Produsent

Hovedbilde Death By Audio Reverberation ...

3.050,-

Death By Audio Reverberation Machine Pedal SUPER DREAMY REVERB YOU CAN OVERLOAD A synthetic atmosphere creator. Use the effect on any instrument to add depth and simulate different environments. Push the Altitude and hear the reverb blasted with gloom and distorted shimmer. Flip the tone toggle to get completely different vibes. Experiment and combine a variety of settings to obtain the perfect ambiance for your sound. CONTROLS Vol: Controls the master output volume. Altitude Control: This is similar to gain. Turn it up to bring in a more wide open, distorted sound. Verb: Blends in the amount of reverb. Dark/Light Symbol: Dark cavernous reverberation to bright shimmering reverberation. **When the Altitude and Verb controls are turned past 12 o'clock, the pedal can produce potentially harmful volumes, white noise, and other artifacts** . SPECIFICATIONS Dimensions: 4.86" x 3.67" x 2.06" (including hardware). Weight: 14 oz. Power: 9V (runs ons a positive ring, negative tip 9V DC adapter or included 9V battery). Current Draw: 66 mA.

Death By Audio Robot 8-bit ...

4.390,-

8-BIT PITCH / RING / LOFI / GRANUALIZER The Robot is a low fidelity 8 bit pitch transposer with absolutely no feelings whatsoever. It is completely synthetic and transforms any input into a puree of resynthesized robot jargon. Features bendable super lo-fi octave up, octave down, arp, and unity pitches. CONTROLS Volume: Controls master volume. Control Knob: Located on the right-hand side of the pedal. Controls the pitch of the effect. When turned up completely clockwise, it is at its highest pitch. Turning down, counterclockwise, lowers the pitch or speed of the arpeggiator. Rotary Selector: Normal: Same pitch with 8-bit digital conversion when the Control Knob is fully clockwise. Turning the Control Knob down bends the pitch lower. Octave Down: The Control Knob turned fully clockwise yields a nasty octave down sound. Turning the Control Knob down bends the pitch further downwards. Octave Up: The Control Knob turned fully clockwise yields a nasty octave up sound. turning the Control Knob down bends the pitch lower. Arpeggiator: The pitch arpeggiates in a sequence. The Control Knob adjusts the speed of the arpeggiator. . SPECIFICATIONS Dimensions: 5.87" x 4.72" x 2.62" (including hardware). Weight: 19 oz. Power: 9V (runs ons a positive ring, negative tip 9V DC adapter or included 9V battery). Note: Requires a dedicated power supply and will not work with any daisy chain power system. Current Draw: 23 mA.

Death By Audio Rooms Stereo ...

