Death By Audio Disturbance ...

3.290,-

DISTURBANCE Lockable LFO Modulator Please, Do Disturb The DISTURBANCE is an extreme filter, flanger, and phaser with modulation like you’ve never heard before. DISTURBANCE’s controls allow for a wide range of sounds to be sculpted perfectly to your needs. The ‘Tensity’ knob changes the feedback amount and structure of all effects, with two totally different intensity options to choose from for each disturbing modulation. The Filter allows for deep swells and piercing resonance with highpass and lowpass options. The Flanger creates a classic modulation sound with options for watery, multi-tap delay matrixes or a screaming flange with distorted feedback. Last but certainly not least, the Phazer mode is a psychedelic 8-stage phaser sound with options for mellow filtered scoops on one side and combination phaser/flanger on the other. Main features: • Filter/Flanger/Phaser effects pedal • Offers extreme filter sweeps, screaming flanging with distorted feedback, psychedelic phasing and much more • Mode Selector switch - for selecting between 3 modulation types o Filter - deep swells and piercing high pass and low pass filtering o Flanger - classic comb-filter-like modulation o Fazer - psychedelic 8-stage Phaser • Tensity knob for changing feeback amount and structure of the selected modulation effect • TRIP footswitch for halting and resuming the LFO sweep • True Bypass Switching • Compact footprint and top-mounted jacks for easy pedalboard mounting • Powered by regular 9 V DC PSU (centre -, 2,1 mm, ~67mA current draw) But that’s not all - the pedal introduces a brand-new way to control an effect: The custom designed modulation core lets you pause the LFO where it stands and listen to the strange world of frozen modulation. Not only does this new system control its own sounds, the DISTURBANCE includes a CV OUT jack which lets the modulation control signal be sent to whatever device dares let it in. Go forth and DISTURB and bend, break, and twist your sound!

Death By Audio Moonbeam ...

3.490,-

Death By Audio Moonbeam Phaser A Mesmerising Array of Phasers  The Moonbeam Phaser has landed. A stereo, multi-stage phaser like no other, the Moonbeam Phaser lets you completely reshape your sound by choosing between one and six stages of phase shifting for any modulation occasion. With its expansive range of controls, you can instantly explore everything from classic swirling movements to ultra-gooey bends, resonant filtered tremolos, and textures yet to be discovered. Take a trip through the world of tones from beyond the exosphere. At its core, the Moonbeam Phaser houses two fully analogue 6-stage phase shifter engines. You can tap into each stage individually and hear its unique movement as the display morphs through a spectrum of colours that mirror the sound. To unleash the full potential of this unique circuit, we supercharged the FREQ control far beyond the usual range. Drift slowly through 2-minute phase sweeps, dive into liquid swirls, or blast off into ring-modulated frequency shifts. Combined with the DEPTH control, the Moonbeam Phaser opens a vast spectrum of refracted phasing tones- from shimmering rotary-style warbles to deep, resonant bends. And if one phaser wasn’t enough, we’ve packed two phasers in one, letting you bring your guitar, bass, synth, or anything you can imagine into mesmerizing stereo with the click of a stomp. Part of Death By Audio’s Destroyer Series, the Moonbeam Phaser sports the line’s signature look: a compact footprint, glowing vintage-style LED display, and minimal controls that conceal a world of sonic madness. Each Destroyer pedal delivers a distinct, over-the-top effect in a smaller, stage-friendly box - together forming a family of beautifully chaotic tone machines in stereo. Main Features: • Analog Stereo 6-Stage Phaser pedal • Perfect for both mono and stereo chains, because of the onboard input configuration switch • TS/TRS and TS to TRS compatible • Phase Selector control for switching between the different phasers, indicated by the LED’s colour o RED – A sweeping high pass filter and tremolo o YELLOW – A sweeping notch filter with resonant peaks on each side o GREEN – A cross between a phaser and a harmonic tremolo o CYAN – the most famous, classic phaser sound you know and love o BLUE – Adds in more intense resonance and treble focus to the 4-phase sound o PURPLE – A full, bassy, and chewy-sounding phaser sound • Wide frequency range from 0,006 Hz to 140 Hz • Super slow phasing with up to over two minutes of phase sweeps • Controls for Frequency and Depth • Top-mounted Jacks • Hand-made in New York, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 72 mA current draw, not included)

