Produsent

4.128,-

MAW Microphone Effects Manipulator Originally conceived as a simple effects pedal for vocalists, the MAW is a fully functional pedal for any application that involves a dynamic microphone. Featuring a high-quality microphone preamp fed into three foot-switchable effect engines and an effects loop for integrating you own favourite external effects, MAW is both perfect as a versatile tool for studio tinkerers or it can be an all-in-one for creative vocalists looking to control their live sound. MAW can saturate, reverberate, delay, flange and rotate your signal with the three on-board effects sections, plus you can integrate additional effects pedals with the send/return loop for a world of other creative uses. This is also perfect to patch in other pedals and effects that you may already have, which traditionally wouldn’t be able to be hooked up to a microphone directly. Both a microphone audio workstation and a poetic tool, MAW likes an XLR signal but will take a 1/4” jack input too. Multiple outputs and expression control finish out this versatile toolkit. Let its voice become yours. Vocal Effects Pedal XLR Microphone preamp for dynamic microphones Microphone gain control with pad switch for hot signals Tone knob – low pass filter for darker or brighter tone Switchable saturation section, with blend and tone knobs to sculpt your tone Two foot-switchable multi-effects engines: First – two reverbs, short delay, phaser, lower and upper octaves Second – two additional reverbs, long delay, flanger and rotary Momentary or Latching Switching – for seamless effects changes on the fly FX Loop – add your own effects pedals into its signal chain Effects trails – allows natural Reverb and Delay decay External Expression Control – for each effects section 1/4”/6.5mm instrument cable input Dual outputs: Wet – switchable between 1/4”/6.5mm or XLR Post-saturation Dry – XLR Powered by regular 9 V DC PSU (centre -, 2.1mm, ~210mA current draw)

Old Blood Noise Minim Reverse ...

3.588,-

Minim – Reverse Delay and Reverb Immediate Ambient Machine Time. Although always moving inevitably forward, it can often feel like it’s standing still in an undulating haze. Sometimes it even feels like it’s moving backwards, making us revisit and learn from our past. These meditative moments in time is where you’ll find the Old Blood Noise Endeavors Minim and its infinitely modulating soundscapes. So, whether you want standard delay/reverb, reverse reverberations, or pulsating circular sonic movements, Minim is here to let you shape and bend time as you please. Creative Modulated Reverb and Delay Pedal (up to 400 mS) Reverse section – activated with a clever footswitch for momentary or latching operation Order switching – puts reverse first in the chain for ambient wash or last in the chain for glitchy textures Expression jack – for external control of the Reverse mix Internal trimpot to control output level Relay bypass switching Powered by regular 9 V DC PSU (centre -, 2.1mm, ~159mA current draw) Inspired by the foundational features of OBNE’s last ambient smash-hit, the Rêver, Minim is set to instantly transport you even further to new atmospheric worlds, through its organic control set. Think of Minim as having two blocks. One block takes whatever signal is given to the pedal and reverses it at the press of a footswitch, while the other block gives you modulated reverb, fed into a modulated delay. Plus, there’s even a switch that decides which block comes first. Each control is simple, but put them all together and you’re likely to lose all sense of time. The reverb side of things lets you create everything from simple room reflections to deep and endlessly trailing ambient washes, via Minim’s Mix and Decay controls, while the Mod knob lets you blend in a gently swaying harmonic tremolo to put some waves into your ocean of sound. On the delay side, you’ll find the Time and Feedback controls to be pivotal tone shapers. Time both controls the length of the delay (up to 400ms) as well as the modulation amount, giving you sweet shimmering chorus tones at low settings and warbly tape-like vibratos at long settings. Feedback will go from a single repeat to endlessly cascading echoes for beds of blissful ambience. All of this wonderful ambience that’s created by the reverb and delay side can then be further manipulated by the momentarily triggered reverse section, seeing you instantly reverse everything on the fly, in order to make lines, phrases or entire chord progressions stand out in all its glorious shoegazy goodness. The mix of the reverse can either be fixed via the Reverse dial or instantly shaped and changed hands-free via an expression pedal. On top of that, you can flip the order of the reverse block. This gives you the choice between smooth reverse effects or choppy glitchy textures, as well as change the reverse speed from normal to double time for unique stutter octave tones. As you can probably gather by now, Minim isn’t just one thing. It’s an amalgamation of spatial effects, set to work together with you and your musical mind in order to create organically evolving sonic atmospheres. So free your mind and let the Minim unleash your new-found ambient potential.