5.490,-

SPACE REFLECTIONS ROOMS is a stereo, multi-function digital reverb capable of searing volume, gated walls of sound, and long, trailing reverberant ambiances with an intuitive array of controls designed with live mood-bending in mind. ROOMS was designed to the highest standards of flexibility and audio fidelity. A studio-quality mixer section provides independent DRY and FX controls over six meticulously programmed reverb algorithms; ROOM, DIGIT, PEAK, GATE, WAVE, and GONG. Each different verb is capable of a universe of sounds, and ROOMS is here to help you explore them. ROOMS' creative I/O switching and dual-mono dry signal lines allow for a wealth of possible mono and stereo configurations, making it easy to route signals for parallel processing or stereo amplifier setups. CONTROLS FREQ: Controls the frequency parameter of the current mode. DEPTH: Controls the depth parameter of the current mode. TIME: Controls the reverb time in all modes. DRY: Controls the volume of the dry signal, from -inf to 20x gain. FX: Controls the volume of the reverb signal, from -inf to 20x gain. ALT: Engages the ALT mode, switching between two sets of controls. When active, FREQ is controlled with the F knob, DEPTH with the D knob, and TIME with the T knob. Additionally, the ALT mode turns on expression control of either FREQ or TIME using the F<->T Switch on the side of the pedal. NOTE: Expression control ONLY works in ALT mode and when an expression pedal is plugged in. SPECIFICATIONS Dimensions: 5.95" x 3.86" x 2.96" (including hardware). Weight: 18 oz. Power: 80 mA, 9V (runs on a standard 2.1 mm negative center 9V adapter). Expression Pedal: Almost any expression pedal will work with ROOMS. When not plugged in, the controls work as normal. NOTE: Expression control ONLY controls the F or T knobs when ALT mode is engaged and when an expression pedal is plugged in. MODES AND PARAMETERS: FREQ knob : DEPTH knob 1 - ROOM: Tone of Decay : Pre-Delay A classic reverb that simulates many different rooms. 2 - DIGIT: Delay Time : Delay Feedback A filter matrix verb capable of creating otherworldly resonances and fractured repeats. 3 - PEAK: Filter Frequency : Filter Resonance A super intense bandpass filter combined with an ambient reverb. 4 - GATE: Decay Tone : Gate Response Time A gated reverb. Short reverb times create a classic gate effect, long reverb times create a controllable freeze effect. 5 - WAVE: Modulation Frequency : Modulation Depth Creates a pitch vibrato effect. Lowering TIME will blend out the reverb signal, allowing sweeps from chorus/vibrato to long modulated reverbs. 6 - GONG: Modulator Frequency : Blends from Aliasing (left) to Ring Modulation (right) Ethereal, crushed reverb sounds guaranteed to make you star in the upcoming remake of DUNE and live out your sci-fi fantasies of space travel and galactic domination.

Death By Audio SPACE BENDER ...

3.770,-

Death By Audio SPACE BENDER Chorus Modulator LFO in the UFO The SPACE BENDER chorus modulator replicates and warps your signal into beautiful and organic transmissions from a dimension somewhere beyond linear time. Under the hood lies an array of dynamically modulated delay lines allowing you to craft subtle vintage sci-fi sounds, bending sonic bedlam, and pulsing atmospheres. Never again will you say this chorus pedal just isn't intense enough! These in combination with the rocker switch settings let you move smoothly through a wide range of effect types allowing for new ways of thinking and experimenting with modulated delay, chorus, and flanger. Main features: • Chorus/Flanger/Modulated Delay effects pedal • Stretches the signal into glassy bell resonances, massive reverse dive bombs, and seasick demon drones • Provides flange and chorus sounds with slower modulation, while long times will give you wiggling, modulated delay • Simple but deep control interface with easy-to-use rocker switches • Delay Time switch – selects between x1 (very short delay time) and x10 (longer delay time) • Modulator switch - for selecting between sine wave LFO or Envelope (ENV) for modulation source • Intensity switch - selects between LO (less intense modulation) and HI (really intense for wild sounds, oscillations and feedback) • Internal Gain trim pot ranging from unity to “way too loud” • True Bypass Switching • Compact footprint and top-mounted jacks for easy pedalboard mounting • Powered by regular 9 V DC PSU (centre -, 2.1 mm, ~65mA current draw) Stretch and pull your sound waves to craft glassy bell resonances, massive reverse dive bombs, and seasick demon drones with a simple (but deep) interface. The spectrum of living, breathing sound manipulations stowed within the SPACE BENDER serves as an interstellar gateway for the next wave of musicians to create a universe of haunting and unexplored soundscapes. See you on the other side!

Death By Audio Supersonic ...

3.890,-

A TRUE FREAK OF A PEDAL The Supersonic Fuzz Gun is a completely unique take on a fuzz pedal made with extremes of manipulation in mind. The controls interact with one another to create a huge array of gated and oscillating fuzz sounds. It can scream, it can blast, it can implode, it can doom, and it can gloom. Possible sounds vary from (relatively) straightforward distorted guitar to shards of total insanity. CONTROLS Bias: Biases the output transistor to change the overall sound structure. Density: Increases the Q range input into the fuzz while also adjusting the oscillation frequency in Osc. mode. Fuzz: Increases the intensity of the output. Filter: Sweeps the high frequencies of the output. Level: Master output volume. Gate/Oscillation Toggle: In Gate mode, the fuzz tone is more standard and gated. In Oscillation mode, the signal self-oscillates for noisemaking and bizarre fuzz tones. . SPECIFICATIONS Dimensions: 4.72" x 3.84" x 2.06" (including hardware). Weight: 13 oz. Power: 9V (runs ons a positive ring, negative tip 9V DC adapter or included 9V battery). Current Draw: 2 mA.

