EarthQuaker Devices Rainbow ...

3.250,-

Rainbow Machine V2 Soundwaves Over The Rainbow Welcome to the Rainbow Machine, in all its synthetic glory! This one is for experimenters, adventurists, and noisemakers. Totally not for purists and/or tone hounds. There are no natural sounds that come from this box. It takes modern DSP and uses it as a tool of future past to create real-time pitch shifting using digital oscillators.   • Polyphonic Pitch Shifting Modulator - From a Major 3rd up to a Perfect 4th below • Can create thick doubling, lush chorus, oil-can delays and wild polyphonic harmonies • New recalibrated Magic control - Wider range of available sounds • New V2 flexi-switch - allows for latching and momentary switching • True bypass - Silent soft-touch switching • Top-mounted jacks - for effortless pedalboard implementation The Rainbow Machine V2 has been completely re-imagineered from the pixie dust-covered ground up to be more versatile, twice as loud as the original, with an extended delay time, deeper chorus tones, silent flexiswitch footswitches on both the Activate and Magic functions, and best of all, has more Magic! The Rainbow Machine is built around a DSP pitch warping engine that’s designed to be slightly imperfect; colored with digital remnants of the cosmic dust we’ve picked up across the multiverse. That is to say it’s a cold digital beast made to pretend it has feelings. The Pitch control adjusts the frequency of the polyphonic pitch-warped harmony from a fourth below your input, to a third above, and every atonal pitch in-between. Noon is the unison position. Use the Primary function control to adjust the volume of the polyphonic harmony. You may add in an accompanying octave or thicken the modulation by bringing up the Secondary function control. The Tracking control adjusts the lag time between the wet and dry signals, and the Tone control rolls off some treble for a darker, vintage sound. Clockwise is bright, counterclockwise is dark. With the Rainbow Machine engaged, hold down the Magic footswitch, get weird, and then let go to return to your boring old Magic-less guitar tone. Or, press the switch like normal, and the Magic remains engaged until you press the switch again. Ditto for the Activate switch. Press and hold to use the Rainbow Machine as a momentary effect, then let go to bypass; or feel free to press the switch like normal and use the Rainbow Machine like you would any other effects pedal.   Each and every Rainbow Machine V2 is harvested by hand in the (pixie) dusty Rainbonium mines of sunshiny Akron, Ohio, USA.

EarthQuaker Devices Sea ...

2.580,-

Sea Machine™ Super Chorus The Sea Machine is a chorus pedal with as many modulation possibilities as there are fish in the ocean. That’s a lot of fish. And a lot of modulation. From subtle, shimmery chorus sounds, to wobbly, seasick, warbly pitch-bent detuning that rocks the boat, the Sea Machine is the audio bait that’ll help you reel in the big one. The Sea Machine ain’t no one-trick seahorse. With a mix of standard and unique controls, everything from subtle warble, classic Leslie, seasick pitch bends, strangled alien sounds, stunted arpeggiations and many more far out sounds are available. Or you could just use it as a chorus. That works, too. Oh, and if you’re a bass player who fancies themselves a fan of the classic 80s post-punk bass sound, the Sea Machine is pretty much just like (tone) heaven. Flexi-Switch® Technology This device features Flexi-Switch® Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching. For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass. For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed. Since the switching is relay based, it requires power to pass signal. Power This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

EarthQuaker Devices Spatial ...

