Death By Audio Robot 8-bit ...

4.390,-

8-BIT PITCH / RING / LOFI / GRANUALIZER The Robot is a low fidelity 8 bit pitch transposer with absolutely no feelings whatsoever. It is completely synthetic and transforms any input into a puree of resynthesized robot jargon. Features bendable super lo-fi octave up, octave down, arp, and unity pitches. CONTROLS Volume: Controls master volume. Control Knob: Located on the right-hand side of the pedal. Controls the pitch of the effect. When turned up completely clockwise, it is at its highest pitch. Turning down, counterclockwise, lowers the pitch or speed of the arpeggiator.  Rotary Selector:   Normal: Same pitch with 8-bit digital conversion when the Control Knob is fully clockwise. Turning the Control Knob down bends the pitch lower.   Octave Down: The Control Knob turned fully clockwise yields a nasty octave down sound. Turning the Control Knob down bends the pitch further downwards.   Octave Up: The Control Knob turned fully clockwise yields a nasty octave up sound. turning the Control Knob down bends the pitch lower.   Arpeggiator: The pitch arpeggiates in a sequence. The Control Knob adjusts the speed of the arpeggiator.  . SPECIFICATIONS Dimensions: 5.87" x 4.72" x 2.62" (including hardware). Weight: 19 oz. Power: 9V (runs ons a positive ring, negative tip 9V DC adapter or included 9V battery). Note: Requires a dedicated power supply and will not work with any daisy chain power system.  Current Draw: 23 mA.

Death By Audio Rooms Stereo ...

5.490,-

SPACE REFLECTIONS ROOMS is a stereo, multi-function digital reverb capable of searing volume, gated walls of sound, and long, trailing reverberant ambiances with an intuitive array of controls designed with live mood-bending in mind. ROOMS was designed to the highest standards of flexibility and audio fidelity. A studio-quality mixer section provides independent DRY and FX controls over six meticulously programmed reverb algorithms; ROOM, DIGIT, PEAK, GATE, WAVE, and GONG. Each different verb is capable of a universe of sounds, and ROOMS is here to help you explore them. ROOMS' creative I/O switching and dual-mono dry signal lines allow for a wealth of possible mono and stereo configurations, making it easy to route signals for parallel processing or stereo amplifier setups. CONTROLS  FREQ: Controls the frequency parameter of the current mode. DEPTH: Controls the depth parameter of the current mode. TIME: Controls the reverb time in all modes. DRY: Controls the volume of the dry signal, from -inf to 20x gain. FX: Controls the volume of the reverb signal, from -inf to 20x gain. ALT: Engages the ALT mode, switching between two sets of controls. When active, FREQ is controlled with the F knob, DEPTH with the D knob, and TIME with the T knob. Additionally, the ALT mode turns on expression control of either FREQ or TIME using the F<->T Switch on the side of the pedal. NOTE: Expression control ONLY works in ALT mode and when an expression pedal is plugged in. SPECIFICATIONS Dimensions: 5.95" x 3.86" x 2.96" (including hardware). Weight: 18 oz. Power: 80 mA, 9V (runs on a standard 2.1 mm negative center 9V adapter).  Expression Pedal: Almost any expression pedal will work with ROOMS. When not plugged in, the controls work as normal. NOTE: Expression control ONLY controls the F or T knobs when ALT mode is engaged and when an expression pedal is plugged in. MODES AND PARAMETERS: FREQ knob : DEPTH knob   1 - ROOM: Tone of Decay : Pre-Delay A classic reverb that simulates many different rooms. 2 - DIGIT: Delay Time : Delay Feedback A filter matrix verb capable of creating otherworldly resonances and fractured repeats. 3 - PEAK: Filter Frequency : Filter Resonance A super intense bandpass filter combined with an ambient reverb. 4 - GATE: Decay Tone : Gate Response Time A gated reverb. Short reverb times create a classic gate effect, long reverb times create a controllable freeze effect. 5 - WAVE: Modulation Frequency : Modulation Depth Creates a pitch vibrato effect. Lowering TIME will blend out the reverb signal, allowing sweeps from chorus/vibrato to long modulated reverbs. 6 - GONG: Modulator Frequency : Blends from Aliasing (left) to Ring Modulation (right) Ethereal, crushed reverb sounds guaranteed to make you star in the upcoming remake of DUNE and live out your sci-fi fantasies of space travel and galactic domination.