Old Blood Noise MTET MIDI To ...

1.667,-

Old Blood Noise Endeavors MTET MIDI to Expression Translator Realizing matching gaps in the market and their friends’ workflows, Old Blood Noise Endeavors unveils their newest utility device, the MIDI to Expression Translator (MTET). MTET is a simple device for complex workflows. It receives MIDI CC messages and turns them into expression outputs, allowing players to unlock MIDI control over their expression-enabled devices. Where once there was only a foot, now there is envelope control, LFO control, snapping to preset positions: any MIDI shape can express an OBNE (or similar) device. Main Features: • MIDI to TRS Expression interface • Translates MIDI control change messages to TRS Expression • 4 individual expression outputs • Expression compatibility with any TRS expression enabled device where tip is connected to wiper • CC control over LSB for 8-bit resolution from a 50K digital potentiometer • MIDI Thru jack for easy daisy chaining • Powered by (opt) regular 9 V DC PSU (centre -, 2.1 mm, 50 mA current draw) Language is hard: let’s start at the start. Communication is complex, beautiful a real thorn in our sides. Many languages, dialects, standards. Some similar, some vastly different. A linear sweep, a barrage of Bits. Music, of course, is meant to be the universal language, but our devices don’t see it that way. One could argue even we don’t see it that way – tonal and microtonal, EAST+WEST, free jazz and bubblegum pop. But we’re not here to argue. We’re here to blame the devices. The MIDI To Expression Translator (MTET) does exactly what it says on the tin. It receives MIDI messages from external MIDI devices and uses those MIDI messages to create four separate Expression outputs for use with external expression enabled devices. MTET uses a 50k digital pot, wired for TRS connection with the tip active (connected to the wiper). It is assumed the external expression-enabled unit will apply to the sleeve and reference voltage to the ring. It is configured to communicate with other devices using this standard. Its primary purpose is to interface with Old Blood Noise Endeavors pedals and serve as a communicator between them and a MIDI controller. However, it will work with many other units that use the same expression setup as OBNE.

Old Blood Noise Pardner Fuzz ...

3.233,-

Old Blood Noise Endeavors Pardner Fuzz Textures with Versatile Effects Loop Old Blood Noise Endeavors presents Pardner - a whacky yet extremely versatile fuzz pedal with unique tonal qualities, providing a suite of gnarly drivenness at the stomp of just two footswitches. The pedal’s core fuzz voice gives resonant, warbling saturation with a synthy edge. Playing nicely anywhere in the signal chain and with a wide set of controls, this fuzz opens up new textures compared to your usual fuzzy go-tos. However, when paired with Pardner’s built-in clean to medium gain overdrive effects loop (“Lasso”), you can add further textures to this already otherworldly dirt device, plus you can rope in your own effects alongside the fuzz. Try an envelope filter, a reverb, another fuzz, anything you like! The Order switch also allows for different routings of the two sections or even for both in parallel, for a world of unheard-of tones. Rip a solo or some massive chords or heck, run your drums through it - we’re not here to tell you how to Pardner. Main Features: • Fuzz Pedal with Versatile Effects Loop • Voice toggle, Filter and Intensity knobs shape the gain and frequency content of the Fuzz • Treble, Bass and Volume controls for further tonal sculpting • Lasso section, with variable overdrive plus add any external effect via the Send/Return Loop • Order switch to route and set the order of Lasso and Fuzz effects • Individual soft-touch bypass footswitches for each side, with true relay bypass when both sides are off • Durable compact enclosure for years of reliable switching • Top-mounted jacks, will fit into any setup • Made in the USA • Powered by regular 9V DC PSU (centre -, 2.1 mm, ~80 mA current draw – not included)

Old Blood Noise Parting Basic ...

