Keeley Zoma Custom Shop High ...

3.792,-

ZOMA Stereo Reverb and Tremolo Reverb and tremolo effects crown any player's pedalboard. The Zoma is more than just a pedal – it’s your signature and our most high-fidelity pro Reverb & Tremolo ever.  Trust Keeley reverbs for an inspiring "always-on" sound and vocal-like tremolos to give you an unreal sonic experience. Zoma Key Features • Simple Control Layout: Three large knobs give you maximum control over Reverb Level and Rate and Depth for Tremolo. • Easy Access Alt-Controls: Reverb Decay, Reverb Tone, Tremolo Volume. • Instant Effect Order Switching: Choose which signal path is right for you. Put your tremolos after the reverb for a vintage correct, black-panel tone. Experience a dirty, swampy tone with harmonic tremolo on top of reverb. • True Bypass or Buffered Trails: You chose what sounds and works best in your rig. Three Reverb and Trem Modes: We've combined the most popular 'Verbs and Trems' into three different pairs. There's nothing quite like the syrupy smooth sound of our Plate Reverb combined with Harmonic Tremolo. • SS - Spring Reverb and Sine Tremolo - Classic black panel amplifiers had spring reverb followed by a sine wave tremolo (at the power tubes) • PH - Plate Reverb and Harmonic Tremolo - Smooth reverb with swampy harmonic trem, what's not to love? • PV - Plate Reverb and Pitch Vibrato - Vocal smooth vibrato with other-worldly reverb. Reverb - Sounds and Controls • Spring Reverb: tube amp spring reverb - we simulate every detail of that classic vintage reverb sound. • Plate Reverb: bright, smooth reverb from a thin vibrating metal plate. • Reverb Decay: (Alt feature) Hold REVERB/ALT SWITCH down while adjusting Level knob. • Reverb Tone: (Alt feature) Hold REVERB/ALT SWITCH down while adjusting Rate knob. Tremolo - Sounds and Controls • Sine Wave or Volume Tremolo: Sine wave tremolo simply adjusts the volume of the signal up and down. • Harmonic Tremolo: Just like tube-amp harmonic tremolo, your guitar signal is phase-split and filtered, almost like a phaser. • Pitch Vibrato: Bends the notes out of tune, you control how far and how fast. • Alt-Control-Tremolo Boost Volume: Hold REVERB/ALT footswitch down while adjusting Depth knob. Stunning Design and Ease of Use • Artful Electronic Circuitry: Housed in a proprietary angled aluminum enclosure for simplicity and durability. • We stand behind EVERY Keeley pedal: Proudly Designed and Manufactured in the USA.

KMA Cirrus Delay and Reverb ...

2.226,-

Cirrus SPATIAL-TEMPORAL MODIFIER Floating above your head, delicate and elusive yet dreamy and sweeping. Always in motion until it dissolves and merges with the all immersive atmosphere around it. Just close your eyes and let the KMA Audio Machines’ Cirrus Delay and Reverb carry you across the open sky, onto its sonic cloudscapes. Cirrus is KMA Audio Machines’ first step into the fully digital realm. But we didn’t just want to do a regular and run-of-the-mill type of product. No, what we came up with is a truly special and versatile, dynamically modulated combined Delay and Reverb pedal that will forever change your perception of time and space.

Meris MercuryX Modular Reverb ...