2.490,-

Spatial Delivery® Envelope Filter with Sample & Hold The Spatial Delivery is an oddball, a voltage controlled envelope filter that allows you to step outside the universe of funk while reinforcing your secret love affair with auto-wah. This baby has three modes with the switchable Up Sweep, Down Sweep, and Sample & Hold functions, along with Range, Resonance and Filter controls. Get some wild filter sweeps with the Up and Down modes and adjust the Range to control the sensitivity and reaction time of the envelope, which alters the width of the frequency sweep. Reign in the controls a bit, add your favorite overdrive/fuzz after the Spatial Delivery and you’ve got a real nice resonant, cut-through-the-mix lead tone. We took the already cosmic, original Spatial Delivery and added six available preset slots for you to store your preferred settings. Even the expression jack assignment can be saved and recalled in any of the slots so that the signature sounds you dial in are readily available with a quick tap of the switch. Save your settings confidently on the go thanks to the two modes indicated by the LED Save/Recall switch. Presets Spatial Delivery has six available preset slots for you to save and recall your favorite settings. The settings for each of the three controls, the Mode switch and the expression jack assignment can be saved and recalled in any of the slots. Operating Modes Spatial Delivery has two operating modes which are indicated by the color of the Save/Recall switch LED. In Live mode, the pedal will operate exactly where the controls are set and any changes will have no effect on the presets unless saved. In Preset mode, stored presets, including expression pedal mapping, are selected using the Preset switch, and the physical settings of the controls will be ignored. It’s never been easier to switch between Live and Preset modes on the fly, vastly expanding your sonic cosmos - no bending down required! User-Assignable Expression Control Use any TRS expression pedal to take control over the Range, Resonance or Filter controls. Controls: Mode Toggle: Toggles between Upward Sweep, Downward Sweep or Sample & Hold. Range: Adjusts the sensitivity of the envelope in Up and Down mode. In Sample & Hold mode, this controls the speed. Filter: Crossfades between high pass and low pass filters and allows you to get everything in between. High pass is fully counterclockwise, low pass is full clockwise and center is band pass. This is much more useful than a simple switch you would typically find on a multi-mode because it allows you to blend the filters for different sounds! Resonance: This is the filter feedback control, it adds more body and ring to the filter voice. Presets: Six available preset slots for you to save and recall your favorite settings! The settings for each of the three controls, the Mode switch and the expression jack assignment can be saved and recalled in any of the slots. TECH SPECS Dimensions 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs Current Draw 75 mA Input Impedance 500 kΩ Output Impedance 100 Ω Flexi-Switch® Technology This device features Flexi-Switch® Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching. • For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass. • For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed. Since the switching is relay based, it requires power to pass signal. Power This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES! Artwork Artwork by Matt Horak

EarthQuaker Devices Swiss ...

3.830,-

Swiss Things Pedalboard Reconciler EarthQuaker Devices’ Swiss Things is an all-in-one pedalboard reconciliation solution designed to really tie your rig together, without resorting to some confusing loop-switching contraption bigger than a meatball party sub (that eats up the entire bottom row of your board and kind-of-but-not-quite does what you need it to do). • All-in-one pedalboard reconciliation solution • Use EQD’s Flexi-Switch™ Technology with every pedal in your setup • Buffered tuner output • 20dB of clean boost • Expression pedal output • Quiet, high headroom output buffer • Two Flexi-Switch™ enabled effects loops • Flexi-Switch™ AB-Y box • Use as many pedals as you’d like without tone-suck • Quickly and easily bypass all pedals with one click • Use multiple amps without phase issues, ground loops, or extra noise • Eliminate volume pedal tone-suck by using any expression pedal to control volume • Improves pedalboard cable management - shortens cable runs to reduce capacitance which causes tone loss • All-analog signal path • True Bypass - with silent soft-touch switching Swiss Things combines two true-bypass Flexi-Switch™ enabled effects loops, a Flexi-Switch™ AB-Y box with transformer isolation between outputs, a buffered tuner output, 20dB of clean boost, an expression pedal output for volume control, and a quiet, high headroom output buffer into a compact pedalboard-friendly signal routing junction box that lives at the top-right corner of your pedalboard and really ties your rig together without any signal loss. The two effects loops (labelled Loop 1 and Loop 2) come equipped with EarthQuaker Devices’ proprietary Flexi-Switch™ Technology which allows latching- and/or momentary-style switching to be used with any effects pedal on the market. Loop 1 is unbuffered for use with fuzz, overdrive, distortion, boost, vintage pedals, or anything else with low input impedance and requires direct interaction with your pickups. Loop 2 is buffered and is intended for use with time-based and modulation effects. A buffered tuner output removes your tuner from the signal chain, allowing users to stay in tune without tone loss. The Volume EXP jack allows for expression pedal control of volume without volume pedal-related tone-suck and is located after the “dirt” effects loop (Loop 1) to change levels without affecting gain. Swiss Things also includes a Flexi-Switch™enabled AB-Y box with transformer isolation between outputs and a phase switch, 20dB of clean boost with adjustable gain, and a quiet, high headroom output buffer. It all adds up to a compact, pedalboard-friendly signal routing junction box that lives at the top-right corner of a pedalboard and ties the rig together without any signal loss.