4.299,-

Parting - Basic White Glitch Delay/Reverb Crushing Modulation Device In creative collaboration, harpist Emily Hopkins and experimental effect makers Old Blood Noise Endeavors are proud to announce Parting, a new musical device with a curated suite of effects inspired by their favourite glitch, signal crushing, and ambient sounds. One central knob crushes the signal or sends it into reverse, while knobs to its left control a selectable modulation and knobs to its right control a chance-based or envelope-controlled glitchy delay that you can smear into a reverb. Everything interacts with various layers of chance-based clock-changing randomness to create a box of pleasant surprises. Main Features: • Glitch Delay/Reverb Crushing Modulation Device • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Aux footswitch for tap tempo, half clock speed, or preset switching • Dissolve control with two functions, below noon for reduced sample rate, above noon for increasingly degraded reverse signal • Analog Dry-Through • Expression and MIDI control over all parameters • MIDI clock I/O for external tempo syncing • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Available in 4 Colourways - Basic/White, Green (standard), Purple and Stone • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included) Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lo-fi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.

Old Blood Noise Parting ...

4.299,-

Parting Glitch Delay/Reverb Crushing Modulation Device In creative collaboration, harpist Emily Hopkins and experimental effect makers Old Blood Noise Endeavors are proud to announce Parting, a new musical device with a curated suite of effects inspired by their favourite glitch, signal crushing, and ambient sounds. One central knob crushes the signal or sends it into reverse, while knobs to its left control a selectable modulation and knobs to its right control a chance-based or envelope-controlled glitchy delay that you can smear into a reverb. Everything interacts with various layers of chance-based clock-changing randomness to create a box of pleasant surprises. Main Features: • Glitch Delay/Reverb Crushing Modulation Device • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Aux footswitch for tap tempo, half clock speed, or preset switching • Dissolve control with two functions, below noon for reduced sample rate, above noon for increasingly degraded reverse signal • Analog Dry-Through • Expression and MIDI control over all parameters • MIDI clock I/O for external tempo syncing • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Available in 3 Colourways - Green (standard), Purple and Stone • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included) Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lo-fi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.

Old Blood Noise Parting ...

4.299,-

Parting Glitch Delay/Reverb Crushing Modulation Device In creative collaboration, harpist Emily Hopkins and experimental effect makers Old Blood Noise Endeavors are proud to announce Parting, a new musical device with a curated suite of effects inspired by their favourite glitch, signal crushing, and ambient sounds. One central knob crushes the signal or sends it into reverse, while knobs to its left control a selectable modulation and knobs to its right control a chance-based or envelope-controlled glitchy delay that you can smear into a reverb. Everything interacts with various layers of chance-based clock-changing randomness to create a box of pleasant surprises. Main Features: • Glitch Delay/Reverb Crushing Modulation Device • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Aux footswitch for tap tempo, half clock speed, or preset switching • Dissolve control with two functions, below noon for reduced sample rate, above noon for increasingly degraded reverse signal • Analog Dry-Through • Expression and MIDI control over all parameters • MIDI clock I/O for external tempo syncing • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Available in 3 Colourways - Green (standard), Purple and Stone • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included) Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lo-fi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.

Old Blood Noise Parting ...

