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Hovedbilde Seymour Duncan Pickup Booster ...

1.485,-

Seymour Duncan - Pickup Booster Mini Pedal Meet the Pickup Booster Mini, our classic Pickup Booster in a pedalboard space-saving size. It delivers that extra push when you need it, along with our unique resonance switch that adds extra versatility! Think of it as your tone’s best friend, now in a compact package that won’t hog precious board space. Inside this mini powerhouse, you’ll find our studio-grade class A circuit and true-bypass switching, ready to boost your signal while keeping your guitar’s personality intact. Whether you’re after a subtle boost or need to really push your amp, the discrete push-pull design has you covered. And here’s a bonus: even at zero gain, it’ll clean up your signal chain and make those tone-degrading long cable runs behave. Need to pull a humbucker sound from your Strat? The resonance switch makes the pedal interact directly with your pickups, letting your single coils emulate either a chunky humbucker sound perfect for classic rock and blues, or a high-output tone for soaring leads. Running humbuckers? Position 1 adds some teeth to your sound, while Position 2 can give you a hint of that ‘cocked-wah’ filter sound that’ll make your solos cut. Bring one guitar to the gig and cover all that tonal territory with one simple switch! This mini pedal delivers the exact same boosting and tone-shaping power of the iconic Pickup Booster that players have sworn by for two decades – we just made it easier to find room for it on your board.

Seymour Duncan Polaron Analog ...

3.290,-

Seymour Duncan - Polaron Analog Phase Shifter Pedal Deep, musical phase shifting—with an all-analog signal path coupled with state-of-the-art digital control, delivering classic swirls, futuristic vortices, auto-wah vocalizations, and much more. Analog phase shifters have been a huge part of the soundtrack to our lives. Their swirly, dreamy, spacey sounds can take a normal tone and transform it into something otherworldly. Some phasers are super-simple one-knob affairs, others are more complex machines. The Polaron is the perfect blend of instant-gratification simplicity and deep, feature-rich sound design. The soul of the Polaron is its adjustable 2– to 16–stage analog filter array, which provides an amazing range of phaser tones—from subtle pulses to radical sweeps, with rotary, vocal, and flange-type sounds along the way. In addition to Depth and Rate controls, the Tune and Resonance knobs allow you to further tailor your phase shifter effects. This 100% analog signal path delivers beautiful, warm sound quality, but we didn’t stop there. The Polaron also features a totally separate digital processor to control LFO and envelop follower functions, for maximum flexibility plus the ability to save and store presets. In LFO mode, the Polaron can be operated like a traditional phaser, manually adjusting the controls. You can also use the Tap Tempo function to sync the phasing to the groove. Engaging ENV mode lets your pick attack govern how the Polaron reacts, for a dynamic, interactive phase experience. Auto wah, talk box, and robot voices are all right there, along with more understated colors and textures. When you discover a great sound in the Polaron (which you will again and again), it’s easy to save it as a preset that you can recall at any time. This feature allows you to experiment, explore, and create, safe in the knowledge that you won’t lose yesterday’s or today’s favorite envelope, depth, rate, and tune settings. The Polaron Analog Phase Shifter—Any pedal can shift phase. This one can shift your perspective. Like all Seymour Duncan pedals, Polaron was dreamed, designed, and built right here in the US, and features true-bypass switching.

Seymour Duncan Powerstage 100 ...

6.950,-

Seymour Duncan Powerstage 100 Stereo pedalboard amp Stereo, 100 watts per channel at 4 Ohms 5 band EQ Stereo Balanced Outputs True Cab Circuitry (TCC) The PowerStage line of compact power amps provides high-headroom class-D amplification to guitarists looking to deliver the sound of their preamp, pedal chain, or amp modeler to the masses. The PowerStage 100 Stereo provides features demanded by the modern guitarist, including stereo inputs and outputs that each drive 100 watts of transparent sound to your cabinets. Perfect for amplifying the sound of modern modeling units to on-stage cabinets, the PS100 Stereo also offers an extended EQ section and balanced line outs with switchable analog cabinet simulation for more authentic projection through any sound system. The stereo sounds developed in your amp modeler, multi effects-unit, or preamp will be delivered with clarity through any pair of speakers, all in a package small enough to fit on your pedalboard.

Seymour Duncan Powerstage 170 ...