Death By Audio Supersonic ...

3.890,-

A TRUE FREAK OF A PEDAL The Supersonic Fuzz Gun is a completely unique take on a fuzz pedal made with extremes of manipulation in mind. The controls interact with one another to create a huge array of gated and oscillating fuzz sounds. It can scream, it can blast, it can implode, it can doom, and it can gloom. Possible sounds vary from (relatively) straightforward distorted guitar to shards of total insanity.  CONTROLS Bias: Biases the output transistor to change the overall sound structure. Density: Increases the Q range input into the fuzz while also adjusting the oscillation frequency in Osc. mode. Fuzz: Increases the intensity of the output. Filter: Sweeps the high frequencies of the output. Level: Master output volume. Gate/Oscillation Toggle: In Gate mode, the fuzz tone is more standard and gated. In Oscillation mode, the signal self-oscillates for noisemaking and bizarre fuzz tones.  . SPECIFICATIONS Dimensions: 4.72" x 3.84" x 2.06" (including hardware). Weight: 13 oz. Power: 9V (runs ons a positive ring, negative tip 9V DC adapter or included 9V battery). Current Draw: 2 mA.

Death By Audio Total Sonic ...

3.590,-

TOTALLY SONICALLY ANNIHILATED   >>   the feedback looper of your dreams   vv ^^ sǝɹɐɯʇɥƃᴉu ɹnoʎ ɟo ɹǝdool ʞɔɐqpǝǝɟ ǝɥʇ << The TSA2 works on a simple premise: what if effect pedals were patched back into themselves? What does it sound like for a filter to be multiplied by infinity? Or if your modulator was modulating its own modulations? The TSA2 creates a controllable feedback loop, causing your pedals to cycle back on themselves, feeding the output back into the input as much or as little as you want. Experience true sonic exploration: every unique pedal array will produce a vast world of textures and possibilities. CONTROLS FEEDBACK: The big knob. This controls the amount the SEND (external effect input) is forced back into the RECEIVE (external effect output). This creates feedback within the circuit to create new unbridled, experimental effects and results. The more this knob is turned up the more intense and explosive the effects will be. The ACTIVE BOOST is also in this loop and (if engaged) will be forced back into itself to create its own wild and interesting sounds if nothing is plugged into the loop. ON: In the ON position, this toggle switch activates the ACTIVE BOOST circuit. PHASE: Flips the phase of the effects loop, only when the ACTIVE BOOST is on.  GAIN: Controls the amount of gain of the ACTIVE BOOST circuit. LIMIT: Limits the output volume of the entire pedal only when the ACTIVE BOOST is engaged. STOMP SWITCH: Bypasses the effect. NOTE: When the TSA2 is turned off the TSA2 is bypassed but every pedal in the loop is still part of your signal chain. Any effect(s) in the loop works as usual. THE NEW FEATURES OF VERSION 2 If you've used a feedback loop pedal before, (like the 1st edition of the Total Sonic Annihilation) then you know the vast world of insane and wild sounds you can get. With this new updated version of the original, the ACTIVE BOOST maximizes usability for many applications where the original fell short. For example, if the effect in the feedback loop is out of phase with itself, the loop would turn the pedal  into a volume or blend pedal and be somewhat disappointing. With the TSA2, just flip the PHASE switch and all of a sudden those once dormant possibilities are awakened! The BOOST also has a boatload of gain to awaken even the faintest effect into an unearthly behemoth, and a LIMITER to tame the most unruly beast into a purring kitten. Experiment with as many different pedals in the FEEDBACK loop for unique and incredible results! . CONNECTIONS INPUT: Plug an instrument into this jack. OUTPUT: The output of the Total Sonic Annihilation 2 is here. It connects to your amplifier. SEND: Connect this to the input of the effect (or chain of effects) you would like to control and warp. If left unconnected it is connected internally to the receive jack. RECEIVE: This is connected to the output of the effects in the feedback loop. 9V: Plug a 9V Negative Tip Positive Ring DC adaptor in here. When plugged in it will bypass the internal battery. NOTE: When the ACTIVE BOOST is not engaged, the pedal is completely passive and can work without power.    SPECIFICATIONS Dimensions: 4.83" x 2.69" x 2.48" (including hardware) Weight: 11 oz. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5 mA. 

