FabFilter Total Bundle

14.990,-

Contains All FabFilter Plug-ins The Total Bundle is a set of all FabFilter plug-ins. With this bundle, you get our professional EQ, reverb, compressor, multiband dynamics, limiter, de-esser and gate/expander, creative multiband distortion, delay, filter and synthesizer plug-ins.

FabFilter Volcano 3 filter ...

2.090,-

Filters with unique character Volcano 3 Erupting with character and vintage quality Unbeatable filters Nothing beats a vintage sounding, gritty and creamy cut-off filter. That's exactly what FabFilter Volcano has been known for since its first release in 2005. Today, Volcano 3 continues to deliver the best in creative filtering with new non-linear filter shapes and a completely redesigned interface that is an absolute delight to work with. The FabFilter Timeless 2 modular delay and Fabfilter Volcano 2 modular filter have been our favourite delay and filter plug-ins for a while now. — Noisia (World famous drum & bass trio) Non-linear, vintage filters Volcano 3 contains four analog-sounding filters with flexible routing, each offering many filter shapes including non-linear bell and shelf filters. Different filter styles offer saturation and self-oscillation at high peak settings, just like classic, vintage filters. Easy drag-and-drop modulation With all the XLFOs, envelope generators, envelope followers and MIDI sources you will ever need, Volcano 3 offers endless modulation possibilities. Setting up new modulation connections could not be easier: just drag and drop. FabFilter goodies Finally, you get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, NEON and SSE optimization, and much more. Key features improved - Fully redesigned, highly simplified interface, with an easier workflow, including a new design of modulation sources and floating slot panel new - Added new, vintage-sounding EQ-type filter shapes with the internal drive and non-linearities: bell, low/high shelf, notch and all-pass Ultra-flexible filter routing, including per-channel and mid/side modes improved - Various interface sizes and full screen mode improved - Endless modulation options, with all the 16-step XLFOs, XY controllers, envelope generators, envelope followers and MIDI sources you will ever need new - Introduced Drive setting per filter, adjusting the internal filter saturation, which allows for much more variety in sound and smoothness improved - Improved the sound quality of overall feedback, the filters, and internal saturation new - Live modulation visualization for targets and sources new - High Quality option, enabling maximum internal oversampling for the best results new - Level/Pan per filter, which is especially useful when using parallel filter routings new - 6 dB/oct filter slope option Stereo and mono plug-ins available Undo, redo and A/B switch features improved - Carefully designed and curated factory presets, plus support for earlier Volcano presets improved - Large interactive filter display with optional piano display Interactive MIDI Learn Extensive help file with interactive help hints Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats

Nobels Mounty-P Set Pedal ...

59,-

Nobels Mounty P Set The Security Lock for your Pedal Small black, metal mounting plates to attach most pedal units to any surface! If you play live and are serious about your set up, then screw your effects down with Nobels Mounty-Ps. Velcro® is great if you are bedroom player or are constantly swapping your stuff around, but can be a liability for gigging and gathering hair and fluff. The Mounty-Ps cost next to nothing and are cleverly designed. No chance of you opening up your pedal case to find your carefully arranged pedals in a heap all scratched up. Mounty-Ps work with big heavy multi units all the way down to mini pedals. Nobels Mounyt-Ps, a much more elegant solution to hook and loop tape. One set consists of 4x Mounty-P´s plus 4 screws.

Nobels ODR-Mini 2 Natural ...

