PRS HX 2x12 Cabinet

11.250,-

PRS HX 2x12, Cabinet The perfect 2x12" cabinet match to any vintage sounding amp. PRS HX speaker cabinets feature a closed-back design, delivering full-spectrum sound. The Celestion G12H-75 Creamback speakers bring girth and articulation, allowing plenty of “woof” without the boom, defined midrange, and clear high-end to push from these powerful cabs. With black tolex-wrapped poplar plywood, salt and pepper British-style knitted weave grill cloth, and PRS Signature logo, PRS HX cabinets are a handsome accompaniment to PRS HX amps. 150 Watt 2 x 12” Celestion G12H-75 Creambacks 8 Ohm Poplar Plywood Cabinet Wood

PRS HDRX100 Forsterkertopp ...

38.850,-

PRS HDRX100, 100 Watt Head En 100W vintage-lydende forsterker inspirert av en av Jimi Hendrix personlige forsterkere The PRS HDRX 100 captures the flexibility, power, and balance of late 60’s British-inspired tone. A continuation of PRS’s popular HXDA amplifiers, PRS HDRX amps feature a refined control layout and a newly-documented “Authentic Hendrix” Touring Circuit. This circuit is heavily inspired by one of Hendrix’s personal amps, purportedly used at Woodstock, which Paul Reed Smith and PRS Amp Designer Doug Sewell were able to study in 2018. Designed to push the high-end so it is very clear, but not so much that it’s harsh, the PRS HX shines without glaring and allows for aggression that can be backed off for smooth, sweet tones. The PRS HDRX 100 is driven by four EL34EH power tubes, the best pre-amp tubes available, and a custom-designed Straight Edge output transformer. The power supply and filament design make the HDRX 100 remarkably quiet with little to no amp “hum or hiss.” The PRS HDRX 100 features a 3-band TMB tone stack, 3-way bright switch, high-mid gain switch, and presence controls. These features mirror the historic amp and give players flexibility and increased control of their tone. The PRS HDRX 100 is also designed with internally bridged channels with individual volume controls. This eliminates the need for a jumper cable (historically used on the outside of the amp) and allows players to more easily dial in their distortion level and tone by blending the lead and bass channels’ individual volume controls, bringing more modern convenience to the amp. Made in PRS Guitars Stevensville, Maryland, USA factory, PRS HDRX 100 amps are an exhaustive recreation of tone, a celebration of history, and a monument to modern technology. PRS has also designed matching 2x12 and 4x12 cabinets for the HDRX Amp family. Loaded with modified Celestion G12H-75 Creamback speakers, these cabinets push and punch to complete the package. “Designing the PRS HDRX was not an exercise in over-engineering – it’s a fairly straightforward build with the right parts and circuit. We kept historic specs where it made sense, and we made substitutions based on availability, safety, and experience. In the end, I think we have made a great-sounding amplifier with exceptional build quality and enough power to blow your pantleg when you play it,” Paul Reed Smith. Please note: This is a vintage stock volume amp. PRS recommends using a volume attenuator with these amplifiers. 100 Watt Head 4 x EL34 Power Amp Valves 3 x ECC 803S Preamp Valves Treble & Bass Master Volumes 3-Band EQ, Bass, Middle & Treble Precence Bright Function in 3 Modes: Bright 1, Bright 2 & Off Mid Gain Speaker out: 4, 8 & 16 Ohms 54,71 x 25,4 x 25,4 18,1 Kg

PRS HDRX50 Forsterkertopp 50 ...

