Electro Harmonix Holy Grail ...

1.865,-

Electro Harmonix Nano Holy Grail Så små at de nesten ikke synes, men vi lover - de høres! Digital reverb. For deg som alltid synes du har for lite plass på pedalbrettet serveres nå familien Nano. Klassiske EH-effekter i kraftig komprimerte chassis gir plass til flere effekter enn før, soundet er heldigvis like stort som vanlig.

Electro Harmonix Oceans 12 ...

3.580,-

Electro Harmonix Oceans 12, Reverb Oceans 12 - A reverb generating powerhouse. The Oceans 11’s big brother with even more reverbs and functionality. It features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and 3-button footswitch control. A Tails switch provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a different reverb effect. Comes equipped with a standard EHX 9.6DC200mA power supply. The Oceans 12 is a processing powerhouse! ROOM – two modes: reverb algorithms modeled after a lively room and a spacious performance hall SPRING – two modes: vintage 1962 Fender® 6G15 tube reverb emulation and the spring algorithm from the EHX Holy Grail PLATE – two modes: two emulations of the smooth, metal plate reverb often used in high-end recording studios during the 1960s and ‘70s REVERSE – two modes: a reverse reverb effect as well as true reversed echoes ECHO – three modes: a digital delay with various echo rhythms feeding into a plate reverb TREM – three modes: a classic, periodic volume envelope with various shapes applied to both the wet and dry mix of a hall reverb MOD – three modes: combinations of chorus and flange reverbs that create rich reverb tails DYNA – three dynamic, experimental reverb algorithms: swell, gate and duck AUTO-INF – three modes: auto-infinite reverb (w/optional chorus or flange) that “listens” to your playing and crossfades to a new reverb wash upon detection of newly struck notes. SHIMMER – two modes: two configurations of a rich octave-shifted reverb wash POLYPHONIC – two modes: two configurable bi-directional pitch shifts that add dimensionality to the reverb tail RESONANT – two modes: reverb excited by tunable resonators and configurable self-oscillating filters on the reverb tail   -2 simultaneous, independent, stereo reverb engines -Series and parallel control for the dual reverbs -24 presets -Stereo in/out or mono send/return with pre and post reverb options -Tide Control for stereo image alteration -Lo-fi Control -Infinite attenuation control -Tap tempo to set your pre-delay time, echo time and more -Input jack for external expression and 3-button footswitch control -Equipped with a standard EHX 9.6DC200mA power supply

Electro Harmonix Oceans Abyss ...

6.695,-

Electro Harmonix Oceans Abyss Reverb Reverb, 2 reverb-block, 10 ulike reverbeffekter, 11 ulike effekter (f.eks. delay, chorus), editerbar signalkjede med 8 effektblokker, midi, stereo inn- og utganger Oceans Abyss bygger videre på Electro Harmonixs anerkjente reverbteknologi og lar deg skape dine egne signalkjeder med ulike typer av reverb, men også Delay, Chorus, Tremolo og Bit-Crusher. Alt for at du skal kunne skape ditt lyd: Sjelen i Oceans Abyss består av et reverb med to separate reverb-blokker som kan programmeres individuelt, og som hver inneholder flere typer reverb, for eksempel Hall, Spring, Shimmer. Du velger enkelt hvilket eller hvilke reverb du vil bruke, og legger dem til i den programmerbare signalkjeden, sammen med andre effekter om du ønsker det. Med sin Holy Grail åpnet Electro Harmonix døren for kompakte pedaler med høykvalitets reverb-effekter, og nå tar de mulighetene med sine reverb betydelig videre. Med en editerbar effektkjede som har 8 effektblokker, er det nesten uendelige måter å konfigurere Oceans Abyss på: bare reverb, to forskjellige reverb fullt panorert, reverb med delay og en equalizer, eller kanskje bare en equalizer? Det finnes 10 forskjellige reverb-typer å velge mellom: Room, Hall, Spring, Plate, Reverse, Dynamic, Auto-Infinite, Shimmer, Polyphonic og Resonant. Andre effekter inkluderer Delay (digital, analog og båndemuleringer), Tremolo, Chorus, Flanger, Phaser, Graphic EQ, Saturation, Bit Crusher og volum. Den innebygde effektløkken for eksterne effekter kan også legges inn i signalkjeden. Stereo inn- og utganger gjør det enkelt å koble til alle typer instrumenter i alle situasjoner. OLED-skjermen er tydelig og gjør det enkelt å redigere både grunnleggende og mer avanserte parametere. Nesten alle parametere kan kontrolleres med expression/CV control, noe som gir deg full kontroll over effektene dine og dynamikken. De 128 programmerbare plassene kan kontrolleres via de to fotbryterne eller via midi. Stereo inn- og utganger 10 ulike reverb-effekter 11 andre effekter 128 programmerbare plasser 96kHz / 24-bit samplesampling Fotbryter for programbytte, samt for øyeblikks- eller låst funksjon for effektparametere, for eksempel infinite reverb Effektloop i stereo Tails-funksjon for reverb og delay OLED-skjerm med ulike visninger NavCoder-kontroll for enkel redigering Midi inn og ut Expression/CV via midi for kontroll av de fleste parametere Innganger for fotbrytere USB-C port for tilkobling av redigeringsprogramvare (programvaren er ennå ikke lansert) 9 volt strømforsyning inngår

Electro Harmonix Oceans-11 ...