Death By Audio Thee Treble ...

3.390,-

Death By Audio Thee Treble Overload Legendary piercing tone, reimagined Thee Treble Overload revives the coveted treble boost circuit from the infamous limited-edition pedal, Thee Fuzz War Overload - this time packed with extra features and unleashed as its own weapon. It slices through any mix with razor-sharp precision, adding just the right edge to make your signal sound mean, bright, and alive. To achieve that bite, Thee Treble Overload carves away bass, tightening your tone and bringing definition to whatever sound you feed it. Armed with over 60dB of gain and a LIMIT control, you can push it from a cutting boost to crispy obliteration while keeping your output balanced with the rest of the band. Thee Treble Overload is dual mono, meaning it can process stereo chains, perfect for blasting your stereo reverbs, choruses, delays, keyboards, or drum machines straight into overdrive. Pair it with a Death By Audio Fuzz War to resurrect that revered Thee Fuzz War Overload sound without needing to hunt one down or drop collector dollars. Part of Death By Audio’s Destroyer Series, Thee Treble Overload sports the line’s signature look: a compact footprint, glowing vintage-style LED display, and minimal controls that conceal a world of sonic madness. Each Destroyer pedal delivers a distinct, over-the-top effect in a smaller, stage-friendly box - together forming a family of beautifully chaotic tone machines in stereo. Main Features: • Reimagined remake of Thee Fuzz War Overload • 60dB gain Booster Pedal • Dual Mono for processing stereo chains • Boost range from +17dB to +52 dB • Limit control for setting the maximum output volume • Top-mounted Jacks • TRS Inputs and Outputs for easy stereo/dual mono chain implementation • Hand-made in New York, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 23 mA current draw, not included)

Death By Audio Total Sonic ...

3.590,-

TOTALLY SONICALLY ANNIHILATED >> the feedback looper of your dreams vv ^^ sǝɹɐɯʇɥƃᴉu ɹnoʎ ɟo ɹǝdool ʞɔɐqpǝǝɟ ǝɥʇ << The TSA2 works on a simple premise: what if effect pedals were patched back into themselves? What does it sound like for a filter to be multiplied by infinity? Or if your modulator was modulating its own modulations? The TSA2 creates a controllable feedback loop, causing your pedals to cycle back on themselves, feeding the output back into the input as much or as little as you want. Experience true sonic exploration: every unique pedal array will produce a vast world of textures and possibilities. CONTROLS FEEDBACK: The big knob. This controls the amount the SEND (external effect input) is forced back into the RECEIVE (external effect output). This creates feedback within the circuit to create new unbridled, experimental effects and results. The more this knob is turned up the more intense and explosive the effects will be. The ACTIVE BOOST is also in this loop and (if engaged) will be forced back into itself to create its own wild and interesting sounds if nothing is plugged into the loop. ON: In the ON position, this toggle switch activates the ACTIVE BOOST circuit. PHASE: Flips the phase of the effects loop, only when the ACTIVE BOOST is on. GAIN: Controls the amount of gain of the ACTIVE BOOST circuit. LIMIT: Limits the output volume of the entire pedal only when the ACTIVE BOOST is engaged. STOMP SWITCH: Bypasses the effect. NOTE: When the TSA2 is turned off the TSA2 is bypassed but every pedal in the loop is still part of your signal chain. Any effect(s) in the loop works as usual. THE NEW FEATURES OF VERSION 2 If you've used a feedback loop pedal before, (like the 1st edition of the Total Sonic Annihilation) then you know the vast world of insane and wild sounds you can get. With this new updated version of the original, the ACTIVE BOOST maximizes usability for many applications where the original fell short. For example, if the effect in the feedback loop is out of phase with itself, the loop would turn the pedal into a volume or blend pedal and be somewhat disappointing. With the TSA2, just flip the PHASE switch and all of a sudden those once dormant possibilities are awakened! The BOOST also has a boatload of gain to awaken even the faintest effect into an unearthly behemoth, and a LIMITER to tame the most unruly beast into a purring kitten. Experiment with as many different pedals in the FEEDBACK loop for unique and incredible results! . CONNECTIONS INPUT: Plug an instrument into this jack. OUTPUT: The output of the Total Sonic Annihilation 2 is here. It connects to your amplifier. SEND: Connect this to the input of the effect (or chain of effects) you would like to control and warp. If left unconnected it is connected internally to the receive jack. RECEIVE: This is connected to the output of the effects in the feedback loop. 9V: Plug a 9V Negative Tip Positive Ring DC adaptor in here. When plugged in it will bypass the internal battery. NOTE: When the ACTIVE BOOST is not engaged, the pedal is completely passive and can work without power. SPECIFICATIONS Dimensions: 4.83" x 2.69" x 2.48" (including hardware) Weight: 11 oz. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5 mA.