Death By Audio Absolute ...

2.490,-

OUR MOST INSANE PEDAL YET This might be our most insane pedal. Showing little-to-no respect for what instruments normally sound like, or even what people want them to sound like, we pushed this thing until it sounded fully unhinged. Want a thick, gnarly fuzz sound? Sure, you can do that, and it'll sound really, really good. You can also push the OVERLOAD slider into blooming, octave nastiness. Push it further and starve the circuit until your signal eats itself. Push it to the maximum and your sound will duck completely into the void before it returns, coming back to life with a relentless vengeance.  CONTROLS Master Volume: Controls the output volume of the effect. Overload: Sets the ceiling at which the pedal overloads. When turned all the way up, the pedal will not overload. As the control slides to the left it pulverizes the sound more rapidly. Gain: Sliding this control to the right increases gain and distortion. Horizontal sliders have been recessed to protect them from bending or any accidental movement while playing.  Harnesses a power amplifier IC to generate its insane sound. Its Gain and Overload sliders interact to create a wide range of unique sounds in various positions. You choose, to your liking, how much to absolutely destroy your sound. The further the Overload control is set to the left, the faster the effect slips into absolute destruction. Blow it out even harder and faster by slamming Gain and Overload opposite one another. Lower one or the other for smoother attack and release. Screaming octaves, thick fuzz, and the sound of your guitar reaching back from the depths of destruction are at your fingertips. Think of it as a psychotic compressor, or maybe more accurately the sound your amp would make if you set fire to it. . SPECIFICATIONS Dimensions: 4.95" x 2.61" x 2.34" (including hardware) Weight: 10 oz. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5 mA.

Death By Audio Apocalypse ...

3.950,-

FUZZ TO THE NEXT LEVEL   The Apocalypse is our jack-of-all trades fuzz pedal. After being dramatically overdriven, the signal is routed to a selectable post-amplifier. The user can toggle through its five signal paths and choose their desired apocalyptic sound. To further refine it, control the sweepabale frequency equalizer and design your tone to your liking.  Use this pedal as a boost for solos, an amp simulated recording DI, your main sound, a bass blitzer, or run anything into it you want to beef up, blast out, or supercharge. CONTROLS Rotary Selector:   Twin-T Scoop: A circuit adding bass and treble simultaneously. Quieter volume than the rest.   War Fuzz: A very full and dynamic distortion with rich harmonics and sustain.   Dual J-FET: Similar to the War Fuzz setting using dual J-FETs to get its sound.   Octave Rect: Sums the bottom and top halves of a waveform to create an octave up.   Gain x1000: The gain is cranked super high on this post amp causing erratic results. Vol: Adjusts the output volume of the pedal. Drive: Controls the volume of the initial preamp inside the pedal. Turn it up to get more distortion and fuzz or pull it back to get cleaner overdrives and boosts.  Sweepable Frequency Equalizer: This is a special tone knob designed to function as a multitude of tone controls simultaneously . Its range is extreme, starting with a bass booster that fades into a mid scoop, followed by a mid boost, and eventually into a few stages of treble-boosting to give you a beautiful bright sound.  . SPECIFICATIONS Dimensions: 5.87" x 4.72" x 2.46" (including hardware). Weight: 20 oz.  Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5.8 mA.

Death By Audio Deep Animation ...