EarthQuaker Devices Tentacle ...

1.790,-

Tentacle™ Analog Octave Up The Tentacle is a classic analog octave up effect. It is the very same octave from our beloved Hoof Reaper pedal. We got so many requests to make this a stand-alone unit that we just had to make it a reality. You can now add an excellent, swelling octave up to anything your heart desires! Pair it with your favorite fuzz, strap on a headband and unleash your inner Jammy Hendrix. Put it in front of another octave up and blow your amps mind. Throw it in the effects loop of a delay and marvel at what happens (then tell us, we’d like to know too). What’s better? It has no controls! Nothing to worry about at all here, just hit the switch and go for it. The Tentacle is an analog octave up, the effect will become much more pronounced when using your neck pickup and playing above the 12th fret. Flexi-Switch® Technology This device features Flexi-Switch® Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching. For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass. For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed. Since the switching is relay based, it requires power to pass signal. Power This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

EarthQuaker Devices Tone Job ...

2.390,-

Tone Job™ EQ & Boost This compact Boost & EQ device is based around the tone-shaping options available in old audiophile-grade stereo preamps, making it a great addition to your pedalboard, no matter what instrument you play. So what does that mean, exactly? It means that you’ll hear full frequency response from your Tone Job everywhere you plug it in – guitar, bass, drum machine, synthesizers, steel drums, harpsichord, kazoo, car stereo, or wherever! The Tone Job has active EQ controls for Bass, Mid and Treble, with up to 20 dB of cut or boost, which is handy for pairing up with other pedals in your chain to breathe new life into old dirt. Unlike boring old graphic EQs, the Tone Job’s EQ controls are interactive, so you can experiment with different settings to alter the response and overall feel of the device, getting your tone out of the lunchroom and back on the clock. Place the Tone Job at the beginning of your chain to alter the overall character of your guitar, or use it at the end to boost output at the end of a long cable run and fine-tune your tone. The Level control on the Tone Job can boost your signal up to 5x the original input level, so you’ll always be heard, and makes for a fantastic solo and/or clean boost! Switching This device is true bypass and uses electronic relay-based switching. Audio will not pass without power. Power This device takes a standard 9-18 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

EarthQuaker Devices ...