5.099,-

Seymour Duncan Powerstage 170 pedalboard-mounted power amp PowerStage 170 is a revolutionary pedal-board power amp designed for guitarists using pedals, modelers and effects processors to create their tone. The PowerStage 170 is a game-changing product for guitar players that have dreamed of the day their entire rig can live on their pedal board. Maybe you love your tube amp but dont want to lug it around. Or you use a modeler that has a ton of functionality but doesnt sound as good when plugged in to your amp. Do you dread fly dates or gigs because youre never sure what your backline will be? This is a 170-watt power amp with a beautiful clean preamp section and 3-band global EQ, making it the perfect complement to pedalboards and digital modeling devices. It is small enough to fit directly on a pedalboard or in any gig bag, lightweight enough for fly dates and attractive enough to look great at a church or coffeehouse gig, in a home office or in a dorm room. The PowerStage 170 will give you reliable, musical power on every gig, eliminating the uncertainty that backline amps can bring. Simply bring your guitar and your pedalboard and get your tone through whatever cab is provided. The 170s intuitive 3-band analog EQ allows for quickly fine-tuning your sound for any cabinet and any venueno need to wrestle with the cumbersome and ineffective EQs on digital gear or modify your stompbox settings. Everything you need is right there. You can even adjust the big Master Volume knob with your foot, boosting solos and controlling dynamics in real time. And when you bypass your overdrive and distortion boxes, it will function as your clean channel, with the sweet, warm sound that we associate with great amps. Not every power amp can do that. Imagine the freedom of showing up at a gig with a streamlined, lightweight rig that you can get up and running in under five minutes, with the confidence that comes from knowing that you will have your sound, no matter what. Forget about cartage, forget about complicated setups, forget about backline issues and think about the PowerStage 170. Like our award-winning pedals, the PowerStage 170 is designed and assembled at our Santa Barbara, California, factory by the same team responsible for our legendary pickups.

Seymour Duncan Powerstage 200 ...

6.450,-

PowerStage 200 is an elegant, compact, and loud pedalboard-mounted power amp for players who use modeling devices, stompboxes, or a combination of the two. It has all the features you need—reliable, clean power, switchable EQ, speaker simulation, and Aux In and headphone capabilities—to be the perfect gig, rehearsal, and studio tool. Like the PowerStage 170 and 700, the PowerStage 200 retains the hallmark characteristics of the PowerStage family—providing a platform that brings out the best qualities of your tone. Compact, clean, organic, and reliable power sits at the core of PowerStage family—once again, the PS200 delivers on that promise. Loud enough to match your drummer and fill a venue of just about any size, the PowerStage 200 provides clean, reliable amplification, and tons of headroom to let your pedals or modeler shine. Like the PS170, we wanted to build a powerful pedal amp voiced specifically for guitar that players could mount directly on their pedalboard or toss in their gig bag. The width of the PS200 is about a thumb width larger than two standard pedals. A tube amp of similar power and wattage would require a second trip to your van and its own flight case. Moreover, the size of the PS200 makes fly dates a breeze and saves you money on cartage fees. A clean (headroom) guitar amp is the best solution if you want to get the most from your pedals and modeling gear. Many tube amps break up too early, making it difficult to dial in a pristine, clean platform for your pedals (especially at higher volumes). Moreover, if you use modelers like a Kemper, Helix, or Axe FX, any unwanted distortion can ruin your carefully crafted patches. The PowerStage 200 addresses these concerns by providing you with 200 watts of crystal-clear power. But don’t get confused—crystal-clear power does not mean sterile or lacking in depth. The PS200 has a beautiful warmth and smoothness that will give you all the dimension and organic feel of a great tube amp. Another challenge when using a tube amp is that they tend to have a certain “sweet spot” that you can only achieve at higher volumes. The PS200, however, has a rich tone throughout the entire volume range. So, from bedroom shredding to arena rocking, your tone will stay consistent without any loss in depth or warmth. Think of the PS200 as having one large sweet spot. The PS200 features two ¼” speaker outputs, allowing you to run multiple cabinets. And, since impedance matching is done internally, you never have to worry about speaker impedance—just plug in and play. The PS200 is slightly more powerful than the PS170 and differs a bit in its feature set. After listening to our customers and consulting with many of the biggest names in the industry, we narrowed down a feature set for the PS200 that is simple but flexible. We noticed that many guitar players perform in a variety of unpredictable venues. To minimize uncertainty, we included a cab sim (4×12 closed-back) with a DI (XLR) output jack. You can send your tone to front of house or to a monitoring system free of mic bleed or unwanted noise typical in traditional mic setups. What you get is your pure tone in any environment. We included independent bypass switches for both the cab sim and EQ. This feature makes silent recording more flexible. When you bypass the cab sim you can use your own cab sim or IR device, which can expand your pallet of great cab tones to pair with the PS200. Bypassing the EQ section, you can pass the tonal shaping duties off to your modeling device or preferred EQ shaping tool. To bring out more high-end sparkle we added a presence control giving you a total of 4 bands of EQ on the PS200. The presence knob is also a great tool to tame any harsh digital artifacts found in some modelers. Aux In allows you to jam along with drum grooves, backing tracks, or your favorite albums while practicing at home or in a hotel room on the road. Just plug in your music player or computer audio and practice silently with full, speaker-emulated tone. Aux In is also a great tool during rehearsals when you need to review a part or practice without disturbing your band mates. The ¼” headphone jack has its own volume control located on the top of the amp. The PowerStage 200—compact, musical power for pedals, modelers, and much more. Like our award-winning pedals, the PowerStage 200 is designed and assembled at our Santa Barbara, California, factory by the same team responsible for our legendary pickups.