890,-

Nobels ODR-mini 2 New Generation Mini Overdrive For over 30 years, the Nobels ODR-1 overdrive pedal has become a renowned classic and has developed cult-like status among guitarists worldwide. Seen as an indispensable staple in many professional setups, the pedal has become an industry standard that is widely imitated, but seldom surpassed. The new Nobels ODR-mini 2 is the next stage in the evolution of the legendary ODR-1’s little brother, the ODR-mini. Due to popular demand, this diminutive powerhouse now features a very useful bass cut feature as an external control. Added to this, the upgraded full metal housing, along with the integrated Mounty-P Mounting Plates, completes the worthwhile upgrades for this compact dynamo. Main Features • Natural Analog Mini Overdrive Effects Pedal • New Variable Bass Cut knob - helps to tame and adjust the low end • Spectrum Tone control - double filter tone control that simultaneously cuts/boosts bass and treble frequencies, with centre indent • New upgraded metal enclosure • True Bypass • Glow in the Dark pointer knobs • Includes 4x integrated Mounty-P Mounting Plates • Powered by a regular 9-18 V DC PSU (not supplied - requires centre - 2.1 mm, ~12 mA current draw) For extended ease of use, the internal Bass Cut feature originally included in the ODR-1BC is now available as an external variable control right on the face of the pedal. This allows for complete optimisation of the pedal’s bass response on the fly, at the simple turn of a knob. The flexibility of this new additional control compliments Nobels’ unique and renowned SPECTRUM tone control, which alters the proportion of both the low-mid and high frequencies simultaneously. At midday, the frequencies remain almost untouched. However, moving from the minimum to maximum positions will deliver variations in frequency response that are suitable for a wealth of musical tastes and styles. With its newly designed and upgraded full metal enclosure, the ODR-mini2 is capable of operating at either standard 9V or 18V for increased dynamic headroom. Along with all other Nobels pedals, the ODR-mini2 now also features 4 integrated Mounty-P Mounting Plates for safe and secure attachment to pedalboards. Upgrade your overdrive experience and become a part of the new ODR generation!

Nobels ODR-1BC Natural ...

1.150,-

ODR-1BC (Bass Cut) Natural Overdrive gets an upgrade Ideal for blues and crunchy rock sounds (or for that extra punch when soloing), the Nobels ODR-1 has been the first choice and secret weapon for many players and top studio guitarists for nearly 30 years. In fact, this top selling pedal has developed its own almost cult following since it was first designed and engineered in the eighties.   When the original circuit was developed, there seemed to be countless overdrives on the market that had what many people describe as a ‘nasal’ tone, but Nobels worked hard on creating a very ‘open’ sounding pedal that works with you and your amplifier. The result was the ODR-1, German engineering at its finest with stacks of resistors and capacitors forming very precise filters and signal shaping, giving you a pedal that responds to your dynamics and adds texture to your tone in a very natural, musical way - all while allowing the character of your guitar to be fully retained. Step forward to 2020 with the latest model ODR-1BC. With numerous requests from the pedal community and professional players worldwide, Nobels have added the option of an internal Bass Cut switch under the battery cover to help tame your low end if needed. In standard mode though, you still get the full frequency response of the original that is perfect for warming up single coils etc. In addition, the internal power circuitry has been increased to allow for 9-18 V capability to provide extra headroom, if your playing styles and tone goals require it. These new features haven’t altered the fundamental tone and vibe, but have increased the versatility of the pedal massively for modern rigs. With the drive control, the distortion can be easily adjusted from almost clean to maximum drive. The circuit also works very well with your guitar’s volume control, so by backing off the volume you can clean up your tone. The tonal range is controlled by the Spectrum control tone pot with mid-click and fluorescent pointers on the Glow-in-the-Dark knobs. Turn the knob clockwise and it increases the bass and treble at the same time, while turning it counter clockwise has the opposite effect. The midrange stays untouched in either direction, to ensure a transparent yet warm tone wherever the Spectrum knob is placed. Main Features • Analog Overdrive Pedal • Bass Cut feature - helps to tame the low end - NEW! • Accepts 18 V power - allows for additional headroom - NEW! • Glow-in-the-Dark Knobs • Remote input jack - allows the pedal to be switched on/ off remotely • Controls: Drive, Spectrum/Tone and Level • Buffered Bypass • Solid metal housing • Low current consumption • Overhead battery compartment - allows for quick battery changes • Includes. 4x Mounty-P Mounting Plates • Powered by 9 -18 V DC PSU or PP3 9V Battery        (centre -, 2.1 mm, ~11 mA current draw)

-8%

Maxon DB-10 Dual Booster ...