2.680,-

Afterneath Eurorack Module Otherworldly Synth Reverberation Machine The Afterneath Eurorack Module brings the otherworldly sounds from the effects pedal world right into your modular synthesizer. Featuring one main audio input, one main audio output, an audio send and return for the Reflect feedback path and nine controls, four of the Afterneath Module’s parameters are controllable via CV and each has been equipped with a dedicated inverting attenuator. With these features, a completely analog dry signal path and a totally digital wet signal path, the Afterneath Module is an ambient powerhouse and an instrument unto itself, helping to push the already unflappable Afterneath into a whole new realm.   Main Features • Same otherworldly reverb algorithm built from an adjustable cluster of short delays in a 16HP Eurorack format • Ranges from scattered individual delays to an immersive wash of atmospheric reverb • New voltage control over the Drag parameter with 9 unique modes of user-selectable sweep:     Unquantized, Unquantized with Slew, Unquantized Volt/Octave, Chromatic, Major, Minor, Pentatonic, Octaves & Fifths, Octaves • Features audio send and return for the Reflect feedback path • Drag, Mode, Diffuse, and Length parameters are controllable via CV, each with dedicated inverting attenuators • Features Dry Kill switch to eliminate the dry signal from the output, leaving only the wet signal • Capable of pseudo-stereo operation by using the Reflect Send as an additional output • All analog dry signal path and a totally digital effect signal path • Current Draw: 95 mA from the +12v rail, 0 mA from both the -12v and +5v rails • Width: 16HP The Afterneath Module further expands upon EarthQuaker’s wildly popular Afterneath pedal with the addition of voltage control over the Diffuse, Length and Drag controls. We have also added an entirely new voltage-controlled “Mode” parameter that changes how the Drag responds to knob and CV changes. When adjusting the Drag via the knob or CV, you will notice a change in character, fidelity and decay length of the effect. There is also a noticeable change in pitch for the sound that is in the Afterneath’s buffer. As with the Afterneath pedal, high settings of the Reflect and Length controls result in self-oscillation, where the pitch of the oscillation is set by the Drag control. There are nine modes that govern the behavior of the Drag control and its effect on the pitch of the sound in the buffer:   • Unquantized - Smooth, unquantized response over the entire operating range of the Drag parameter. • Unquantized with Slew - Smooth, unquantized response over the entire operating range, but with a musical slew that is reminiscent of turning the varispeed knob on a vintage British tape delay. The “Drag” will lag behind the knob or CV changes, but then quickly catch up. • Unquantized Volt/Octave - Smooth and unquantized, yet scaled to align with the 1V/octave curve to allow melodic modulation of audio in the buffer, or control the frequency of self-oscillation like a voltage-controlled oscillator. • Chromatic Scale - Quantized to 1V/octave, so that it jumps to intervals within the Chromatic scale. • Major Scale - Quantized to 1V/octave, so that it jumps to intervals within the Major scale. • Minor Scale - Quantized to 1V/octave, so that it jumps to intervals within the Minor scale. • Pentatonic Scale - Quantized to 1V/octave, so that it jumps to intervals within the Pentatonic scale. • Octaves and Fifths - Quantized to 1V/octave, so that it jumps to octaves and fifths of the original pitch. • Octaves - Quantized to 1V/octave, so that it jumps to octaves of the original pitch.   Beyond modulated delay and reverb effects, modes 3-9 extend the possibility of using the Afterneath Module as an interesting voltage-controlled oscillator.  Another new feature found only in the Afterneath Module is a Dry Kill switch that allows access to a 100% wet signal. Perfect for when you are using the module as an effect send from your mixer or digital audio workstation!   Last, but certainly not least, we have added a Reflect Send and Reflect Return jack. This not only allows external processing of the Afterneath’s Reflect feedback path, but also gives the user access to a phenomenal pseudo-stereo effect. In addition to patching from the main output, you can also patch from Reflect Send jack (For example, using the main audio output as your left channel, and the Reflect Send as your right channel).  This provides a wide, immersive, ambient stereo image. This is a great trick for when using the module as an effects send for your favourite modular, mixer or DAW. Additionally, the Reflect Return jack can be used as an additional audio input. The Reflect knob will act as an attenuator for any signal that is patched into the Reflect jack.   Each and every Afterneath Eurorack Module is built by a mix of robots and human beans in the torch-lit cave community of Akron, Ohio.

EarthQuaker Devices ...