8.156,-

Meris MercuryX Modular Reverb System The Meris MercuryX takes the heart and soul of Mercury7 and expands it far beyond sci-fi into the highest quality and most flexible studio reverb ever created in a pedal format. Its modular reverb system format breaks the paradigm of pre-set reverb types and inspires new discoveries. MercuryX features the same easy to use UI as LVX, making it immediately intuitive to navigate. All of our passion for pro audio has made it into both the algorithms and hardware performance of this pedal. MercuryX combines 8 custom Meris reverb algorithms and incorporates those into a modular system architecture that first introduced with the award winning LVX pedal. It features discrete processing elements and control signal modifiers that can be connected as desired for infinite flexibility in crafting custom reverbs. Main Features: • Modular Reverb System architecture pedal • 8 Custom Meris Reverbs o Ultraplate: adapted from Mercury7 - an inspiring and lush plate with a fast build o Cathedra:  adapted from Mercury7 - a massive and ethereal algorithm with a slow build, perfect for scifi textures o 78 Room: a flexible algorithm that can be voiced to replicate both the amp based reverb sounds and the classic studio spring tanks o 78 Plate: a lively and direct sound - great for transforming static sounding virtual amps into a great amp live in the room with you o 78 Hall: a large hall with a medium build up of reflections -great for building up ambient walls of sound o Spring: a flexible algorithm that can be voiced to replicate both amp based reverb sounds and classic spring tanks o Prism: a dual tank that allows you to build your own geometric rooms by specificying the size and distance and reflectivity o Gravity: works by accelerating indivual windows of your signal and stretching them across - great for adding padlike textures beneath to your sound • Expanded 2.54 secs of Stereo Predelay with modular Feedback Routing Location • Advanced ARM Processor • Configurable Reverb Structures, Types, and Processing Elements for the ultimate customization • Intuitive Color Screen based User Interface • Expressive Hold Modifier Switch for on the fly control • 99 Preset Locations in 33 Banks • Favorite Preset Bank for instant access to your 3 favorite presets • Instant Access Tuner with configurable Reference and Output mode • Deep Modifier Section lets you route control signals to processing parameters • New Independent Stereo Freeze alongside reverb • Gate Envelope Controls for every reverb type • All New Processing Elements including 79 Chorus, Vibrato, Vowel Mod, Tremolo, Hazy Lo-Fi and more • Selectable Note Divisions for each side of the stereo Predelay • Digitally controlled Analog mix bus • Stereo input and output with separate jacks for each • Switchable input/output headroom level for Instrument or Synthesizer / Line levels • MIDI In and Out over standard MIDI Din Jacks • Assignable Expression Pedal control for multiple parameters simultaneously • Dedicated Expression Pedal Jack • MIDI implementation for Continuous Control Parameters • MIDI Preset Send and Receive • MIDI beat clock synchronization • Premium analog signal path and 24-bit AD/DA with 32 bit floating point DSP • Premium Analog Devices JFET input section • Dimmable screen and logo light • Designed and built in California, U.S.A. • Powered by standard 9V power (9V DC, centre -, 2.1mm –~ 280 mA current draw)

Old Blood Noise Dark Star ...

4.307,-

Old Blood Noise Endeavors Dark Star Stereo  Flagship Reverb Pedal The continued pull, the drift unabated, the controlled wash of gravity and the chaotic meander of its combined uncertainties. In fact, the original and highly loved Dark Star is a pedal that historically was OBNE’s most popular reverb. People bonded with its warmth and aliasing, its long trails and the way it encouraged you to turn the mix fully up.  Now, it’s in with the new. Dark Star Stereo expands on the promise of ambient reverb and is a pitch shifting, bit crushing, filtered reverb pedal with just about every feature you could ask for. One massive stereo voice, with a wide suite of controls that likes to go anywhere in your signal chain - all that’s left is for you to decide just how dark you must go. Main Features: • The next evolution of OBNE’s Dark Star - ambient reverb pedal • Stereo input and output, with the option for Mono or Mono-in-Stereo-out routing • Dedicated knobs to control Filtering, Pitch-Shifting, Bit-Crushing/Saturation • Additional “Multiply” feedback loop, Mix, Volume and Stereo-Spread functions • Individual controls and coloured LEDs  • Expression and MIDI control over all parameters • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Powered by (opt.) 9 V DC PSU                 (centre -, 2.1mm, ~ 350 mA current draw, not included) Reviving the magic of the long-trail lo-fi reverb algorithm that made Dark Star a breakout hit years ago, Old Blood Noise Endeavors announces a new Dark Star for a new era, with a drastically expanded feature set and improved signal quality that is sure to draw in old fans and new.  New features like Stereo Input and Output, on-board Presets, Trails, Expression control over all parameters and MIDI control, of both Parameters and Presets, all help to give more versatility to this device than ever before. Beyond that, the new Dark Star does away with the three-mode toggle, instead creating a single mode combining all the Pitch-Shifting, Bit-Crushing, delayed goodness of the original. Access your favourite sounds as well as new combinations, with new shapers like Filter, Multiply, Volume and Stereo-Spread. With Dual Pitch-Shifting capabilities for its independent Left and Right channels, when running in Stereo, the Dark Star can create lush or discordant textures, ranging from subtle detunes to dramatic double octave shifts. The pedal also includes a versatile Filter control that lets you shape the reverb signal with a high or low pass filter, for customised clarity. The built-in Crush distortion adds unique textures, with settings that move from subtle soft clipping to intense lo-fi grit. Additional controls for Lag and Decay let you set the Reverb pre-delay and decay time, while Multiply and Spread bring unique feedback and stereo width control, enhancing depth and intensity. The Dark Star’s Aux footswitch can be customised for momentary or latching effects, like infinite sustain, low-pass filtering, or instant octave pitch shifts, providing flexible creative control at your feet. Save and switch between three unique on-board presets, with clear LED indicators and use the Expression Jack for hands-free dynamic control over any parameter.  Adding to the pedal’s extensive flexibility, the Dark Star is fully MIDI compatible with presets being selectable via Program Change messages as well as all parameters being accessible and controllable via CC. With both Mono and Stereo routing options, plus selectable True-Bypass or Trails modes, the Dark Star offers a comprehensive blend of both intuitive and advanced features for musicians that are looking to sculpt immersive soundscapes.