Seymour Duncan Powerstage 700 ...

9.950,-

Seymour Duncan - Powerstage 700 Key Features 700 Watts (per channel) True Cab Circuitry (TCC)™ 3 band EQ 2 speaker outputs (speakON) Stereo DI (XLR) Outputs The PowerStage™ 700 is a game-changing product for guitar players that want uncompromising tone in a compact power amp. Maybe you love your tube amp but don’t want to lug it around. Or you use a modeler that has a ton of functionality but doesn’t sound as good when hooked up to your existing amp or direct to the PA. Perhaps you have the ultimate pedalboard and just need a better way of amplifying or running it direct. Do you dread fly dates or gigs because you’re never sure what your backline will be?PowerStage is the answer, whether you’re playing live or recording in the studio. When you create your tone from a modeler, pedals or effects processor, what you want is a clean, transparent power source that brings your tone to life. With PowerStage, you can bring your whole rig to the gig without compromising your sound, breaking your back or draining your bank account. The PowerStage 700 is the perfect companion for the current crop of amp modelers and effects processors. With discrete stereo ins and outs you can reproduce your carefully crafted amp sounds in massive detail, with power, clarity and a warmth that will take even state-of-the-art modeled tones to the next level. And with the True Cab Circuitry (TCC)™ on the XLR line outputs, you can send your tone direct to the front of house—with all the feel and response of a speaker, even as you monitor through a cabinet onstage. Another huge benefit of the PowerStage is its musically voiced 3-band EQ. This allows you to fine-tune your sound, quickly and with precision, without scrolling through menus or editing patches. Such a powerful and intuitive tone shaping tool at the very end of your signal chain makes it easy to maximize your tone for any situation. For guitarists who use pedals to create their sound, PowerStage is the missing link in your signal chain. Run your favorite distortion pedal into PowerStage and then simply bypass it and let it become your ultimate clean channel, turning any pedal combo into a two-channel amp that delivers your perfect tone. It also plugs into any cabinet at any impedance anywhere in the world, thanks to its versatile 100v-240v power supply. The benefits extend well beyond live gigs. In the studio, it can be your secret weapon. By using the XLR outs, you can plug your pedalboard into the PowerStage and all of your impedance issues will disappear. This allows you to run your pedals straight into your DAW—with full speaker simulation – no mics required! With its stereo operation, you can send your pedalboard into one channel and then run the other side completely dry into another, facilitating complex layers, reamping, and more.Think about it: a powerful, portable, musical tool that can prevent headaches and backaches – onstage and in the studio. Whether you use pedals, modelers or anything else to get your signature sound, the PowerStage 700 will let you amplify it in a clean and toneful way. This is your tone, only louder. Like our award-winning pedals, the PowerStage 700 is designed and assembled at our Santa Barbara, California, factory by the same team responsible for our legendary pickups.

Seymour Duncan Studio Bass ...

2.890,-

Seymour Duncan - Studio Bass Compressor Pedal A studio-quality bass compressor pedal with the ability to blend in your uncompressed tone for ultimate dynamic control. This versatile studio-grade compressor is a must have for any bass player looking to maximize their sound, with a range of tones from subtle to super-squashed. One of the secrets to the Studio Bass’s power is its 3-position mini-toggle and blend knob, which give you near limitless control over your tone by letting you mix uncompressed tones alongside the affected sound. Blend in your unadulterated clean signal, a mid boost that will help you cut through the busiest mixes, or a fat low-end growl. Find that sweet spot where harder picking lifts the dry signal right up above the effected signal or mix in just a hint of the original sound. Punk rock pick players, slap-happy funkateers and ferocious fingerstyle players alike will find endless sonic options, and there’s enough power that you can even use it as a clean boost for solos. It also makes a great ‘always-on’ pedal to form the heart of your sound.