Diamond PHASE Pedal

3.120,-

Diamond Phase Pedal  6-Stage JFET Phaser Inspired by the original Diamond PSH-1 from 2008, the Diamond Phase is a return to the smooth, musical phasing that helped define the Diamond sound, with updated features and a compact footprint for today’s pedalboards. Built around a fully analogue signal path and six carefully selected and matched JFETs, the Diamond Phase delivers rich, organic modulation. A selectable 2-, 4-, or 6 stage architecture, an enhanced feedback circuit, and thoughtful performance features makes the Diamond Phase a staple on any pedalboard. The Diamond Phase is designed to be intuitive and expressive. Every control interacts musically, allowing you to shape movement, depth, and character without losing clarity or definition. Whether used as a subtle, always-on enhancer or as a featured modulation effect, the Diamond Phase responds naturally to your playing and your signal chain.   Main Features • Phaser Effects Pedal • Switchable Phaser Stages           o 2-Stage: Light modulation and subtle movement           o 4-Stage: Classic, traditional phasing           o 6-Stage: Throatier, more colourful phasing with deeper character • Onboard controls for           o Level: Output level of the effect           o Speed: The rate of the phase sweep from 0,1 Hz to 10 Hz           o Regen: The amount of feedback in the phase circuit           o Depth: Adjusts the intensity of the phase effect, from gentle modulation to deep sweeps • ON|DBL Footswitch controls bypass and doubler functions (momentary or latching) • Status LED, red for active, green for doubler mode • Internal trimpot for JFET-bias fine tuning • Top-mounted jacks and soft touch relay switching • Hand-made in Montreal, Canada • Powered by a regular 9-15V DC PSU (centre -, 2,1 mm, ~80 mA current draw)

Dreadbox LETHARGY 8-Stage ...

2.190,-

Dreadbox LETHARGY 8-Stage Phase Shifter Lethargy derives from the greek word for forgetfulness, “Lethe”. It is a state of being drowsy and dull. The feeling of having little energy or of being unable or unwilling to do anything. Dreadbox LETHARGY is an OTA based Phase Shifter effect pedal suitable for fretted instruments and synthesizers, with eurorack patch compatibility. This is not where the LETHARGY ends however though, as it gives you control over the balance between the LFO and Manual controlling the phase shifting as well as two selectable waveforms for the LFO - triangle and square wave The Feedback control allows you to create sounds ranging from smooth pitch vibrato and vibe effects to feedback-ladden distorted extreme phase shifting. The pedal’s Rate control ranges from very (very!) slow - hence the name - up to 110 Hz which puts it into FM territory. Its three patch points grant CV control over the Manual and Rate knobs and provide you with an LFO output, making the LETHARGY a perfect device for synth fans. Main Features: • 8-Stage Phase Shifter Effects Pedal • Fully Analog OTA-based Phase Shifter • Offers extremely wide LFO range of as slow as 15 seconds up to 110 Hz • 2 LFO wave shapes o Triangle - for classic, casual phaser effects o Square Wave - for choppy, rhythmic phase shifting • Adjustable balance between LFO and Manual control modulating the phase shift • 3 patch points to interact with modular and CV gear o MANUAL - accepts CV to control the Initial Phase Shift Degree at +/- 5V o RATE - accepts CV to control the Phasing Rate at +/- 5V o LFO OUT - sends out the LFO at +/- 5V • Silent CMOS Buffered Bypass Switching • Powered by opt. 9V DC power adapter (2.1 mm, center -, 90 mA current draw)

EarthQuaker Devices Grand ...

