rattle and snap of the snare and the boom and resonance of your tom tom. Together with the DM-1B, they combine to deliver exceptional results on your drumkit, whether recording in the studio or performing in a live environment. “The DM-1B sounds better than my vintage Neumann U47fet, which is saying something, and the DM-1S is one of the best close mics I have ever used. Amazing!” ANDY GRAY, Producer/Composer (Gary Numan, Radiohead, Enter Shikari, TT3D, CSI Miami) The microphones are supplied in a rugged ABS flightcase, making them ideal for life on the road or from moving from studio to stage and back again, and are supplied with mic clips for each of the DM-1T, DM-1S and STC-10 microphones. DRUMPACK HIGHLIGHTS:  award-winning condenser mics designed specifically for drums all you need for recording full kit supplied with mic clips and rugged ABS fightcase all microphones covered by our unique LIFETIME WARRANTY RECOMMENDED FOR: drumkit and percussion DM-1B: kick drum, orchestral bass drum, bass guitar cabinet, low brass and woodwind, tenor/baritone sax, male vocals DM-1S: snare drum, cajon, djembe DM-1T: tom toms, bongos, congas STC-10: overheads, stereo miking, acoustic guitar, individually for solo percussion, solo strings, theatre, video  

Sontronics Delta 2 ...

10.033,-

Sontronics - Delta 2 Phantom-powered ribbon mic for guitar amps & brass Phantom-powered ribbon mic for guitar amps & brass A decade after we launched the world’s first ribbon microphone designed specifically to handle higher SPL sources, its successor, the Sontronics DELTA 2, has arrived. The original DELTA, along with our HALO dynamic mic for guitar amps, has become a must-have for many studios and live guitarists, from Bernard Butler to Radiohead’s Ed O’Brien, from Steve Stevens to Aerosmith, and when it comes to build quality and perfect sound reproduction, the new DELTA 2 turns the dial up to 11! Like the original, DELTA 2 is not only the perfect partner for guitar amplifiers but also ideal for use with other high-SPL sources, such as trumpet, trombone and tenor sax. Compared to our SIGMA 2, DELTA 2’s reduced sensitivity enables it to capture incredibly powerful signals without overloading its internal preamp circuit. Its rugged build and multi-layer baffling make it ready for life on the road as well as in the studio. DELTA 2 sounds even more stunning than the original, capturing amazing clarity and detail in the higher frequencies, together with astonishingly powerful mid and low tones. The DELTA 2 does an incredible job of capturing every element of your guitar sound, whether you’re recording solo parts in the studio or miking up your amp on stage. DELTA 2 captures the true tone of whatever instrument you’re recording, allowing it to sit perfectly in the mix without requiring excessive gain or EQ. Hand-built in the our Sontronics HQ and featuring our own unique circuitry, the DELTA 2 boasts UK-made electronics including a custom-wound premium-quality transformer (made in our hometown of Poole, England), and the same excellent ribbon motor as the original DELTA. The electronics uniquely incorporate RFI (radio frequency interference) filters that filter out unwanted radio frequencies, making DELTA 2 (and our other ribbon mics) even more suited to live use than before. Ours are the only ribbon mics in the world to boast this feature! Our DELTA 2 is supplied with our unique-design shockmount in a rugged ABS flightcase which protects from all the rigours of touring and live use, but also keeps the mic safe and sound between studio sessions. DELTA 2 is the best sounding ribbon microphone you can put in front of your guitar amp, trumpet, trombone or saxophone, and once you’ve heard it, you’ll never look back! HIGHLIGHTS: phantom-powered ribbon mic made in the UK designed to handle high SPL rugged build gives great results both live and in the studio unique Sontronics shockmount LIFETIME WARRANTY RECOMMENDED FOR: guitar amps & cabinets brass and saxophone drums Specs: Polar pattern: Figure-of-eight Frequency response: 20Hz – 15kHz Sensitivity: 6mV/Pa -45dB ±1dB (0dB = 1V/Pa @ 1,000Hz) Impedance: ≤200 Ohms Equivalent noise level: 10dB (A-weighted) Max SPL (for 0.5% THD @ 1kHz): 140dB Power: Phantom power 48V required Connector: 3-pin XLR Dimensions: 164 x 72 x 35mm Weight: 470g (906g with shockmount) Comes with: shockmount, flightcase

Sontronics Aria Rør ...