Diamond BASS COMP/EQ Optical ...

3.090,-

Diamond BASS COMP/EQ Return of a legend There’s something truly magical about finding the compression sweet-spot on bass. Enter the Diamond BASS COMP/EQ. This bad-boy will go on your board, and never come off. This nextgen compressor maintains the classic circuit architecture while increasing range and functionality. The new EQ section allows you to sculpt your tone in the same box that squashes it (that’s a good thing). Furthermore, the tilt switch allows you select the fulcrum frequency of the Tilt EQ for sculpting those all-important mids. Main Features • Bass Compressor and Equalizer Effects Pedal • Updated circuit with increased range and functionality that maintains the classic Diamond compressor architecture • Naturally smooth optical compression from a custom US-made Opto-Isolator • 10dB Mid boost and cut • Tilt Freq switch for selecting the switchable Tilt EQ Fulcrum Frequency • Up: 250 Hz • Down: 500 Hz • Center: 900 Hz • Wide-ranging compression control with bi-colour LED indicator • Top-mounted jacks and soft touch relay switching • Equipped with Burr Brown Integrated circuits • Hand-made in Montreal, Canada • Powered by a regular 9-18 V DC PSU (centre -, 2,1 mm, ~22 mA current draw) What a buzzword “compression” is. But as soon as you slap one into your chain, you can never go back. Applicable in almost every situation, compression is the glue that keeps your tone tight and in the pocket. Rather than mess with perfection, the Diamond Comp/EQ augments the original bass-tuned yellow box design with a new Mids boost/cut control, 3-position Tilt Frequency switch, custom spec’d, US made opto-isolators and modern, quiet switching. While the original Diamond Compressor was a formidable pedal, we can confidently say that this next-generation is the best version of the Diamond Compressor yet. Combining silky smooth, natural optical compression with our signature hi-fi inspired, centre-detent active tilt EQ and Mid boost/cut control, the Comp/EQ is a mastering solution for your effects chain....one you might never turn off. We are serious when we say this pedal will always be on. Whether you’re looking for the snappiest compression to compliment your intricate funk leads, or soft transparent style compression to just add that perfect final touch to your tone, the Diamond Comp/EQ can do it all. So here’s how to use your new “always-on” pedal.

Diamond BOOST/EQ Boost and EQ ...