SolidGoldFX BETA-V Bass ...

2.450,-

SolidGoldFX BETA-V Bass Preamp with Drive The BETA-V from SolidGoldFX is a Bass Preamp pedal that kicks! This latest incarnation of SGFX’s top selling Beta Series is designed to capture the warmth and grit of favorite vintage tube amps. You know, that distinctive drive and tone that seems to be lacking from much of today’s modern bass amplification. Yes, we all know the convenience of a lightweight “sub 10 lbs” bass head that pumps out 500 watts and a neo cab that doesn’t require a roadie crew or chiropractor is great, but there is something extremely satisfying in the way that big, old Ampeg-style tube setups compress, clip and round out your signal. However, With the BETA-V you can finally have the best of both worlds - bone-shaking mojo-packed dirt, all wrapped up in modern and easy to use convenience. Main Features: • Bass Preamp and Overdrive effects pedal • Designed to capture the warmth and grit of vintage tube amps • Low-Pass filter with 2 settings o 0 - no low pass filter o 1 - mid bump o 2 - mid scoop • Drive control, from mild grit to warm overdrive • Active 2-band post-Gain EQ • True-Bypass switching • Hand-made in Montreal, Canada • Powered by a regular 9-18 V DC PSU (center -, 2,1 mm, 13 mA current draw at 9 V) Our classic Beta bass architecture has been reworked and expanded, delivering a wider range of tones. The low-pass filter now has 2 settings for bumped or scooped-mids as well as a center bypass setting for a more transparent experience. Plus, the Drive control has been reworked for lower gain applications or hotter basses. Most importantly, the BETA-V sports an active 2-band post gain EQ allowing you to boost or cut your highs and lows with a flat response in the center. Dialing in anything from punchy overdriven Lemmy tones to the fattest, deepest soul shaking dub is only a few knob twists away. Complete with top-mounted jacks, soft touch true bypass switching and 9-18 V DC operations, the BETA-V is a true thump machine, ready to rock your world.

Source Audio AFTERSHOCK Bass ...

2.590,-

Advanced Stereo Bass Distortion Pedal - with PSU Source Audio AFTERSHOCK Bass Distortion Advanced Stereo Bass Distortion Get down and dirty with the AFTERSHOCK Bass Distortion. This powerful stereo effects pedal features a collection of meticulously crafted Distortion sounds ranging from subtly driven sustain to highly saturated distortion to thick fuzz and beyond. The AFTERSHOCK’s simple, yet powerful control panel provides the tools to finely sculpt the perfect bass tone. The Clean knob lets you to mix in just enough clean signal to maintain a rock-solid low-end without compromising the pedal’s SONIC GROWL. Adjust the onboard Tone control and find that thunderous sweet spot for any bass/amp combination. With the powerful MIDI and Neuro control options under the hood it provides access to a vast array of additional tonal possibilities. Main Features: • Bass Distortion effects pedal • 3 distinct Fuzz engines o TUBE: a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch o HEAVY: creates an aggressive scooped sound with ample highs and thundering lows o FUZZ: offers intense germanium fuzz tones with loads of bottom and mucho grit • 128 presets accessible via MIDI • Deep customization features accessible via Source Audio Neuro App and Desktop Editor • Stereo Inputs and outputs - for multiple advanced routing options • Mini USB Port for PC connectivity (Windows and Mac compatible) and remote control • 3.5 mm control port - for connecting compatible Source Audio control devices • Selectable Relay True or Buffered Bypass Switching • Included 3.5 mm to 6.3 mm TRS cable to connect to mobile device • Powered by (included) 9V DC power supply (2.1 mm plug, center -, 165 mA current draw) Out of the box, this stereo pedal delivers three bass overdrive engines that span the gamut of low-end crunch, from smooth and natural overdrive to full-on fuzz attack. • TUBE: The Tube engine belts out a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch. • HEAVY: Heavy creates an aggressive scooped sound with ample highs and thundering lows. • FUZZ: The Fuzz engine offers intense germanium fuzz tones with loads of bottom and mucho grit. By itself the AFTERSHOCK offers tremendous tonal range, but dig a little deeper and discover its hidden power and flexibility. Every pedal in the One Series line is compatible with the Neuro Desktop Editor and Mobile App (free downloads iOS, Android, Mac and Windows). Connect the AFTERSHOCK to the Neuro Editor and access its extended equalization capabilities, stereo routing options, as well as Source Audio’s free library of over 40 overdrive, fuzz, and distortion algorithms for bass AND guitar - each algorithm can be downloaded directly to the pedal. The AFTERSHOCK is also built on dual drive platforms providing the opportunity to simultaneously run two fuzz tones in parallel, stacked, or split in stereo. Plus, every One Series pedal is fully MIDI compatible when coupled with the Neuro Hub (formerly Soundblox Hub), providing the power to save up to 128 different presets. Job one in the development of the Source Audio One Series overdrive pedals - The L.A. Lady Overdrive, KINGMAKER Fuzz, and AFTERSHOCK Bass Distortion - was to create three great sounding, flexible, and easy-to-use pedals. Out of the box, that’s exactly what they are - plug ‘em in, select from the three onboard overdrive engines and make beautiful music… simple. But there is much more here than meets the eye (and ear) - the truly “Big Idea” behind our One Series overdrive pedals was to give musicians a second, far deeper, set of options and editing tools with which to craft the perfect tone. The Neuro Desktop Editor and Mobile App are free downloads for iOS, Android, Mac and Windows machines. The Neuro Editors vastly expand the tonal possibilities of the pedals, offering a huge collection of additional drive, fuzz, and distortion engines as well as an expanded set of editing parameters. Connect the AFTERSHOCK to the Neuro Desktop Editor or Mobile App (free download for iOS,Android, Mac, and Windows) and access a massive collection of additional overdrive, fuzz and distortion tones with extended parametric EQ capabilities, stereo routing options, and internal stacking functionality.