15.588,-

Sontronics - Aria Valve/tube condenser microphone Valve/tube condenser microphone Launched in 2014, our Sontronics ARIA valve/tube cardioid condenser microphone was developed and designed by Sontronics founder and designer Trevor Coley specifically for getting the best from your vocals, and is already becoming a modern classic thanks to its beautifully smooth and balanced tone. Our multi-award-winning Sontronics ARIA will give you stunning, beautiful results on every recording, thanks to its silky-smooth characteristics, its accurate response and our trademark Sontronics high-frequency roll-off. And following the development of our new MERCURY variable-pattern valve microphone, we’ve now been able to refine and improve ARIA even further*, to take its quality to the next level. As designer Trevor Coley explains: “Using only premium-quality, branded components in our UK-made circuits, we have been able make considerable improvements to ARIA’s signal-to-noise ratio and reduce its self-noise to incredibly low levels for a tube microphone. The new and improved ARIA delivers even greater levels of precision and clarity and we’re confident that you’ll love it!” “ARIA is incredibly smooth with bags of character… it easily competes with any vintage valve mic!” PAUL EPWORTH, PRODUCER (Coldplay, U2, Florence + The Machine, Adele) Housed inside the chromed grille is a large, 1.07-inch, edge-terminated capsule that captures all the detail and subtleties of any male or female vocal (sung or spoken) while the hand-selected European 12AX7/ECC83 tube lends a character that you’d expect to find in a classic vintage valve mic. For that extra level of control, the accompanying SPS-2 power supply unit boasts pad (0, -10dB) and filter (linear, 75Hz) switches as well as a tube-ready LED, letting you know when the mic is warmed up and at its best to record. Inside the unit is a pro-quality, medical-grade electricity filter to ensure that the power supply is pure and interference-free. During ARIA’s development, it was beta-tested by top artists and musicians including producer/writer Paul Epworth (Adele, Florence & The Machine, Paul McCartney), singer/songwriter PJ Harvey, and also several engineers at Abbey Road Studios, all of whom now admit they can’t live without their ARIAs! These and other users have all told us that ARIA’s sound and quality is easily matched to mics (both modern and vintage) that cost ten times more. The result is a go-to microphone that’s a must-have if you’re serious about achieving the best results from vocals but that will also give beautiful results on piano, acoustic guitar, cello and other instruments as well as voiceover and broadcast. Sontronics ARIA really will take your breath away! The ARIA microphone is supplied in its own velvet-lined wooden box, which comes in an aluminium flightcase together with its elastic spider-style shockmount, a ring mount and the SPS-2 power supply, connecting cable and power lead. Like all our mics, Sontronics ARIA is covered by our no-nonsense LIFETIME WARRANTY. ARIA HIGHLIGHTS: valve/tube condenser mic incredibly smooth sound designed to give amazing results on male and female vocals beta-tested with Paul Epworth, PJ Harvey and several engineers at Abbey Road Studios covered by LIFETIME WARRANTY RECOMMENDED FOR: male & female vocals voiceover cello, violin & viola piano acoustic guitar drum overheads Specs: Frequency response: 20Hz – 20kHz Sensitivity: 18mV/Pa -33dB ±1.5dB (0dB = 1V/Pa @ 1,000Hz) Polar pattern: Cardioid Pad: 0, -10dB Filter: Linear, 75Hz Impedance: ≤200 Ohms Equivalent noise level: 18dB (A-weighted) Max SPL (for 0.5% THD @ 1kHz): 125dB Power supply: SPS-2 115/230V *Phantom power NOT required* Connector: 8-pin connector (mic), 3-pin XLR-M (power supply) Dimensions: 230 x 55 x 55mm (mic) Weight: 744g (mic), 1155g (mic with shockmount), 1880g (power supply) Comes with: wooden box (for Aria mic), shockmount, cables, SPS-2 power supply, aluminium flightcase

Spector Legend 4 Standard ...