2.790,-

Diamond Pedals BOOST/EQ Kick It Up A Notch The concept for Diamond Pedals’ Boost/EQ began in the early 2000s, with a request for a ‘compression-less’ version of the famed Diamond Compressor - combining a clean boost circuit with the Compressor’s Tilt EQ. Nearly 20 years after the resulting original pedal’s launch, we've re-imagined this idea on the same platform as the Comp/EQ. Introducing the next-generation Diamond Boost/EQ. This versatile, low-noise pedal delivers a punchy, dynamic sound that’s ideal for any set-up. Main Features • Boost and Equalizer Effects Pedal • Added Boost/OD switch - for selecting between clipping options Up: Clean boost for increased signal output Down: Adds soft clipping for a transparent and musical low to mid gain overdrive • Up to +20 dB of Clean Boost on tap in Boost mode • 800 Hz +/- 6dB Tilt EQ Fulcrum Frequency • 800 Hz +/- 10dB Mid EQ Center Frequency • Top-mounted jacks and soft touch relay switching • True Bypass • Hand-made in Montreal, Canada • Powered by a regular 9-18 V DC PSU (centre -, 2,1 mm, ~18 mA current draw) Taking the lively, high-fidelity gain stages of the Comp/EQ, the Boost/EQ offers plenty of punch while maintaining clarity and transparency. While the Tilt and Mid controls give you complete freedom to sculpt your tone. Need more sparkle? Dial it in with the Tilt knob. Looking for a midrange boost to cut through your solos? The Mid control has you covered. Want to make your Marshall tone a bit more Fender-esque? It’s all possible with Diamond’s Boost/EQ. In addition, the Boost/EQ features a second mode that provides a low-gain overdrive - transparent, yet full of character. This makes the Boost/EQ the ultimate Swiss Army knife for your pedalboard, combining clean boost, tone shaping and overdrive, into one powerful and versatile pedal. The Boost/EO offers 2 distinct modes of operation. The first is a clean boost mode designed to increase the output of your signal enabling you to beef-up low-output pickups, drive tube amps and dirt pedals for increased sustain and saturation or simply have your solos jump out in the mix. Set to the OD mode, the gain structure of the pedal is modified and soft clipping diodes are added to the circuit. This provides smooth, transparent, musical distortion that ranges from just a touch of hair and harmonic overtones, to a nice low to mid gain overdrive. Depending on where your Boost/EO is placed in your signal chain, it will either deliver an increase in volume or distortion/saturation. Place it at the end of your pedal chain or in an amp's series FX loop for a volume boost. Put it in front of your drives and fuzzes for more gain and distortion.

Diamond COMP/EQ Optical ...

3.250,-

Diamond COMP/EQ Next Generation Classic Compressor There isn’t a compressor that’s more sought after than the Diamond yellow box. This next-gen COMP/EQ maintains the classic circuit architecture while increasing range and functionality. The new EQ section allows you to sculpt your tone in the same box that squashes it (that’s a good thing). Furthermore, the new Attack switch allows you to go from the signature ultra-snappy Diamond comp style all the way to softer transparent compression. Main Features • Compressor and Equalizer Effects Pedal • Updated circuit with increased range and functionality that maintains the classic Diamond compressor architecture • New EQ section for precision tone-sculpting • Added Attack switch – for selecting between 2 attack settings • Down: original - ultra-snappy Diamond compression with quick response • Up: slow response with a transparent, less squashed, softer transparent compression and longer sustained sound • Naturally smooth optical compression from a custom US-made Opto-Isolator • +/- 10 dB Mid boost and cut • +/- 6 dB Tilt EQ section • Wide-ranging compression with bi-colour LED indicator • Top-mounted jacks and soft touch relay switching • Equipped with Burr Brown Integrated circuits • Hand-made in Montreal, Canada • Powered by a regular 9-18V DC PSU (centre -, 2,1 mm, ~22 mA current draw) What a buzzword “compression” is. But as soon as you slap one into your chain, you can never go back. Applicable in almost every situation, compression is the glue that keeps your tone tight and in the pocket. Rather than mess with perfection, the Diamond Comp/EQ augments the original yellow box design with a new Mids boost/cut control, Attack switch, custom spec’d, US made opto-isolators and modern, quiet switching. While the original Diamond Compressor was a formidable pedal, we can confidently say that this next-generation is the best version of the Diamond Compressor yet. Combining silky smooth, natural optical compression with our signature hi-fi inspired, centre-detent active tilt EQ and Mid boost/cut control, the Comp/EQ is a mastering solution for your effects chain....one you might never turn off. We are serious when we say this pedal will always be on. Whether you’re looking for the snappiest compression to compliment your intricate funk leads, or soft transparent style compression to just add that perfect final touch to your tone, the Diamond Comp/EQ can do it all. So here’s how to use your new “always-on” pedal. Place the Comp/EQ at the very beginning of your signal chain for a traditional compression effect or place it at the very end of the chain to act as a limiter. Need a boost? Place the Comp/EQ behind your drives and fuzzes to with the Comp set low to send your leads soaring!