2.380,-

Electro Harmonix Oceans-11 Reverb   Kompakt effektpedal med avansert funksjonalitet og 11 reverbtits Electro-Harmonix Oceans 11 er en kompakt og ekstremt vällydende reverbpedal som inneholder klassiske og mer eksotiske reverb pluss en oppsjon av andre nyttige effekter. Pedalen inneholder elleve ulike effekttyper og MODE-switchen tilbyr ulike variasjoner for flere  av effektene. Som vanlig når det gjelder Electro-Harmonix effekter møter her  innovasjon og kvalitet i en ytterst prisgunstig og brukervennlig pedal. Effekter: HALL – reverb (Konserthall) SPRING –Emulerer et rørdrevet vintage fjærerreverb PLATE – Plate reverb REVRS –Reverse reverb ECHO – Kombinerer reverb og delay TREM – reverb plus tremol MOD – Modulasjons reverb DYNA –Tre dynamiske reverb algoritmer: Velg mellom swell, gate og duck AUTO-INF – Gir et maksimalisert reverb på ditt akkord eller tone og gir en crossfade inn i neste tone eller akkord som spilles. SHIM – Shimmer gir et stort reverb med oktaveringer i overtonsregisteret POLY – Polyfonisk reverb, med to konfigurerbare pitch shift-posisjoner (opp/ned)  Drives med EHX 9.6DC200mA adapter (inkludert)

Electro Harmonix Pico Shimmer ...

1.999,-

Electro Harmonix Pico Shimmer Reverb Pedal Reverb, tre redigerbare Shimmer-moduser: Intergalactic, Off-World, Etherdust, Infinite Reverb-funksjon, tre forskjellige Buffered Bypass-moduser Ved å kombinere reverb, modulasjon, delay og syntese åpner Pico Shimmer nye muligheter for å skape helt unike reverb-klanger.  Selve shimmer reverb-effekten har sitt grunnlag i Electro Harmonix prisbelønte Oceans Reverb-pedaler og vil gi deg effekter du ikke trodde fantes. Pico Shimmer har tre distinkte shimmer-moduser (Scenes): Intergalactic, Off-World og Etherdust.  INTERGALACTIC: Klassisk shimmer-effekt med polyfone oktaver, reverb, modulasjons delay og kompresjon, komplettert med en strengesyntese. Bytt mellom plate reverb, shimmer og eteriske strykere for cinematiske lyder. OFF-WORLD: Mykere og mer tilbakeholden shimmer med forbedret delaymodulasjon. Skaper varme, synth-baserte atmosfærer med tydelig vintagekarakter. ETHERDUST: Glitch-inspirert shimmer der delaytiden randomiseres for å skape alt fra små korte percussive repetisjoner til rytmiske ekkoeffekter. Pico Shimmer har et enkelt brukergrensesnitt der hver kontroll har to funksjoner. VOICE: Morpher ulike reverbkarakterer – fra plate til shimmer og synth-baserte teksturer. BLEND: Justerer balansen mellom direkte signal og effektsignal TONE: Kontrollerer mengden diskant for effektsignalet TIME: Bestemmer decay-tid, fra kort reverb til reverb uten slutt Infinite Reverb: Aktiveres ved å holde fotbryteren nede, og reverbet varer så lenge pedalen er trykket ned.  De alternative funksjonene for hver kontroll lar deg bestemme mengden reverb og delay samt dybde og hastighet for modulasjonseffektene Scene-knapp: Bytter mellom de tre shimmer-modusene. Holder man knappen nede aktiveres de alternative funksjonene for hver kontroll.  Spesifikasjoner Digital shimmer-reverb Intergalactic, Off-World og Etherdust-moduser Kontroller for mix mellom direkte-/effektsignal, effektlengde og ton samt mengden reverb, delay-tid og modulasjon Infinite-funksjon som aktiveres ved å trykke på fotbryteren Tre forskjellige Buffered Bypass-moduser: Digital Bypass, Analog Bypass og Hybrid Bypass Strømforsyning 9VDC 200mA inkludert FAQ Hva gjør shimmer-reverb spesielt? Shimmer-reverb legger til oktav- og pitch-baserte effekter til reverbklangen, noe som skaper en mer atmosfærisk og svevende lyd. Kan jeg få uendelig reverb? Ja, ved å holde fotbryteren nede aktiveres Infinite Reverb for pad-lignende effekter. Er pedalen enkel å bruke live? Ja, de tydelige kontrollene og Scene-byttingen gjør det enkelt å raskt justere lyden også i live-sammenheng. Hvilken type signal støttes? Pedalen er mono og fungerer med standard instrumentsignal.