Old Blood Noise Minim Reverse ...

3.588,-

Minim – Reverse Delay and Reverb Immediate Ambient Machine Time. Although always moving inevitably forward, it can often feel like it’s standing still in an undulating haze. Sometimes it even feels like it’s moving backwards, making us revisit and learn from our past. These meditative moments in time is where you’ll find the Old Blood Noise Endeavors Minim and its infinitely modulating soundscapes. So, whether you want standard delay/reverb, reverse reverberations, or pulsating circular sonic movements, Minim is here to let you shape and bend time as you please. Creative Modulated Reverb and Delay Pedal (up to 400 mS) Reverse section – activated with a clever footswitch for momentary or latching operation Order switching – puts reverse first in the chain for ambient wash or last in the chain for glitchy textures Expression jack – for external control of the Reverse mix Internal trimpot to control output level Relay bypass switching Powered by regular 9 V DC PSU (centre -, 2.1mm, ~159mA current draw) Inspired by the foundational features of OBNE’s last ambient smash-hit, the Rêver, Minim is set to instantly transport you even further to new atmospheric worlds, through its organic control set. Think of Minim as having two blocks. One block takes whatever signal is given to the pedal and reverses it at the press of a footswitch, while the other block gives you modulated reverb, fed into a modulated delay. Plus, there’s even a switch that decides which block comes first. Each control is simple, but put them all together and you’re likely to lose all sense of time. The reverb side of things lets you create everything from simple room reflections to deep and endlessly trailing ambient washes, via Minim’s Mix and Decay controls, while the Mod knob lets you blend in a gently swaying harmonic tremolo to put some waves into your ocean of sound. On the delay side, you’ll find the Time and Feedback controls to be pivotal tone shapers. Time both controls the length of the delay (up to 400ms) as well as the modulation amount, giving you sweet shimmering chorus tones at low settings and warbly tape-like vibratos at long settings. Feedback will go from a single repeat to endlessly cascading echoes for beds of blissful ambience. All of this wonderful ambience that’s created by the reverb and delay side can then be further manipulated by the momentarily triggered reverse section, seeing you instantly reverse everything on the fly, in order to make lines, phrases or entire chord progressions stand out in all its glorious shoegazy goodness. The mix of the reverse can either be fixed via the Reverse dial or instantly shaped and changed hands-free via an expression pedal. On top of that, you can flip the order of the reverse block. This gives you the choice between smooth reverse effects or choppy glitchy textures, as well as change the reverse speed from normal to double time for unique stutter octave tones. As you can probably gather by now, Minim isn’t just one thing. It’s an amalgamation of spatial effects, set to work together with you and your musical mind in order to create organically evolving sonic atmospheres. So free your mind and let the Minim unleash your new-found ambient potential.

Old Blood Noise Parting Basic ...

4.299,-

Parting - Basic White Glitch Delay/Reverb Crushing Modulation Device In creative collaboration, harpist Emily Hopkins and experimental effect makers Old Blood Noise Endeavors are proud to announce Parting, a new musical device with a curated suite of effects inspired by their favourite glitch, signal crushing, and ambient sounds. One central knob crushes the signal or sends it into reverse, while knobs to its left control a selectable modulation and knobs to its right control a chance-based or envelope-controlled glitchy delay that you can smear into a reverb. Everything interacts with various layers of chance-based clock-changing randomness to create a box of pleasant surprises. Main Features: • Glitch Delay/Reverb Crushing Modulation Device • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Aux footswitch for tap tempo, half clock speed, or preset switching • Dissolve control with two functions, below noon for reduced sample rate, above noon for increasingly degraded reverse signal • Analog Dry-Through • Expression and MIDI control over all parameters • MIDI clock I/O for external tempo syncing • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Available in 4 Colourways - Basic/White, Green (standard), Purple and Stone • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included) Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lo-fi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.