Source Audio ARTIFAKT Lo-Fi ...

4.464,-

ARTIFAKT Lo-Fi Elements Lo-Fi Modulation, Reverb, Bit-Reduction and Filter The ARTIFAKT Lo-fi Elements is the first pedal of its kind, a comprehensive collection of all the hazy, scratchy, wobbly, and broken tones that epitomize the term ‘lo-fi’.” Like a mega-delay or mega-reverb, ARTIFAKT is a “one-stop shop” for all the most sought-after lo-fi effects including old vinyl replications, tape modulation and saturation, bit crushing, sample rate reduction, dark reverb and echo, filtering, compression, glitch, and more. Source Audio has dedicated much of the past three years to meticulously honing each of these sounds as well as engineering an entirely new hardware design with an easy-to-use interface that places the pedal’s full capabilities at your fingertips. Main Features: • Lo-Fi Modulation / Reverb / Delay / Bitrate Reduction Effects Pedal • Updated platform with imporoved interface and additional controls and foots witches - for easier access to more parameters, presets, tap tempo and a variety of other engine specific functions • 7 different effect engines on the face of the pedal o Radio - crackling nostalgic tones of a vintage radio struggling to dial in a signal o Tape - conjures the sound of vintage tape machines with subtle compression, tape saturation, flutter and pitch modulation o μVerb - a primitive reverb effect with bouncing echoes similar to the reverb on 8-bit gaming systems o Crush - bit-depth quantizing and sample rate reduction, finely sculpted with the resonance of a Moog-style ladder filter o Ladder - filter effect inspired by the revered R-2R ladder filter o Vinyl - faithfully emulates the crackle and pop of vintage records o Glitch - adds an unpredictable edge with random speeds and pitches • 16 presets accessible via the pedal controls (128 presets available via MIDI) • Full MIDI control via 3.5 mm TRS MIDI In and Thru jacks • USB-C port for connecting to Neuro 3.0, Source Audio’s preset downloading and effect editing software • Stereo Inputs and Outputs • External expression control over any parameter using the Neuro 3.0 editor • Switchable Active Analog or True Bypass • Powered by (opt.) 9V DC power supply (2,1 mm plug, center -, 200 mA current draw) Navigating through the seven positions of ARTIFAKT’s effect selector knob unleashes a symphony of sonic transformations, each akin to engaging a new pedal with its own unique brand of lo-fi. • The first effect on the dial is Radio, tune into its crackling nostalgic tones where static frequency filtering and noise generation evoke the charm of a vintage radio struggling to dial in a signal. • The Tape engine conjures the sound of vintage tape machines by blending subtle compression, overdrive, tape flutter, and pitch modulation to invoke effects like slapback, chorus, doubling, and tape saturation. • μVerb is a primitive reverb effect with bouncing echoes similar to the reverb on 8-bit gaming systems. • The Crush effect voyages the realm of bit-depth quantizing and sample rate reduction, all finely sculpted with the resonance of a MoogTM-style ladder filter. • Ladder, inspired by the revered R-2R ladder filter, offers both envelope and LFO modulation control for classic and dramatic filter sweep effects. • Vinyl faithfully emulates the crackle and pop of vintage records, from pristine 180-gram vinyl to well-loved gramophone platters. • Glitch adds an unpredictable edge, capturing fragments of your performance and hurling them back at random speeds and pitches. Pairing the ARTIFAKT Lo-fi Elements with Source Audio’s completely reimagined and reengineered Neuro 3.0 software elevates an already great pedal to new heights. Access free, stage-ready presets from Neuro’s expanding library of factory and Neuro Community presets. Explore Neuro’s extensive editing capabilities to blend and experiment with the various lo-fi elements mentioned earlier—it’s a limitless effects palette for crafting unique lo-fi sounds. ARTIFAKT also boasts stereo inputs and outputs, full MIDI control via the 3.5mm TRS in and thru jacks, dual footswitches, 128 presets, and more.