Keeley 30ms Double Tracker ...

2.790,-

Keeley 30 ms Double Tracker Automatic Double Tracker, Vintage Chamber Reverb, True Stereo Chorus Keeley 30ms Automatic Double Tracker. This stereo effect pedal offers an array of studio-style doubling effects used for creating thicker, fuller sounding instruments. Also included in the effect pedal is a reverb that simulates the famous chamber in Studio Two. Main Features: •    Automatic Double Tracker, Slapback Delay, Reverb effect pedal •    Vintage 80’s rack chorus sounds in a compact pedal •    3 modes      o    Dimension – Automatic Double Tracker – adds 2 additional voices, detunable by ±30 cents with Delay up to 30ms      o    Abbey Mode – approximates double tracking effect applied in the Abbey Road Studio      o    Slapback – adjustable classic slapback plus two adjustable doubled voices •    Internally switchable mono/stereo output via TRS jack and TRS insert cable •    Internally switchable PRO mode for even more control over the double tracked voices •    Pedalboard-friendly size – for compact rigs •    Made in Edmond, USA •    Powered by a regular 9V DC PSU (centre -, 2,1 mm, low ~65 mA current draw) The Keeley 30ms is designed to work with guitar, bass, keyboard, even vocals Says Chief Engineer Robert Keeley, “Since the early days of automatic double tracking, pioneered by Ken Townsend and John Lennon at Abbey Road Studios, this technique has become the de facto way of creating recordings that sound bigger and fuller by making it sound like two guitars, or singers, or instrumentalists are playing at same time. The Keeley 30ms Automatic Double Tracker offers musicians the ability to take these techniques with them out on the road with a wide range of tools needed for crafting unique double tracking schemes.” The Keeley Engineering 30ms Automatic Double Tracker pedal can be used in mono with a built in “Abbey Verb” reverb control, or in stereo as the Double Tracker Pro. The 30ms offers altered and detuned effects like a chorus pedal might sound, only without the regularity of a LFO oscillator in Dimension Mode. In this mode you have the ability to create up to two different voices for a stereo double tracked field. The user controls the tuning and delay for results that are stunning mono or, through two amplifiers, sublime stereo. Abbey Mode offers something more similar to a conventional chorus in that it simulates synched tape decks running in parallel with varying tape speeds. Stereo or mono, this mode gives players a wide, lush sound without sounding like a conventional chorus pedal. Lastly, the team at Keeley created a unique Slapback Mode for rockabilly sounds. The Slapback is now a double tracked echo with the two altered voices. Add the Keeley Abbey Verb to this mode to create stunning, new effects. In Stereo Double Tracker Pro Mode, the unit drops the reverb channel in favor of complete control over the double tracked voices. Each of the two voices can be tuned up to 30 cents sharp or flat. Those voices are then delayed by up to 30 milliseconds for subtle to very distinctive doubling sounds. Via internal switches, users can program the wet output to have either dry and effected sounds or just the effect, giving them true double tracking in stereo– live.

Keeley Aurora Digital Reverb ...