3.790,-

ENVELOPE FILTER WITH SERIOUS ATTITUDE This mangled, filter-sweeping, abruptly overdriving pedal responds to your playing. It syncs its wave-thumping movement with the force at which you play.  It multiplies dynamics into a hyper-exaggerated frenzy. It adds just the right amount of movement to punch through the mix and it reacts to an external trigger of your choosing to follow your tempo. The sounds are wild, the thump is thick, and the animation is deep.  CONTROLS Input: Plug an instrument in to this jack. Trig: Plug another instrument in to this jack and use it to trigger the filter sweep. Out: Connect this to the amplifier. Sensitivity: Determines the point at which the filter engages and the frequency range of the filter shift in relation to the input amplitude. Intensity: Simultaneously blends in the resonance, amount, and grit of the filter. Vol: Adjusts the output volume of the DEEP ANIMATION. Frequency Selector: Selects the frequency range of the filter. Bypass: True bypass the effect. Up / Down: Controls the polarity of the filter decay once triggered. UP sweeps the frequency from higher frequencies to lower ones and DOWN, the opposite. Additional Features: There is a subtle light to indicate the external trigger behind the main bypass LED. . SPECIFICATIONS Dimensions: 5.92" x 4.72" x 2.34" (including hardware). Weight: 21 oz. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 18 mA.

Death By Audio Echo Dream II ...

3.990,-

LUSH MODULATING ECHO A powerful, ethereal delay pedal with otherworldly controls. Push the feedback for vast worlds of colorful sound. Introduce a bit of warble with the modulator for ghastly chorus tones, or a ton of it to absolutely warp the delayed signal. Once your delay is thoroughly warbled, turn up the fuzz and pulverize it into delayed, shattered pieces. This is the preferred echo for recording engineers and touring pros around the world because, simply put, it just sounds that good. CONTROLS Master: Sets the overall volume. Fuzz: Sets the amount of gain, from clean to fuzzed-out bliss. Delay: Sets the volume of the delayed signal. D Time: Controls the delay time (numbers shown in milliseconds) between 20 ms and 1.2 seconds. Long delay times can create flutter, noise, and distortion.  FBack: Controls the feedback of the delays, from slapback to wild runaway oscillation.  Left Toggle:  Up for clean blend,  down to kill the dry signal and hear only the repeats. Speed: Controls how fast the modulator runs.  Depth: Sets how far the modulator will swing the delay time. At high intervals, the pitch of the repeats will shift several semitones! Right Toggle:  Up for a smoother modulator waveform,  down for a sharp, square-shaped wave. . SPECIFICATIONS Dimensions: 5.87" x 4.72" x 2.35" (including hardware). Weight: 21 oz. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 40 mA.

Death By Audio Echo Master ...

839,-

MOUNT YOUR ECHO MASTER TO YOUR MIC STAND Replaces the backplate of the Echo Master to attach to any mic stand. Puts the pedal within hands reach to maximize live vocal performance tweak-ability. Recently upgraded with a die cast screw and heavy-duty steel welded mount. 

Death By Audio Echo Master ...

3.990,-

PSYCHEDELIC VOX TRIP.  Designed for vocals, the Echo Master is a lo-fi, analog tape-style delay unit that can transform the delay sound into a chaotic realm of noise and feedback. The effects loop allows additional effects to be routed into the output, making it easy to fuse any of your favorite effects pedals with your vocal sound.  The Echo Master is not just a delay unit, however. It utilizes matched Bourns transformers on the input to create a vibrant-sounding preamp to bring you phenomenal vocal quality before you even hit the PA. Your sound engineer will hate you because you'll sound better than ever without their help. Top it off with high quality Neutrik XLR jacks and the Echo Master is the ultimate tool for taking total control of the sound of your voice. CONTROLS Time: Controls the delay time, with numbers labeled in milliseconds. In the Red Zone, the delay chip is pushed to the extreme. The signal decreases in fidelity as the time increases. F-Back: Controls the number of repeats in the delay circuit, anywhere from one to an infinite to a wall of oscillation. Mix: Controls the level of the delayed channel in comparison to the dry signal, from fully dry to an equal mix. Send/Receive: Plug out of the Send jack into any additional effects, then back into the Return jack to introduce new sounds into your vocals. . SPECIFICATIONS Dimensions: 6.09" x 3.45" x 2.75" (including hardware). Weight: 16oz. (w/ Alternate Back Plate 30oz.) Power: 9V (runs on standard 2.1mm negative center 9V adapter). Current Draw: 25 mA. *Alternate Backplate: The Echo Master can also be purchased with a backplate that mounts to your mic stand. Puts the pedal within hands reach to maximize live performance tweak-ability. Recently upgraded with a die cast screw and heavy-duty welded mount. 

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