Source Audio ATLAS Compressor

3.009,-

Advanced Stereo Compressor Pedal - with PSU The Atlas Compressor offers a comprehensive collection of compression circuits that perfectly capture the tone and feel of the industry’s most sought-after compressors. Straight out of the box, Atlas delivers six different styles of compression, based on classic stompbox compressors as well as high-end rack units like the snappy 1176 compressor and the smooth and gentle LA2A optical compressor. Atlas also features advanced dual-band compression, which provides an independent set of controls for both the high and low frequencies. Each compression engine has onboard controls for Threshold, Ratio, Attack, Release, Output, Tone, and Blend, allowing for fine-tuned control over the compact One Series hardware. The Atlas is packed with so many different types of compression that it could serve as a tour guide through the history of compressor equipment. First stop: classic stompbox squashers such as the legendary the Dan Armstrong Orange Squeezer and the ever-present Dyna Comp. Next stop: universal and ubiquitous studio rack gear like the smooth and gentle LA2A optical compressor and the ultra-responsive 1176 FET compressor. Finally, we’re taking you to all-out nerd territory with Peak, RMS, VCA, and Dual compression, and an onboard Expander circuit… the Atlas has it all and does it well. OPTICAL RACK The Optical Rack compressor engine is based on the legendary LA2A studio opto compressors from the early 60s. Optical compression controls its output level with light. Increasing the incoming audio level in the original units caused an electro luminescent panel to shine brighter. A photo resistor monitors that light panel and decreased the audio output level, as the panel got brighter. The result is a very smooth and gentle attack that imparts a full-bodied and natural sound on guitar, bass, or vocal. This compressor sounds great with clean strummed or arpeggiated guitar lines as well as acoustic guitars. Elite engineering cannot be rushed... "Offering up a deep library of compression options in a pedal is a landmark technical achievement. We started working on compression in 2007. At the time we developed some straightforward, high-end studio stuff that made it into the original Multiwave a year later. The research project to branch out and cover more simple classic pedal sounds and create a dedicated compression pedal was delayed, because the intricacies of how transistors behave in compression circuits was especially elusive. After ten years of additional research, new thinking, and more experience, we are finally ready to launch a landmark pedal: The Atlas Compressor. From classic rack studio units, to classic pedals of many flavors, and even to the experience of high-end computer plug-ins, Atlas covers all the bases with attention to detail that is the hallmark of our development team. Bob Chidlaw, Jesse Remignanti, and Christopher Venter worked long and hard on this one and I'm excited to finally share it with the rest of the world."