2.590,-

AURORA REVERB Turn down the lights, turn up the spectrum… Join Keeley Electronics’ grand entrance into the hallowed halls of psycho-acoustic processing – the Aurora Reverb. Few effects complement a guitar better than reverb; from spring reverb coils in a tank to the distant echo of cathedrals to 600 pound sheet-metal plate vibrations. Reverb captures our imaginations and plunges us deeply into our musical psyches.  Reverb IS the key to the highway. At Keeley Electronics, the Aurora Reverb had to meet certain specific criteria. It had to be affordable with no compromise to audio quality. It had to be easy for guitarists to use and be inspiring. And it had to offer the essentials for tailoring your tone without a dozen knobs to learn. Now achieved, we are proud to offer a true bypass, 100% dry analog path, low noise, 24 bit, high-fidelity reverb processor. AND IT SOUNDS GREAT! Main Features: •    Reverb effect pedal •    Vintage reverb sounds in a compact pedal •    3 modes      o    Hall– long bright ambience      o    Plate – short, vintage studio sound      o    Room – medium, warm ambience •    Pedalboard-friendly size – for compact rigs •    Made in Edmond, USA •    Powered by a regular 9V DC PSU (centre -, 2,1 mm, low ~65 mA current draw) In fact, when asked if it offered ‘trails’ I couldn’t help but think, “Why would you need trails for a pedal you won’t want to turn off?” The following controls offer everything from pristine, fast reflections to ethereal spaces to deep, dark and endless caverns. The three most popular reverb styles that don’t come built into your amplifier are Room, Plate and Hall. In the smallest footprint possible, we offer what used to take up a recording studio room or an entire city block.  You can achieve cathedral resonance, enormous surface areas of sheet-metal plate sounds or convincing room decays. Room sizes range from something like a broom closet to that of a barn. (And I also want to add that careful adjustments to the Room settings yield a signal bordering on the verge of spring reverb, so if your amp doesn’t already have a tank, we’ve got you covered.) Decay controls the amount of time it takes for the reverberated sound to disappear. Ours provides a range from a realistic, close-quarters reverberated dimension to a “walk-away-and-come- back in a while” signal of complex, still-ringing musical reflections. Slapback is what we call pre-delay. Pre-delay creates distance. How soon or late you hear the first reflection is crucial to crafting the reverberated space. Sometimes you do not want any delay between your note and the reverb. And sometimes, for clarity’s sake, you want the reverb to wait a moment before joining the dry signal.  Such a setting enables  short, staccato, single-syllable type expressions to finish articulating before being suffused AND joined by the tail-end of previously reverberated sounds.  The Slapback setting adjusts from zero to 100 milliseconds. When the illusion of infinite space is required, set your Slapback to zero and you’ll streak vividly away like Dr. David Bowman breaking free of Jupiter’s gravitational pull. Dial up the warmth. Unlike most tone controls, ours is a dampening control and increases the warmth, as it is rolled up. Its brightest setting is when completely dialed down. Blend will take your 100% analog dry signal and blend in the reverb, from just the slightest mix of wet to much more. We suggest you place it at the end of your pedal chain and use the Blend Knob to tailor your sound. The Keeley Aurora Reverb provides the essentials guitarists are looking for when they need reverb on their pedal boards. Like that ethereal glow to the mighty Earth herself, Aurora creates a natural halo of sound in the atmosphere of your magnificent core tone.

Keeley Caverns Delay/Reverb ...

2.785,-

Keeley Electronics Caverns Delay Reverb v2 Delay and Reverb The Caverns Delay Reverb V2 dual-effect pedal combines delay and reverb for the perfect end to any pedal board. It features Keeley’s analog-style tape delay with modulation options. The 650ms of warm delay combine with Spring, Shimmer or Modulated Reverb. Caverns now comes with a True-Bypass or Trails option. Because of its small and compact design, the New Caverns is a perfect fit for any fly-rig or small board where you have tight space requirements. The New V2 features Keeley’s most popular time-based effects, blended perfectly via a design fine-tuned for over 2 years. Simply put, it will be an amazing addition to any board. Main Features: •    Delay and Reverb effect pedal •    650ms warm delay - based on Keeley’s Magnetic Echo ciruit to emulate analog tape delay •    3- way switchable delay modulation – for adding wow and flutter to the repeats •    3 cavernous reverb modes – Spring, Modulation and Shimmer •    Pro Rig designed, remote control thru 1/4″ jacks for live use with pedal switcher systems •    100% analog dry signal, audiophile designed input to output •    Mono True-Bypass/Trails, via internal DIP switches •    Top-Mounted Jacks - for a compact pedalboard layout •    Made in Edmond, USA •    Powered by a regular 9V DC PSU (centre -, 2,1 mm, low ~75 mA current draw) The New Caverns Delay Reverb V2 builds on the old Caverns pedal by giving players a more open and logical control layout with more space between the foot switches. The Reverb side of the pedal features 3 cavernous sounds. Spring Mode, a Blackface Amp style spring reverb with F Style Tremolo. Modulation Mode, which adds Choral modulation to the reverb for a huge, cavernous space. And finally Shimmer Mode, a Reverb with emphasis on octave-up voices in the reverb trails.  The Delay side of the pedal incorporates Keeley’s popular Magnetic Echo circuit, which is designed to emulate analog tape delay lines. Three way switchable modulation gives you options for adding Wow and Flutter to the repeats. Perfectly voiced echoes sit well in the mix, either clean or with distortion. Top-Mounted Jacks allow for a compact pedalboard layout. True-Bypass or Trails option gives you the freedom to create huge caverns of sounds and lets them ring out even after you turn the pedal off.  Keeley’s buffers are engineered to retain your tone and to feed your amplifier a full-strength signal. The Caverns Delay Reverb V2 is entirely built in the US. Keeley’s veteran crew builds the most reliable and road-worthy gear.