35.795,-

PRS HDRX50 50 WATT HEAD En 50W vintage-lydende forsterker inspirert av en av Jimi Hendrix personlige forsterkere The PRS HDRX 50 captures the flexibility and balance of late 60’s Britishinspired tone in a powerful 50-watt amplifier. A continuation of PRS’s popular HXDA amplifiers, PRS HDRX amps feature a refined control layout and a newly-documented “Authentic Hendrix” Touring Circuit. This circuit is heavily inspired by one of Hendrix’s personal amps, purportedly used at Woodstock, which Paul Reed Smith and PRS Amp Designer Doug Sewell were able to study in 2018. Designed to push the high-end so it is very clear, but not so much that it’s harsh, the PRS HX shines without glaring and allows for aggression that can be backed off for smooth, sweet tones. The PRS HDRXX 50 is driven by a pair of EL34EH power tubes, the best pre-amp tubes available, and a custom-designed Straight Edge output transformer. The HX 50 has the documented 100 watt power supply, which makes it sound much closer to the 100 watt amplifier than a normal 50 watt amp. The power supply and filament design also make the HDRX100 remarkably quiet with little to no amp “hum or hiss.” The PRS HDRX 50 features a 3-band TMB tone stack, 3-way bright switch, highmid gain switch, and presence controls. These features mirror the historic amp and give players flexibility and increased control of their tone. The PRS HDRX 50 is also designed with internally bridged channels with individual volume controls. This eliminates the need for a jumper cable (historically used on the outside of the amp) and allows players to more easily dial in their distortion level and tone by blending the lead and bass channels’ individual volume controls, bringing more modern convenience to the amp. Made in PRS Guitars Stevensville, Maryland, USA factory, PRS HDRX 50 amps are an exhaustive recreation of tone, a celebration of history, and a monument to modern technology. PRS has also designed matching 2x12 and 4x12 cabinets for the HDRX Amp family. Loaded with modified Celestion G12H-75 Creamback speakers, these cabinets push and punch to complete the package. “Designing the PRS HDRX was not an exercise in over-engineering – it’s a fairly straightforward build with the right parts and circuit. We kept historic specs where it made sense, and we made substitutions based on availability, safety, and experience. In the end, I think we have made a great-sounding amplifier with exceptional build quality and enough power to blow your pantleg when you play it,” Paul Reed Smith. Please note: This is a vintage stock volume amp. PRS recommends using a volume attenuator with these amplifiers. 50 Watt Head 2 x EL34 Power Amp Valves 3 x ECC 803S Preamp Valves Treble & Bass Master Volumes 3-Band EQ, Bass, Middle & Treble Precence Bright Function in 3 Modes: Bright 1, Bright 2 & Off Mid Gain Speaker out: 4, 8 & 16 Ohms 54,71 x 25,4 x 25,4 10,5 Kg

SolidGoldFX LYSIS MKII ...

3.009,-

Lysis MKII Polyphonic Synth Fuzz Machine The LYSIS MKII is finally here! Is it a fuzz pedal, an octave, a sweeping filter, some kind of synth machine? YES!! Building on the foundation of SGFX’s original LYSIS design, the LYSIS MKII pushes the envelope even further with a number of new features and functionality that helps to increase player interaction and versatility. Bursting with possibilities, LYSIS MKII is designed to meld the world of stringed instruments with that of synths. The LYSIS MKII applies thick, resonant filters, multiple polyphonic voicings and sweeping LFO’s, all drenched in an analog square-wave fuzz to your instrument of choice. Main Features: Octave Fuzz Pedal with LFO ramping/breaking modulation Discrete analog square wave fuzz circuit with FET preamp Polyphonic pitch shifting – delivers octave down, octave down/up and octave down/fifth voicings Selectable HP/LP filters with adjustable resonance 3 waveform modes (triangle, sine, square) with 11 presets each – for a total of 33 modulation settings Tap Tempo control with speed ramping & LFO braking Soft touch true bypass switching Expression/CV control assignable to any parameter via internal DIP switches Top-mounted jacks – for ease of pedalboard mounting Hand-made in Montreal, Canada At the core of the LYSIS MKII is a discrete FET preamp and high-gain fuzz circuit. This feeds into SGFX’s digital polyphonic voice and filter generator, then back into a discrete transistor output stage, offering the best of both analog and digital signal processing. While the high-pass and low-pass filters carry over from the previous generation, they are now controlled by SGFX’s new tap tempo LFO. This is now loaded with 33 different triangle, sine and square waveshapes coupled with 3 preset resonance settings for your choice of soft modulation or heavy, rhythmic sweeps. The Voice selector has been expanded to include the previous octave down setting, as well as a new octave down/octave up voicing and SGFX’s Super Power Chord featuring octave down/fifth pitch shifting. Combined with a feature-rich, yet easy-to-use control set, the LYSIS MKII quickly becomes an extension of your instrument and an inspirational toolbox. There’s nothing left to do but to plug in and let the LYSIS MKII sweep you off to synth/fuzz nirvana and enjoy punishing octave-down fuzz, rich, gooey filter sweeps or anything in between.

Ibanez EJK1000 Intonation ...

475,-

Revolusjonerende intoneringsverktøy for double locking tremolo som gjør at en 1 times jobb tar 10 minutter i stedett. Settes enkelt fast på stolen og så justerer man en sadel av gangen, som på hvilken fast stol som helst. Veldig, veldig enkelt och veldig, veldig raskt. Et veldig presist verktøy. En mann med orden kan tenke "men det fantes jo noe lignende før? ", og det er helt riktig. Men det er her EJK1000 er revolusjonerende, altså i det at den virkelig fungerer.