4.299,-

Parting Glitch Delay/Reverb Crushing Modulation Device In creative collaboration, harpist Emily Hopkins and experimental effect makers Old Blood Noise Endeavors are proud to announce Parting, a new musical device with a curated suite of effects inspired by their favourite glitch, signal crushing, and ambient sounds. One central knob crushes the signal or sends it into reverse, while knobs to its left control a selectable modulation and knobs to its right control a chance-based or envelope-controlled glitchy delay that you can smear into a reverb. Everything interacts with various layers of chance-based clock-changing randomness to create a box of pleasant surprises. Main Features: • Glitch Delay/Reverb Crushing Modulation Device • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Aux footswitch for tap tempo, half clock speed, or preset switching • Dissolve control with two functions, below noon for reduced sample rate, above noon for increasingly degraded reverse signal • Analog Dry-Through • Expression and MIDI control over all parameters • MIDI clock I/O for external tempo syncing • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Available in 3 Colourways - Green (standard), Purple and Stone • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included) Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lo-fi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.

Old Blood Noise SCOOCH Tap ...

436,-

Old Blood Noise Endeavors SCOOCH Tap Tempo Tap Tempo Switch SCOOCH is an external tap tempo footswitch designed for use with our Expression Ramper X3, Whitecap, and Blackcap. Simply plug scooch into the Tap In/Ext Tap jack with a TS cable and start tapping in your desired tempo! The pedal you plug SCOOCH into will handle the rest. SCOOCH Tap Tempo can be used with a wide variety of other devices as well, for Tap Tempo, Remote Switching, or other purposes: anything expecting a momentary, normally open footswitch signal through a TS cable (connecting Tip to Sleeve when pressed) will be compatible. Main Features: • Tap Tempo Footswitch • 6.3 mm TS output (configured as normally open) - for connecting any compatible tap-tempo or external switching enabled pedal • Designed to work with Old Blood Noise Endeavors effects pedals • Also compatible with any device capable of accepting momentary, normally open TS footswitch signlals connecting Tip to Sleeve when pressed • Compact form factor • No power required

Old Blood Noise Setback ...

3.345,-

Old Blood Noise Endeavors - Setback The Ultimate Reverse Pedal Building on their legacy of backwards sounds, as shown in old favourites like Rever, Minim and BL-44, Old Blood Noise Endeavors have created their most in-depth and feature rich reverse pedal yet, the Setback. Setback focuses exclusively on the magical texture of sounds in reverse, without anything else getting in the way. With a streamlined control set, the user controls sample rate, delay time and playback speed, creating pitch shift effects and much more, with all the utilitarian bells and whistles of the modern era included: stereo in and out, presets, full MIDI control and so on. From raging robot-like ring-mod sounds, shimmering harmonized pitch effects, classic reverse delays and all the way to brooding, crumbling lo-fi textures. Setback delivers it all and then some, making it the perfect companion for everything from Psychedelia, Shoegaze, Indie, Ambient and beyond. We live life forwards, but can only fully understand it backwards, hence Setback’s wealth of unique reverse effects will surely deliver inspiration, meaning and depth to your compositions. Main Features: • Reverse Effect Device • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Controls for: o Clock (signal fidelity) o Div (tempo subdivisions) o Speed (playback speed for quantised pitch shift effects) o Mix (dry/wet blend) • Sample rate from 49 kHz down to 500 Hz • Aux footswitch for tap tempo, runaway feedback, or preset switching • Alt controls for gentle volume adjustment or setting the time without tapping or MIDI clocking • Reverse delay times from ring-mod fast down to 24 seconds at lowest clock setting • Analog Dry-Through • Expression and MIDI control over all parameters • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included)

Old Blood Noise Signal ...