Keeley Hooke Reverb pedal

2.450,-

  Hooke Spring Reverb Spring Reverb Black Face Trem-n-Verb Fugue Organ Setting The new Hooke Spring Reverb from Keeley brings vintage tube-amp spring reverb and tremolo into one package. Bring your Blackface reverb and tremolo on the road with you without lugging around your prized possession!  Choose from Classic Spring, Blackface Trem-n-Verb, or an organ-like Fugue-Verb. Classic Spring Reverb The Hooke Spring Reverb begins with a Spring Reverb mode.  The main features of this mode include the Tone and Spring controls.  The Tone control allows you to work within the range of bright and spanky to dark and thick.  The Spring control is the amount “looseness” or “Sproing!” in the reverb pan.  Loose springs seem to generate a lot of reflections, and you can hear the reverb “bounce.”  With the Hooke, you can simulate a specific reverb pan of a vintage amp, two-springs, three-springs, short, medium, long decay … it’s all in there.  What’s more, combinations of these two controls allow you to fine-tune the tone and the character of the springs and tubes in order to dial in your favorite vintage reverb response.  The depth and warmth of the Hooke reverb is simply remarkable.  It’s one of our finest creations. Blackface Trem-n-Verb Trem-n-verb is designed to give you the ultimate Fullerton, CA black panel Vibrato channel reverb.  Everyone knows that it’s not really (pitch) vibrato, it’s tremolo.  We carefully EQ’d and filtered the sound to not only be tube-like, but we crafted a tonal modification that makes for a deep, throbbing tremolo.  By adjusting the bias of the output tubes for the volume tremolo, you also dip the volume of the reverb.  We created a special recipe in which the reverb washes over the tremolo texture just a little thickened in order to craft a tone that is truly magical. Fugue, an Organ Reverb The Hooke Reverb needed something crazy, something that just didn’t exist.  We started playing with shimmer-springs, octave down and sprung, and all sorts of other coiled manifestations of things springy and coily when it hit us.  The problem was we could hear the original guitar part.  Ah, yes, all wet.  All wet is where magic can happen.  No original signal, all wet spring reverb with octave up and down.  Church Organ, Organ Reverb, Fugue It!  Get Hooked and Go Fugue! Spring for More! Three More Reverb Patches! Want more from your Keeley Reverb?  Take the back plate off your Hooke Spring Reverb and change the Bank Switch to Bank 2.  Now you have three more spring reverb patches! Long Decay Trem-n-Verb – Same as in Bank 1, but set up for single coil guitars and super long decay/reverb trails.  If you want a huge springy mess of reverb and you have some spaghetti logo guitar for making surf music … yeah, this is it.  Spring’s up, dude! Spring-Plate – Another Keeley Original.  After a YouTube commentator wrote, oh man no plate reverb? I said, Beeeeetch! I got your plate reverb!  How about this, I said: Cross Fade between Spring Reverb and Plate Reverb.  And that’s just exactly what it does.  Dial in 25% spring reverb and 75% plate, dial in 50/50, dial in your own perfection.  This is like taking your tube amp with spring reverb into the studio and then the producer adds plate reverb.  Classic.  Happens all the time.  Well, now you can do it anywhere with the Keeley Hooke Spring Reverb.  Thank you. Vibro-Spring – What if a Blackface and Magnatone amp had a love child?  Yeah, a pitch vibrato spring reverb.  Something that would have been right up Lonnie Mack’s alley?  Well, it’s in there too.  The Fugue Mode becomes what I call the Mack Mode.  Mack Mode was inspired by Eddie Heinzleman’s love of Lonnie Mack.  I texted Eddie about this possibility and in a few seconds I had YouTube links to Wham and Satisfy Suzie.  Yup, Vibrato and Reverb.  Sounds Delish.  Mack ‘n’ Cheese!  Wait, wrong page… Mack Mode!  Spring Reverb with Pitch Vibrato.

Keeley HYDRA Stereo Reverb & ...

3.456,-

HYDRA Stereo Reverb & Tremolo The new HYDRA is a high fidelity and true stereo Reverb and Tremolo. Designed to be the perfect end to ANY pedalboard, regardless of genre. Save up to 3 presets and dive deep into the HYDRA’s potential using our Alt Control feature. The Hydra features on-board or remote tap-tempo, you can swap the order of the Tremolo and Reverb, expression pedal control, Infinite Hold Reverb trails and so much more! The HYDRA combines high-fidelity Reverb and Tremolo to add space and dimension to your guitar, bass, or keyboard signal. After the team at Keeley completed the ECCOS, we wanted to craft the perfect companion pedal, the tone of which had to make it impossible to turn off. Bathe your sound in Spring, Plate or Room Reverb, then add tap-tempo enabled Harmonic, Vibrato, or Sine Wave Tremolo with the press of a button. You can easily change the order of effects or the character of the Tremolo or Reverb with the HYDRA’s smart Alt Controls. You can even create an Infinite Hold Reverb Trail! Save up to three presets with ease using our intuitive save feature. Engage Reverb Trails on the fly, no more internal dip switches. The Hydra can be used with pro remote switching systems and offers both TRS Expression Pedal and External Tap-Tempo inputs. The HYDRA is a complete end-of-pedalboard solution that fits perfectly in any musician’s rig, regardless of genre. Experience next-level processing power in this pedalboard-friendly enclosure. The sky, or more appropriately, the ocean floor, is the limit with the new Keeley Electronics HYDRA! View, download, and print the HYDRA manual here: Click here to view and download HYDRA Features: Stereo high-fidelity Reverb and Tremolo effect pedal Dreamy and accurate sounding Spring, Plate, and Room Reverbs Vintage-voiced Harmonic, Vibrato, and Sine Tremolo 3 Preset locations On board or Remote Tap-Tempo Smart Alt Controls for Shimmer, Spring Age, Room/Hall Size Infinite Hold for Reverb trails Expression pedal can be assigned to any knob Effect Order, Reverb or Tremolo first, switchable on the fly True-Bypass or Trails switchable on the fly 9 Volt DC, 146mA ultra low-current design Made in Edmond, USA

Keeley Loomer Fuzz Reverb ...