2.190,-

2.390,-

Tilbud gjelder kun 1 stk. på lager. DB10 DUAL BOOSTER Two independent Boost circuits in one compact chassis Clean channel offers +20 dB of boost with flat frequency response Vintage channel offers +20 dB of boost with high-end roll off Separate input/output jacks for each channel Cascade channels or place a pedal in between them Works in FX loop or front-end of amp True Bypass Switching x 2 A unique concept in booster design, the DB10 features two completely independent boost circuits in a single compact housing.  The Clean (Left) channel offers up to +20 dB of clean boost with a completely flat frequency response.  The Vintage (Right) channel is Maxon’s take on the classic Treble Booster circuit.  It offers up to +20 dB of boost, but with a subtle high-frequency roll-off that increases as the Level is turned towards maximum. Each circuit has its own input and output jacks, allowing them to be cascaded into one another in any order.  Place an overdrive or distortion in-between the channels for additional tonal options – super-saturated overdrive that can then be level-boosted for solos, etc. One of the many great features of the DB10 is the proximity of the bypass switches to one another, allowing the user to hit both switches simultaneously. Independent status LED’s indicate which channel is engaged and both channels feature True Bypass Switching using a 3PDT switch. Battery or DC (9-18 V) power options. "I can't tell you how much I am loving the Dual Booster. I keep thinking how I ever went on stage without one before. I am probably turning the Dual Booster on and off more than any other effect on my pedalboard. It works perfectly! Thanks so much again for all that you do for me. I really appreciate your support." Jerry Cortez - Tower of Power Compare to "booster" pedals out there such as Suhr Koko Boost, Exotic Rc Booster, Ac Booster, Ep Booster, Pigtronics Class A boost, Fulltone Fat Boost, Tc Boost etc... TECH TALK: The DB10 features mechanical true bypass switching on both channels via two x Fujisoku 3PDT switches. Input Impedance: 500K Ohms Output Impedance: 10K Ohms Controls: Vintage LEVEL, Clean LEVEL Switch: Vintage Bypass/Effect (3PDT True Bypass) Clean Bypass/Effect (3PDT True Bypass) Indicator: Vintage Bypass/Effect LED, Clean Bypass/Effect LED Gain: Vintage 6 to 19dB at 400Hz Clean 0 to 21dB at 400Hz Equivalent Input Noise: Vintage -95dBu or less (Input shorted, IHF-A weighted) Clean -105dBu or less (Input shorted, IHF-A weighted) Power Supply: 6F22/6LF22 9V battery x 1 or Maxon AC adaptor Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor) Power Consumption: 11mA / 9VDC Battery Life: 9VDC manganese battery 41 hours 25 deg C (FUJITSU 6F22) 9VDC alkaline battery 67 hours 25 deg C (TOSHIBA 6LF22) Dimensions (whole): 70(W) x 113(D) x 54(H)mm (with protrusion) Weight: Approx. 290g (incl. battery) Accessory: 6F22 9V battery x 1, operating manual* 0dB = 0.775Vrms * All specifications are subject to change for improvement without notice or obligation.All brand names and product names are trademarks or registered trademarks of their respective companies.

-16%

Korg nanoPAD2-BK USB Pad ...