7.995,-

Spector Legend 4 Standard – Tobacco Sunburst 4-string Electric Bass with Ash Body, Maple Veneer Top, Maple/Pakauk Neck, Amara Fingerboard; 1 Split-coil and 1 Single-coil Pickup – Tobacco Sunburst Gloss Value-packed 4-string Bass with Iconic NS Style and Tone The Spector Legend 4 Standard’s iconic Ned Steinberger-designed NS body, beautifully rendered in lightweight ash with an eye-popping flamed maple veneer top, delivers style and performance that meet the needs of working pros and weekend warriors alike. The Legend 4 Standard’s easy-playing bolt-on neck is built from three pieces of hard maple and fortified with a heavy-duty dual-action truss rod for rock-solid stability. On top, an amara fingerboard with dot inlays delivers classic Spector playability. Onboard you’ll find a pair of custom-wound Spector P/J pickups and a proprietary active 2-band EQ packing 12dB of boost and cut. Whether you’re staking your claim in the Spector Bass landscape for the first time or looking for a high-performance stage axe. Powerful Spector P-J pickups The Legend 4 Standard holds down the low end in style. That’s largely thanks to a pair of powerful Spector pickups, fitted in classic “P-J” configuration. This arrangement gives you the low-end punch from the split-coil P-style pickup in the middle position, along with the aggressive growl from the J-type single-coil at the bridge. Mix up your signature blend, and you’re ready to rock. Active 2-band EQ The Legend 4 Standard comes equipped with a proprietary preamp circuit with interactive bass and treble controls that provide for 12dB of boost or cut. Combined with individual volume controls for each pickup, the Legend 4 Standard has the sound-shaping capabilities to handle any style of music you’re likely to encounter. A tradition of quality and innovation Drawing upon decades of industry-leading design, Spector’s Euro Series basses are handcrafted using the finest tonewoods and components. A production version of the renowned Spector NS bass, the Euro4 rocks high-end features such as powerful EMG pickups, a graphite reinforced truss rod, the mighty Spector Tone Pump circuit, and stereo output. Available in a variety of models, the Euro4 continues the tradition of quality and innovation started by Stuart Spector in 1976. Features: Flamed maple veneer top, ash body; gloss finish Bolt-on 3-piece maple/pakauk neck, Spector profile; satin finish Amara fingerboard, 16″ radius, dot inlays 34″ scale length; 24 medium-jumbo frets Spector P-J passive pickups Active 2-band EQ with Bass and Treble controls Bridge and Neck Volume controls Hi-Mass bridge 1.57″ Graphite nut Sealed die-cast tuners Dual-action truss rod, headstock access Specs: NECK WOOD: 3pc Maple; Bolt-on FINGERBOARD: Amara fingerboard, with dot markers NUMBER OF FRETS: 24 SCALE LENGTH: 34″ RADIUS: 16″ WIDTH AT NUT: 1.57″ BODY Our original NS body shape, flat with contoured comfort cutout on the rear. WOOD: Genuine Figured Maple over Mahogany FINISH: High Gloss HARDWARE Chrome BRIDGE: Heavy Duty Legend Standard STRING SPACING AT BRIDGE: .70″ STRAP BUTTONS: Standard PICKUPS AND ELECTRONICS NECK PICKUP: P split style BRIDGE PICKUP: J single coil style ACTIVE TONE CONTROLS: +/-12db boost and cut, bass and treble CONTROLS: Bridge pickup volume, neck pickup volume, treble boost/cut, bass boost/cut STRINGS Nickel 45-65-80-100 WARRANTY Five Years against manufacturing defects to the Original Owner when purchased new from an authorized Spector Dealer  

Dunlop DB01B Dime Cry Baby ...