2.450,-

Grand Orbiter V3 The Grand Orbiter V3 is a 4 stage OTA-based phaser with a diverse feature set that can go from stationary and resonant to slow and mellow and on through fast and swirly. It has a three-way toggle switch to select between the ranges of modulation: Rate 1 is slow sweep mode, Rate 2 kills the LFO and allows you to use the Grand Orbiter as a fixed resonant filter and Rate 3 is fast sweep mode. So no matter what starlit galaxies you wanna go to, Grand Orbiter is definitely the right vessel for your intergalactic travels! • Four-stage OTA-based Phaser and Vibrato - Switchable via phase/vibrato mini-toggle • Rate toggle selects between three LFO speeds - Slow, Fixed and Fast • New Flexi-switch - allows for traditional latching or momentary operation   • True bypass - Silent soft-touch switching • All-analog signal path • Top-mounted jacks - for effortless pedalboard implementation The master Rate control fine tunes the speed of the LFO in each of these modes and the flashing red LED acts as a visual indicator, even when the effect is in bypass mode. The Depth control blends the shifted signal in with the dry signal and controls the intensity of the effect. The Sweep control governs the peak frequency of the phased signal’s tone, turned full clockwise the sweep is lively and intense, whereas turning counter clockwise yields a darker, more laid back peak. The Resonance provides a wide range of control over regeneration and at higher settings adds a more pronounced and resonant tone. You can also use the Grand Orbiter as a true pitch vibrato with the “Phase/Vibrato” switch. When in “Vibrato” mode, the dry signal is removed and the Depth controls acts as a volume control. This pedal is 100% analog, true bypass and built by entirely by hand in beachy Akron, Ohio.

Electro Harmonix Nano Small ...

1.140,-

Electro Harmonix Nano Small Stone 70-talls Phaser i liten eske, perfekt for 2000-tallets gitarist. Få lyden som gjorde Classic 1970 Small Stone berømt. Produserer tykke, sveipende faseforskyvninger med flytende transparens. Feedback-fargekontroll legger til en pirrende virvel. Blues-spillere elsker Stone sin raske roterende høyttalereffekt. Country-spillere tilfører smaksrik krydder til kyllingpicken. Metal-fans liker dens jetfly-swoosh.

Fulltone Mini-Deja'Vibe mkII ...

3.990,-

Fulltone MDV mkII What is an “original Univibe?” It is a four-stage Phaser effect made between late-1968 and 1973 designed to replicate a Leslie rotating speaker by using a tiny incandescent light bulb shining on four photo-resistors housed under an aluminum shroud. This odd circuit offered a watery, thick, and unique blend of pitch-bend vibrato and chorus-like phase-shifting. Although it didn’t sound too much like a Leslie, its sound took on a life of its own, a sound heard on many recordings by Jimi Hendrix, Frank Marino, David Gilmour, and Robin Trower. Original Univibes were extremely large, heavy effects boxes mated to an external wah-type foot-pedal controlling the modulation speed via a 5 pin, quick-disconnect cable. Old ‘vibes were very inconsistent from one unit to the next and were prone to malfunctioning, with no one knowing how to fix them let alone how to make them sound good again....well, almost no one. Michael Fuller started out in the ‘80’s collecting, dealing, and repairing ’vibes, which lead him to the idea of re-designing and building a bullet-proof new ‘vibe clone in a smaller footprint. Enter the Fulltone Deja’Vibe in 1993 with the goal of making a True-Bypass ‘vibe that was more reliable and that was 1/4 the original Univibe’s astronomical used-market selling price! Fulltone have been making “the exact original Univibe clone” ever since, with Robin Trower and many others using them exclusively the entire time. Fulltone is the only ‘vibe using custom-made original-specification photocells, other companies buy incorrect ones from a DIY website because they didn’t spend thousands of dollars blueprinting every aspect of these original photocells like we did. They also devised a way to use our custom-made Optocoupler for controlling the speed of the oscillator and the external speed controller, providing much slower and faster available speeds than other ‘vibe clones. You don’t have to be a huge Trower or Hendrix fan to appreciate the mkII, you just have to appreciate that massive pulsating wall of sound it creates when you switch it on. Play on! Main Features: • Univibe effects pedal • Totally discrete design • Fulltone manufactured Optocouplers • Chorus/Vibrato Switch • Vintage Modern Switch • Uses glass covered/hermetically-sealed photocells and an incandescent bulb • 100% hand-built in the USA • Powered by 18 V DC PSU (centre -, 2.1 mm, 35 mA current draw)

Hotone Binary MOD Stereo ...