Radial ProRMP re-amping box

2.075,-

Reamping has been the ‘secret weapon’ for countless recordings by the biggest names in the business and is often used on guitars, bass, keyboards, percussion and even voice to create new textures! The Radial ProRMP is a 100% passive reamper that lets you to take a pre-recorded track and re-amplify it through a guitar amp or effects pedals to create new and exciting tones.Plug and play easy to use, just connect the ProRMP between the recorder and your amp and adjust the level to suit! All the impedance matching is taken care of. The custom wound transformer converts the balanced low-Z signal from your recorder to hi-Z for your amp while also isolating your amp from ground loops that can cause buzz and hum.Like all Radial products, the ProRMP is built tough! Encased in a 14 gauge steel, the Pro-RMP employs a unique book-end™ design with a welded I-beam frame that protects it from damage and assures the PC board and solder points will not be stressed. A full-bottom no-slip pad works double duty by providing plenty of stay-put while also eliminating electrical contact points from guitar amp chassis bolts that could cause ground loops. Radial ProRMP - affordable professional reamping for every studio! Features • 100% passive design, no power supply for easy use • Custom wound transformer for natural tone • Recessed level control to adjust output • Compact yet durable steel construction Applications • Reamping guitars for new sounds • Reamping voice for fun effects • Reamping keyboards through guitar amps • Reamping drums & percussion Cool Factors • Plug and play easy to use • Eliminates tiresome repetition • Hire top players and change their tone later! • Monitor the new sound in the control room • Lets you capture the sweet spot in your room

Jackson Audio Goat Head ...

690,-

GOAT HEAD Replacement Fuzz Modules These analog plug-in modules are an assortment of fully analog fuzz modules for the Jackson Audio FUZZ pedal. These are faithful recreations of multiple historic and sought-after fuzz circuits, replacing the FUZZ’ stock MODERN FUZZ module with the legendary sound of fuzzes through the ages. Dead simple to install, you simply unscrew the FUZZ’ backplate, remove the stock fuzz module and replace it with any of the analog fuzz plug-ins. Voila! Your new fuzz pedal with all its features is accessible ready! Main Features: Fully-analog swappable module plug-in boards for the Jackson Audio FUZZ pedal Fuzz circuits based on legendary fuzz sounds Easy installation GOAT HEAD Based on the legendary Big Muff Pi Ram’s Head, the GOAT HEAD is the sound of Pink Floyd! Insane levels of fuzz and sustain are hallmarks of this circuit, but this plug-in does something that no other Big Muff can do! With the parametric EQ on the FUZZ, you can adjust the EQ so you can bring the mids forward on this circuit! Also included on the plug-in board are TONE and GAIN trimmers so you can fine-tune the classic Big Muff tone control and adjust the overall gain style of the circuit.   Also available: MODERN FUZZ DELUXE Like the MODERN FUZZ plug-in, the MODERN FUZZ DELUXE plug-in expands the tones available by adding two additional types of clipping. With the jumper set in the DIST (distortion) position, the clipping is smoother and with more headroom. With the jumper set in the OD (overdrive) position, the clipping is smoother still and has the feel and vibe of a vintage overdrive. FUZZ CLASSIC/MODERN The classic later-era Fuzz with the smiley face! This plug-in has high gain and a tighter/crisper feel and is perfect for the later Jimi era tones. FUZZ PAGE MARK II If you like your fuzz to be completely rude and unruly, this is your fuzz! The sound of Led Zeppelin and full of snarl and spit, the FUZZ PAGE MARK II plug-takes the FUZZ and turns it into a classic rock machine!

Jackson Audio Fuzz ...

690,-

FUZZ CLASSIC/MODERN Replacement Fuzz Modules These analog plug-in modules are an assortment of fully analog fuzz modules for the Jackson Audio FUZZ pedal. These are faithful recreations of multiple historic and sought-after fuzz circuits, replacing the FUZZ’ stock MODERN FUZZ module with the legendary sound of fuzzes through the ages. Dead simple to install, you simply unscrew the FUZZ’ backplate, remove the stock fuzz module and replace it with any of the analog fuzz plug-ins. Voila! Your new fuzz pedal with all its features is accessible ready! Main Features: Fully-analog swappable module plug-in boards for the Jackson Audio FUZZ pedal Fuzz circuits based on legendary fuzz sounds Easy installation FUZZ CLASSIC/MODERN The classic later-era Fuzz with the smiley face! This plug-in has high gain and a tighter/crisper feel and is perfect for the later Jimi era tones.   Also available: MODERN FUZZ DELUXE Like the MODERN FUZZ plug-in, the MODERN FUZZ DELUXE plug-in expands the tones available by adding two additional types of clipping. With the jumper set in the DIST (distortion) position, the clipping is smoother and with more headroom. With the jumper set in the OD (overdrive) position, the clipping is smoother still and has the feel and vibe of a vintage overdrive. FUZZ PAGE MARK II If you like your fuzz to be completely rude and unruly, this is your fuzz! The sound of Led Zeppelin and full of snarl and spit, the FUZZ PAGE MARK II plug-takes the FUZZ and turns it into a classic rock machine! GOAT HEAD Based on the legendary Big Muff Pi Ram’s Head, the GOAT HEAD is the sound of Pink Floyd! Insane levels of fuzz and sustain are hallmarks of this circuit, but this plug-in does something that no other Big Muff can do! With the parametric EQ on the FUZZ, you can adjust the EQ so you can bring the mids forward on this circuit! Also included on the plug-in board are TONE and GAIN trimmers so you can fine-tune the classic Big Muff tone control and adjust the overall gain style of the circuit.