645,-

765,-

Tilbud gjelder kun 1 stk. på lager. Korg nanoPAD2 Slim-Line USB Pad Controller Low-profile pad controller – excellent for playing or entering drum data Sixteen solid, responsive, and velocity-sensitive trigger pads Control multiple MIDI parameters via the X-Y Touchpad Sixteen pads in a compact body Like all nanoSERIES2 controllers, the nanoPAD2 had to be compact, lightweight and sized to work well with any laptop or desktop computer. In addition, the nanoPAD2 also had to pack in 16 great-feeling and dynamic-sensing pads – as well as leaving room for the X-Y touchpad! The Korg nanoPAD2 does all this and more. In fact, there are four banks of pad assignments, providing a total of 64 pads setups. Dynamic trigger pads capture all your performance nuances The sixteen velocity-sensitive pads provide excellent response to your fingertips, and also realistically convey the playing feel to your sequencer or DAW software, ensuring that your drum parts will be full of life. By switching between the four scenes, you can experience 64 different pad assignments. Create musical phrases using the X-Y touchpad, Touch Scale, and Gate Arp features The X-Y pad can be used to control multiple synthesizer parameters. In addition, the new "Touch Scale” function lets you intuitively play phrases on the X-Y touchpad, just as on the Kaossilator. You can choose from sixteen different scales, and specify the root key and note range to ensure that your performance stays within your song. The "Gate Arp” function, borrowed from the Kaossilator Pro, transmits note data based on tempo; Tap tempo and tempo sync are supported. Combined with the Touch Scale, the Gate Arp allows you to play tempo-synchronized phrases and rhythms simply by stroking the X-Y pad or playing the pads. Korg Kontrol Editor software The nanoPAD2 works with the "Korg Kontrol Editor" software – available free on the Korg website. Load it into your computer, and use it to make detailed customized settings. Choose from a total of four velocity settings: three velocity curves or fixed velocity. You can also specify note numbers, create user scales for the Touch Scale function, assign chords, assign control change messages, and save your settings. USB power for an uncluttered setup Just connect a single USB cable from your computer to the nanoPAD2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace. nanoPAD2 specifications Controllers: 16 trigger pads with velocity and 4 velocity curves X-Y pad HOLD button    GATE ARP button    TOUCH SCALE button    KEY/RANGE button    SCALE/ARP button SCENE button Memory: 4 user scene memories Corresponding Software: Host applications corresponding to MIDI input Connections: mini-USB Power: USB bus power Power Consumption: USB bus power: less than 100 mA Dimensions: Size (W x D x H): 325 x 83 x 16 mm/ 12.80 x 3.27 x 0.63 inches Weight: 285 g/ 0.63 lbs. Accessories: USB cable

EarthQuaker Devices Hizumitas ...