1.795,-

Hotone - Binary Mod Modulation Stereo Modulation Multi-FX Pedal with OLED Display, Stereo I/O, Tap Tempo, and Expression Pedal Input Stereo Modulation Pedal with 24 Classic and Modern FX The Hotone Binary Mod gathers dozens of our favorite modulation FX — chorus, phaser, flanger, trem, vibe, filtering, and wah — into a single analog-style compact stereo pedal. Dual DSP, 24-bit AD/DA conversion, and Hotone’s proprietary CDCM (Comprehensive Dynamic Circuit Modeling) bring this pedal to life in the hands of any player through any pickup. Effects range from some beloved classics — including 90-style phase, Clone-style chorus, VB-style vibrato, and ’60s amp-based tremolo — to Hotone’s original creations. Binary Mod is equipped with stereo ins and outs to serve dual-amp setup, a tap switch for precise tempo control, expression pedal input for hands-free control, and a USB jack for updates and effects management via the free Binary Editor software. 24 modulation effects For guitarists who don’t want to fill their boards with dozens of standalone stomps, the Hotone Binary Mod is a godsend. Choose from a host of classic FX and Hotone originals, edit to taste, then save for instant recall. Powered by CDCM Hotone’s more than a decade of modeling research has led to the advent of its proprietary Comprehensive Dynamic Circuit Modeling. First unveiled in the XTOMP series and now found here in the Binary Mod pedal, CDCM processes your incoming guitar, bass, or keyboard signal dynamically, which results in a realistic playing experience every time. Crisp OLED display Clean and easy to read in any lighting situation, onstage or in the confines of the studio, Binary Mod’s OLED display makes it easy to find and engage your settings for time-critical operation. True stereo operation Binary Mod’s 1/4″ TS/TRS input accepts signal from your instrument or mono pedals/stereo FX pedals. Dual 1/4″ TS outputs send stereo signals out to dual-amp setups or into a recording interface. Tap switch and expression pedal input Two features that set Binary Mod apart from the herd are the onboard tap switch and 1/4″ expression pedal input. The tap switch lets you control the rate of your FX by tapping in time to the music. And with the expression pedal input, you can have hands-free control over a slew of custom parameters, for some truly dynamic performance. For control, value, and convenience, the Hotone Binary Mod is tops. Features: 24 classic and modern modulation effects from one compact pedal Chorus, phaser, flanger, trem, vibe, filtering, and wah CDCM dynamic circuit modeling delivers a realistic playing experience Stereo I/O for recording and dual-amp setups Tap switch and expression pedal input 10 presets (5 presets x 2 banks) Crisp OLED display 24-bit AD/DA conversion with up to 110dB signal-to-noise ratio USB port for updates and FX management Requires a DC 9-volt center-negative power supply (not included) 200mA minimum current draw Specifications • Numbers of Effects: 24 • Numbers of Patches: 10 (2 banks x 5 patches) • Digital Processing: 24-bit A/D/A conversion, 44.1 kHz sample rate • Frequency Response: 20 Hz-20 kHz • S/N Ratio: Up to 110dB • Input Impedance: 1M Ohms • Output Impedance: 100 Ohms • Power Requirement: DC 9V, center negative • Current Consumption: 200mA minimum • Dimensions: 121mm (D) x 72mm (W) x 47mm (H) • Weight: 340g

Keeley Bubble Tron Dynamic ...