2.970,-

Afterneath V3 Enhanced Otherworldly Reverberation Machine EarthQuaker Devices has taken everything that was great about the original Afterneath and made it even better: 9 new Modes, CV/expression pedal control over the Drag parameter, Trails/No Trails Switching, helping to push the already unflappable Afterneath into a whole new realm. The Afterneath V3 sounds a lot like it looks - a wizard bursting forth from ethereal cave and ready for the ambient battle. You are the wizard (or sorceress, if you prefer) and the cave is your instrument’s signal, vast, expansive and magical. Do you go inside? Roll a D20 to proceed! • Same otherworldly reverb algorithm built from an adjustable cluster of short delays • Ranges from scattered individual delays to an immersive wash of atmospheric reverb • New control over the Drag parameter with 9 unique modes of user-selectable sweep.  These new modes of operation push the already unflappable Afterneath into a whole new realm:     1. Unquantized: Smooth, unquantized response over the operating range     2. Unquantized with Slew: Smooth, unquantized response over the entire operating range, but with a musical slew that is reminiscent of turning the varispeed knob on a vintage British tape delay. The “Drag” will lag behind the knob or cv changes, but then quickly catch up     3. Unquantized Volt/Octave: Smooth and unquantized, yet scaled to align with the 1v/octave curve to allow melodic modulation of audio in the buffer, or control the frequency of self-oscillation like a voltage-controlled oscillator     4. Chromatic Scale: Quantized 1v/octave to the chromatic scale     5. Major Scale: Quantized 1v/octave to the major scale     6. Minor Scale: Quantized 1v/octave to the minor scale     7. Pentatonic Scale: Quantized 1v/octave to the pentatonic scale     8. Octaves & Fifths: Quantized 1v/octave to omit all but octaves and fifths     9. Octaves: Quantized 1v/octave to omit all but octaves • Flexi-Switch™ - allows for momentary and latching-style operation from a single footswitch • Silent soft-touch switching with True Bypass • Tails/No Tails switching • Voltage or expression pedal control jack for the Drag parameter • All analog dry signal path and a totally digital effect signal path • Powered by regular 9 V DC PSU          (centre -, 2.1 mm, ~100 mA current draw) Once inside, a reflection of light from an unknown source catches your eye, and you notice a bizarre sheen on the walls of the cave. You timidly inch closer to the walls of the cave. Placing your hand gently on the cavern wall, you feel the rock move. The cave is alive! Alarmed, you emit a loud gasp, which reverberates throughout the subterranean landscape. Upon further listening, it appears as though the reverberations of your voice are in fact a swarm of short digital delays which may be used to create wild and cavernous reverbs, or scattered, short, rhythmic delays with bizarre characteristics. Take a moment to consider your Intelligence and Wisdom scores, as well as your spell inventory before proceeding further. You have seven spells at your disposal… Will you cast “Length,” which controls the decay length of the reverb? What about “Diffuse,” which adjusts the spread of the reverb? With your wand (or just the knob) turned counter-clockwise, the reverb is sharper with more attack, resulting in a stuttering sputter of individual early reflections. Clockwise casts a washy, more ambient-sounding hex. Overwhelmed by fear, you hastily cast “Dampen!” As you shout the incantation, you notice that a counter-clockwise variation of this spell results in brighter tones, while as you rotate your wand clockwise; you hear darker tones with a mellower top-end. It’s almost as if your magic changes the hardness of the cavern walls, and thus the tonal characteristics of the reverb! Elsewhere in your book of magic is “Drag,” which separates the individual digital delay lines, literally dragging them through the very fabric of time and space towards an unknown event horizon from which they may never return. Clockwise “Drag” positions will gather the delay lines close together for a more reverb-like effect. Turn the “Drag” counter-clockwise and the delay lines will begin to pull apart for a scattered ping-pong delay effect. The Drag can be put under voltage or expression control using the “EXP” jack located on the side and operates in 9 different modes which are selected by the small “Mode” control. These modes are: Unquantized, Unquantized with slew, Unquantized volt/octave, Chromatic scale, Major scale, Minor scale, Pentatonic scale, Octaves & fifths and Octaves. These modes drastically change the way the Drag control functions, especially while using an expression control or CV. The “Reflect” alters the depth of the cave, and with it the regeneration of the reverb. This acts as a feedback control and will self-oscillate if cast by a high-level user. Turn clockwise for more wash and echoes, counter-clockwise for less. Finally, the “Mix” alters the alchemical balance between the input signal and the effect. The Afterneath V3 does not go fully wet but does lower the level of the input signal as you raise this control to create the appearance of a fully wet reverb. The Afterneath V3 features a completely analog dry signal path, totally digital delay path, buffered bypass with Flexi Switch Technology and a tails/no tails option on bypass. Each and every Afterneath V3 is built by a mix of robots and human beans in the torch-lit cave community of Akron, Ohio.