Diamond DARK CLOUD Textural ...

3.450,-

Diamond Pedals Dark Cloud Textural Delay Diamond Pedals proudly announces the launch of the Dark Cloud, an innovative delay pedal that represents the pinnacle of hybrid analog-digital design. Drawing on the company's rich heritage in crafting exceptional analog effects, the Dark Cloud merges classic tone with cutting edge technology to deliver a delay pedal like no other. At the heart of the Dark Cloud is Diamond’s revolutionary Digital Bucket Brigade Delay (dBBD) technology, which seamlessly blends the organic warmth of analog companding with the precise control of an embedded digital system. This unique architecture allows the Dark Cloud to deliver three distinct and creative delay modes (Tape, Harmonic and Reverse), each meticulously crafted to provide a wide range of sonic possibilities. Where analog warmth meets digital precision, the Dark Cloud redefines delay effects to create a pedal like no other. Main Features • Textural Delay Effects Pedal using Diamonds original digital Bucket Brigade Delay technology • Combines the sound and feel of analog Companding and Anti-Aliasing with an embedded system delay line • 3 delay styles: o Tape: a warm, saturated delay with synced modulation and up to 1000ms of delay time o Harmonic: creates either a delayed octave or fifth above the input signal o Reverse: plays a classic delay backward, offering a smooth and Lo-fi reversed delay with an expanded time range • Tap Tempo with quarter note, eighth note and dotted eighth subdivisions via dedicated footswitch • Doubler feature allows for instant or momentary doubling of the delay tempo • Selectable Trails or Kill modes when turning the pedal off • Top-mounted jacks and soft touch relay switching • Hand-made in Montreal, Canada • Powered by a regular 9V DC PSU (not supplied - requires centre - 2.1 mm, ~45 mA current draw) The Dark Cloud holds special significance as the final project conceived by the original Diamond team before their closure. What began as a modest attempt to repurpose older designs evolved into a masterful blend of the company's most beloved delay algorithms, combined with an entirely new Reverse Delay setting. As a result, the Dark Cloud is essentially a “greatest hits” of Diamond's delay technology, refined into one powerful pedal that pushes the boundaries of what delay effects can achieve.

-7%

Diamond DRIVE Two-Stage ...

2.590,-

2.790,-

Tilbud gjelder kun 1 stk. på lager. Diamond DRIVE J-Drive Reborn Soaked to the bone in legendary Diamond DNA, the new generation Diamond DRIVE is built on a foundation of signature drive and EQ soundblocks. Distilling the most desirable and functional elements from the almighty J-Drive, Blaze, and Fireburst pedals, the Diamond Drive combines a warm and wide-ranging overdrive built around a Premium Sound Burr-Brown Op-amp with a dual band, post-gain active EQ. Main Features • Overdrive Effects Pedal • Original Diamond J-Drive Style Gain Circuit with Burr Brown Integrated Circuit • Dual Band Active Post-gain Baxandall EQ inspired by the Diamond Fireburst Fuzz • Selectable warm switch for soft treble shelving filter • Soft-touch, True Bypass switching and top-mounted jacks • Hand-made in Montreal, Canada • Powered by a regular 9-18 V DC PSU (centre -, 2,1 mm, 17 mA current draw) The new Diamond Drive was designed to nail the most demanding sessions. The Warm toggle will tame an overly bright amp or give your tone just the right amount of cream, while the wide-ranging Bass, Treble, and Drive controls will deliver anything from a touch of hair to amp-sizzling overdrive. Sculpt your driven tones to perfection. Housed in a compact enclosure with top jacks, 9-18V DC operation and soft-touch relay based true bypass switching system, the Diamond Drive might finally be the last overdrive you’ll need.