2.785,-

Keeley Electronics Bubble Tron Dynamic Flanger Phaser Robert Keeley and his crew are fans of Zappa. Rabid Fans. This pedal explores some of the famous, but very hard to find sounds of the past. Keeley Engineering has created another batch of Neo-Vintage effects that never were. This time Keeley has made the Flanger and Phaser in dynamic with your pick attack and strength. Then add the Random Stepped Filter with the new “M-Style Synth” bandpass shaping feature, and you have a lead guitarist’s dream tool. Shut up and play your effect pedal! Yeah, you play this thing like an extension of your mind and fingers. Main Features: •    Dynamic Flanger/Phaser and Filter effect pedal •    Perfect for Zappa-esque soundscapes •    3 Modes:      o    Dynama-Flange – Flanger with delay time controlled by playing dynamics      o    Dynamo Phase – 2 Phasers in parallel with depth controlled by playing dynamics      o    Filter – Random-Stepped Sample and Hold Filter with M-Style Synth bandpass •    Internally switchable second bank of modes      o    Flange – 8 Stage Vintage Phaser with up to 80% feedback      o    Phase – Classic Flanger with positive or negative feedback      o    Filter – vintage Envelope Filter effect •    Internal Vintage/Modern switches for warm vintage tone / modern full range clarity •    Pedalboard-friendly size – for compact rigs •    Made in Edmond, USA •    Powered by a regular 9V DC PSU (centre -, 2,1 mm, low ~65 mA current draw) The Keeley Bubble Tron Dynamic Flanger Phaser and Random Synth Filter has three modes of operation. The Flanger section of the pedal draws on inspiration from the MicMix DynaFlanger. This incredible piece of gear was used by FZ to create many of the sounds in the late 70s to mid 80s where a dynamic flanger was used to get envelope based flanging in his solos. A dynamic flanger is one that starts and stops based on your pick attack or envelope. The word envelope is used because if you were to measure the “weight” of your guitar signal and put it in a storage container (the “envelope” is an imaginary capacitor) it can then be used to control another part of the circuit. The Bubble Tron uses your playing to start and stop the flanger. Most flangers just cycle around and around and you can hear that swooshing in the background. Not in this case, it only cycles as you play. Many flangers offer only positive or negative feedback. This one allows you to try either with the FDBK control. The negative feedback sounds more vocal like and hollow to my ears while the positive feedback is more conventional and has a thicker, smoother sound. The Sensitivity Control allows you to set how delicately you want to play and have the flanger go fully crazy on you. You can set for crazy silverback gorilla flange or easy flangin’ on Sunday morning. The Depth Control is just that, how deep you want the flanging to be. The DynaMoPhase section of the Bubble Tron is actually two phasers. One has an LFO that you set the speed of with the Rate Control (while it’s depth is dynamically controlled) and the other is a true Dynamic Phaser. It starts and stops based on your pick attack. Again, you can set the Depth and and Sensitivity of this phaser to give you a very watery sound that is all based on your guitar’s signal. You can turn off the standard phaser and just run it DynaPhase by turning the Rate Control off. The only effect that isn’t dynamic is the Filter Section of the Bubble Tron Dynamic Flanger Phaser. With the Filter you can control the different ramps or random nature of the pedal with the Shape Control. The very exciting part of this pedal is the Sensitivity Control which is actual like a vintage synth style bandpass filter control. It shapes the bandpass filter on the filter and gives you some incredible keyboard like sounds. One very nice side effect of dynamic based effects is that they don’t produce the constant, swooshing sound of LFO based effects. If you’re a lead guitar player that likes to explore and has never had the kind of expression or dynamics from your sound effects that you have in your mind, this is for you. If you are a sound-experimentalist, this is for you! The sounds are nearly endless in that your input shapes what the effect will do. On top of that, the Bubble Tron offers an internally switchable second bank of effects, which turns Filter Mode into a vintage style envelope filter. This mode gives you dynamic control over either a high-pass or low-pass filter. Bank 2 turns Phaser Mode into an 8-stage vintage style Phaser with up to 80% feedback while Flange Mode becomes a classic Flanger with either positive or negative feedback. But that’s not even all, A second set of internal switches lets you adjust the tone of the Bubble Tron’s filtery, phase-flanging goodness to for either warm vintage mellowness or modern full range clarity. The Bubble Tron Dynamic Flanger Phaser is made in Edmond, Oklahoma by rabid Zappa fans. It was Designed and Engineered by Aaron Tackett, Craighton Hale and Robert Keeley.