Jackson Audio Fuzz Page Mark ...

690,-

FUZZ PAGE MARK II Replacement Fuzz Modules These analog plug-in modules are an assortment of fully analog fuzz modules for the Jackson Audio FUZZ pedal. These are faithful recreations of multiple historic and sought-after fuzz circuits, replacing the FUZZ’ stock MODERN FUZZ module with the legendary sound of fuzzes through the ages. Dead simple to install, you simply unscrew the FUZZ’ backplate, remove the stock fuzz module and replace it with any of the analog fuzz plug-ins. Voila! Your new fuzz pedal with all its features is accessible ready! Main Features: Fully-analog swappable module plug-in boards for the Jackson Audio FUZZ pedal Fuzz circuits based on legendary fuzz sounds Easy installation FUZZ PAGE MARK II If you like your fuzz to be completely rude and unruly, this is your fuzz! The sound of Led Zeppelin and full of snarl and spit, the FUZZ PAGE MARK II plug-takes the FUZZ and turns it into a classic rock machine!   Also available: MODERN FUZZ DELUXE Like the MODERN FUZZ plug-in, the MODERN FUZZ DELUXE plug-in expands the tones available by adding two additional types of clipping. With the jumper set in the DIST (distortion) position, the clipping is smoother and with more headroom. With the jumper set in the OD (overdrive) position, the clipping is smoother still and has the feel and vibe of a vintage overdrive. FUZZ CLASSIC/MODERN The classic later-era Fuzz with the smiley face! This plug-in has high gain and a tighter/crisper feel and is perfect for the later Jimi era tones. GOAT HEAD Based on the legendary Big Muff Pi Ram’s Head, the GOAT HEAD is the sound of Pink Floyd! Insane levels of fuzz and sustain are hallmarks of this circuit, but this plug-in does something that no other Big Muff can do! With the parametric EQ on the FUZZ, you can adjust the EQ so you can bring the mids forward on this circuit! Also included on the plug-in board are TONE and GAIN trimmers so you can fine-tune the classic Big Muff tone control and adjust the overall gain style of the circuit.

Jackson Audio Modern Fuzz ...

690,-

MODERN FUZZ DELUXE Replacement Fuzz Modules These analog plug-in modules are an assortment of fully analog fuzz modules for the Jackson Audio FUZZ pedal. These are faithful recreations of multiple historic and sought-after fuzz circuits, replacing the FUZZ’ stock MODERN FUZZ module with the legendary sound of fuzzes through the ages. Dead simple to install, you simply unscrew the FUZZ’ backplate, remove the stock fuzz module and replace it with any of the analog fuzz plug-ins. Voila! Your new fuzz pedal with all its features is accessible ready! Main Features: Fully-analog swappable module plug-in boards for the Jackson Audio FUZZ pedal Fuzz circuits based on legendary fuzz sounds Easy installation MODERN FUZZ DELUXE Like the MODERN FUZZ plug-in, the MODERN FUZZ DELUXE plug-in expands the tones available by adding two additional types of clipping. With the jumper set in the DIST (distortion) position, the clipping is smoother and with more headroom. With the jumper set in the OD (overdrive) position, the clipping is smoother still and has the feel and vibe of a vintage overdrive.   Also available: FUZZ CLASSIC/MODERN The classic later-era Fuzz with the smiley face! This plug-in has high gain and a tighter/crisper feel and is perfect for the later Jimi era tones. FUZZ PAGE MARK II If you like your fuzz to be completely rude and unruly, this is your fuzz! The sound of Led Zeppelin and full of snarl and spit, the FUZZ PAGE MARK II plug-takes the FUZZ and turns it into a classic rock machine! GOAT HEAD Based on the legendary Big Muff Pi Ram’s Head, the GOAT HEAD is the sound of Pink Floyd! Insane levels of fuzz and sustain are hallmarks of this circuit, but this plug-in does something that no other Big Muff can do! With the parametric EQ on the FUZZ, you can adjust the EQ so you can bring the mids forward on this circuit! Also included on the plug-in board are TONE and GAIN trimmers so you can fine-tune the classic Big Muff tone control and adjust the overall gain style of the circuit.

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