Source Audio C4 Synth pedal

3.345,-

Source Audio C4 Synth Advanced Stereo Synth The C4 Synth unites all the sound creation tools of a classic Eurorack modular synthesizer and packages them in a compact and easy-to-use effects pedal for guitar or bass. Out of the box the C4 offers six dynamic synth tones that range from vintage analog to the thoroughly modern. It is essentially a modular synth in a small pedal with unprecedented tracking abilities, lightning-fast response, and countless sound options. With the addition of the Neuro Desktop Editor (a free download for Mac and Windows machines) and Mobile App. (for iPhone and Android) it's easy to browse from the ever-growing library of highly-inspired presets created by the Source Audio crew and the expanding community of C4 enthusiasts. Main Features: • Stereo 4-Voice Synth effects pedal • Supreme tracking with imperceptible latency and 2 pitch detection modes designed for either ultra-fast tracking when playing fast or high accuracy tracking when playing slow • 4 independent voices with individual oscillator wave shape, FM synthesis, mono- or polyphonic pitch shifter, intelligent harmonizing sequencers or dry signal to distortion, tremolo and filter settings • 3 types of oscillators with sine square and sawtooth wave shapes • 11 envelope followers with adjustable attack decay or ADSR triggering • 25 filter effects • 14 different LFO Wave Shapes - to control filter modulation, vibrato or tremolo effects • 2 programmable 16-step sequencers capable of running individually or simultaneously • Second layer knob function accessible via Alt-Switch • Deep customization features accessible via Source Audio Neuro App and Desktop Editor • 6 onboard presets in 2 banks and 128 presets accessible via MIDI • Stereo Inputs and outputs - for multiple advanced routing options • Mini USB Port for PC connectivity (Windows and Mac compatible) and remote control • 3.5 mm control port - for connecting compatible Source Audio control devices • Selectable Relay True or Buffered Bypass Switching • Included 3.5 mm to 6.3 mm TRS cable to connect to mobile device • Powered by (included) 9V DC power supply (2.1 mm plug, center -, 180 mA current draw) It’s that easy. When you're ready to explore beyond the C4's six onboard presets simply jump to the Neuro Desktop's Cloud tab or the Neuro Mobile App's Browse function and check out all the available presets created by the Neuro Community and the Source Audio team. We've got a huge and growing-huger collection of vintage and contemporary synth effects that are guaranteed to amaze. When you find that mind-blowing tone that you can't live without, simply click the BURN icon and upload the preset directly to your C4 - it will be waiting for you at the next gig. On the surface, the C4 features a simple 4-knob interface and a choice of six amazing guitar/bass synthesizer effects - just plug-in and play. If you want to take things to take things a bit further, we urge that you connect the C4 to our Neuro Preset Editing & Browsing tools. Inside Neuro you will find the tools to personally create your own synth utopia. Use the C4’s collection of four parallel voices, three oscillator wave shapes, ten-plus envelope followers, twenty-plus modulating filters, distortion, tremolo, pitch shifting, intelligent harmonization, FM synthesis, two programmable sequencers and more to dial in that perfect tone.

Source Audio COLLIDER Stereo ...

4.799,-

Source Audio COLLIDER Delay+Reverb Stereo Dual DSP Reverb and Delay Design complex soundscapes in seconds with the COLLIDER Delay+Reverb. We hand-picked 12 standout delay and reverb effects from our award-winning NEMESIS Delay and VENTRIS Dual Reverb, and put them together in one compact housing with massive power and dead simple control. The COLLIDER’s intuitive control surface makes it easy to mix-and-match any two-engine combination of delay and reverb. Dual footswitches provide individual Engage/Bypass control over each effect, making it a perfect choice for live performance. Main Features: • Stereo Delay and Reverb effects pedal • Dual Processing - 2 Identical dual 56-bit signal processors allow use of 2 reverb engines simultaneously • 7 onboard reverb engines o ROOM: captures ambient reverberations of a variety of room sizes from warm and intimate household room to a larger theatre sized spaces o HALL L: patterned after the lush sounds of studio rack units from the 80s, with highly diffused tones and glorious blooming characteristics o TRUE SPRING: perfectly captures the sweet idiosyncrasies of vintage spring reverb tanks with exceptionally realistic “drip” o PLATE: meticulously crafted simulation of vintage plate reverb units from the 50s and 60 blasting audio into the face of a large plate of suspended sheet metal o E-DOME: produces long cavernous reverb trails with a lovely smooth and lush modulation invoking the sound of massive arena o SWELL: applies a volume swell effect to your instrument’s dry signal, which is then fed into the reverb effect for amorphous clouds of sound • 5 onboard delay engines: o DIGITAL: pristine and unfiltered digital repeats o ANALOG: reproduces the characteristic dark sound of bucket brigade analog delays o TAPE: detailed re-creation of classic moving-head tape delays that captures the characteristic flutter, warmth, and color o REVERSE: creates several overlapping reversed delays that fade in and fade out regularly to create a pulsing tremolo effect o OIL CAN : dark, jangly, warbling and distorted delay inspired by old oil can designs - previously only available as additional Delay engines on NEMESIS • Deep customization features accessible via Source Audio Neuro App and Desktop Editor • 8 Presets accessible via onboard controls, 120 more presets recallable via MIDI • Mix knob - for adjusting between 100% Wet/Dry Balance plus global Kill-Dry Mode • EXP/Switch input with selector switch for selecting external control source between Switch EXP pedal) • Stereo Inputs and outputs - for multiple advanced routing options • Tap Tempo with onboard footswitch and Sub-Divisions (quarter note/dotted eight note/triplets) • Knobs switch for switching the control interface between Reverb or Delay effects and locking knob settings • MIDI IN and MIDI THRU connections • Mini USB Port for PC connectivity (Windows and Mac compatible) and remote control • 3.5 mm control port - for connecting compatible Source Audio control devices • Selectable Relay True or Buffered Bypass Switching with selectable Trails Mode • Included 3.5 mm to 6.3 mm TRS cable to connect to mobile device • Powered by (included) 9V DC power supply (2.1 mm plug, center -, 300 mA current draw)