Keeley Dark Side Modern Fuzz ...

4.128,-

Modern Fuzz pedal with Rotary, Vibrato & Delay Dark Side Truly Inspiring Fuzz Multi Head Tape Delay Rotary/Flanger U-Vibe/Phaser You can behold the universe in a glass of wine. We should all be so lucky as to be identified by the sound of a single note. Some players are so well defined that their entire musical journey can be heard in a single note they play. Tone is in the fingers. Tone is in the mind. Effects can be a great way of expressing emotions or creating textures. The Dark Side is about creating sounds and adding new tones to your symphony. It’s the things you can’t create with your fingers or mind. It’s metasymphonic. The Dark Side provides all the textures that define an essence, in one pedal. Click here to try this pedal out. Atom The individual pieces that make up the Dark Side workstation are Fuzz, Delay and Modulation. The Fuzz side of the Dark Side is a big fuzz style distortion based on a 1977 op-amp style. We used something similar in our Psi Fuzz. This one is completely and radically different. We made what seemed like endless changes to extract the nuances of earlier transistor based fuzzes. We gained it way to down to fit the time period and the style. This is a more transparent Big Fuzz. This one lets your guitar sing with sustain, yet retains the essence of you guitar whether single coil or humbucker based. The next core element in the Dark Side pedal is the Delay and Modulation side. You can select between a multi-head tape delay effect or between a combination of 4 different modulation sounds. The Dark Side delay has 12 different syncopated delays. They are rhythmic and have the tonal quality of the old spinning drum tape delays. The Dark Side has many subtle filters to get the tape delay setting to have the feel and warmth of the original machines, yet gives you range of control to have modern features like expression pedal control for the number of repeats. You can use it for creating a feedback oscillation delay.  Extremely subtle modulations in the delay make it very musical. The next atom in this workstation is the modulation effect. There are four parts to this effect. Flanger, Rotary Speaker Cabinet, U-Vibe, and Phaser. You can blend between the “Electric Lady” Flanger and a Les-Rotary cabinet, creating new sounds. You can find that perfect blend between a vintage sounding opto-coupler based U-Vibe and the little orange phaser. There is also an Expression Pedal port on the pedal. It is highly recommended to have an expression pedal handy. You can make many adjustments on the fly that just increase the fun and functionality of the pedal while you’re creating music. It has to be a TRS style expression pedal. We suggest something like the M-Audio or Moog expression pedals. You spoke and we listened! Make America TRS-Free Again. Okay, we heard you, you can’t switch order on the fly during a gig. You never used the TRS cable to insert effects. You just tossed the cable aside. You all said YES when we said effect-order switch. New units have a simple push button switch to change the order! Mike Hermans did a new video with the effect-order switcher. On older units there is a TRS Insert for adding effects in between the Fuzz and Modulation/Delay side of the pedal. This is handy if you have phaser or chorus pedal you might want to add if you want to use the Delay side of the Dark Side. That way you can have Fuzz>Phaser>Delay for example. Heart At the heart of the Dark Side is a hand built board that contains analog fuzz and a high quality 24-bit DSP engine. We studied and analyzed decades worth of gear and crafted our own sounds that give you not only the original tones, but an endless range of in-between sounds you can’t get elsewhere. Even if you have other Keeley effects or workstations, you don’t have these exact sounds. The Rotary is slightly different than the Monterey, it’s more chorus like. The Flanger is different than the hidden one on the Bubble Tron. The U-Vibe on this pedal is also deeper and throbs with more intensity. If you were lucky enough to get one of the Jimi Hazel Phase Delays or put the Bubble Tron into the hidden bank 2 mode; well then you have heard our 4 stage phaser. It’s dead on and a blast to play. Like the Monterey, this unit is completely hand built. Including the high-end DSP, everything is hand assembled and soldered by our technicians with decades of experience.  Attention to detail and tone at every point. Mother What you get is a Mother Lode of effects and sounds. Necessity is the Mother of Invention. Someone needed to put all these epic sounds in one box. So we did. There’s no need to wish you were here, get out your Strat and we’ll see you on the Dark Side.