3.395,-

Dime Cry Baby from Hell Wah er den mest allsidige av Cry Baby pedalene våre. Den er designet for gitaristen som trenger mange muligheter på scenen. Lengre sweep omkrets, velg mellom 6 forskjellige frekvenser, boostknapp og LED-lampe som viser wah-og boost status. Dette er bare noen av de mange mulighetene denne pedalen har. Dime Cry Baby from Hell Wah har også fått en ny kul svart kamuflasje kropp.

Dunlop QZ1 Cry Baby Q Zone ...

2.550,-

Få den fete resonansen av en Cry Baby Wah i låst posisjon i formen av en vanlig effektpedal. Akkurat som på Cry Baby 95Q kan du høye gainsignalet ut og forandre formen på lyden fra bred til smal med volum og Q zone knottene. Peak-knotten fungerer som wah wah hjulet og bestemmer frekvensen på effekten. Finn den perfekte posisjonen og sett igang. Dette trikset er det mange gitarister som bruker som sitt hemlige våpen for å få skape den fete resonansen i tonene… uten å være redd for at du skal sparke til pedalen og ødelegge det hele. Se Video her.

MXR M281 Thump Bass Preamp ...

2.550,-

Denne pedalen kombinerer det beste fra Echoplex Preampen med en tre bånds EQ og midtfrekvensjustering. Høy bassignalen i livemiksen, få litt mer trykk i en solo eller skap et personligere sound i den passive basslyden. Thump Bass Preamp har alt du trenger for å skape et allsidig sound tilpasset dine behov. Alt dette i et MXR mini-chassis. Se Video her.

EV RE320 Dynamisk Instrument ...

7.760,-

Electro-Voice Mikrofon Dynamisk Instrument Nyre             RE-320 er en nyre dynamisk mikrofon - variable-D® for minimal proximity effekt - N/DYM magnetisk krets for økt følsomhet - bryter for valg av to ulike frekvenskarakteristikker - internt filter mot vindstøy - den ene EQ kurven er beregnet for stortromme Case Material Metal Connector Type 3-pin XLR Diameter (Max) 49.2 mm (1.94") Element Dynamic N/Dym Magnet Structure Finish Semi gloss black Frequency Response 30 - 18,000 Hz (kickcurve), 45 - 18,000 Hz (generic curve) Impedance, Low-Z balanced 150 Ω Mic Type Instrument/Vocal Open Circuit Voltage 2.5 mV/Pascal Polar Pattern Cardioid Power Requirement None Height 216.7 mm (8.53") Weight Net 24.02 oz (681 g)

EV RE20 Dynamisk Instrument ...

15.225,-

Electro-Voice Mikrofon Dynamisk Instrument Nyre RE20 er en profesjonell dynamisk nyre mikrofon laget spesielt for opptak, kringkasting og applikasjoner som krever tilnærmet flat respons over et svært bredt frekvensområde. Case Material Steel Connector Type 3-pin XLR Diameter (Max) 54 mm (2.13") Element Dynamic Finish Fawn Beige Frequency Response 45 - 18,000 Hz Impedance, Low-Z balanced 150 Ω Mic Type Vocal/Instrument Open Circuit Voltage 1.5 mV/Pascal Polar Pattern Cardioid Power Requirement Passive Height 217 mm (8.54") Weight Net 26 oz (737 g)

Audio Technica ATM250 ...

3.660,-

Audio-Technica Mikrofon Dynamisk Instrument Hypernyre ATM-250 er en supernyre dynamisk instrumentmikrofon som håndterer svært høye SPL ved tett oppmikking. Den har stor, varm lavfrekvensrespons som gir eksellent nærhet - supernyre retningskarakteristikk som reduserer følsomhet for lyder fra sidene og bakfra. Element: Dynamic Polar Pattern: Hypercardioid Frequency Response: 40-15,000 Hz Open Circuit Sensitivity: 54 dB (1.9 mV) re 1V at 1 Pa Impedance: 600 ohms Weight: 252 g (8.9 oz) Dimensions: 127.5 mm (5.02") long, 55.0 mm (2.17") diameter Output Connector: Integral 3-pin XLRM-type Accessories: AT8471 isolation clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch

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