Old Blood Noise Parting ...

4.299,-

Parting Glitch Delay/Reverb Crushing Modulation Device In creative collaboration, harpist Emily Hopkins and experimental effect makers Old Blood Noise Endeavors are proud to announce Parting, a new musical device with a curated suite of effects inspired by their favourite glitch, signal crushing, and ambient sounds. One central knob crushes the signal or sends it into reverse, while knobs to its left control a selectable modulation and knobs to its right control a chance-based or envelope-controlled glitchy delay that you can smear into a reverb. Everything interacts with various layers of chance-based clock-changing randomness to create a box of pleasant surprises. Main Features: • Glitch Delay/Reverb Crushing Modulation Device • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Aux footswitch for tap tempo, half clock speed, or preset switching • Dissolve control with two functions, below noon for reduced sample rate, above noon for increasingly degraded reverse signal • Analog Dry-Through • Expression and MIDI control over all parameters • MIDI clock I/O for external tempo syncing • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Available in 3 Colourways - Green (standard), Purple and Stone • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included) Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lo-fi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.

Old Blood Noise Parting ...

4.299,-

Parting Glitch Delay/Reverb Crushing Modulation Device In creative collaboration, harpist Emily Hopkins and experimental effect makers Old Blood Noise Endeavors are proud to announce Parting, a new musical device with a curated suite of effects inspired by their favourite glitch, signal crushing, and ambient sounds. One central knob crushes the signal or sends it into reverse, while knobs to its left control a selectable modulation and knobs to its right control a chance-based or envelope-controlled glitchy delay that you can smear into a reverb. Everything interacts with various layers of chance-based clock-changing randomness to create a box of pleasant surprises. Main Features: • Glitch Delay/Reverb Crushing Modulation Device • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Aux footswitch for tap tempo, half clock speed, or preset switching • Dissolve control with two functions, below noon for reduced sample rate, above noon for increasingly degraded reverse signal • Analog Dry-Through • Expression and MIDI control over all parameters • MIDI clock I/O for external tempo syncing • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Available in 3 Colourways - Green (standard), Purple and Stone • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included) Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lo-fi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.

Old Blood Noise Parting ...

4.299,-

Parting Glitch Delay/Reverb Crushing Modulation Device In creative collaboration, harpist Emily Hopkins and experimental effect makers Old Blood Noise Endeavors are proud to announce Parting, a new musical device with a curated suite of effects inspired by their favourite glitch, signal crushing, and ambient sounds. One central knob crushes the signal or sends it into reverse, while knobs to its left control a selectable modulation and knobs to its right control a chance-based or envelope-controlled glitchy delay that you can smear into a reverb. Everything interacts with various layers of chance-based clock-changing randomness to create a box of pleasant surprises. Main Features: • Glitch Delay/Reverb Crushing Modulation Device • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Aux footswitch for tap tempo, half clock speed, or preset switching • Dissolve control with two functions, below noon for reduced sample rate, above noon for increasingly degraded reverse signal • Analog Dry-Through • Expression and MIDI control over all parameters • MIDI clock I/O for external tempo syncing • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Available in 3 Colourways - Green (standard), Purple and Stone • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included) Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lo-fi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.

Old Blood Noise Sunlight ...