4.128,-

Wall of Fuzz pedal, Drenched in Wash of Reverb Loomer Wall of Fuzz Soft Focus Reverb Reverse/Trem Bar Reverb Hall/Octave Reverb The Loomer is a Wall-Of-Fuzz drenched in a Wash-Of-Reverb. Heavy Gain, Soft Focus, Reverse,  Cascading Octave Feedback, Tremolo Bar Strummed Reverb. A stoned, morning floaty, messed up, thrill machine is what it is.  Washes of reverb in new ways you’ve not heard in a stomp box before and a fuzz that’s like a cigarette burn on your forearm.  It rages. Jesus, Mary, and Reverbs Can’t live without these three and the new reverbs are born of a Shoegaze dream. Hall Super long ambient wash with the ability to add octave regeneration in the feedback loop.  More than shimmer it’s more like ascension shimmer. Reverse Set different delay times with the Decay control which gives you rhythmic reverse.  This is based on the Yamaha SPX90 and the Alesis Midiverb II. This is not a true reversed reverb as it reads through a delay line at various points in the delay while increasing in volume.  The Decay control is more of a switch in that it is chooshing between 8 different set “decay” times: 150ms, 200ms, 250ms, 300ms, 350ms, 400ms, 450ms, and 500ms allowing you to set all kinds of delay times in which the notes come back at you. This is where it gets really cool.  The vibrato in this mode is envelope controlled. The range runs from 0 to 50ms of time shift.Tone control is loosely based on the Jazzmaster rhythm tone control with a low pass filter centered at 156.6Hz  Strum hard at it pitch bends like you are playing the trem bar on a Jazzmaster or Jaguar!  Combine the two for an unreal dual-guitar player effect! Soft Focus Because all of the reverbs can go All-Wet by means of the Blend Control, this is a great approximation of the Yamaha FX500 patch. Soft Focus Reverb features a dense reverb with two delays in parallel (one set for 250ms, the other set for 380ms.) Muffdive Grabs you by the fuzz.  When you’re a gazer, you can do those kinda things.

Keeley Memphis Sun Echo Verb ...