EarthQuaker Devices Aqueduct ...

2.580,-

Aqueduct Wild Vibrations Aqueduct uses a short delay line with eight modulation modes to deliver gentle amp-like rolling pitch-wobbles, steady kosmiche pulsations, rapid trills, slimy sonic squiggles, whammy bar wiggles, pitch bends, and anything else your pitch-warped brain can picture in your murky mind’s eye. • True pitch-shifting vibrato • Eight different modulation modes • Easily conjure everything from swampy vintage vibrato, synthy pulses, touch-sensitive chorus and flanger sounds and wild tactile tremolo bar-like pitch bends. • Flexi-switch for latch and momentary operation • True bypass • Silent soft-touch switching - with all-analog dry signal path With eight modulation modes to choose, Aqueduct offers a variety of pitch-shifting vibrato tones adaptable to nearly any musical situation. Sine, Triangle, Ramp, and Square modes provide tried-and-true pitch modulation for players wanting to add subtle and organic textures to their music. Random mode introduces a “warped record” effect at low settings and rolls the dice on an unpredictable assortment of greasy pitch-bends as the Depth is increased. For players on the hunt for a dynamic and touch-sensitive Vibrato experience, Aqueduct’s Envelope modes allow for interactive control over the Depth, Rate, and pitch of the vibrato by simply playing harder or softer. Envelope-Controlled Pitch mode (Env P) is equipped with a wet/dry blend expanding the tonal possibilities beyond vibrato to include chorus, flanger, and tactile tremolo bar-like pitch bends. We’ve lovingly nicknamed it “the My Bloody Valentine setting.” Aqueduct’s intuitive control set make it easy for pedal novices and tap-dancing pedalheads alike to dial in swampy vintage-inspired vibrato, synthesizer- like sonar pulses, touch-sensitive pitch modulation, and more. Rate adjusts the LFO speed which controls how quickly the pitch rises and falls. Depth controls the LFO amplitude, adjusting the intensity of the vibrato effect. The rotary switch labeled Mode selects between one of eight LFO waveshape and envelope combinations which drastically alter the character of the modulation. It is also the latest pedal to feature EarthQuaker Devices proprietary Flexi-SwitchTM feature which allows users to select between momentary and traditional latching-style switching in the moment and on the fly. For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass. For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed. Each and every Aqueduct is completely constructed with human hands in Akron, Ohion, USA.

EarthQuaker Devices Arrows V2 ...

1.630,-

Arrows V2 Preamp Booster The Arrows V2 is an all-discrete tone sculpting preamp booster. It was designed with the intention of adding an additional channel of gain to all your dirt pedals as well as brightening up neck pickups. • Preamp Booster pedal - Built on all-discrete analog circuitry • Designed to be stacked; Adds additional gain channel to dirt pedals • Dirt-simple to use - One knob to rule them all! • Brightens dark sounding neck pickups • Boosts midrange and tightens up low-end • True bypass - Silent soft-touch switching • New enclosure w. Top-mounted jacks - for effortless pedalboard implementation The Arrows V2 boosts midrange, tightens up the low end and makes the top end shine while adding some push to drive your dirt into blooming sustain with excellent harmonics. Its simple interface is no nonsense; a single control that will either boost or cut your signal. While the new V2 enclosure, with its top-mounted jacks, make fitting the pedal even into the most crowded pedal board a breeze. Use the Arrows V2 to remove the muck from bass heavy fuzz pedals, push light overdrives into higher gains than you thought possible or even on its own to make your signal really pop with more pizazz. All analog, true bypass and handmade one at a time in the weird pit of Akron, Ohio.

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