4.307,-

Old Blood Noise Endeavors Sunlight Stereo Modulated Reverb Pedal Combining elements of the popular Sunlight and Procession pedals, Old Blood Noise Endeavors is proud to introduce Sunlight Stereo, the latest in the brand’s upgraded lineup of modern classic sound machines. Focusing mostly on post-reverb processing and motion, Sunlight Stereo sends its reverb through a short delay, filter and volume control, with an LFO available to modulate any and all of those parameters. This helps to create more than reverb, with flanging, chorusing, moving filters and tremolo tones all on offer. Add a dynamic element, stereo processing, low noise floor, full MIDI control and presets and suddenly you have a reverb pedal that is unique yet versatile enough to add to your library of ambient machines. From bright, sharp and pulsing to percussive and even plain weird (moving literally and emotionally), Sunlight Stereo is a reverb pedal that’s sure to conjure up a wealth of imaginative soundscapes. Main Features: • The next evolution of OBNE’s Sunlight - Modulated Reverb Pedal • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Dedicated knobs to control Decay Length, Envelope Functionality, Delay Time and Feedback, Filter Frequency, Dry and Wet volume, and Rate, Depth and Shape • Destination controls for the built-in LFO • Aux footswitch for tap tempo, indefinitely held trails, or preset switching • Expression and MIDI control over all parameters • Onboard Presets, plus control via MIDI • MIDI clock in and out for external tempo switching • Analog Dry-Through • Selectable Buffered Trails or True Bypass modes • Top-mounted jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 350 mA current draw, not included) By adding Stereo Input and Outputs via TRS, on-board Presets, Trails, Expression control over all parameters and MIDI control, this helps to give more versatility to the sound of Sunlight than ever before. In addition, the Dynamics control introduces moving elements to the reverb, such as LFO variation depending on signal strength at lower settings. When set above noon, additional dynamic elements are introduced to the Reverb and only signals above a certain threshold are let in, meaning the decay of the reverb is decreased at the same time, to clear out existing trails. Essentially, the further you crank up the Dynamics, the more the threshold is increased, requiring louder signals to enter the reverb. You can tune this to the specific strength of your instrument and playing style, in order to create dynamic pads with Decay all the way up. The Sunlight’s Aux footswitch can be customised for momentary or latching effects, like tap tempo, infinite sustain, reverb hold or preset switching, providing flexible creative control at your feet. Save and switch between three unique on-board presets, with clear LED indicators and use the Expression Jack for hands-free dynamic control over any parameter. Adding to the pedal’s extensive flexibility, Sunlight Stereo is fully MIDI compatible, with presets being selectable via Program Change messages as well as all parameters being accessible and controllable via CC. With both Mono and Stereo routing options, plus selectable True-Bypass or Trails modes, Sunlight offers a comprehensive blend of both intuitive and advanced features for musicians that are looking to sculpt their own immersive sonic landscapes.

Old Blood Noise Sunlight ...

4.307,-

Old Blood Noise Endeavors Sunlight Stereo Modulated Reverb Pedal Combining elements of the popular Sunlight and Procession pedals, Old Blood Noise Endeavors is proud to introduce Sunlight Stereo, the latest in the brand’s upgraded lineup of modern classic sound machines. Focusing mostly on post-reverb processing and motion, Sunlight Stereo sends its reverb through a short delay, filter and volume control, with an LFO available to modulate any and all of those parameters. This helps to create more than reverb, with flanging, chorusing, moving filters and tremolo tones all on offer. Add a dynamic element, stereo processing, low noise floor, full MIDI control and presets and suddenly you have a reverb pedal that is unique yet versatile enough to add to your library of ambient machines. From bright, sharp and pulsing to percussive and even plain weird (moving literally and emotionally), Sunlight Stereo is a reverb pedal that’s sure to conjure up a wealth of imaginative soundscapes. Main Features: • The next evolution of OBNE’s Sunlight - Modulated Reverb Pedal • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Dedicated knobs to control Decay Length, Envelope Functionality, Delay Time and Feedback, Filter Frequency, Dry and Wet volume, and Rate, Depth and Shape • Destination controls for the built-in LFO • Aux footswitch for tap tempo, indefinitely held trails, or preset switching • Expression and MIDI control over all parameters • Onboard Presets, plus control via MIDI • MIDI clock in and out for external tempo switching • Analog Dry-Through • Selectable Buffered Trails or True Bypass modes • Top-mounted jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 350 mA current draw, not included) By adding Stereo Input and Outputs via TRS, on-board Presets, Trails, Expression control over all parameters and MIDI control, this helps to give more versatility to the sound of Sunlight than ever before. In addition, the Dynamics control introduces moving elements to the reverb, such as LFO variation depending on signal strength at lower settings. When set above noon, additional dynamic elements are introduced to the Reverb and only signals above a certain threshold are let in, meaning the decay of the reverb is decreased at the same time, to clear out existing trails. Essentially, the further you crank up the Dynamics, the more the threshold is increased, requiring louder signals to enter the reverb. You can tune this to the specific strength of your instrument and playing style, in order to create dynamic pads with Decay all the way up. The Sunlight’s Aux footswitch can be customised for momentary or latching effects, like tap tempo, infinite sustain, reverb hold or preset switching, providing flexible creative control at your feet. Save and switch between three unique on-board presets, with clear LED indicators and use the Expression Jack for hands-free dynamic control over any parameter. Adding to the pedal’s extensive flexibility, Sunlight Stereo is fully MIDI compatible, with presets being selectable via Program Change messages as well as all parameters being accessible and controllable via CC. With both Mono and Stereo routing options, plus selectable True-Bypass or Trails modes, Sunlight offers a comprehensive blend of both intuitive and advanced features for musicians that are looking to sculpt their own immersive sonic landscapes.