MXR EVH90 Phase 90 red Pedal

2.395,-

Limited edition. • Håndmalte stripes. • Sertifikat medfølger. • 1000 eksemplarer i verden. Signaturpedal og en videre­utviklet Phase 90 som bl a har en scriptswitch som veksler karakter mellom Vintage- eller Modern. Utstyrt med en blå LED-indikator. Vakkert!

MXR M279 Deep Phase pedal

2.550,-

MXR M279 Deep Phase • Unik vintage-tone • Fra myk og diskret til intens og turbulent • Tilpasser seg spillets intensitet • Modus II-modus med åtte phase skifter-trinn • Enkel å håndtere MXR Deep Phase Pedal skaper unike og uttrykksfulle vintage phaser-toner i den høye kvaliteten og formbarheten som MXR er kjent for.Unik vintage-toneDeep Phase Pedal er bygget med de ikoniske kretsene som skaper den klassiske myke bølgende lyden, krystallklare mellomtone og den dynamiske formen. Hvis du leter etter runde drømmelignende akkorder eller ønsker å lage kosmiske og meditative meloditeksturer, finner du det i denne pedalen. Deep Phase Pedal tilpasser seg spilleintensiteten din, og i motsetning til originalen, matcher Deep Phase volumnivået til det rene signalet når du trykker ned pedalen.Fra myk og diskret til intens og turbulentMed bare tre knapper kan Deep Phase-pedalen lage et bredt spekter av phaser-toner. Alt fra subtile flytende skift til fyldige roterende bølger. Speed-knappen justerer hastigheten mens FDBK-knappen justerer intensiteten og klarheten til effekten.Deep Phase har fire phase skifter-trinn som standard, men i Mode II-modus kan du få åtte til å lage større teksturer og lydlandskap.Deep Phase-pedalen kommer i et MXR mini-chassis for å passe ditt pedalbord så godt som mulig.

Nobels MOD-mini Compact ...

1.150,-

Nobels MOD-mini Compact Stereo Modulation Pedal A journey back in time, the new Nobels MOD-mini combines an outstanding selection of modulation effects in a deceivingly compact housing. Featuring intuitive switching and versatile option for seamless performance, the MOD-mini brings infectious modulation to your signal. Providing a skilfully curated selection of ageless modulation effects, MOD-mini delivers a wealth of sonic possibilities, with either a mono or spacious stereo image. The achievable tones are far beyond the pedal’s modest footprint making it an excellent addition to any type of setup. Main Features: • Mini Stereo Modulation Pedal • Three distinct Modulation modes: Tremolo, Phaser and U-Vibe • Tap Tempo • Selectable Mono or Stereo (via TRS) inputs and outputs • Selectable True or Buffered Bypass modes • Glow in the Dark pointer knobs • Metal Enclosure • Includes 4 x Integrated fold-out Mounty-P Mounting Plates • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 100 mA current draw, not included) The MOD-mini features three carefully crafted, yet distinct flavours of modulation. All three modes faithfully capture those iconic modulation tones that have shaped music across genres, past and present and are simply selected by the pedal’s convenient mode switch, right on the face of the pedal. From the pulsating Tremolo of the swinging 60s to the funky Phaser and U-Vibe grooves of the 70s, MOD-mini takes you into a sonic time warp. Adding to its flexibility, the MOD-mini features full tap tempo functionality, but in a single switch design. Simply holding the footswitch for approximately two seconds enters the pedal into “Tap Tempo Mode”, following which the pedal will respond to rhythmic tapping instantly. Further defying expectations based on its compact appearance, there are dedicated toggles for selection between mono and stereo (TRS) operation as well as true or buffered bypass modes, making the pedal suitable for almost any musical situation, anywhere, any time. As with all other current Nobels pedals, the MOD-mini features 4 integrated Mounty-P Mounting Plates for safe and secure attachment to pedalboards. With its full metal enclosure and Glow in the Dark pointer knobs, the MOD-mini is a pint-sized powerhouse that’s built for performance!