Diamond F-OCTAVE Vintage ...

2.890,-

Diamond F-Octave Vintage Octave Fuzz Originally launched in 2017, the F-Octave returns to the Diamond lineup with its signature high-gain silicon fuzz, crafted in tribute to the legendary Foxx Tone Machine of the 70s. The F-Octave picks up the fuzz legacy delivering raw, expressive tones with a character all its own. At its heart F-Octave is a finely tuned, discrete analog fuzz circuit designed for rich harmonic content and dynamic response. The layout is simple and intuitive, staying true to the spirit of classic stompboxes, but with added flexibility to shape your sound. Main Features • Analog Silicon Fuzz and Octave Effects Pedal • Octave Toggle Switch - for selecting between two types of fuzz Up: Fuzz only Down: Fuzz and Octave Up • Fuzz Control for setting the amount of fuzz you want • Tone Control for boosting or cutting high frequencies in your tone, ranging from +/- 6 dB at 750 Hz • LPF Control for adding in a soft roll-off to the high frequencies, at 2 KHz +/- 3 dB • Level Control to adjust the overall output level • Top-mounted jacks and soft touch relay switching • True Bypass • Hand-made in Montreal, Canada • Powered by a regular 9-18 V DC PSU (centre -, 2,1 mm, ~20 mA current draw) Engage the octave mode to unlock searing, upper-register harmonics that cut through any mix with vintage attitude and synth-like texture. Switch it off, and you're greeted with a warm, fat fuzz - full of woolly midrange and smooth compression, perfect for leads, chords, or riff-driven grooves. Shape the sound of your fuzz with the LPF and TONE knobs and highlight the upper octave. Start with the LPF fully clockwise and the TONE control at noon for a balanced foundation. From there, tweak the TONE control to emphasize your ideal frequency - counterclockwise for warmer or darker tones, clockwise for a brighter fuzz, and adjust the LPF to smooth out and refine your tone to perfection. The F-Octave's octave-up effect shines with single notes, delivering killer tones that cut through - especially above the 12th fret. Break new ground by using it for heavy chording, creating gnarly random overtones as the octave circuit searches for the root note. Double-stop bends produce a twisted multi-octave sound, with the high octave climbing while a subtle sub-octave slowly drops in pitch. Switch off the octave for a more straightforward fuzz. The F-Octave plays beautifully with both guitar and bass, making it a versatile tool whether you're chasing stoner rock saturation, garage grit, or classic psych tones. Roll your volume back and explore everything from sputtery breakup to thick sustain. Crank it, and it howls. This is fuzz the way it used to be: bold, unpredictable, and endlessly fun. Plug in, switch on the octave, and rediscover why fuzz never went out of style.

Diamond PHASE Pedal

3.120,-

Diamond Phase Pedal 6-Stage JFET Phaser Inspired by the original Diamond PSH-1 from 2008, the Diamond Phase is a return to the smooth, musical phasing that helped define the Diamond sound, with updated features and a compact footprint for today’s pedalboards. Built around a fully analogue signal path and six carefully selected and matched JFETs, the Diamond Phase delivers rich, organic modulation. A selectable 2-, 4-, or 6 stage architecture, an enhanced feedback circuit, and thoughtful performance features makes the Diamond Phase a staple on any pedalboard. The Diamond Phase is designed to be intuitive and expressive. Every control interacts musically, allowing you to shape movement, depth, and character without losing clarity or definition. Whether used as a subtle, always-on enhancer or as a featured modulation effect, the Diamond Phase responds naturally to your playing and your signal chain. Main Features • Phaser Effects Pedal • Switchable Phaser Stages o 2-Stage: Light modulation and subtle movement o 4-Stage: Classic, traditional phasing o 6-Stage: Throatier, more colourful phasing with deeper character • Onboard controls for o Level: Output level of the effect o Speed: The rate of the phase sweep from 0,1 Hz to 10 Hz o Regen: The amount of feedback in the phase circuit o Depth: Adjusts the intensity of the phase effect, from gentle modulation to deep sweeps • ON|DBL Footswitch controls bypass and doubler functions (momentary or latching) • Status LED, red for active, green for doubler mode • Internal trimpot for JFET-bias fine tuning • Top-mounted jacks and soft touch relay switching • Hand-made in Montreal, Canada • Powered by a regular 9-15V DC PSU (centre -, 2,1 mm, ~80 mA current draw)