Old Blood Noise Sunlight ...

4.307,-

Old Blood Noise Endeavors Sunlight Stereo Modulated Reverb Pedal Combining elements of the popular Sunlight and Procession pedals, Old Blood Noise Endeavors is proud to introduce Sunlight Stereo, the latest in the brand’s upgraded lineup of modern classic sound machines. Focusing mostly on post-reverb processing and motion, Sunlight Stereo sends its reverb through a short delay, filter and volume control, with an LFO available to modulate any and all of those parameters. This helps to create more than reverb, with flanging, chorusing, moving filters and tremolo tones all on offer. Add a dynamic element, stereo processing, low noise floor, full MIDI control and presets and suddenly you have a reverb pedal that is unique yet versatile enough to add to your library of ambient machines. From bright, sharp and pulsing to percussive and even plain weird (moving literally and emotionally), Sunlight Stereo is a reverb pedal that’s sure to conjure up a wealth of imaginative soundscapes. Main Features: • The next evolution of OBNE’s Sunlight - Modulated Reverb Pedal • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Dedicated knobs to control Decay Length, Envelope Functionality, Delay Time and Feedback, Filter Frequency, Dry and Wet volume, and Rate, Depth and Shape • Destination controls for the built-in LFO • Aux footswitch for tap tempo, indefinitely held trails, or preset switching • Expression and MIDI control over all parameters • Onboard Presets, plus control via MIDI • MIDI clock in and out for external tempo switching • Analog Dry-Through • Selectable Buffered Trails or True Bypass modes • Top-mounted jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 350 mA current draw, not included) By adding Stereo Input and Outputs via TRS, on-board Presets, Trails, Expression control over all parameters and MIDI control, this helps to give more versatility to the sound of Sunlight than ever before. In addition, the Dynamics control introduces moving elements to the reverb, such as LFO variation depending on signal strength at lower settings. When set above noon, additional dynamic elements are introduced to the Reverb and only signals above a certain threshold are let in, meaning the decay of the reverb is decreased at the same time, to clear out existing trails. Essentially, the further you crank up the Dynamics, the more the threshold is increased, requiring louder signals to enter the reverb. You can tune this to the specific strength of your instrument and playing style, in order to create dynamic pads with Decay all the way up. The Sunlight’s Aux footswitch can be customised for momentary or latching effects, like tap tempo, infinite sustain, reverb hold or preset switching, providing flexible creative control at your feet. Save and switch between three unique on-board presets, with clear LED indicators and use the Expression Jack for hands-free dynamic control over any parameter. Adding to the pedal’s extensive flexibility, Sunlight Stereo is fully MIDI compatible, with presets being selectable via Program Change messages as well as all parameters being accessible and controllable via CC. With both Mono and Stereo routing options, plus selectable True-Bypass or Trails modes, Sunlight offers a comprehensive blend of both intuitive and advanced features for musicians that are looking to sculpt their own immersive sonic landscapes.

Red Panda Context 2 Reverb ...