2.300,-

Hizumitas Fuzz Sustainar Hizumitas was designed for the one and only Wata from the legendary experimental band Boris, one of the heaviest bands ever to come out of Japan. The trio of guitar sorceress Wata, drummer and vocalist Atsuo, and double-neck bassist, guitarist and vocalist Takeshi has almost 100 releases filled with genre and brain-melting music. In their nearly three decades together, Boris has infused doom, hardcore, thrash, noise-core, ambient, free improv, drone, psychedelia, and more into their extensive discography. Boris is also known for their unique collaborations with mutually adventurous artists, including American Doom mongers Sunn O))), noise legends Merzbow, Keiji Haino, and Ian Astbury of The Cult. Wata, always seen and heard on stage wielding her black Les Paul Custom, mixes killer riffs with searing, fluid, or jaggedly melodic leads and controlled walls of feedback, often with help from an EBow. It's a connection of chaos and melody that has enchanted Boris fans worldwide and influenced many bands that have followed in their considerable wake. Simply stated, no other band sounds like Boris, and no other guitarist rocks like Wata. But with EQD's Hizumitas fuzz on your pedalboard, you can carve out your own singular, mega-heavy tone. Main Features: • Faithful sonic recreation of Wata from Boris’ crushing go-to fuzz: the Elk BM Sustainar • Offers loads of heavy distortion and smooth sustain with an underlying grit • Excellent response to different pickup types and playing dynamics • Unique Tone and Sustain controls greatly impact the distortion’s character • Offers plenty of output Volume - unity is around 9-10 o’clock; everything above that is set to destroy • All-analog signal path • True bypass • Silent relay-based switching • Powered by regular 9 V DC PSU     (centre -, 2,1 mm, ~10 mA current draw) Hizumitas is a faithful recreation of Wata's go-to distortion pedal, the Elk BM Sustainar. The Elk is a Japanese variant of the very well-known "Triangle" BMP. The designers at EQD tried several vintage BMP's during development, found that each pedal was wildly different and realized that to truly capture the magic they needed the original. Wata graciously sent her beloved pedal halfway around the world, and EQD discovered that it had something special the others didn't have: heavy saturation with a gritty edge and massive bottom while maintaining a clear and dynamic tone with enough mids and top end to cut through any sludge. The studious wizards at EQD have built all of those characteristics into the Hizumitas. This fuzz/distortion brings loads of heavy distortion and smooth sustain and an underlying grit that sounds like the speakers are on the verge of ripping apart while delivering amazing and unexpected clarity from such an aggressive sounding pedal. The Sustain control has a wide range of saturation, meaning even small changes will significantly affect the overall tone. Hizumitas responds excellently to all types of pickups and playing dynamics. Your power chords will sound huge and heavy, while open chords will be dynamic with fantastic note separation, and single note leads will come across smooth and powerful, especially with the neck pickup. The Tone control can drastically change the character of the distortion in conjunction with the tone. Bass frequencies are boosted clockwise, and treble frequencies are boosted counter clockwise. The tone control can go from an aggressive mid-range grind to piercing highs as you turn it counterclockwise. As you turn it clockwise, the mids become less present, the highs are tamed, and a humongous, thundering low end comes to the forefront. The Volume control offers massive output gain with unity at around 9-10 o'clock and beyond that, prepare to hear and feel the power of Hizumitas.

EarthQuaker Devices Plumes ...

1.720,-

Plumes Small Signal Shredder The Plumes is a low to medium gain overdrive based on the trusty lime-green overdrive that has been an industry staple since its inception. This is the kind of overdrive that works in conjunction with a good valve amp to create the warm saturation people like to call “transparent”. While this circuit has been the foundation of countless other overdrives available today, we feel the Plumes has a few twists and turns to make it unique enough to stand out. • Unique approach to a classic tube-like overdrive circuit     - offers more headroom, lower noise and far better signal integrity • Features 3 different clipping options:      symmetrical LED, asymmetrical silicon and no diode OpAmp drive • Re-imagined tone control     - helps to sculpt low end, clear top end and focused midrange • All-analog signal path • Flexi-Switch™     - allows for momentary and traditional latching-style switching from a single footswitch • Silent soft-touch switching with True Bypass • Powered by regular 9 V DC PSU     (centre -, 2.1 mm, ~25 mA current draw) The Plumes does away with the trusted JRC4558 OpAmp and the BJT buffers and replaces them with low noise JFET OpAmps for a more robust and precise signal with a significantly lower noise floor. The 9v power input is internally converted to +/- 9v for more headroom and a clarity that is almost three-dimensional. We’ve raised the input impedance to a whopping 10 megaohms for a stronger signal with more clarity and chime. We’ve also adjusted the cutoff of the tone control to deliver a more useful range of travel with more booming bass on the low end without sacrificing the cutting midrange and bright top end. Last, but certainly not least, the Plumes offers three different clipping options to ensure that it will work with a wide variety of gear and playing styles. Mode 1 is symmetrical clipping utilizing a pair of light emitting diodes. This is the crunchiest setting the Plumes has to offer. When played through a clean amp, it’ll deliver a reasonable facsimile of that classic crunchy valve amp tone. Mode 2 is clean boost mode. This eliminates the soft clipping diodes altogether and leaves you with straight OpAmp drive. This is perfect for pushing your clean tone out in front or driving the preamp of an already overdriven amp into tasteful breakup territory. Mode 3 is an asymmetrical silicon diode arrangement similar to the stock screamer but with more output and clean clarity; the tone some people describe as “transparent”. The Plumes features EarthQuaker Devices relay-based “soft touch” Flexi-Switch™ Technology for both momentary and latching footswitch operation as well as a very low 25mA current draw. Each and every Plumes is built one-at-a-time by delightful little hands in Akron, Ohio; the charred, black heart in the heart of it all…

EarthQuaker Devices Pyramids ...