2.450,-

Neo Vintage Echo Verb SlapBack DoubleTracker Memphis Sun – Lo-Fi Reverb, Echo and Double-Tracker Memphis Sun NeoVintage EchoVerb SlapBack Double Tracking Head into the Memphis Sun and bask in the tones of the 1950s!  Studio sounds of the 1950s and more.  Small Room Reverb, Slapback Echo, Futuristic Double Tracking. Ah, the sounds of Rock and Roll…. Clickety Clack, noun: A rhythmic, swiftly paced succession of alternating clicks and clacks, as the sound produced by the wheels of a train moving over tracks. I hear that train a comin’ Memphis Sun! The new Memphis Sun – Lo-Fi Reverb, Echo and Double-Tracker is our second studio themed pedal.  Like the Keeley 30ms ADT this pedal gives you a wealth of tones for capturing that classic Rock-and-Roll sound as well as sounds you’ve not heard before.  It’s NeoVintage. It’s an Echo and Reverb pedal. Toggle through the different effects presets: SLAPBACK 600 – Echo for long delays SUN MODE – Auto Track-Doubling and slapback with short delays ROOM   –    Studio simulation reverb Both of the ECHO 600 and SUN MODE effects have a Room Reverb. It’s a one-knob, rock and roll type of room reverb. SLAPBACK 600 Rock and Roll is the Devil’s music, right? So of course we made the delay time up to 666ms to simulate some unearthly echo machine that never really existed. Filtering in the Slackback mode is done in stages. First, we heavily filter the response at 1 kHz then compress the thing. Remember the concept: pack a bunch of sound in a small room and it compresses. Next, we filter it again at 1 kHz !  Sounds like Rock and Roll, right? Aaron Tackett is our Rock and Roll Doctor of DSP here at Keeley. Not only is he devilishly good looking, he has a way of making waves look good — adding curves so to speak. He has added 2nd and 3rd order harmonics to this mix to simulate tape response and equipment distortions. Waves folded back on themselves.  You’re gonna love his curves. Time – 30-666ms m/ m/ Regen –  As Jack White says: “Three.”  Up to three repeats. Or sometimes six…. Reverb – Old Rock-and-Roll Room Reverb. Sun Mode Let’s Do it Twice Mama, It’s Alright!  Automatic Double Tracking (ADT) was not available in the 1950s, but we sneak it in here because it makes a wonderful sound. And, if you lengthen the time, it goes right into slapback territory which is at the heart of Country and Rock and Roll guitar sounds.  Like our Keeley 30ms, this pedal will do ADT.  The Memphis Sun creates a vintage-voiced double-track in mono.  Your guitar-playin’ “Gemini-Twin” has a very warmed-up tone.  Adjusting the Time Control lets you easily create anything from Double Tracking to Slapback with up to 180ms of delay time. Time – Delay Time is 0-180ms.  For Automatic Double-Tracking set this control at the second mark or lower, 0-30ms. For slapback echo 30-180ms sounds great. The knob markers notate 0,30,60, 90, 120, 150, and 180ms Regen – Modulation for the ADT. Set to OFF for NO Rate or Depth.  Increasing this control increases both the Rate and Depth of “Tape” modulation. Reverb – It’s Still Rock-and-Roll Room Reverb to Me Room The Room Reverb simulates a small 33′ by 18′ asbestos-tiled room so filled with music the sounds actually get compressed.  We take into account the frequency response of the mics used back then. The RCA 77 is loosely simulated by a group of filters including a HPF = 300 Hz and LPF = 8 kHz. Many artifacts are incorporated in our room reverb. And second and third order harmonics are added to make sure it sounds just right. Time is the Pre-Delay amount: 0-150ms of pre-delay. This allows for a slapback sound as the first reflections come into focus. Regen is the Tone control: this is an active filter +/- 10 dB and is centered around 1.1 kHz. Reverb is the Depth control for the reverberations. That’s What I Say Rockin’ Robbin! NeoVintage – Low Fidelity. That’s right. That’s what I say. This doesn’t sounds like some merry band of pixie nymphs playing digital fiddles in your ear. It sounds freaking great!!  If this pedal had a smell it would be too intoxicating to play. The Keeley Memphis Sun – Lo-Fi Reverb, Echo and Double-Tracker Pete Anderson!

Keeley NOCTURNE Ambient ...

4.128,-

Keeley Electronics NOCTURNE Signature Andy Timmons Reverb Developed in collaboration with Andy Timmons, the NOCTURNE from Keeley Electronics is a flagship reverb pedal that redefines ambient tones. With three reverb soundscapes shaped by just four intuitive controls, it's designed for effortless onstage control and sonic depth for plug & play types. Advanced users will appreciate its remote switching, expression pedal support, preset storage, and full MIDI integration for maximum flexibility. The NOCTURNE pedal gives you three new reverb modes — Nocturne, Spring, and Plate — each designed to be the guitar and amp’s perfect companion. The Plate reverb is based on Keeley’s extensive analysis and modeling of the stereo tube plate reverb that was in Austin City Limits studio since the mid-1970s. The Nocturne’s Spring reverb features their finest sounds based on both stand-alone reverb tanks and tube amplifier combos. Main Features • Signature Andy Timmons Reverb Pedal • Three Reverb Modes      o Nocturne: Andy Timmons’ Halo delay algorithm reimagined as an ethereal, immersive reverb      o Spring: Features Keeley’s finest sounds based on both standalone reverb tanks and tube amplifier combos      o Plate: Based on Keeley’s extensive analysis and modelling of the stereo tube plate reverb used in the Austin City Limits studio since the mid-1970s. • Controls for Tone, Level, Decay and Modulation with alternate controls for High Pass Filter and Pre-delay • Store and recall presets with the dedicated Preset switch • Selectable True or Buffered Bypass • Selectable Trails on or off • Expression control input and MIDI compatible with 72 presets available • Stereo outputs with Wet + Dry or Wet-only operation • Top-mounted jacks and soft touch relay switching • Made in Oklahoma, USA • Powered by a regular 9V DC PSU (centre -, 2,1 mm, ~150 mA current draw) The simple four-knob layout of Tone, Level, Decay, and Modulation makes it easy to shape each gorgeous reverb algorithm. Each mode can be made a preset so you can store your favourite sounds.  Alt features include pre-delay time control, allowing you to create slapback echo effects. NOCTURNE offers a flexible signal path with True or Buffered Bypass, Expression Pedal control, Remote Switching, and MIDI compatibility for up to 72 presets. Whether you’re running mono or stereo, wet/dry, or full wet for parallel rigs, the NOCTURNE adapts easily to any setup. Built on Keeley’s award-winning Core architecture, every component and line of code is tuned to make this reverb feel musical and alive. Operation is easy with the NOCTURNE – if the indicator LED is blue then it's 'wysiwyg'; the knobs set the tone or level of each reverb mode. If the LED is red, each reverb is a favourite or preset, where you can save the settings for each reverb mode. Engineered for the working musician and voiced for inspiration.