4.128,-

Context 2 1980’s Rack Unit inspired Algorithmic Reverb The Context is a reverb pedal inspired by 1980’s rack mount reverbs.  It has 8 algorithms, including room, hall, cathedral, gated reverb, reverse reverb, plate, spring, and a granular reverb.  Each algorithm features separate high and low frequency damping controls, pre-delay, modulation, dynamics (duck/expand), and infinite hold.  In addition, delay is always available, along with tremolo in spring mode. The modulation knob changes the amount and character of the internal reverb modulation, specific to each algorithm.  It gives you a mix of different modulation types from 1980’s and early 90’s reverbs, including chorus modulation, random modulation that keeps the pitch stable, and deep modulated reverbs.  Holding down the shift button adjusts the modulation rate. Reverse reverb fades in louder and brighter over time, giving the impression of playing backwards.  Modulation adds a wash of normal reverb. The spring reverb was designed using the techniques and algorithms that were used in 1980’s reverbs, but with enough DSP power to drip and feel like a spring tank. You can adjust the length of the decay, high and low frequency damping.  The modulation is tremolo with adjustable intensity and speed. Grain mode is a granular reverb inspired by the Ursa Major SST-282 Space Station.  The SST-282 was released in 1978 and used multiple delay taps with modulation to create reverb effects.  The Context can create ghostly reverb effects, slowly sweeping resonances, and at higher modulation settings is a multi-voice granular processor that creates clouds of detuned sound fragments for entirely new reverb sounds. When the shift button is held down, the top row of knobs adjust delay parameters. The low and high damping knobs adjust dynamics for ducking reverb or an expander for more reverb on louder notes, with adjustable threshold and recovery time. Holding down the foot switches gives you two different types of infinite sustain. One preset available on the left footswitch, 4 using a remote footswitch, and 127 via MIDI.  The expression pedal can be assigned to any combination of parameters. We also have a web-based editor for tweaking and managing your presets. • Reverb pedal inspired by 1980’s rack units reverbs • 8 reverb algorithms • ROOM - fast buildup, good for thickening sounds • HALL - slower buildup with longer initial delay • CATH(edral) - emulates a large, reflective space • GATE(d) - gated reverb with non-linear decay • REV(erse) - reverse reverb • PLATE - bright, dense studio plate reverb • SPRING - spring reverb • GRAIN - granular reverb • Reverb modulation with different character specific to each algorithm • Additional built-inDelay effect on top of Reverb - accessible via the shift button • Adjustable Pre-Delay and Decay • Separate High/Low frequenc damping knobs - adjusting dynamics for ducking expansion  reverb or more reverb with adjustable recovery time and threshold • Reverb Hold/Freeze Function for infinite Sustain accessible by holding down both footswitches • Independent note divisions for delay time, reverb predelay, and tremolo speed • Stereo input/output (TRS) • Soft touch bypass (momentary or latching), user replaceable • Aux. footswitch assignable to Tap tempo with independent note divisions for delay, predelay, and tremolo rate • Assignable expression pedal, remote switch, remote tap, or MIDI port • Additional parameters via MIDI (USB or TRS) • MIDI clock synchronization • Presets (1 on front, 4 via remote footswitch, 127 via MIDI) • Web-based editor for editing presets and accessing hidden parameter • Designed and assembled in USA • Powered by a regular 9V DC PSU      (centre -, 2,1 mm, 250 mA current draw)

Source Audio ARTIFAKT Lo-Fi ...

4.464,-

ARTIFAKT Lo-Fi Elements Lo-Fi Modulation, Reverb, Bit-Reduction and Filter The ARTIFAKT Lo-fi Elements is the first pedal of its kind, a comprehensive collection of all the hazy, scratchy, wobbly, and broken tones that epitomize the term ‘lo-fi’.” Like a mega-delay or mega-reverb, ARTIFAKT is a “one-stop shop” for all the most sought-after lo-fi effects including old vinyl replications, tape modulation and saturation, bit crushing, sample rate reduction, dark reverb and echo, filtering, compression, glitch, and more. Source Audio has dedicated much of the past three years to meticulously honing each of these sounds as well as engineering an entirely new hardware design with an easy-to-use interface that places the pedal’s full capabilities at your fingertips. Main Features: • Lo-Fi Modulation / Reverb / Delay / Bitrate Reduction Effects Pedal • Updated platform with imporoved interface and additional controls and foots witches - for easier access to more parameters, presets, tap tempo and a variety of other engine specific functions • 7 different effect engines on the face of the pedal o Radio - crackling nostalgic tones of a vintage radio struggling to dial in a signal o Tape - conjures the sound of vintage tape machines with subtle compression, tape saturation, flutter and pitch modulation o μVerb - a primitive reverb effect with bouncing echoes similar to the reverb on 8-bit gaming systems o Crush - bit-depth quantizing and sample rate reduction, finely sculpted with the resonance of a Moog-style ladder filter o Ladder - filter effect inspired by the revered R-2R ladder filter o Vinyl - faithfully emulates the crackle and pop of vintage records o Glitch - adds an unpredictable edge with random speeds and pitches • 16 presets accessible via the pedal controls (128 presets available via MIDI) • Full MIDI control via 3.5 mm TRS MIDI In and Thru jacks • USB-C port for connecting to Neuro 3.0, Source Audio’s preset downloading and effect editing software • Stereo Inputs and Outputs • External expression control over any parameter using the Neuro 3.0 editor • Switchable Active Analog or True Bypass • Powered by (opt.) 9V DC power supply (2,1 mm plug, center -, 200 mA current draw) Navigating through the seven positions of ARTIFAKT’s effect selector knob unleashes a symphony of sonic transformations, each akin to engaging a new pedal with its own unique brand of lo-fi. • The first effect on the dial is Radio, tune into its crackling nostalgic tones where static frequency filtering and noise generation evoke the charm of a vintage radio struggling to dial in a signal. • The Tape engine conjures the sound of vintage tape machines by blending subtle compression, overdrive, tape flutter, and pitch modulation to invoke effects like slapback, chorus, doubling, and tape saturation. • μVerb is a primitive reverb effect with bouncing echoes similar to the reverb on 8-bit gaming systems. • The Crush effect voyages the realm of bit-depth quantizing and sample rate reduction, all finely sculpted with the resonance of a MoogTM-style ladder filter. • Ladder, inspired by the revered R-2R ladder filter, offers both envelope and LFO modulation control for classic and dramatic filter sweep effects. • Vinyl faithfully emulates the crackle and pop of vintage records, from pristine 180-gram vinyl to well-loved gramophone platters. • Glitch adds an unpredictable edge, capturing fragments of your performance and hurling them back at random speeds and pitches. Pairing the ARTIFAKT Lo-fi Elements with Source Audio’s completely reimagined and reengineered Neuro 3.0 software elevates an already great pedal to new heights. Access free, stage-ready presets from Neuro’s expanding library of factory and Neuro Community presets. Explore Neuro’s extensive editing capabilities to blend and experiment with the various lo-fi elements mentioned earlier—it’s a limitless effects palette for crafting unique lo-fi sounds. ARTIFAKT also boasts stereo inputs and outputs, full MIDI control via the 3.5mm TRS in and thru jacks, dual footswitches, 128 presets, and more.