Source Audio Dual Expression ...

1.443,-

Expression Pedal with 2x 6.3mm TRS and 1x 3.5 mm TRS outputs The Source Audio Dual Expression Pedal delivers precision response and smooth action in a durable cast aluminum housing. Dual TRS expression outputs make it possible to control two effects units simultaneously. The pedal is compatible with the very common Boss/Roland style (“tip hot”) expression input. The Range Adjust Knob sets the bottom point of the expression range. Plus, a special Sensor Output connects directly to any Hot Hand®, Soundblox®, Soundblox 2, or Soundblox Pro pedal for real-time control over filter sweeps, effect modulation, LFO speeds, wet/dry mixes, drive levels and more. Two Isolated TRS Expression Outputs – simultaneous control over multiple effect pedals or rack systems. Sensor Output — 1/8-inch; four conductor output compatible with all Soundblox, Soundblox 2, or Soundblox Pro pedals. Range Adjust Knob — Adjusts the range of expression signal sent through the outputs. OUTPUT 1: sends expression signal out via either 1/4 inch TRS cable or 4 conductor Soundblox compatible 1/8 inch sensor cable. OUTPUT 2: sends expression signal out via 1/4 inch TRS cable. Rugged, cast aluminum housing. Includes one 1/4-inch TRS connector cable and one 1/8 inch four conductor Sensor Output cable Dimensions: 10 in/25.4cm (Length) x 4 in/10.2cm (width) x 3 in/7.6cm (height)

Source Audio ENCOUNTER Delay ...

4.790,-

Source Audio Encounter Ambient Delay + Reverb Source Audio’s Encounter is more than just a delay and reverb pedal, it’s a gateway to atmospheric soundscapes. Based on the legendary Collider Delay + Reverb, Encounter sports a similar layout, while adding a wide-ranging collection of new and otherworldly delay and reverb effects. Packing a mix of brand-new sounds and reimagined favourites from Source Audio’s range of delay and reverb pedals, Encounter is sure to conjure up a wealth of ambient sounds. Main Features • Stereo Ambient Delay and Reverb Effects Pedal • Analog Dry Through Path • 6 onboard Delay engines o Noise Tape, Resonant, Drum Echo, Echoverb, Kaleidoscope and Helix • 6 onboard Reverb engines o Hypersphere, Shimmers, TremVerb, Reverse, Lo-Fi and Swell • 8 Presets accessible via onboard controls and 128 presets available via MIDI • Mix knob - for adjusting between 100% Wet/Dry Balance plus global Kill-Dry Mode • Input with selector switch for selecting external control source (EXP/Switch) • Delay Footswitch doubles as a Tap Tempo control • Sub-Division control switch for the Delay (quarter note/dotted eighth note/triplets) • Stereo Inputs and Outputs • Mini USB Port for connecting to Neuro 3.0, Source Audio’s preset editing software • MIDI IN and MIDI THRU connections • 3.5 mm control port - for connecting compatible Source Audio control devices • Switchable True or Analog Buffered Bypass • Included 3.5 mm to 6.3 mm TRS cable to connect to mobile devices • Powered by (included) 9V DC power supply (centre -, 2,1 mm, ~280 mA current draw) All six delay and six reverb engines can be used individually or in pairs (that includes dual delay or dual reverb combinations) with full MIDI functionality and stereo ins & outs. Routing options include series, parallel, or split stereo. Each footswitch engages or disengages its own effect, essentially providing the functionality of two separate pedals in one unit. The new engines such as the Hypersphere reverb, Kaleidoscope delay, and Shimmers are among the most beautiful and imaginative in Source Audio’s history. Returning effects such as Reverse, Lo-Fi, and Swell reverbs, along with the Helix, Drum Echo, and Resonant delays, have been reimagined and enhanced with expanded parameter controls, unlocking limitless sonic possibilities and creative potential.

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