4.299,-

Signal Blender Stereo Parallel Effects Chain Creator Multi Stereo Loop Pedal, Black Since its release in 2019, OBNE’s Signal Blender has become an indispensable tool for musicians looking to create parallel signal chains, or otherwise split or combine multiple signals. Now, in collaboration with 29 Pedals, the new Signal Blender Stereo boasts many worthwhile and useful upgrades from the original version. When 29 Pedals approached OBNE about improving the signal headroom and phase response of the original version for use in their own studio, a collaboration was born. Not content with only signal improvements, the team approached the whole new design in stereo, added trails switching and also added MIDI switching for integration into more complex rigs. Main Features: • Mono or Stereo Parallel Effects Chain creator • Designed in collaboration with 29 Pedals • Stereo input and output, with two Stereo Effect Loops • Option for Mono-to-Stereo splitting at the main input • Individual volume knobs and footswitches for Loop A, Loop B and Clean Signal • Trails switching for Loop A and Loop B • MIDI control of on/off and trails switches • Options for True Bypass when all switches are off • Top-mounted jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Powered by (opt.) 9 V DC PSU, scaled up to +/- 15V internally (centre -, 2.1mm, ~ 500 mA current draw, not included) Signal Blender Stereo is a comprehensive mono or stereo parallel effects chain creator. From the input, your signal forks out into multiple paths, allowing parallel blending of two effects loops (A and B) and the original input (Clean) at the output. Experience the joys of parallel routing, or expand to other use cases, like splitting a signal to three separate outputs, or combining three unique signals into one output. The simple, yet fully featured control set allows for grab-and-go utilitarianism. The A and B switches engage their relevant effects loop. Tap it to latch the on/off state, or hold it for momentary action. Signal is sent at full strength through the Send jack and the volume knob determines the amount of signal coming back into Signal Blender Stereo via the Return jack. The phase invert toggle allows phase inversion on the return when the toggle is in the up position, accounting for pedals that flip the phase. The trails toggle in the up position prevents the Return from switching off, allowing time-based effects to trail after the footswitch is switched off. In the down position, the send and return are switched on and off together. The Clean footswitch determines whether the original clean input signal is sent to the main output and the Clean volume knob determines the volume of that signal when engaged. By default, Signal Blender is designed to be stereo through the use of TRS cables, or mono through the use of TS cables, without the need to change any settings at all on the device. However, if mono input to stereo output is desired, just use the internal dipswitch to assign mono-in-stereo-out (“MISO”), then use a TS cable at the input and TRS cables everywhere else.

Old Blood Noise Signal ...

4.299,-

Signal Blender Stereo Parallel Effects Chain Creator Multi Stereo Loop Pedal, Holey Kids finish Since its release in 2019, OBNE’s Signal Blender has become an indispensable tool for musicians looking to create parallel signal chains, or otherwise split or combine multiple signals. Now, in collaboration with 29 Pedals, the new Signal Blender Stereo boasts many worthwhile and useful upgrades from the original version. When 29 Pedals approached OBNE about improving the signal headroom and phase response of the original version for use in their own studio, a collaboration was born. Not content with only signal improvements, the team approached the whole new design in stereo, added trails switching and also added MIDI switching for integration into more complex rigs. Main Features: • Mono or Stereo Parallel Effects Chain creator • Designed in collaboration with 29 Pedals • Stereo input and output, with two Stereo Effect Loops • Option for Mono-to-Stereo splitting at the main input • Individual volume knobs and footswitches for Loop A, Loop B and Clean Signal • Trails switching for Loop A and Loop B • MIDI control of on/off and trails switches • Options for True Bypass when all switches are off • Top-mounted jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Powered by (opt.) 9 V DC PSU, scaled up to +/- 15V internally (centre -, 2.1mm, ~ 500 mA current draw, not included) Signal Blender Stereo is a comprehensive mono or stereo parallel effects chain creator. From the input, your signal forks out into multiple paths, allowing parallel blending of two effects loops (A and B) and the original input (Clean) at the output. Experience the joys of parallel routing, or expand to other use cases, like splitting a signal to three separate outputs, or combining three unique signals into one output. The simple, yet fully featured control set allows for grab-and-go utilitarianism. The A and B switches engage their relevant effects loop. Tap it to latch the on/off state, or hold it for momentary action. Signal is sent at full strength through the Send jack and the volume knob determines the amount of signal coming back into Signal Blender Stereo via the Return jack. The phase invert toggle allows phase inversion on the return when the toggle is in the up position, accounting for pedals that flip the phase. The trails toggle in the up position prevents the Return from switching off, allowing time-based effects to trail after the footswitch is switched off. In the down position, the send and return are switched on and off together. The Clean footswitch determines whether the original clean input signal is sent to the main output and the Clean volume knob determines the volume of that signal when engaged. By default, Signal Blender is designed to be stereo through the use of TRS cables, or mono through the use of TS cables, without the need to change any settings at all on the device. However, if mono input to stereo output is desired, just use the internal dipswitch to assign mono-in-stereo-out (“MISO”), then use a TS cable at the input and TRS cables everywhere else.