Keeley Verb O Trem Reverb and ...

2.069,-

Inspired Reverb and Tremolo Pedal Keeley VoT – Eddie Heinzelman Verb o Trem Reverb Tremolo Combo Vintage Two Spring Splash or Smooth Plate Reverb Three tube-amp style trems: Volume, Pitch, Harmonic Keeley and Eddie H. teamed up to produce the Verb o Trem, the Keeley VoT!!  When you go minimalist, you still consider Reverb and Tremolo.  Even the guys that say they just plug their guitar cord into the amp…still admit they love verb and trem!  So if you’re doing a small gig with a compact board or you just want the captivating power of tremolo and reverb at the same time, the Keeley VoT is a simple and beautiful sounding combo. The Keeley VoT reverb and tremolo combo gives players a simple and beautiful sounding way to end their pedal boards.  Reverb and Tremolo often sound best at the end of your guitar rig, after effects like compression, fuzz or overdrive.  The Keeley VoT gives you famous Keeley spring and plate reverbs as well as modulated tube amp tremolos.  This immaculate pairing provides you with everything you need for a small, compact pedal board. Reverbs Keeley 2 Spring Reverb is the real deal, it’s so good sounding, they install it in The Amp now.  The Keeley Spring Reverb allows you to get that splashy spring sound that instantly fattens your guitar tone. If you want something super smooth, however, you flip it over to switch in our Plate Reverb.  Get that huge plate reverb sheen by simply flipping a switch! Tremolos A Lotus Flower of Tremolos. I don’t know what that means, but it sounded good.  You have three blooming tremolos in the Keeley VoT. R+T – is an organic tube bias type tremolo.  This means you hear the tube amp bias change enough to modulate the volume.  A very personal and haunting tremolo.  Very moody. Mack – This mode is a MagnaAmp style pitch vibrato.  Done by carefully changing the phase to elicit a silky smooth pitch shift.  Sounds like you have your finger on the pulse of life.  Sometimes a walk on the wild side is the way to go. HAR – Harmonically Amplified Resonator.  I made that up too.  Harmonic Tremolo -two filters that we vine around, back and forth, creating a notch filter that gives you that Tower of Flower sound. VoT – Lotus Here’s where the flowering magic occurs: you can set the VoT to be either Reverb OR Tremolo OR Both if you want.  Let’s say you just need some ‘verb for the night, simply reduce the Depth control!  Reverb Purity. What if you want to use the tremolo only?  Simply roll off the Reverb control. This pedal can simply and easily be reborn into any combination of tones you need. The Artist Eddie Heinzelman is an in-demand session musician/sideman who currently plays guitar, mandolin, and sings background vocals with hit songwriter and Country/Americana artist, Radney Foster.  He is also an active member and admin for the Keeley Sound Check – Open Guitar Effects Forum.

Keeley Vibe-O-Verb Reverb ...

2.069,-

Ambient Reverberation Machine Vibe-O-Verb New Ambient Reverbs Simulates changing reflective surfaces! Simulates accelerating reference points! Welcome to the Vibe-O-Verb! This is a reverberation machine…. Lost reverbs that never were. The atmospheres are Vibey, have Vibratoneness, and are Phasery…. This three mode reverb lets you hear what some of the most classic effects sound like on just the reverb. Allowing you to create new sounds and textures like never before. Fibonacci All of the Delay Space in our reverb engine for the pedal are in the Fibonacci series.  What does this mean for you?  You’ll probably make more money, look better (see golden ratio) and find true happiness.  What does this mean for us?  A secret pleasure in defining a reverb that is unique and possibly more musical.  Since great works of art like Debussy’s La Mer have been crafted by using the Golden Ratio, why not create lengths of time defined by such ratios?   0, 1, 1, 2, 3, 5, 8, 13, 21, 34 https://en.wikipedia.org/wiki/Fibonacci_number Harmonic Reverb This mode is like a vintage Brownface Amp or our DynaTrem, Harmonic Tremolo on the reverb.  Imagine choppy waves of tremolo on your verb!  All with the a delicious hint of Vibe!  Dynamic Dimension Canyons?! Vibrato Reverb Pitch Bending Reverberation Machine.  From mild chorus to spacey bayou tones!  Too grande to call our modulated chorus, this is one for modern psychedelics.  For this one you have to imagine maybe both the source and the reflective wall moving!  Maybe even accelerating with respect to each other.  Why didn’t we call this one the General Theory Of Reverberation? Phaser Phaser Modulated Reverb.  Maybe the most mild but in a way that lets you appreciate some of the space around notes.  This notch filter in your reverb space gives the illusion of the reflecting wall morphing from carpet to wood, then to steel and then glass.  Round and round.  Get the idea?  Dynamic reflections in an all new space. Enjoy these “Lost Reverbs” Vibe-O-Verb, reverbs that never were….until now.

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