Diamond TREMOLO Classic ...

3.190,-

Diamond Tremolo Return of the O.G. Tremolo has been a staple effect since the 60’s. Now it’s time to welcome it to the 21st century. Don’t let your preconceptions fool you, this is not your average trem. The new Diamond TREMOLO takes what it means to be a tremolo and pushes it well beyond the limits. We started with 11 rhythm control positions, and 3 different modes, but then decided to introduce a secondary tremolo circuit based around a FET that provides a sharp edge, completely killed, tremolo effect. With the way this circuit chops your signal, we’ve coined it the CHOPPER. With all of this, the updated Diamond Tremolo will be your go-to tone warping machine. Main Features • Tremolo Effects Pedal • Smooth Optical Amp Style Tremolo plus Chopper • Uses a Custom US made Opto-Isolator and Burr Brown ICs • 11 position Rhythm control loaded with accents, patterns and Dicer modes. • Tap Tempo with Sub-divisions via dedicated footswitch • Chopper mode • Insta-Chopper feature • Doubler feature allows for instant doubling of the delay tempo • 3 Tremolo Wave shapes • Sine – smooth and even • Shark-fin: asymmetric • Square: hard and even • Advanced operation modes • Geezer Mode: mimics classic Diamond Tremolo operation without secondary footswitch functions • Momentary/Latching Mode: offers momentary/latching switching for both Insta-Chop and Doubler Features • Top-mounted jacks and soft touch relay switching • Hand-made in Montreal, Canada • Powered by a regular 9V DC PSU (centre -, 2,1 mm, ~21 mA current draw) Tremolos are the kind of pedal that once you turn it on, you never go back. The Diamond Tremolo offers both warm, natural vintage amp-style optical tremolo with sine, shark tooth and square waveforms as well as a precise FET Chopper with momentary Dicer function. But like we said above, we’ve introduced the effect to the modern world by way of creating 3 distinct modes that introduce entirely new feature sets and in turn ways of operating the pedal. Small but mighty. Loaded yet user friendly. The Tremolo offers Tap Tempo with subdivisions, 11 position Rhythm control, Insta-Chop, momentary or latching speed Doubler, and more. For the modern pedal-user’s needs. Space saving design, without any loss of quality. All analog, Burr-Brown audio path with microprocessor control. Complete with top-mounted jacks and relay based true bypass switching. Yeah...all of this in a standard pedalboard friendly enclosure. This ain’t your Dad’s tremolo. We turned it into a compact powerhouse full of sonic exploring capabilities. Dive in, and get lost.

Om oss

Meny

Totalt:

Søkeresultater

Produsent

Totalt:

El.gitarer

Type/Modell

Stålstrengs gitarer (Western)

Nylonstrengs gitarer (Klassisk)

Forsterkere

Produsent

Effekter og pedaler

Produsent

Dunlop

Type

Rekvisita og Tilbehør

Reimer

Strenger

Bass Forsterkere

Bass Rekvisita

Bassgitarer

Perkusjon

Skarptrommer

Cymbaler

Hardware/Stativer

Basstrommepedaler

Trommeskinn

Evans

Remo

Stikker m.m.

Aktiv PA

Lydkort

Studio Monitorer