Old Blood Noise Split | Meld ...

392,-

Old Blood Noise Endeavors Split | Meld Passive Stereo-Routing Utility Device A discovery born out of necessity, the Old Blood Noise Endeavors Split | Meld is a practical non-destructive way to manage parallel dual-mono and stereo signal paths and adds to the OBNE line of pedalboard friendly utility devices. The 2024 updated design features a smaller even more pedalboard-friendly layout in a mini-sized enclosure and artwork created by the OKC art duo Holey Kids, one half of which also works at the brand’s Oklahoma headquarters, to perfectly fit in with the latest pedals in the OBNE's Utility series. As a routing solution that splits stereo TRS to dual mono TS signal paths (and vice versa), this little passive box of tricks is an ideal route for parallel signal paths in a myriad of creative ways. Especially useful for stereo pedalboards and setups with devices that have TRS stereo inputs & dual-mono outputs, Split | Meld can also be used to make use of a pedal’s TRS effects loop, without the need to fiddle with TRS splitter cables that often can be poor quality and get in the way. No power supply is needed here - simply connect and go. Main Features: • Simple stereo TRS to dual-mono TS splitter / combiner for pedal boards • Updated, smaller design with mini-sized enclosure • Practical routing solution for use with stereo pedalboards and setups • 1 x TRS to dual TS jacks • Graphic design by Holey Kids • Useful for many situations o Splits stereo TRS signals to two mono TS signals o Combines two mono TS signals to one TRS stereo signal o Replaces TRS splitter cables when using TRS FX loops of effects pedals • Passive electronics - no power needed

Old Blood Noise Sunlight ...

4.307,-

Old Blood Noise Endeavors Sunlight Stereo Modulated Reverb Pedal Combining elements of the popular Sunlight and Procession pedals, Old Blood Noise Endeavors is proud to introduce Sunlight Stereo, the latest in the brand’s upgraded lineup of modern classic sound machines. Focusing mostly on post-reverb processing and motion, Sunlight Stereo sends its reverb through a short delay, filter and volume control, with an LFO available to modulate any and all of those parameters. This helps to create more than reverb, with flanging, chorusing, moving filters and tremolo tones all on offer. Add a dynamic element, stereo processing, low noise floor, full MIDI control and presets and suddenly you have a reverb pedal that is unique yet versatile enough to add to your library of ambient machines. From bright, sharp and pulsing to percussive and even plain weird (moving literally and emotionally), Sunlight Stereo is a reverb pedal that’s sure to conjure up a wealth of imaginative soundscapes. Main Features: • The next evolution of OBNE’s Sunlight - Modulated Reverb Pedal • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Dedicated knobs to control Decay Length, Envelope Functionality, Delay Time and Feedback, Filter Frequency, Dry and Wet volume, and Rate, Depth and Shape • Destination controls for the built-in LFO • Aux footswitch for tap tempo, indefinitely held trails, or preset switching • Expression and MIDI control over all parameters • Onboard Presets, plus control via MIDI • MIDI clock in and out for external tempo switching • Analog Dry-Through • Selectable Buffered Trails or True Bypass modes • Top-mounted jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 350 mA current draw, not included) By adding Stereo Input and Outputs via TRS, on-board Presets, Trails, Expression control over all parameters and MIDI control, this helps to give more versatility to the sound of Sunlight than ever before. In addition, the Dynamics control introduces moving elements to the reverb, such as LFO variation depending on signal strength at lower settings. When set above noon, additional dynamic elements are introduced to the Reverb and only signals above a certain threshold are let in, meaning the decay of the reverb is decreased at the same time, to clear out existing trails. Essentially, the further you crank up the Dynamics, the more the threshold is increased, requiring louder signals to enter the reverb. You can tune this to the specific strength of your instrument and playing style, in order to create dynamic pads with Decay all the way up. The Sunlight’s Aux footswitch can be customised for momentary or latching effects, like tap tempo, infinite sustain, reverb hold or preset switching, providing flexible creative control at your feet. Save and switch between three unique on-board presets, with clear LED indicators and use the Expression Jack for hands-free dynamic control over any parameter. Adding to the pedal’s extensive flexibility, Sunlight Stereo is fully MIDI compatible, with presets being selectable via Program Change messages as well as all parameters being accessible and controllable via CC. With both Mono and Stereo routing options, plus selectable True-Bypass or Trails modes, Sunlight offers a comprehensive blend of both intuitive and advanced features for musicians that are looking to sculpt their own immersive sonic landscapes.