Old Blood Noise BL-52 Phase ...

2.508,-

Old Blood Noise Endeavors BL-52 Phase Repeater Variable Clock Phase Repeater Further pushing the boundary of clock-defined pedals, the latest entry in Old Blood Noise Endeavors’ BL series is a Phase Repeater, in the process making a genre entirely of its own. Phase repetition takes the modulation of a phaser and applies it to the realm of time, creating a completely unique sound and more like delay or reverb than its namesake phaser. First used in the OBNE Dweller pedal, the BL-52 Phase Repeater represents a new spin on the sound, with simple controls including a Clock slider that enlightens the timing of everything in the pedal. Main Features: • Phase Repeater Effects Pedal • Creates sounds that are between phaser, delay and reverb tones, by applying the modulation of a phaser to time • Simple, yet interactive control layout - gives immediate tactile experience that encourages experimentation • Clock slider - changes the delay time, LFO speed and overall fidelity of the effect, from faster repeats to time-stretched lo-fi • Feedback knob - enhances the intensity of the phase repetition by further lengthening the trails • Wet/Dry Mix control • Soft-touch bypass switching • Pedalboard friendly size • Made in the USA • Powered by 9V DC PSU (centre -, 2,1 mm, ~110 mA current draw)

Old Blood Noise Visitor ...

2.786,-

Visitor Parallel Multi-Modulator Inspired by the unique complexities of running modulations in parallel, Old Blood Noise Endeavors proudly presents the Visitor Parallel Multi-Modulator. Constantly pulling, pushing, stretching and weaving in and out of each other, the sounds of the Visitor are in constant flux, seamlessly moving from familiar modulated airwaves to clouds of irregular haunting motions. With three different primary modulation options (tremolo, chorus, and phaser) and two parallel secondary modulation options (tremolo and chorus), Visitor immediately inspires new modulated sounds and textures in a small and intuitive pedal format. Dual Parallel Modulation Pedal – Contains worlds of interweaving modulation Primary modulation – switchable between tremolo, chorus, and phaser Secondary modulation – switchable between tremolo and chorus Secondary knob – simultaneously controls depth, rate, and delay offset of secondary modulation Expression In – hands-free control over Secondary knob • Relay bypass switching Powered by regular 9 V DC PSU (9V DC, centre -, 2.1mm, ~46mA current draw) Visitor is meant to be a modulation pedal not easily understood with existing modulation vocabulary, but that doesn’t mean it’s difficult to use. With a toggle to switch between its 3 different types of primary modulation and well-known controls for Depth, Rate, Regen and Mix, the Visitor’s foundational modulation sound is easily tuned and controlled, seeing you set up classic or surreal resonant Chorus, Tremolo or Phaser sounds in no time. However, the elusive undulating parallel nature of the Visitor is introduced via its “Secondary” controls. The Secondary toggle switches between either Chorus or Tremolo as the parallel modulation, whereas the Secondary knob controls a host of parameters at once. Set all the way down, you only hear the primary voice, but as you turn the knob up, several things begin to shift! The Volume control quickly ramps up to unity volume, while the Rate increases steadily as you bring the knob up. The Secondary rate is also pushed and pulled by the primary LFO. This means the rate will be fastest when the primary modulation is at its peaks, and slowest as the LFO nears zero. The Depth will increase steadily and then plateau in order to not get out of control, while the Time of the delay offset of the secondary modulation will increase significantly toward the end of the sweep, where you will hear the most obvious delay effect. The Secondary knob can also be controlled via expression, for on the fly tone changes that will make your mind melt. But all of these technical words simply can’t describe the organic rising and falling textures the Visitor creates. They simply need to be heard and experienced in real life. From dual tremolo chops to warbly random vibratos, huge doubler tones, modulated reverberating slapbacks and rhythmic pulsating filter sweeps, get ready to welcome them all into your sonic life as you walk alongside the Visitor.

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