4.990,-

Pyramids Stereo Flanging Device Built upon the same proprietary DSP architecture as the smash-hit Avalanche Run, Pyramids is a Stereo Flanging Device with five user-definable presets (a first for any EarthQuaker Devices pedal!), eight flanger modes, tap tempo, tap subdivision via the Rate & Tap mini-toggle, a multifunction Modify control, positive and negative feedback, and a variable Mix control, which is something you don’t see on a flanger every day.   • True stereo flanging device with 8 Flanger modes • Five user-definable presets • Tap tempo and tap subdivisions • Flexi-switch for latch and momentary operation • True bypass - silent soft-touch switching with all-analog dry signal path • Stereo I/O and top mounted jacks • Expression and CV connectivity - ideal for both guitar and synth use Pyramids “Activate” foot-switch features EarthQuaker Devices’ exclusive Flexi-Switch™ technology. This relay-based true-bypass switching platform allows for momentary or latching operation, making it easier than ever to engage the effect to bedazzle individual notes or phrases! For standard latching operation, tap the foot-switch to activate the effect and tap again to bypass. For momentary operation, simply hold down the foot-switch for as long as you’d like to use the effect. Release the foot-switch to bypass. Pyramids eight flanger modes are: Classic: delivers the “classic” (duh) jet-plane liquid-silk flanging sound we all know and love. In this mode, Pyramids recreates the studio-quality sounds of old-school ADT (automatic double tracking) as heard on timeless recordings by those fabulous mop-tops from England (you know which ones) and on the most ripping double-tracked riffs to come from the New Wave of British Heavy Metal. Through-Zero: provides authentic tape-style flanging without all the calibration, biasing, demagnetising of heads, and so on that a real tape machine - two of ‘em, actually - requires. Use Through-Zero Mode to achieve intensified, swirling, dramatic phase cancellation and comb-filtering effects in stereo! Barber Pole (Up or Down): infinitely sweeping upward or downward flanging effect with no discernible beginning, middle, or end creating an “endless circular staircase” effect derived from the Shephard Tone auditory illusion popularised in television, video games, and film. Trigger (Up or Down): In this mode, Pyramids provides an infinitely upward or downward sweeping flanger that restarts the flange cycle with each new pick attack or by pressing the Tap/Trigger foot-switch. Step: sweeps up and down in stepped increments, producing a rhythmic flange effect similar to an arpeggiator and/or sequencer on a synth instrument. Random: sweeps up and down in random intervals, creating a chaotic flange effect similar to a synthesizer or envelope filter’s “sample & hold” function. To accommodate any input source, Pyramids includes stereo input and outputs which allow for a variety of routing options onstage or in the studio. Routing possibilities include: Mono in / Mono out - Mono in / Stereo out - Stereo in / Stereo out. In addition, Pyramids’ Trigger Up/Down modes allow for Side Chain Flanging, in which an external control source (drum machine, sequencer, CV) may be used to trigger the flanger while you play another instrument! In this configuration, the primary instrument is routed through the Right Input and Right Output while the control source is patched into the Left Input. Also, Pyramids’ Manual control may be modulated in all modes via expression pedal (sold separately). Each and every Pyramids is completely assembled, wired, and tested by total human beans in the Great Sphinx of Akron, Ohio, which, coincidentally, looks exactly like the cover of Iron Maiden’s Powerslave.

Viser 1491 til 1500 (av 3692 produkter)