Old Blood Noise Sunlight ...

4.307,-

Old Blood Noise Endeavors Sunlight Stereo Modulated Reverb Pedal Combining elements of the popular Sunlight and Procession pedals, Old Blood Noise Endeavors is proud to introduce Sunlight Stereo, the latest in the brand’s upgraded lineup of modern classic sound machines. Focusing mostly on post-reverb processing and motion, Sunlight Stereo sends its reverb through a short delay, filter and volume control, with an LFO available to modulate any and all of those parameters. This helps to create more than reverb, with flanging, chorusing, moving filters and tremolo tones all on offer. Add a dynamic element, stereo processing, low noise floor, full MIDI control and presets and suddenly you have a reverb pedal that is unique yet versatile enough to add to your library of ambient machines. From bright, sharp and pulsing to percussive and even plain weird (moving literally and emotionally), Sunlight Stereo is a reverb pedal that’s sure to conjure up a wealth of imaginative soundscapes. Main Features: • The next evolution of OBNE’s Sunlight - Modulated Reverb Pedal • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Dedicated knobs to control Decay Length, Envelope Functionality, Delay Time and Feedback, Filter Frequency, Dry and Wet volume, and Rate, Depth and Shape • Destination controls for the built-in LFO • Aux footswitch for tap tempo, indefinitely held trails, or preset switching • Expression and MIDI control over all parameters • Onboard Presets, plus control via MIDI • MIDI clock in and out for external tempo switching • Analog Dry-Through • Selectable Buffered Trails or True Bypass modes • Top-mounted jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 350 mA current draw, not included) By adding Stereo Input and Outputs via TRS, on-board Presets, Trails, Expression control over all parameters and MIDI control, this helps to give more versatility to the sound of Sunlight than ever before. In addition, the Dynamics control introduces moving elements to the reverb, such as LFO variation depending on signal strength at lower settings. When set above noon, additional dynamic elements are introduced to the Reverb and only signals above a certain threshold are let in, meaning the decay of the reverb is decreased at the same time, to clear out existing trails. Essentially, the further you crank up the Dynamics, the more the threshold is increased, requiring louder signals to enter the reverb. You can tune this to the specific strength of your instrument and playing style, in order to create dynamic pads with Decay all the way up. The Sunlight’s Aux footswitch can be customised for momentary or latching effects, like tap tempo, infinite sustain, reverb hold or preset switching, providing flexible creative control at your feet. Save and switch between three unique on-board presets, with clear LED indicators and use the Expression Jack for hands-free dynamic control over any parameter. Adding to the pedal’s extensive flexibility, Sunlight Stereo is fully MIDI compatible, with presets being selectable via Program Change messages as well as all parameters being accessible and controllable via CC. With both Mono and Stereo routing options, plus selectable True-Bypass or Trails modes, Sunlight offers a comprehensive blend of both intuitive and advanced features for musicians that are looking to sculpt their own immersive sonic landscapes.

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Lydkort

Studio Monitorer