Source Audio COLLIDER Stereo ...

4.799,-

Source Audio COLLIDER Delay+Reverb Stereo Dual DSP Reverb and Delay Design complex soundscapes in seconds with the COLLIDER Delay+Reverb. We hand-picked 12 standout delay and reverb effects from our award-winning NEMESIS Delay and VENTRIS Dual Reverb, and put them together in one compact housing with massive power and dead simple control. The COLLIDER’s intuitive control surface makes it easy to mix-and-match any two-engine combination of delay and reverb. Dual footswitches provide individual Engage/Bypass control over each effect, making it a perfect choice for live performance. Main Features: • Stereo Delay and Reverb effects pedal • Dual Processing - 2 Identical dual 56-bit signal processors allow use of 2 reverb engines simultaneously • 7 onboard reverb engines o ROOM: captures ambient reverberations of a variety of room sizes from warm and intimate household room to a larger theatre sized spaces o HALL L: patterned after the lush sounds of studio rack units from the 80s, with highly diffused tones and glorious blooming characteristics o TRUE SPRING:  perfectly captures the sweet idiosyncrasies of vintage spring reverb tanks with exceptionally realistic “drip” o PLATE: meticulously crafted simulation of vintage plate reverb units from the 50s and 60 blasting audio into the face of a large plate of suspended sheet metal o E-DOME:  produces long cavernous reverb trails with a lovely smooth and lush modulation invoking the sound of massive arena o SWELL: applies a volume swell effect to your instrument’s dry signal, which is then fed into the reverb effect for amorphous clouds of sound • 5 onboard delay engines: o DIGITAL: pristine and unfiltered digital repeats o ANALOG: reproduces the characteristic dark sound of bucket brigade analog delays o TAPE: detailed re-creation of classic moving-head tape delays that captures the characteristic flutter, warmth, and color o REVERSE: creates several overlapping reversed delays that fade in and fade out regularly to create a pulsing tremolo effect o OIL CAN : dark, jangly, warbling and distorted delay inspired by old oil can designs - previously only available as additional Delay engines on NEMESIS • Deep customization features accessible via Source Audio Neuro App and Desktop Editor • 8 Presets accessible via onboard controls, 120 more presets recallable via MIDI • Mix knob - for adjusting between 100% Wet/Dry Balance plus global Kill-Dry Mode • EXP/Switch input with selector switch for selecting external control source between Switch EXP pedal) • Stereo Inputs and outputs - for multiple advanced routing options • Tap Tempo with onboard footswitch and Sub-Divisions (quarter note/dotted eight note/triplets) • Knobs switch for switching the control interface between Reverb or Delay effects and locking knob settings • MIDI IN and MIDI THRU connections • Mini USB Port for PC connectivity (Windows and Mac compatible) and remote control • 3.5 mm control port - for connecting compatible Source Audio control devices • Selectable Relay True or Buffered Bypass Switching with selectable Trails Mode • Included 3.5 mm to 6.3 mm TRS cable to connect to mobile device • Powered by (included) 9V DC power supply (2.1 mm plug, center -, 300 mA current draw)

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